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Musical analysis essay madonna like a prayer song
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Jon Pulizzi
10/26/2014
English 101
Miss Casey
Madonna – Like a Prayer: Opposites Attract
During the 1980’s, it was very uncommon for pop songs to have dark, gloomy music videos. Most of them were bright and happy to make people excited (Shmoop Editorial Team). Madonna explains her music video, “Like a Prayer”, the best. She said, "A girl on the street witnesses an assault on a young woman. Afraid to get involved because she might get hurt, she is frozen in fear. A black man walking down the street also sees the incident and decides to help the woman. But just then, the police arrive and arrest him. As they take him away, she looks up and sees one of the gang members who assaulted the girl. He gives her a look that says she'll be dead if she
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tells. The girl runs, not knowing where to go, until she sees a church. She goes in and sees a saint in a cage who looks very much like the black man on the street, and says a prayer to help her make the right decision. He seems to be crying, but she is not sure. She lies down on a pew and falls into a dream in which she begins to tumble in space with no one to break her fall. Suddenly she is caught by an African American woman who represents earth and emotional strength and who tosses her back up and tells her to do the right thing. Still dreaming, she returns to the saint, and her religions and erotic feelings begin to stir. The saint becomes a man. She picks up a knife and cuts her hands. That's the guilt in Catholicism that if you do something that feels good you will be punished. As the choir sings, she reaches an orgasmic crescendo of sexual fulfillment intertwined with her love of God. She knows that nothing's going to happen to her if she does what she believes is right. She wakes up, goes to the jail, tells the police the man is innocent, and he is freed. Then everybody takes a bow as if to say we all play a part in this little scenario (Shmoop Editorial Team)." Madonna’s music video has scenarios and imagery that explores racism, prejudice, and innocence. Race was represented in this video in several scenes. A group of white men sexually assaulted a woman and a black man stepped in to help the woman. As soon as he arrived to help her, the police showed up and automatically assumed he was the person assaulting the woman and arrested the black man. This shows that some of society will immediately blame a person based on their skin color. Another way race was involved in this video was when the saint in the church was shown as a black man that looked very similar to the man that was arrested ("An Analysis of the Video "Like A Prayer" by Madonna"). This caused controversy because the saint symbolizes Jesus Christ, and Jesus is usually depicted as white. Madonna is shown kissing the black saint in the video. This was not as accepted in the late 1980’s as it is today and caused controversy because many people did not support interracial relationships (“An Analysis of the Video…). When Madonna falls asleep on the pew and is falling in her dream, she is caught by a black woman that tells her to do the right thing and help the innocent black man get out jail. Madonna ends up getting the black man freed from jail and there was a celebration at the church she went into because she did the thing that Jesus would want her to do. Women are shown as sexual objects for men in some parts of the video.
To start the video off, it showed a women being raped by a group of men without them caring about her at all. It also shows Madonna herself as a sex object by the way she dresses and dances. It shows her wearing very low cut shirts with camera angels that make the viewer look at her breasts. She dances in a very sexual ways throughout the video and looks at the camera as if she would look at someone that she is having sex with. When Madonna is in the church looking at the black saint she is sliding her hand up and down the medal bars. Her bra strap is also hanging down her arm and not on her shoulder through the video while she is in the church. She sings throughout the song, “I’m down on my knees, I want to take you there.” These lyrics can be taken sexually very easy but can also be taken in a religious way. This shows the constant battle that some people have between sex and religion. People want to do what is fun and feels good but always want to have morals and do what their God wants them to …show more content…
do. There were scenes that represent the violence that goes on in the world everyday. The scene that the girl is raped and stabbed to death, by a group of white men shows the reality of what actually happens to some people. This contradicts most the happiness of most pop songs in the late 1980’s (Shmoop Editorial Team). There are also scenes throughout the video with burning crosses in the background while Madonna sings, which is often scene as a symbol of the Ku Klux Klan (An Analysis of the Video). This is very disrespectful to Christians because it is the most important symbol of faith that they have. The burning crosses can also represent crucifixion rather then hate throughout the video. It appears that this is what Madonna was referring to based on other scenes in the video. During the video Madonna is wearing a cross on her neck, which shows that she probably believes in Christianity. She also picks up a knife in the church and cuts her hand on accident. This could either represent God’s way of touching her and telling her to get the innocent black man out of jail, or it could symbolize the nail holes in Jesus Christ’s hands when he was hung on the cross telling her that she should sacrifice her safety and save the innocent man. In this video Madonna brought together a black church, which is typically Protestant and a Roman Catholic Church “Madonna, “Like a Prayer” Analysis”.
