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Women oppression in literature
Introduction to gender inequality in Literature
Women oppression in literature
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When self conflict arises in a character, two different beliefs are brawling within his mind; imagine the figurative devil and the angel standing on the shoulders of a beloved cartoon character, each feeding him information as to why one’s thoughts and ideas are better than the other’s. In literature, the devil and angel would symbolize the different cultures that a certain character interacts with. In Esquivel’s magical realism novel Like Water For Chocolate, she collides John’s national culture with the regional culture of Mexico to advocate ending oppressive traditions. In the novel, John struggles with how Mexico’s culture differs from the American culture he comes from, and through his reactions to this conflict, he helps to promote …show more content…
the end of traditions that tyrannize people. Esquivel witnesses the new opportunities in the Mexican workforce while she wrote her novel; with these gains women have made, Esquivel advocates an end for oppressive traditions that not only Mexican women face, but people everywhere encounter on a daily basis. John, coming from America, has a difficulty understanding the ideals of the Mexican culture he witnesses, thus leading to a cultural conflict.
He encounters a girl with whom he falls in love with. However, in the Mexican culture, the youngest born daughter may not marry; she must act as a servant to her mother until her mother passes on. Just by being born the last girl in her family, Tita’s destiny has already been decided for her. She cannot live her life the way she wants to live. Instead, Tita must live her life according to her mother’s demands. Additionally, Tita has lived a very difficult life: her one true love, Pedro, marries her sister, Rosaura, because Tita is not allowed to marry while her mother lives. Tita must watch as the love of her life loves another woman; Tita must suffer as she watches Pedro become the father of another woman’s child. In Mexican culture, people are expected to hide their emotions, especially women. Women are expected to mask their true emotions because even when their life is falling to pieces, they need to hide their true selves and pretend to be a proper women; women are expected to mask whatever emotional distress they face from the rest of society. Even though Tita does so much for her family, as soon as she experiences emotional difficulties, her family sends her to an insane asylum; as a reward for cooking for her family and taking care of her mother, Tita’s family calls in the doctor to take her away, even though she …show more content…
so clearly is distressed, heartbroken, and upset. Through his interaction with the Mexican culture, John spurned its ideals; these aspects of Mexican culture serve to deprive Tita from living the life she actually wants to life.
Being a doctor, John believes in healing the source of Tita’s pain; John wants to restore Tita back to her true self, and through his healing, she “felt better everyday” (109). John cannot comprehend how Tita’s family could send her away when she is experiencing a very traumatic event in her life. When presented with beliefs opposite to his own, John does not conform to the Mexican culture, and this allows Tita to recover and become the woman she once was. By using the beliefs he learned in America, he is able to provide Tita with a better quality of life. John not only helps to restore the happiness and joy Tita once contained, but John also helps Tita to realize she must live her life to her own accord; she must not let anyone else decide her
fate. The cultural collision John experiences emphasizes the absurdity of traditions that harm the wellbeing of others. No one should have to suffer the way Tita does simply because his or her culture has restrictive rules and traditions. The tragedy that surrounds Tita’s life would never have occurred if these preposterous rules of Mexican culture never existed. Esquivel wants to highlight how ridiculous these types of oppressive traditions are. The atmosphere of Mexico when Esquivel is writing this novel is one of change; women are presented with new opportunities in the workforce; this event was seen as a huge victory for the equal rights movement in Mexico. Esquivel wants to highlight this progress by calling for an end to the oppressive traditions Mexican woman face; such traditions are unrealistic and impractical. She calls upon her readers to question who truly benefits from such a corrupt practice. These women cannot fully live their lives when such cruel traditions control and determine how they should actually live. Just as John aided Tita in realizing she should live the life she wants to live, Esquivel targets and calls upon an audience who faces similar injustice and oppression in their own lives; Esquivel demands an end to oppressive traditions.
There was an encounter with the sister in law of a Lima merchant, a misunderstanding with Catalina’s brother over his mistress and other occasions being betrothed to women in the New World. At one point in her travels she comes very close to dying on the way to Tucman from Concepcion. Two men on horseback save her and they take her back to their mistress’ ranch. As gratitude for saving her life she helps tend to the ranch for about two weeks. The mistress is so overwhelming thankful to Catalina that she offers her daughter for her to marry. “And a couple of days later, she let me know it would be fine by her if I married her daughter—a girl as black and ugly as the devil himself, quite the opposite of my taste, which has always run to pretty faces.” (28) These instances happened a lot, where because of her hard work throughout her life she was offered many women to marry. Those engagements, however, ended after she exploited the situation and rode off with gifts and dowry
Both Dumas and Cordero are growing up in a culture that is different from their parents’; this difference is one reason why both girls have a feeling of ‘otherness.’ Even though both girls feel a struggle between their heritage and the American culture they live in, they deal with this struggle in dissimilar ways. Although Cordero does love her family, she feels as though she is trapped by her Mexican heritage. She is surrounded by Mexican-American females who are oppressed, unsatisfied, and often longing for a different life. We get many stories of her grandmother, cousins, and neighbors who are stuck in a place of discontent with no way out; and she does not be part of an endless loop of females who are under the control of men.
