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Essays analysing the use of metaphors
An essay about metaphor
An essay about metaphor
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There are many ways that as humans we try to understand and make sense of the world around us. One of the ways we simplify our reality is using metaphors, they allow us to turn unfamiliar and complex concepts into explicit terms. In the Life of Pi the author, Yann Martel, uses metaphors to familiarize distant concepts with the reader. He allows the reader to understand and relate to incomprehensible events. After a cargo ship sinks in the middle of the Pacific ocean, a single lifeboat is all that remains. The lifeboat consists of a zebra, an orangutan, hyena, a royal bengal tiger, and a sixteen year old boy, Piscine Patel. The events that follow are unbelievable and physically, spiritually, and mentally challenge and change each survivor. …show more content…
Throughout the book, Martel effectively uses Pi going blind, the algae island, and the incomprehensible nature of the number Pi, as metaphors to further demonstrate the changes and struggle went through on his journey. The irrational number that is Pi, is one that the human brain fails to understand, we have to use a symbol to help comprehend its nature but still fail to grasp the concept, Pi using the number as a nickname was a metaphor for the way Pi needed to use the better story to understand and cope with the scarring events that took place in the other story. Both of Pi’s stories are unimaginable, as average people we can attempt to relate to his the scenarios he was put in at sea, but never fully grasp what happened. After going through it himself, Pi used, “the better story” to shelter himself mentally from what happened. Assuming the other story is the real story he used the figment of his imagination that was Richard Parker to keep himself alive, Pi stated that his survival, “Was thanks to Richard Parker. He kept me from thinking too much about my family and my tragic circumstances,” Pi found comfort and motivation in Richard Parker. Pi found the same comfort in the number pi that he found in the better story. This number that became his nickname saved him from taunting of other kids, “in that elusive, irrational number with which scientists try to understand the universe, I found refuge.” (Martel, 27) Both examples were ways that Pi ways able to cope with what life had given to him, and also an example of how Martel effectively used a metaphor to show how Pi mentally evolved on the boat. All his life Pi had been a devoted vegetarian however, on the boat he was forced to become a carnivorous savage,to reiterate this idea Martel used the peaceful by day and carnivorous by night algae island as a metaphor.
At the beginning of the book Pi had the luxury of being in control of what he eats, this choice quickly dissolved when he was on the boat as he was forced to eat meat. Morally at the beginning Pi found killing a fish a nearly impossible deed, demonstrated when he stated, “A life time of peaceful vegetarianism stood between me and the willful beheading of a fish,” slowly after the beheading he sacrificed his beliefs and adapted to the situation he was in, resulting in him becoming a carnivour. Martel demonstrated Pi’s drastic dietary change by reflecting it onto the algae island. Vegetarianism and carnivorism can be considered polar opposites, day and night, black and white. When Pi had a choice of what he ate there was “light” in his life, but darkness came after the ship sank, shown when referring to his first night he stated, ”Darkness came. There was no moon. Clouds hid the stars.” and that choice evaporated, the same idea was echoed in the island, when there was light (day) the island was a peaceful safe but when darkness came it became a fiery hell. Martel appropriately used the island as a metaphor for the black and white contrast between Pi’s change in
diet. Pi was a man with strong faith and morals, despite this, understandably as he was put through increasingly more problematic conditions he lost sight of his morals, his blindness and brutal murder of the cook were used to explicitly exhibit his disregard to his beliefs. In the other story Pi abandoned all of his beliefs and everything he stood for and believed in when he killed the cook. Pi represented peace and expressed a great amount of respect to every living thing, n the better story when Pi first met the frenchman he assumed he was going crazy before he accepted he was talking to another person, established when Pi stated “I wasn't hearing voices. I hadn't gone mad. It was Richard Parker who was speaking to me,” this displayed Pi’s blindness to his life.
“People who had incurred the displeasure of the party simply disappeared and were never heard of again.
