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Abstract Bereavement over the years have taken on a new form with research. The impact of death in a family is no doubt, great indeed. While most agree that each person copes in their own way, the family dynamics are changed instantly and roles in the family are compromised. This paper will focus on the challenge a child has when both of the parents die at the same time. The exploration of early parental death and the effects it has on a child is demonstrated in the Disney movie, Lilo and Stich. To reduce the emotional damage that increases over time, a clinical evaluation will be provided in assisting the family as they adjust to their new family situation. Lilo and Stitch Lilo and Stitch is a movie that came out in 2002 with the primary …show more content…
actors of Lilo Pelekai, Stitch, Nani Pelekai, Cobra Bubbles, Jumba Jookiba, David Kawena, Captain Gantu, Grand Council woman and Pleakley. The movie starts out when a mad scientist named Dr. Jumba Jookiba from a galaxy far away who created an illegal genetic experimentation called Experiment 626. The Galactic Federation had Dr. Jumba on trial and found him guilty in creating Experiment 626 and sentenced him to imprisonment and his experiment exiled.
In the process of transporting Experiment 626, he escapes in a spaceship and lands on earth, the Hawaiian Island of Kauai. On the Island of Kauai, there is a young girl named Lilo who is seven years old who lives with her sister Nani in a house on top of a hill. Nani just graduated from High School and now has the responsibility of taking care of her little sister and find a job. Lilo is an orphan who lost both her parents at the same time in a car accident caused by the rain. Lilo is a spirited little girl with an abnormal personality resulting from the recent death of her parent’s. Nani and Lilo are issued a social worker named Cobra Bubbles. The social worker is trying to determine if Nani is able to provide adequate care for Lilo. With the pressures of trying to find a job, keep Lilo out of trouble and meet the social worker’s expectations, Lilo makes the situation harder. The friends Lilo had don’t know what to say to her because of her loss and treat her like she is crazy. This causes her to lash out in emotions and biting one of them. Lilo also feeds a fish peanut butter and jelly …show more content…
sandwiches because she believes the fish controls the weather. Throughout the movie you see Lilo battle with her emotions with her sister, her friends, Stitch her adopted alien dog and her wanting her parents back. Through the movie, Lilo continues to express the need for family togetherness no matter how small the family is and that no one gets left behind. Lilo adopts a dog the day after she sees a shooting star, where she makes a wish saying “I need someone to be my friend, maybe you can send me an angle, the nices one you have.” With her adopted dog she finds a companion in which she teaches the family way of life and coping skills to get through the next few days by focusing on him as a friend. In the process, her sister loses her job, gets turned away from several other job interviews and the house burns down because of the two aliens sent to capture Experiement 626. Even though all these things happen, Lilo was able to teach Stitch the meaning of family and togetherness and at the end, Stitch became part of their family and no longer was a dangerous experiment. Stitch was no longer lost and Lilo found family happiness again. Emotional Trauma Assessment Lilo’s emotional trauma began the day her parents died in a car crash. This accident instantly made her sister, her parent now, which at times saddened Lilo because she missed the fun times she had with her. In the movie, Lilo said to her sister “I like you better as a sister than a mom, and you like me better as a sister than a rabbit right?” After she said that, Lilo hugged her sister and started to cry. In the movie as Lilo was looking at her family picture, she said, “We are a broken family, people treat me differently” her sister told her “they just don’t know what to say.” When a child experience the death of a parent, the emotional trauma can be devastating. Lilo is demonstrating emotional trauma resulting from an unexpected experience in which she was unprepared to handle and there was nothing she could of did to stop it. Movie interjection In the movie, the social worker came to visit the first time after Lilo’s friends at dance made fun of her and didn’t want her to play dolls with them.
