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Rhetorical Analysis Terms
A proposal for rhetorical analysis
Rhetorical Analysis Terms
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In Life of Pi by Yann Martel, the author uses the elements of voice to convey that Pi believes that religion is up for interpretation by each individual, rather than a global set of rules. After Pi explains and lists the actions of others, he begins to explain why they are wrong. He begins by noting that God should “be defended” “on the inside”, instead of “on the outside” (71). Building on that, Pi continues by comparing a “battlefield” to “the small clearing of each heart” (71). This metaphor of a battle on the inside of a person is shown by the elements of voice. By using similar sentence length throughout the paragraph, Pi shows that he is logically and calmly explaining. The paradox of a battle on the inside combined with parallelism shows …show more content…
his simple yet complicated view that religion is individually interpreted. This same view is also shown in the next paragraph.
He begins with saying how “an oaf chased” him away from “the Great Mosque,” continues with “the priest glar[ing]” at him as to feel uncomfortable, and finally ends it with how “a Brahmin sometimes showed [him] away from darsan” (71). The diction used by Martel shows how Pi is persecuted for his unique religious beliefs. The words “chased”, “glared”, and “shooed” are all words that give the reader a sense that Pi’s presence is unwanted. Each of the words connote a negative but non violent reaction. Together, each of the diction words show that Pi is being persecuted by his own religions. He wholeheartedly believes in all of them, and is shunned for it. Finally, the final paragraph of the chapter shows how Pi still pursued his own beliefs in the face of ridicule. After noting how “religion is about dignity,” Pi simply begins to list on what exactly he did. Specifically, he “stopped attending mass” but “[instead went] to Our Lady of Angels” (71). For Islam, he “no longer lingered [among brethren]” (71). Even for his first religion, he came “when the Brahmins were too distracted” (71). Parallelism in this paragraph also shows Pi’s clear headed determination to follow his own
beliefs. The simple and constant sentence structure of this paragraph represents his own clear and simple resolutions. The read neither gets a sense of lethargy or energy, but rather acquires a feeling of calm, thoughtful decisions, mirroring Pi’s own calm and collected decision on religion. These paragraphs together outline and highlight exactly why Pi believes that everybody can interpret religion in their own unique way.
In 102 Minutes, Chapter 7, authors Dwyer and Flynn use ethos, logos, and pathos to appeal to the readers’ consciences, minds and hearts regarding what happened to the people inside the Twin Towers on 9/11. Of particular interest are the following uses of the three appeals.
Many characters have hopes and dreams which they wish to accomplish. Of Mice and Men has two main characters that go through obstacles to get what they want. In the beginning it is George and Lennie running away trying to get a job. Once both George and Lennie have a job they try to accomplish their dreams. Unfortunately they both can't get their dreams to come true since lennie does the worst and George has to shoot Lennie. Steinbeck uses characterization, foreshadowing, and symbol as rhetorical strategies to make George's actions justified.
Creative Section Prompt: Write a scene where an “unlovable” character is involved in a surprising or unexpected hobby or appreciation for something.
“People who had incurred the displeasure of the party simply disappeared and were never heard of again.
In the book Into the Wild, Jon Krakauer wrote about Christopher McCandless, a nature lover in search for independence, in a mysterious and hopeful experience. Even though Krakauer tells us McCandless was going to die from the beginning, he still gave him a chance for survival. As a reader I wanted McCandless to survive. In Into the Wild, Krakauer gave McCandless a unique perspective. He was a smart and unique person that wanted to be completely free from society. Krakauer included comments from people that said McCandless was crazy, and his death was his own mistake. However, Krakauer is able to make him seem like a brave person. The connections between other hikers and himself helped in the explanation of McCandless’s rational actions. Krakauer is able to make McCandless look like a normal person, but unique from this generation. In order for Krakauer to make Christopher McCandless not look like a crazy person, but a special person, I will analyze the persuading style that Krakauer used in Into the Wild that made us believe McCandless was a regular young adult.
Contrast. Tone. Metaphors. These literary elements are all used in Ken Kesey’s One Flew Over the Cuckoo’s in relation to a larger theme in the novel – confidence. In the book, a man named McMurphy is put into a mental ward run by Nurse Ratched, who has complete power and control over the men. They all fear her and submit to her due to fear, suppressing their confidence and manhood. When McMurphy came, he was like a spark that ignites a roaring fire in the men; they gain back the confidence that they lost and become free. In one passage, McMurphy takes the men on a fishing trip where he helps them stray away from the Nurse’s power and learn to believe in themselves. Throughout the passage, the use of contrast, positive tone, and metaphors of
Hosseini’s purpose of writing the Kite Runner was to teach the readers the different ethnic groups in Afghanistan. The main character, Amir, is a Pashtun and Pashtuns are Sunni Muslims, then there are Hazara’s that the Pashtuns do not get along with. Hazara’s are not welcomed by the Pashtuns because they are different social classes.