Contrast. Tone. Metaphors. These literary elements are all used in Ken Kesey’s One Flew Over the Cuckoo’s in relation to a larger theme in the novel – confidence. In the book, a man named McMurphy is put into a mental ward run by Nurse Ratched, who has complete power and control over the men. They all fear her and submit to her due to fear, suppressing their confidence and manhood. When McMurphy came, he was like a spark that ignites a roaring fire in the men; they gain back the confidence that they lost and become free. In one passage, McMurphy takes the men on a fishing trip where he helps them stray away from the Nurse’s power and learn to believe in themselves. Throughout the passage, the use of contrast, positive tone, and metaphors of
Hosseini’s purpose of writing the Kite Runner was to teach the readers the different ethnic groups in Afghanistan. The main character, Amir, is a Pashtun and Pashtuns are Sunni Muslims, then there are Hazara’s that the Pashtuns do not get along with. Hazara’s are not welcomed by the Pashtuns because they are different social classes.
Martel introduces multiple implicit symbols throughout his novel that, though are able to be interpreted in multiple ways depending on one’s perspective, highlight the importance of religion. When confronted with the ferocity of tiger aboard his lifeboat, Pi must flee to his raft handcrafted with remnants of life jackets and oars gathered from the boat. This raft may be symbolically interpreted as a representation of his faith throughout his journey. After a dauntless attempt at training Richard Parker in order to “carve out” his territory, Pi is knocked off the lifeboat into shark infested waters with a great blow: “I swam for the raft in frantic strokes... I reached the raft, let out all the rope and sat with my arms wrapped around my knees and my head down, trying to put out the fire of fear that was blazing within me. I stayed on the raft for the rest of the day and the whole night” (Martel 228). Like the raft, Pi’s faith, constructed of portions of three separate religions, trails diligently behind his survival needs and instincts –symbolized by Richard Parker and the...
In the short story, “The Story of An Hour”, written by Kate Choppin, a woman with a heart trouble is told her husband had passed away in a railroad disaster. Mrs. Mallard was depressed, then she came to a realization that she was free. Back in the day this story was written, women did not have many rights. They were overruled by their husband. As she became more aware of how many doors her husband death would open, she had passed away. The doctors had said she had died of heart disease--of the joy that kills. The irony in the situation was that as she was dying, her husband walked through the door, alive.
In the novel The Life of Pi by Yann Martel, the author expresses a potent message, being that God pardons us if we have to sin in order to survive desperate circumstances. Pi Patel obtains a very conservative definition of the word “sin.” While living in India Pi was a child who possessed strong morals, believing that a sin is an evil act like killing a living thing and eating it. However, while on the lifeboat Pi cannot survive on his vegetarian diet and must therefore resort to killing and eating meat to sustain himself. Since starting to kill food, Pi woefully states, “Lord to think that I’m a strict vegetarian. To think that when I was a child I shuddered when I snapped open a banana because it sounded to me like the breaking of an animals neck. I descended to a level of savagery that I never imagined possible,” it is then obvious that Pi is disappointed in his new
The subject of death is one that many have trouble talking about, but Virginia Woolf provides her ideas in her narration The Death of the Moth. The moth is used as a metaphor to depict the constant battle between life and death, as well as Woolf’s struggle with chronic depression. Her use of pathos and personification of the moth helps readers develop an emotional connection and twists them to feel a certain way. Her intentional use of often awkward punctuation forces readers to take a step back and think about what they just read. Overall, Woolf uses these techniques to give her opinion on existence in general, and reminds readers that death is a part of life.
This alternate ending plays a key role in understanding how to view the novel through Freudian lenses. Freud’s theory of psychoanalysis clarifies many troubling issues raised in the novel Life of Pi. Martel’s novel is about the journey of a young man being forced to test his limits in order to survive the unthinkable predicament of being lost at sea alongside an adult Bengal tiger. Life of Pi starts out by introducing an anonymous author on a quest to find his next big story and goes to a man by the name of Piscine Molitor Patel who supposedly has a story worth hearing. Patel begins his story talking about his childhood and the main events that shaped him such as his family’s zoo, the constant curiosity in religion he sought as a young boy and also how he got his nickname Pi.
The novel Life of Pi by Yann Martel is a fantastical work in which the main character, Pi, who is the son of a zoo owner in India, recounts the story of how he was stranded at sea in a lifeboat with a zebra, orangutan, hyena, and a large carnivorous tiger. Having been around animals his whole life, the lead protagonist, Pi, presents anthropomorphism in the early stages of the novel. Through anthropomorphism and magical realism we are provided with the fantastical side of Pi’s journey.