Even though the teacher told Lilo to stay and wait for her sister to pick her up, Lilo went home and locked herself in the house listening to Elvis “Heart break hotel.” Mr. Bubbles the social worker and I the therapist show up to the house as Nani is trying to get into the house. Hello Nani, says Mr. Bubbles I am the social worker and this is Ms. Kim. We are here for your visit, is there a problem? “No, give me a minute” says Nani as she is getting up from the porch floor with a hammer. Nani runs around back as Mr. Bubbles follows her. Ms. Kim kneels down and peeks through the doggie door to say hello to Lilo. “Hello Lilo my name is Ms. Kim, you like Elvis?” Lilo turns her head as she is laying on the floor in the living room and takes a deep breath and says “yes, he is my model citizen and friend.” “Elvis is a great singer, I enjoy his music as well” says Ms. Kim. “Lilo can we come in with your sister so we can listen with you?” “I guess you can” says Lilo. Nani, who is in the back of the house gets in through a window and invites us in. Mr. Bubbles continues to talk to Nani, while Ms. Kim goes to the living room to sit with Lilo to listen to music. When the music stops, Lilo looks at me and says “I have no friends, they all think I’m weird.” Why do you say that Lilo? “Because they don’t understand me, they
don’t let me play with them. My sister says it because they don’t’ know what to say to me.” Say to you about what, Lilo? Said Ms. Kim. “They don’t know what to say because my parents died in a car crash during a rainy night and I feed the fish peanut butter and jelly sandwiches because he controls the weather. I do that so no one else has to die because of bad weather.” As Lilo is sitting there with four spoons on the floor dressed as hula girls, she scoops them up opens a pickle jar and puts them in upside down, closes the jar and looks at me saying “my friends need to be punished.” As I look at the book by the jar of pickles it says Voodoo practice. I take a moment and look at Lilo and ask her, “what do you like to do?” Lilo says “I like to dance and take pictures of people, let me show you.” As she walks me to her room, on her wall are several pictures of people large in size. “Lilo, how do the pictures make you feel?” Lilo smiles and says, “each picture shows that even though something is different about them, they are still people, that is how I want people to see me.” Lilo, I would like to visit you again and maybe next time we can take pictures together on the beach with your sister.” Lilo agrees and smiles and Mr. Bubbles finishes talking with Nani informing her that she need to get a job and hands Lilo his business card saying the next time you are home alone, give me a call to let me know. Diagnosis Lilo is demonstrating Traumatic stress and emotional trauma from the loss of her parents. Disruptive mood dysregulation disorder (a depressive disorder in children who exhibit chronic and severe irritability and have frequent temper outbursts) this was apparent during dance practice and she lashed out on the little girl by pushing her and biting her. While talking to her sister Nani in the bedroom she burst out in tears hoping for her sister to reassure here that she wouldn’t trade her in for a rabbit. Lilo is an Axis 4, psychosocial and environmental problems such as poverty, dysfunctional families, and other factors in the patient’s environment that might have some impact on the person’s ability to function. Treatment Vivo observations are needed on Lilo and her sister, which is a process involving the recording of behaviors in its natural context, such as the classroom or the home. (Whitbourne, 2014) 1. Individual therapy 2X a week 2. Vivo observations 1X a week 3. Group therapy 1X a week 4. Meeting with school staff and teacher Movie affect Watching the movie Lilo and Stitch made me realize that as a teacher, knowing a child’s family life is very important. Having open communication allows us to be a part and assist in the emotional and social development. Many times we may feel that a child is bad and we give up on them resolving in our heads that they are doing it on purpose. When in reality, it may be how they deal with a situation that is happening at home. Defense mechanism can range from regression bed wetting, thumb sucking, acting out, selective mutism or behavior issues. From this movie, I felt emotional as Lilo went through her grieving the best way she knew how and that was being tough and defending herself. When the movie focused on family and how important it is, my heart cried as her sister Nani sang the song to her before the social worker was supposed to take her away. She didn’t know how to tell Lilo that she was going but singing her the lovely Hawaiian farewell to thee song “Aloha Oe” drove the point home of how much she loved her sister. With the recent studies and knowledge of how death of a parent causes emotional trauma to the child, the impact on their life is real. Parenting the child who experienced the loss demands the quality of parenting afterward to be accompanied with therapy. Therapy will help them work through their emotions, learn how to cope with what they are feeling and how to continue to function in a society that may not know how or what to say to a young child in their loss. References
D1: I have decided to look at a 6 year old going through bereavement. Bereavement means to lose an individual very close to you. When children go through bereavement they are most likely to feel sad and upset about the person’s death. Children at a young age may not understand when a family member dies. Children may not understand bereavement. For example a 6 year old’s father been in a car crash and has died from that incident. Death is unpredictable and children can’t be prepared for a death of a family member as no one knows when someone is going to die or not. Unfortunately every child can experience bereavement even when a pet dies. It is important that we are aware that effects on the child so we can support them in the aftermath.