As the next few weeks go on we see Pedro and Tita's relationship develop. The biggest change is when Pedro's son Roberto is born. Tita begins to breast feed Roberto because Rosaura had no milk after the strain of her pregnancy. The author uses imagery to express the feelings of longing between Pedro and Tita by writing about the looks they gave each other. Specifically when Pedro looked at Tita, it was a look that, when matched with Tita's "fused so perfectly that whoever saw them would have seen but a single look, a single rhythmic and sensual motion." This look changed their relationship forever, it bonded them together and they would never be separated in their hearts. This shows that the theme of, true love can withstand anything, is true. After this interaction between them they had been less careful about hiding from Mama Elena and when the baptism rolled around Mama Elena had seen enough. She decided, in the middle of the party that Pedro, Rosaura and Roberto would be moving to San Antonio to be with her cousin. They left and after about a year Mama Elena passed
The story begins with Titas birth prematurely when Mama Elena was chopping onions. Tita grows up with Nacha the most dominant figure in her life, and follows Mama Elenas routine of cooking, cleaning and sewing. At every incident she can, Mama Elena criticizes Tita and even beats her if she tries to speak up. One day Tita tells her mother that Pedro wants to come and ask for her hand, but according to the family tradition she cannot marry because she is the youngest daughter. Mama Elena tells Pedro he can marry Rosaura- one of her older daughters, and Pedro agrees to the arrangement just to be closer to his true love- Tita.
In “Confetti Girl”, the narrator disagrees with her father and questions how much he cares about her and in “Tortilla Girl”, the narrator questions if her mother was taking her into account of her new plans. Tension is shown to be caused in the stories “Confetti Girl” and “Tortilla Sun” due to the parent and narrator not having the same point of view. In this story, a young girl named Izzy lives alone with her mother. One day, the mother surprises her by explaining that she is going to Costa Rica to do some research, and that Izzy is going to her grandmother’s house while she is away.
Esperanza tries to be a good friend to Sally, but ends up appearing immature and silly. Esperanza feels shame, as she “wanted to be dead”, to “turn into the rain”, and have “my eyes melt into the ground like black snails” (Cisneros 97). With sensory-rich imagery, the author uses similes and metaphors to describe Esperanza’s feelings of utter mortification as she embarrasses herself in front of Sally. Esperanza becomes confused about her newfound sexuality and her loss of innocence when she begins acting strangely, yet awkwardly around boys. She doesn’t know whether to act like a child or an adult because although she wants to be mature and glamorous like Sally, and she gets exposed to the harsh nature of society. The disillusioned view of becoming mature and having boys notice her is especially realized by Esperanza when she gets raped at a carnival. Through detailed imagery, Cisneros describes the dirtiness of the boy, elaborating on “his dirty fingernails against my skin” and “his sour smell again” (Cisneros 100) and the confusion and anger from Esperanza. After this experience, Esperanza blames Sally instead for covering up the truth about boys and is heartbroken about the real truth of sexuality and men. It is clear that Esperanza vividly remembers this awful experience, and just reflecting on this experience causes her thoughts to
1. Tita Quote: "Tita was so sensitive to onions, any time they were being chopped, they say she would just cry and cry; " (Pg. 5) Write-up: Tita is the main character of the story, also the narrator, who suffers from unjust oppression from Mama Elena, her mother. She is raised to excel in the kitchen and many entertaining arts where she is expected to spend her whole life taking care of her mother. This is following the family tradition that the youngest daughter takes care of the mother until she dies. With her frivolous wants, Mama Elena denies her marriage and happiness to any man especially Pedro.
From there on she continues to talk about her adolescence where she quickly learned about the threat of physical abuse and molestation towards young girls. She did not continue with school pat the age of 9 and in her small job of working in the local market she was confronted with true and absolute poverty on a daily basis. She got pregnant at age 15. At 16 she had her first fist fight with her abusive physically brother. And at 17 met the father of her other future children. While with this man, Rafael Canales, she learned first hand the hardships of poor domestic life. She also learned to assert herself even towards her own husband.