Throughout the video she mixed herself with and African American choir by wearing the same colors and singing together. Another way that she mixes the two religions is when she worships the black saint in the same church as the black choir. The black choir dancing and celebrating at the end of the video when she gets the black man freed shows how the power of religion can bring everyone together. With the help from the Roman Catholic saint and the black Protestant church Madonna becomes a savior in the sense that she saved the innocent black of being charged with rape and
murder. In this music video Madonna brings together opposite groupings. She brings together sex and religion, and blacks and whites. Madonna stated, “The conception of the music video as a play is meant to suggest that we are all part of the story unfolding.” Madonna wanted to target different audiences with this song. She could influence the younger generations by making them want to dress like her. She makes it seem as if God does not care if woman dress provocative. She makes it clear by making out with a saint in a church with revealing clothes on. This song could also connect with older religious people by attempting to influence them that their branch of Christianity might not be the only way. She makes them think about connecting with other branches of Christianity. She does this by mixing the Roman Catholic saint with a Protestant choir. Madonna cleverly connects with multiple audiences with the use of opposite pairings. Work Cited Shmoop Editorial Team. "Like A Prayer." Shmoop.com. Shmoop University, Inc., 11 Nov. 2008. Web. 30 Oct. 2014. "Madonna - 'Like a Prayer' Analysis." Amy Paternoster A2 Media. Web. 30 Oct. 2014. "An Analysis of the Video "Like A Prayer" by Madonna." An Analysis of the Video "Like A Prayer" by Madonna. Web. 30 Oct. 2014.
...t of people around you. The images are really helped clarify what the singer really wants to talk about. Without the images in the video some many things could have been interpreted from the song itself. Before I watched the video I just thought the author was talking about war, and specially the wars America was fighting at the time of the song’s release. The music in combination with the instrumentals and video create a piece of art that enlightens the soul.
... song entitled “Formation”. The filming took place in Los Angeles, but features references to Hurricane Katrina, with Beyoncé on top of a police car in a flooded street and later cuts to a man holding a newspaper with Martin Luther King Jr.’s face on it with the title “The Truth”. Later a young hooded boy dances in front of a line of police officers with their hands up before the video cuts to a graffitied wall with the words “stop shooting us “ tagged on it, at the end of the video the police car sunk with her on top. Not only did this song, bring awareness to the 10th anniversary of hurricane Katrina it also brought awareness to police brutality, racism, and the “black lives matter movement”. I stand with Lil Wayne, Beyoncé, the people of New Orleans and the countless others who are pushing for a change in the way minorities and the lower class citizen are treated.
and its sexual content. Many people try to argue that the song has a deeper meaning than
During the introduction stage, the product is initially launched and slowly grabbing the public’s attention (Solomon, 2008). Madonna’s career as an entertainer entered its introduction stage when the Warner Bros released her first self-titled debut “Madonna” in 1983. Madonna’s “funky, rhythm-and-blues-tinged sound” (Cengage, 2003) slowly caught the attention of New York underground club dancers and audiences. Madonna and her band members often visit the hottest clubs to attract more audience by wearing multicolored wardrobe and performing provocative dancing.
In the song talks meanly about how a guy pretends to be someone who he isnt so that people get along whith him. Based upon a research about the song, its basically about how a guy takes to dinner pretndending to be a good person, in conclusion he drugs her so that he can take her to a hotel and raped her.
The history of the Madonna and Child starts in the Byzantine era. In this era paintings were not meant to look realistic, but rather were supposed to remind the viewer of a story or theological concept, in this case usually the concept that Jesus was both fully God and fully human. The years progressed and these paintings became more and more realistic as the Renaissance era was ushered in. During this time period artists strove to paint more accurate representations of their subjects. Even during this time, however there was still a use of iconology. Though all of these paintings have basically the same content, with the addition of various saints and angels, the theology that we can see in each painting differs greatly.