Overcoming the grief that is felt after losing a loved one is a physically and mentally agonizing task. According to Dr. Christina Hibbert, a clinical psychologist who graduated from the California School of Professional Psychology, three main stages of grief include anger, depression and acceptance. Each one of these emotions can be seen in William Shakespeare’s Hamlet and The Descendants (2011, Payne) as the artists explore the effects of grief and the different emotional responses that one can have due to the loss of a loved one. Additionally, in Ismail Kadare’s Broken April, the Berisha family feels the sufferance that is associated with unexpected death, as well as the various temperamental reactions that one will have after losing a loved one. Each of these works of art represent a powerful example of the stages that one will go through after feeling the intense sorrow that is connected with death, as well as the unavoidable effects of grief.
Ah, love. Love is so often a theme in many a well-read novel. In the story, As I Lay Dying, one very important underlying theme is not simply love, but the power to love. Some of the characters have this ability; some can only talk about it. Perhaps more than anyone, Addie and Jewel have this power- one which Jewel, by saving his mother twice, merges with his power to act. As the Bible would have it, he does "not love in word, neither in tongue; but in deed and in truth" (1 John 3:18).
African American reactions to death and loss can be traced to their African roots, their centuries of slavery, their commitment to Christianity, and their post-slavery treatment in American society. Among those to explore death and dying in twentieth-century African America is author Karla FC Holloway. In her book Passed On: African American Mourning Stories: a Memorial Collection, Holloway thoroughly investigated the myths, rituals, economics, and politics of African American mourning and burial practices, and found that ways of dying are just as much a part of black history as ways of living.
Arriving at Lacey’s house I walk to the backdoor letting myself into the house. Lacey was putting on tanning lotion in the kitchen, “Lacey,” I called to her, “my mom wants me to pick up snacks for the beach, do you want to go into town with me?”, “Sure,” she replied, “do you mind if my cousin comes with us?”, “Of course I don’t mind,“ I answered, “but we have to get moving, my dad only left me the car to use ‘til noon.”
Family dynamics are patterns in the relationships between family members. Every family has its own dynamics and there are very different from one another because of the many aspects that influence them such as the numbers of members in the family, the personalities of the individuals, the cultural background, the economic status, values, and personal family experiences. This paper will analyze the two different relationship patterns found in the poem “Elegy for My Father, Who Is Not Dead,” by Andrew Hudgins and in the short story “Everyday Use” by Alice Walker. By interpreting those two sources through Freud’s concept of family, the family environment and the relationships between the members will be analyzed to illustrate the ways family dynamics
Leming, M., & Dickinson, G. (2011). Understanding dying, death, & bereavement. (7th ed., pp. 471-4). Belmont, California: Wadsworth.
Grief can be defined as the natural reaction to loss. Grief is both a universal and personal experience (Mayo Clinic, 2014). Individual experiences of grief vary and are influenced by the nature of the loss (Mayo Clinic, 2014). There are multiple different theories that have attempted to explain the complex process of grief and loss. Theorists such as Elisabeth Kubler-Ross, William Worden and John Bowbly explain in their theories how they believe an individual deals with the grieving process. In this essay, I will be focusing on William Worden’s theory and will be discussing the process for a child aged nine to eleven.
