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What is the importance of character development in literature
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The novel Life of Pi by Yann Martel is a fantastical work in which the main character, Pi, who is the son of a zoo owner in India, recounts the story of how he was stranded at sea in a lifeboat with a zebra, orangutan, hyena, and a large carnivorous tiger. Having been around animals his whole life, the lead protagonist, Pi, presents anthropomorphism in the early stages of the novel. Through anthropomorphism and magical realism we are provided with the fantastical side of Pi’s journey. Anthropomorphism is seen throughout the novel through Pi’s description of the animals’ behavior, description of his environment, and his comparison of the animals to people he knows. All of these descriptions play into the fantastical nature of the novel. In one section of the novel, Pi remarks that the orangutan was “... bearing an expression profoundly sad and mournful” (Martel 156). This quote is an example of anthropomorphism in the …show more content…
He uses this technique when describing Pi’s experience on the island, which is first portrayed as a heavenly island with pools of fresh water, an abundance of sweet algae for food and loads of innocent meerkats for Richard Parker. As Pi’s stay progresses on the island, he grows suspicious of the paradise and discovers that it is carnivorous. After being at sea for so long, the reader and Pi somewhat lose a sense of reality. They may not believe the story at first, but they believe this enigma as true. Nobody would believe the existence of a carnivorous island but by placing it in the middle of the uncertain ocean, they begin to consider that it may just have been overlooked. Also, by reasoning the occurrences on the island the reader wants to believe the events as true because it makes the story more interesting. By embedding some magical elements into the realistic fiction, the reader believes them to be true because the magic grips them and draws them into the
Anthropomorphism is giving non-human characters human qualities. In How Stories Came to Earth it’s shown various times, “After following the tracks of the leopard, spider dug a very deep pit. He covered it over with the branches of the trees and came home. Returning in the very early morning” , this quote is
In Martel’s Life of Pi, the color orange initially appears just before the scene in which the ship Tsimstum sinks into the Pacific Ocean. The narrator visits Pi and his family at their home in Canada and sees his daughter Usha holding an orange cat. This moment provides the re...
The protagonist, Pi is initially apprehensive to accept Richard Parker on the raft, but later comes to appreciate the tiger once he realizes this animal’s presence is crucial for his survival on the boat. First, Pi is scared and reluctant to accept his shadow self because it conflicts with his character and complicates his beliefs. This is evident when he says, “Together? We’ll be together? Have I gone mad? I woke up to what I was doing […]. Let go […] Richard Parker […] I don’t want you here […]. Get lost. Drown! Drown!!” (Martel 123). Though Pi recognizes his shadow self by encouraging Richard Parker to come on the boat, he soon realizes that he is about to accept his shadow self. He instantly regrets his decision and throws an oar at him in an effort to stop Richard Parker. His action symbolizes his denial and confusion he feels towards the extent of br...
Anthropomorphism is the literary term that means to give human qualities to animals or objects. [Lukens, R. J. pg.355] Lukens states that when an animal in a children’s story is a believable human being it creates the fantasy within the work. [Lukens, R. J. pg.49] In The Amazing Maurice, and His Educated Rats, and The Lion the Witch and the Wardrobe, both authors use this literary element to make the characters come alive and to push the readers imagination. Throughout the books several quotes can be found to show the use of human like qualities that can be seen in all characters that one meets in Bad Blintz and the Forests of Narnia. In The Amazing Maurice, and His Educated Rats, Darktan, a major character, is an educated rat that comes across as a very believable human being which finds practical ideas of clothing in the rats’ beloved book Mr Bunnsy Has an Adventure. Through Darktans actions and speech anthropomorphism can be seen in The Amazing Maurice.
Yann Martel’s Life of Pi, an award winning novel offers not only one but two stories within its pages. Yann Martel emphasize the truth and reality is often far more complex than we perceive. Readers cannot deny the similarities of both stories, and perhaps understanding Pi’s experience lie somewhere between the two versions.
An id and ego split is also shown between Pi and Richard Parker. Richard Parker is an imaginary tiger that is created by Pi in order to keep him alive and focused on staying alive. Pi eventually abandons his superego and partakes in eating meat, even though he was a strict vegetarian prior to being lost at sea. Over the duration of Yann Martel’s Life of Pi, the story relates to Freud’s theories in several ways that are made blatantly obvious; these relations are what makes this story come together to keep the reader involved and interested. Works Cited Martel, Yann.
... The collection of information given towards the end of the story when Pi is expressing his experience to the investigators ends up being key to understanding how it has a connection to Freud’s idea of psychoanalysis. When Pi reveals an alternate story of the events that unraveled and led him to the Mexican beach, it brings his story to a halt. The reader has to decide for themselves which story to believe. When looking at both stories, it is easy to match up the connections on the characters being switched.