"Born The Hard Way" is an efficient ad because it uses ethos, pathos, and kairos. This
Martel introduces multiple implicit symbols throughout his novel that, though are able to be interpreted in multiple ways depending on one’s perspective, highlight the importance of religion. When confronted with the ferocity of tiger aboard his lifeboat, Pi must flee to his raft handcrafted with remnants of life jackets and oars gathered from the boat. This raft may be symbolically interpreted as a representation of his faith throughout his journey. After a dauntless attempt at training Richard Parker in order to “carve out” his territory, Pi is knocked off the lifeboat into shark infested waters with a great blow: “I swam for the raft in frantic strokes... I reached the raft, let out all the rope and sat with my arms wrapped around my knees and my head down, trying to put out the fire of fear that was blazing within me. I stayed on the raft for the rest of the day and the whole night” (Martel 228). Like the raft, Pi’s faith, constructed of portions of three separate religions, trails diligently behind his survival needs and instincts –symbolized by Richard Parker and the...
Throughout the novel, Life of Pi by Yann Martel, the notion of how the concepts of idealism and truth mold an individual’s life are vividly displayed. This is emblematized as Pi questions the idea of truth and the affects it has on different aspect of life, as well as his idealistic values being transformed due to the contrast between taking action and sheer belief. The messages generated will alter the way the reader thinks, as well as reshaping their overall perception of truth.
The subject of death is one that many have trouble talking about, but Virginia Woolf provides her ideas in her narration The Death of the Moth. The moth is used as a metaphor to depict the constant battle between life and death, as well as Woolf’s struggle with chronic depression. Her use of pathos and personification of the moth helps readers develop an emotional connection and twists them to feel a certain way. Her intentional use of often awkward punctuation forces readers to take a step back and think about what they just read. Overall, Woolf uses these techniques to give her opinion on existence in general, and reminds readers that death is a part of life.
On its surface, Martel’s Life of Pi proceeds as a far-fetched yet not completely unbelievable tale about a young Indian boy named Pi who survives after two hundred twenty-seven days on a lifeboat with a Bengal tiger named Richard Parker. It is an uplifting and entertaining story, with a few themes about companionship and survival sprinkled throughout. The ending, however, reveals a second story – a more realistic and dark account replacing the animals from the beginning with crude human counterparts. Suddenly, Life of Pi becomes more than an inspiring tale and transforms into a point to be made about rationality, faith, and how storytelling correlates the two. The point of the book is not for the reader to decide which story he or she thinks is true, but rather what story he or she thinks is the better story. In real life, this applies in a very similar way to common belief systems and religion. Whether or not God is real or a religion is true is not exactly the point, but rather whether someone chooses to believe so because it adds meaning and fulfillment to his or her life. Life of Pi is relevant to life in its demonstration of storytelling as a means of experiencing life through “the better story.”
The novel, Life of Pi by Yann Martel, talks about a sixteen-year old man named Pi Patel, who unbelievably survives a dreadful shipwreck after 227 days with the animals in a lifeboat in the Pacific Ocean. Different ideas and themes in the book can be found in which the readers can gain an understanding about. The author communicated to the reader by using an ample amount of symbolisms to talk about the themes. The main themes of this novel are religion and faith. His religion and him being faithful have helped him throughout the journey, and this eventually led to an incredible precedent. The author left the reader thinking about how religion and faith can have an impact in our lives positively. Religion can affect our choices in life, and faith
“Bapu Gandhi said, ‘All religions are true.’ I just want to love God” (Martel 76; ch.23) says Pi in response to being rebuked for his practice of multiple religions. The notion that religion should not be discussed in polite company is demonstrated clearly by the scene Martel depicts in Chapter 23 of “life of Pi”, in which the pundits of Hinduism, Islam and Christianity come almost to blows over Pi’s enthusiastic practice of the three. It is this youthful fascination which equips him for the turbulent time yet to face him, and it is the Truth he discovers in the three religions, unaffected by adult-like notions of exclusivity which benefits him.
Life of Pi was written in 2001, a time when postmodernism is a trend. The postmodernt elements and themes in the story includes, multiple narrators, a playful fairytale quality, realistically presented events, duplicate ending ("Yann Martel") religion, faith, survival, and man 's relationship with animals (Dominic). In the era of postmodernism, people feel normal when seeing two or more different elements combining in one thing. That gives them freedom to choose what they want to accept from the work, and might even increase their interest. As the result, the multiple elements in Life of Pi in some degree hides the real purpose of the author, make people believe in God, in all the other themes for those might fight against with religious thought and lead them the entrance of believing in something is not reasonable. It is the starting point of having faith and believing in God. The scientific components in the book are the best example of hiding the religious components. Martel 's background and experiences shows that he believe in both reason and faith. Even though he states clearly that his purpose is to make people believe in God, but in fact, Life of Pi makes people who ridicule faith and God believe in faith and God, and make people who deprecate reason and science admit the importance of reason and