Individuals assuming the bereavement role may experience this role several instances throughout their lifetime, each instance of bereavement being exclusive to the circumstance and varying in its own way (Cutcliffe, 2002). A novice nurse will face the task of bringing the bereaved individuals difficult news and updates about their loved one. It will take an immense amount of courage and patience to allow the individual whether it is the patient, family, or another nurse to grasp the loss (Leming, 2016). The stages of bereavement are thought to have 5 steps, each with its own length of time and intensity that varies from person to person (Cutcliffe, 2002). Initially the bereavement role begins with denial and isolation, which may then lead to anger followed by a form of bargaining that can in many cases result in a dark hole of depression but with the hope that the final stage will be that of acceptance (Cutcliffe, 2002). During these stages, the bereaved individual receives a hall pass for completion of any routine social obligations (Leming, 2016). In addition, it is acceptable for them to become reliant on others for all levels of support, which may include activities of daily living such as cooking meals (Leming, 2016). For the bereaved individual to cope effectively, each step in the stages of bereavement must be is accomplished to reach a level of normal social functioning which is the unspoken goal. While the bereavement role varies in length of time per the individual and the circumstance, there is a practical time allotted, as bereavement should not be long-lived, but rather transitory (Leming,
Along with other forms of loss, death of a parent is yet another extremely painful experience. By the age of 11, 3% of children in this country will have been affected by parental death (Keenan 32). Five years later at the age of 16, this figure rises to over 5% (Elliot and Shepherd 836-43).
Isolation becomes a key component in that process. Growing up the child will isolate themselves from their family. Families are a constant reminder of the grief that is inside of the child due to the loss of their parent. That heartache is the very thing that the child wants to forget. Therefore, the child will evade all costs to bring up the deceased parent. Whenever I visited my family, I would deter from the conversation whenever my father was brought up into the conversation. Simultaneously, the fear of losing another family member will always be prevalent in the child’s life. Every medical scare will impact the child even deeper, because of this fear. It takes a lot of courage and strength to overcome the grief and the fear of being vulnerable again. With time comes acceptance. Gradually opening oneself up to others will not just make the child face their emotions, but learn to accept the death of their parent. Surrounding oneself with the family that the child once distanced themselves from will make more sense of the emotions coursing through their mind. Sharing stories, looking at old photographs, and even watching old home videos will assist the child to become more comfortable with the topic of the parent and even aid the child to appreciate the time spent with
They get the phone and right before they were going to dial a number, they overhear two people talking about a large cruise ship about 30 miles offshores that is being held captive and is being threatened to be blown up. Lildo rushes over to the two people talking and asks about the cruise ship that is being held captive. The two strangers tell her that there was a story on the news that the captain of the ship called into the police and said that they are being held captive and that they need help immediately. The call for help was called in about an hour ago and it is already in the local
Losing a child is one of the most traumatic events a person can ever experience. This life changing experience is very difficult for parents to cope with. Grief is something we all experience as human beings; we will all lose someone that we love in our lifetime. We all go through the five stages of grief denial, anger, bargaining, depression, and last being acceptance (Bolden, 2007). However, this is arguably not the case for parents who experience the death of a child. Although, parents who have experienced...
Young children, up to age five or six, are the most confused and the most disoriented by their parents’ separation. They often fear they are going to be abandoned by their parents, which causes great anxiety. The loss of a parent is extremely sad to a child of this age because they feel that their needs are not going to be attended to as well as they had before, when their needs are not going to be attended to as well as they had before, when their family was together. Many of the children in this group are worried that they will be left without a family or their parents might have money troubles and they will be deprived of food and toys. These thoughts that children of this age have cause them to have feelings of guilt, being unloved and fear of being alone. Some children will be extremely sad and show signs of depression and even sleeplessness. They might feel rejected by the parent who left and think that it is all their fault, that they weren’t good children and their parents stopped loving them. They also sometimes have increased tantrums, or may cry more easily than usual. Children at this age may develop physical complaints, like headaches, or stomachaches due to this depressing situation and time they are going thr...