Pi must overcome the physical and mental consequences of starvation, dehydration, and isolation, but Pi proves “Life will defend itself no matter how small it is.”(41). Yann Martel gives two very different, yet similar accounts of what took place when Piscine was stranded at sea. The story Yann Martel retells with the older Pi, recounts a boy on a boat trying to dominate a tiger, Richard Parker, to keep both him and the tiger alive while being stranded. The other version Yann reveals to the reader is one to satisfy the Japanese ministry of transport. He tells a tale of a cannibalistic french men, who dominates the three other survivors on the ship and eventually murders two of them, one of the victims being Pi’s mother. Connections between characters from both stories as being a metaphor
“You can't stop the waves, but you can learn to surf.” Adapting to a new situation or experience like violent crashing waves can be difficult. Nevertheless, a person needs to learn how to surf in order to outlast the pounding waves. In a similar fashion, individuals need to learn how to adapt to a challenging situation in order to survive. This idea of the significance of adapting to new situations is often explored in literature. In the novel, Life of Pi, Yann Martel makes powerful use of character development to suggest that individuals may be able to adapt to situations in life through a sense of determination, or through denying reality and using their imagination instead.
To begin with, the animal story is the true story because it shows how Pi’s faith in religions and God helped him survive the tough circumstances on the lifeboat. Martel dexterously prepares the reader for the seafaring section in the first part of the book, which describes Pi’s sunny childhood in the Pondicherry zoo and his triple conversion to Hinduism, Islam and Christianity. Pi’s faith in god helped him survive on the boat. Pi started to become animal like in a way that he has to give up his vegetarianism and learn to fish. Hi encounter with the vast sea can be read as an encounter with the numinous. Pi does see the immensity of the sea and sky as divine. He calls the thunderbolt a ‘miracle’ and ‘an outbreak of divinity’, praising Allah. In moments of desolation, he tries to seek comfort in the divinity of that which is around him, ”I would point to the lifeboat and say aloud, “THIS IS GOD’S ARK!”...
This unimaginable tale, is the course of events upon Pi’s journey in the Pacific ocean after the ship that Pi and his family were aboard crashes, leaving him stranded with a tiger named Richard Parker, an orangutan, a zebra, and a hyena. Pi loses everything he has and starts to question why this is happening to him. This is parallel to the story of Job. Job is left with nothing and is experiencing great suffering and he begins to demand answers from God. Both Pi and Job receive no answers, only being left with their faith and trust. To deal with this great suffering Pi begins to describe odd things which begin to get even more unbelievable and ultimately become utterly unrealistic when he reaches the cannibalistic island. Richard Parker’s companionship serves to help Pi through these events. When the reader first is intoduced to Richard Parker he emerges from the water, making this symbolic of the subconscious. Richard Parker is created to embody Pi’s alter ego. Ironically, each of these other animals that Pi is stranded with comes to symbolize another person. The orangutan represents Pi’s mother, the zebra represents the injured sailor, and the hyena represents the cook. Pi fabricated the people into animals in his mind to cope with the disillusion and trails that came upon him while stranded at the erratic and uncontrollable sea,
With the lifeboat symbolising faith and Richard Parker as Pi’s primal instinct, Martel depicts Pi’s prolonged fight for survival as assuming the behaviour of a tiger allows him to endure the voyage. By foreshadowing Pi’s tense relationship with a tiger and the tragic sinking of the ship, the audience speculates that Pi will persevere, despite his unfortunate circumstances. Lastly, the recurring motif of food, water and territory requires both castaways to respect and depend on each other for their survival. Through the literary techniques of symbolism, foreshadowing and motifs, Martel enables the audience to explore the central theme of survival as they too experience being a castaway in the Pacific Ocean through Pi’s life
Imagine being stranded in the middle of the Pacific Ocean in a lifeboat, not alone but with some carnivorous animals, as company. The chances of survival do not seem so high, but when one has the will to survive, they can do anything to attain it. Pi Patel and his family are on their way to Canada from Pondicherry, India, when their cargo ship the Tsimtsum sinks. Pi is not the only survivor of the ship, along with him is a hyena, an injured zebra, an orangutan and a 450-pound orange Bengal tiger. Pi travels across the Pacific Ocean in only a lifeboat, with food dwindling quickly, he needs to find land and most of all survive the voyage. In Life of Pi; Yann Martel develops the idea that having the will to survive is a crucial key to survival; this is demonstrated through symbolism of the colour orange, having religion on the protagonist’s side and the thirst and hunger experienced by the protagonist.