This is an interesting piece of protest literature because it is arguably about Gertrude “Ma” Rainey’s personal life and it creates an argument that can be disseminated into larger cultural issues related to gender and sexuality. This song is the first mention of black lesbianism in popular culture. Ma Rainey says, “The gal I was with was gone” (43) and goes on to frankly discuss her sexuality “Went out last night with a crowd of my friends/ They must’ve been women ‘cause I don’t like no men”(44) and her masculine style “It’s true I wear collar and a tie”(44). Ma Rainey uses this song to assert her dominance in expressing her gender and sexuality just as they were during a time when doing so would almost certainly end in physical violence. Not only was homosexuality and gender-bending socially and legally condemned in 1928 when this song was released, but it was also during a time when black women had next to no rights. With this song, Ma Rainey asserted her worth in a culture that tried to criminalize her very existence. Filled with explicit sexual references, it dares listeners to "find proof" of any immorality or illegality by singing, “’Cause they say I do it, ain’t nobody caught me” (44). Ma Rainey was deifying the idea that her life and her world were criminal. This can even be seen in the advertisement for the song1. Ma Rainey aligns herself directly with the speaker of the song; Rainey is shown in the ad enacting the lyrics to the song standing on a street corner dressed in a jacket, hat and tie, flirting with two women while a police officer looks on. Again, the image that she is putting out of herself makes an undeniable social and sexual statement. The lyrics of “Prove It on Me Blues” feature a lesbian heroine, but with this advertisement Rainey makes it clear that she is the person
In essence, this song carries various sociological concepts. It concentrates on the main idea about the social construction of reality and talking about how reality is changing. The song questions the actions and mentally of individuals violating the norms and values of society. The band takes into consideration various factors of why it is happening including the media and religion. As a result they talk about such influences taking control building and developing a sense of self. This is a great song about present day problems and how society changes with them.
The documentary revolves around the media, which is something that tries to make you be something you are not. The media portrays women as unstable creatures. Some women have gotten comfortable enough to think this is the way
Performance artist Patty Chang creates pieces that deal with scopophilia or voyeurism, best described as “the love of looking”, a topic that goes hand in hand with the issues of gender roles in society that Chang also represents in her work. Chang particularly addresses issues of gender roles through her confrontation of female representation in art, film and popular culture as a whole. In Chang’s video clip entitled, “Shaved (At a Loss)”, she sits herself on a chair in front of her audience, hikes up her dress to expose her vagina and then proceeds to, very roughly, shave off her pubic hair. The entire duration of “Shaved (At a Loss), Chang is blindfolded. In this piece Chang presents consumer culture’s fetishization of the ”flawless” female figure, which is outlined by the unattainable body ideals that are portrayed not only in most mainstream pornography, but also in almost all media connected to our society’s popular culture sphere.
On August 16, 1958, Madonna “Madge” Louise Veronica Ciccone was born the daughter of Silvio Ciccone and Madonna Fortin in Bay City, Michigan. As the third of six children, Madonna faced an uphill battle from birth for the attention of her engineer father and former dancer mother. She realized that in order to gain the attention of both her parents and those around her, she would have to exert her femininity to gain recognition. This realization went directly against her devout Catholic upbringing in which her parents reared her. Forced to attend Catholic masses and elementary schools, a huge portion of Madonna’s childhood revolved around Catholic values. Imagery from Catholicism would later become huge inspirations for some...
It portrays an emotion that the intended audience should know well, a deep sadness, due to the fact that sexual assault is a traumatic experience that can take a severe emotional toll on victims. Moreover, the shadow that hides the young woman’s face gives her a sense of shame, which is another emotion that many sexual assault victims likely deal with. This is one of the reasons why sexual assault victims should seek help. By reaching out to a professional, they can get rid of the highly detrimental emotions that they have been dealing with in silence. Overall, the image makes a clear pathological appeal due to the fact that it is clear the young woman is unhappy, which shows that the topic is emotional to some and should be thoughtfully considered, and also gives the intended audience a feeling they can relate to. Thus, the image is effective for the intended audience because it is realistic and relatable, leaving the audience with a sense that they are not alone in their struggle and that the emotions they have are a natural response to being sexually
The music industry has taken a wrong turn, and it affects our new generation; music videos becoming more like pornographic trailers causing men and women to objectify each other as a sex object. According to Camille Paglia (lecturer, educator, and feminist) in “Lady Gaga and The Death of Sex,” “Hollywood discovered that sex was great box office” (2). Because sex sells, it is a market technique used by record companies to sell more record. So does sex usage really empower women? In Paglia’s article, “Madonna I: Animality and Artifice,” she claims that dominatrix (used by Madonna) empowers women, and it should be praised by all female musicians (89). I agree to Paglia’s claim that sexuality sometimes empower rather than exploit women to act sluttish; however, in music, I believe the line between a woman using sexuality and promoting herself as an object is unnoticed because it changes depend on who dominate. When male musicians dominate a certain type of genre (hip-hop), many new musicians (women included) degrade women to jumpstart their career because sex sell.
...try to awaken people’s sympathy through these frame of war, because music is a very powerful way, it can change people’s feeling and emotions. Through this music video, they will change their mind of life, because through this video, they know that many people are living in difficult conditions, then they will help people who live in difficult situation.
A typical Friday night for a fourteen year old girl and I was headed to mall with my best friend Kim. It's just a regular trip to the mall for me, just to hang out with some friends and catch a movie.