It is not unlikely that in severe circumstances, humans use the company of one another to survive. For example, in Night, Elie Wiesel uses his father to motivate him to live during his terrifying stay at Auschwitz. However, not all cases of this “survival relationship” necessarily involve two humans. In Life of Pi by Yann Martel, when he is shipwrecked at sea for 227 days, Pi Patel faces life-threatening circumstances every minute of the day. After his rescue,though, he tells two different stories to explain this incredulous journey. One involves loneliness and brutality,while the other involves animals and faith, the latter being the true story. Pi’s explanation involving animals is the true story because it vividly and descriptively displays
On its surface, Martel’s Life of Pi proceeds as a far-fetched yet not completely unbelievable tale about a young Indian boy named Pi who survives after two hundred twenty-seven days on a lifeboat with a Bengal tiger named Richard Parker. It is an uplifting and entertaining story, with a few themes about companionship and survival sprinkled throughout. The ending, however, reveals a second story – a more realistic and dark account replacing the animals from the beginning with crude human counterparts. Suddenly, Life of Pi becomes more than an inspiring tale and transforms into a point to be made about rationality, faith, and how storytelling correlates the two. The point of the book is not for the reader to decide which story he or she thinks is true, but rather what story he or she thinks is the better story. In real life, this applies in a very similar way to common belief systems and religion. Whether or not God is real or a religion is true is not exactly the point, but rather whether someone chooses to believe so because it adds meaning and fulfillment to his or her life. Life of Pi is relevant to life in its demonstration of storytelling as a means of experiencing life through “the better story.”
“The presence of God is the finest of rewards.” (Yann Martel, Life of Pi 63) In Yann Martel’s riveting novel “Life of Pi” The basic plot of survival unfolds, however, this essay will show how the hidden yet the dominant theme of religion throughout the story is what helped the main character Piscine Molitor Patel (Pi) survive.
In Life of Pi, Pi is influenced by the decisions that animals make while onboard the lifeboat and the humanlike characters that they represent in Pi’s factual story. Many readers believe that the story of the animals is just a figment of Pi's imagination and that it was just something to keep him alive. Others believe that the story of the animals really did happen in Pi's time on the Pacific Ocean. No one will ever know what the real story of Pi's journey was, but everyone who has heard about Pi's multiple stories will have their own opinions and interpretations of what really happened.
This unimaginable tale, is the course of events upon Pi’s journey in the Pacific ocean after the ship that Pi and his family were aboard crashes, leaving him stranded with a tiger named Richard Parker, an orangutan, a zebra, and a hyena. Pi loses everything he has and starts to question why this is happening to him. This is parallel to the story of Job. Job is left with nothing and is experiencing great suffering and he begins to demand answers from God. Both Pi and Job receive no answers, only being left with their faith and trust. To deal with this great suffering Pi begins to describe odd things which begin to get even more unbelievable and ultimately become utterly unrealistic when he reaches the cannibalistic island. Richard Parker’s companionship serves to help Pi through these events. When the reader first is intoduced to Richard Parker he emerges from the water, making this symbolic of the subconscious. Richard Parker is created to embody Pi’s alter ego. Ironically, each of these other animals that Pi is stranded with comes to symbolize another person. The orangutan represents Pi’s mother, the zebra represents the injured sailor, and the hyena represents the cook. Pi fabricated the people into animals in his mind to cope with the disillusion and trails that came upon him while stranded at the erratic and uncontrollable sea,
The novel, Life of Pi by Yann Martel, talks about a sixteen-year old man named Pi Patel, who unbelievably survives a dreadful shipwreck after 227 days with the animals in a lifeboat in the Pacific Ocean. Different ideas and themes in the book can be found in which the readers can gain an understanding about. The author communicated to the reader by using an ample amount of symbolisms to talk about the themes. The main themes of this novel are religion and faith. His religion and him being faithful have helped him throughout the journey, and this eventually led to an incredible precedent.
Yann Martel’s Life of Pi, is a fictional novel written in 2001 that explores the primacy of survival by employing symbolism, foreshadowing and motifs. This story follows the life of the protagonist, Piscine Molitor “Pi” Patel, as he embarks on his journey as a castaway. After boarding the Tsimtsum which carries Pi and his family along with a menagerie of animals, an abysmal storm capsizes the ship leaving Pi as the only survivor, though he is not alone. The great Bengal tiger, Richard Parker, also survives the shipwreck and during the 227 days that Pi and Richard Parker are stranded at sea together, the two must learn to coexist and trust one another for survival. Through Pi and Richard Parker’s struggles to remain alive, Martel explores the primal idea of survival by employing literary techniques.
Imagine being stranded in the middle of the Pacific Ocean in a lifeboat, not alone but with some carnivorous animals, as company. The chances of survival do not seem so high, but when one has the will to survive, they can do anything to attain it. Pi Patel and his family are on their way to Canada from Pondicherry, India, when their cargo ship the Tsimtsum sinks. Pi is not the only survivor of the ship, along with him is a hyena, an injured zebra, an orangutan and a 450-pound orange Bengal tiger. Pi travels across the Pacific Ocean in only a lifeboat, with food dwindling quickly, he needs to find land and most of all survive the voyage. In Life of Pi; Yann Martel develops the idea that having the will to survive is a crucial key to survival; this is demonstrated through symbolism of the colour orange, having religion on the protagonist’s side and the thirst and hunger experienced by the protagonist.