Demetria Martínez’s Mother Tongue is divided into five sections and an epilogue. The first three parts of the text present Mary/ María’s, the narrator, recollection of the time when she was nineteen and met José Luis, a refuge from El Salvador, for the first time. The forth and fifth parts, chronologically, go back to her tragic experience when she was seven years old and then her trip to El Salvador with her son, the fruit of her romance with José Luis, twenty years after she met José Luis. And finally the epilogue consists a letter from José Luis to Mary/ María after her trip to El Salvador. The essay traces the development of Mother Tongue’s principal protagonists, María/ Mary. With a close reading of the text, I argue how the forth chapter, namely the domestic abuse scene, functions as a pivotal point in the Mother Tongue as it helps her to define herself.
This novel is a story of a Chicano family. Sofi, her husband Domingo together with their four daughters – Esperanza, Fe, Caridad, and Loca live in the little town of Tome, New Mexico. The story focuses on the struggles of Sofi, the death of her daughters and the problems of their town. Sofi endures all the hardships and problems that come her way. Her marriage is deteriorating; her daughters are dying one by one. But, she endures it all and comes out stronger and more enlightened than ever. Sofi is a woman that never gives up no matter how poorly life treats her. The author- Ana Castillo mixes religion, super natural occurrences, sex, laughter and heartbreak in this novel. The novel is tragic, with no happy ending but at the same time funny and inspiring. It is full of the victory of the human spirit. The names of Sofi’s first three daughters denote the three major Christian ideals (Hope, Faith and Charity).
The story begins with Tita passionately in love with Pedro Muzquiz and he with her. "She would never forget the moment their hands accidentally touched as they both slowly bent down to pick up the same tray" (18). Their romance is cursed from the start, however, because of an old family tradition, stating that the youngest daughter must remain unmarried and care for the mother as long as either may live. Pedro, unaware of the tradition, comes to the ranch to ask Tita's mother, Mama Elena, for Tita's hand. Mama Elena tells Tita, "If he intends to ask for your hand, tell him not to bother. Heíll be wasting his time and mine, too. You know perfectly well that being the youngest daughter means you have to take car...
...e in Mexico disillusions him and forces him to believe otherwise, that the real world is not so simple, carefree, or innocent. John learns that the romanticism that he ascribes to horses cannot be applied to men. John reveres horses and experiences the praise of these animals in the folklore of the day. His relationship with horses exists on many levels‹they are his transportation, his friends, and his spiritual companions. Furthermore, McCarthy describes horses with emotional diction creating almost a motif of passion whenever horses are described. John's unusual understanding of the fervent spirit of horses leads him to believe that men are the same. However, on his bleak and disappointing journey he learns that men do not have the same passion of spirit as horses. Instead, they are unpredictable, violent creatures, and their world is certainly not always pretty.
To understand fully the implicit meaning and cultural challenges the film presents, a general knowledge of the film’s contents must be presented. The protagonist, Tita, suffers from typical Hispanic cultural oppression. The family rule, a common rule in this culture, was that the youngest daughter is to remain unwed for the duration of her mother’s life, and remain home to care for her. Mama Elena offers her daughter, Tita’s older sister Rosaura, to wed a man named Pedro, who is unknowingly in mutual love with Tita. Tita is forced to bake the cake for the wedding, which contains many tears that she cried during the process. Tita’s bitter tears cause all the wedding guests to become ill after consuming the cake, and Tita discovers she can influence others through her cooking. Throughout the film, Tita’s cooking plays an important role in all the events that transpire.
As soon as she gets her strength back, I think it would be best if she went to live with my cousin in San Antonio, with her husband a little boy” (80). Mama Elena decides to hurt Tita, for showing her affection towards, by taking away the two people that mean the most to her: Roberto and Pedro. With her new found attachment towards
There are many moments in life that are symbolic. The kind gestures one does to their significant other. That person is flabbergasted with a sensation of butterflies inside of oneself. One cannot get over that feeling, or the moment when they receive a gift from that person. The item then reminds them of the love of their life, but then later those feelings and moments end. There is a sudden numbness one feels when their love of their life cant continue to date due to a conflict. One suddenly feels lost and cold with nothing to do. In the novel entitled, Like Water for Chocolate by Laura Esquirel Tita has to watch Pedro who is the love of her life marry her sister Rosura. Titas mother Mama Elen is against her marrying anyone since Tita is the