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Life and death literature
Stages of death
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Life and death, everyone thinks about it at some point in their lives. Questions like, what could’ve been different, or what was done wrong and how could it be fixed. These questions are usually what come to mind when a person is at their final moments of his/her lives. Most of the time, he/she believes there was so much more than what he/she has been through whether for better or worse. Every human goes through this in some form, which leads to the creation of clinical teachings like the 5 stages of dying. These 5 stages consist of denial, anger, bargaining, depression, and acceptance. The medieval play, Everyman displays this kind of questioning of life and death. The main character, Everyman, struggles with accepting the fact there is nothing he can do to keep everything he’s built up, which is mostly worldly possessions. Everyman, the play, is a prime example of when faced with death himself, one must come to the realization that worldly …show more content…
When one side is weighed down more, the other will soon be in that same spot. Some people call it Karma, some just say what goes around comes around, and either way it’s saying there’s always a need for a balance in this world. Everyman starts out in the play with Everyman being a self-absorbed human not worrying about anything around him, until Death arrives and takes Everyman to be judged. Karma is a major plot point in the play, where Everyman is turning a blinds eye to God at the beginning, but towards the end of the play, Everyman has nothing left but God so he repents for all his sins and is granted access to the Gates of Heaven. Life and death are the significant figures of karma where life for Everyman is the evil, and death is good for him. Everyman’s attitude towards God and faith changes because of his journey towards death throughout the play. Death and life is always interpreted as evil and good respectively, but in Everyman, death is good whereas life is
The encounter with the gravedigger is clearly a turning point for Hamlet in which he realizes the two truths that are the theme of the play: death is inevitable; death is universal. By thus dramatizing the theme and placing a statement of it on the protagonist's lips, Shakespeare conveys this message to the audience. The statement of Hamlet's theme by its main character is borne out in his subsequent speech and actions, bringing about the restoration of order that is the conclusion of a Shakespearean tragedy.
From past experiences in ones life, whether it be the death of a long aged gold fish to a deceased elder, one knows the pain and suffering that goes on afterwards. For one to finally move on and continue life without a tear in their eyes may take a while, yet having that immense step means to put the emotions aside and live life. Hamlet's father was murdered, and he soon sees his mother move on so quickly and marries his uncle, to continue being the queen. Hamlet's love for his father does not fade away within a two month span like his mother; he refuses to accept the fact that his father was killed, instead of a natural death. Because of this, Hamlet does not know what to do with his life. He mentions "O, that this too too sallied flesh would melt,/ Or that the Everlasting had not fixed/ His canon `against self-slaughter" (129-132). Immediately does Hamlet questions the existence of his own life, as he feels the need to melt and disappear, ultimately referring to suicide. The problem we face...
In act 3, Hamlet questions the unbearable pain of life and views death through the metaphor of sleep. "To be or not to be: that is the question: / whether 'tis nobler in the mind to suffer / the slings and arrows of outrageous fortune, or to take arms against a sea of troubles / and, by opposing end them. To die, to sleep / no more" (3.1.64-68), details which bring up new thoughts about what happens in the after life. Thus, Hamlet contemplates suicide, but his lacking knowledge about what awaits him in the afterworld causes him to question what death will bring. For example he states, "The undiscovered country, from whose bourn / no traveler returns, puzzles the will / and makes us rather bear those ills we have / than fly to others that we know not of" (3.1.87-90), again revealing his growing concern with "Truth" and his need for certainty. Once again, death appears in act 4 with the suicide of Ophelia, the demand for Hamlet's execution and the gravedigger scene. All of these situations tie back with how death is all around Hamlet and feeds his obsession with it. Finally in act 5, Hamlet meets his own death, as his obsession to know leads to the death of himself.
The theme of death is abundant throughout William Shakespeare play “Hamlet”, and even more evident in Laurence Olivier’s movie Hamlet. At the start of both the play and the movie there two soldiers Bernardo and Marcellus along with Horatio (Hamlets friend) who see a ghostly figure. In the movie this scene is portrayed as very dark, and cold, and is a similar scene throughout the movie. The next person to die is Lord Chamberlin Polonius, who was killed by Hamlet. The deaths continue with Ophelia’s (Hamlets true love) suicide. Then in a remarkable sword fight that lead to Hamlet, Claudius, Gertrude and Laertes all dying from poison. William Shakespeare wrote Hamlet in a time when people were unsure about death, the afterlife and Shakespeare did
The theme of death is present in many works of literature. It is given metaphors and cloaked with different meanings, yet it always represents an end. Every end signifies a new beginning, and every death gives rise to a new birth. Physical death “...is mere transformation, not destruction,” writes Ding Ming-Dao. “What dies is merely the identity, the identification of a collection of parts that we called a person. What dies is only our human meaning” (49). Figuratively speaking, death symbolizes a change, an interruption or cessation of regular routine. In this sense, death can be viewed as a more positive occurrence, because change leads to new experience, which, in turn, leads to knowledge and a better understanding of life. The plays Othello and A Doll House both encompass the theme of death. While the former deals with physical death, the latter depicts a change, a transformation of a period of time and a way of life.
Everyman is English morality play written by an anonymous author in late fifteenth century. The play’s represent the values that Everyman holds on to by its characterization. The spiritual life of Everyman was neglected by him, but he is quickly repents of his sins as the play develops. After realizing Everyman is summoned by Death, he doesn’t want to die and die alone for that matter. Everyman soon realizes that when he is seeking for a companion to go on a journey that he wants to go but there is no one available. He soon comes to terms that everyone will soon abandon him who accompanied him on earth. The play is in allegorical characters that represents variety of concepts such as (Knowledge, Good Deeds etc.)
“Everyman” is a metaphorical story that shows the value of life and death. In the play Everyman, death is exemplified and treated as a messenger of God that goes to visit Everyman. Everyman is a character that represents human and everything that human have to go through in life until the Day of Judgment. The author of the play uses Death as a character to portray a real truth that all human will have to face. The word "death" attracts people's attention because it is a strong word. Death strikes a fear in people’s heart and it is a truth of life that every human will have to face it one day. The author knows the effects of death and he uses it in the play as a character to attract the reader. A character Death is used as an allegorical picture of physical death and is under God's control. Death is sent to Earth by God to judge Everyman. The story is shown as life lessons for others in the path they have chosen in their lives.
This is true because death is inevitable. All throughout the play, the author talks about how death is perceived and what the “treatment” for death is. While the play is going on, the different characters mention and relate back to death on everything that is mentioned. Death is unavoidable, even though nobody wants it to happen. In the literary work “Everyman” the author talks about his perception and treatment of death as something that is inevitable, controlled by God, and that nobody wants to encounter.
Death is a common rival every human faces. With this unavoidable adventure, humans sometimes worry if they have fulfill their hopes and dreams, how their families will be once they perished, and what will happen to their soul. We learn though the morality play, Everyman, written by Anonymous, that the people who enjoy the adventure of life are still scared of this fated task. However, the protagonist, Everyman shows that with maturity and intelligence all rivals, even the ones we cannot hide from, will be a blessing at the end.
Everyman The play “Everyman” is about a complacent Everyman who is informed by Death of his approaching end. The play shows the hero’s progression from despair and fear of death to a “Christian resignation that is the prelude to redemption.” Throughout the play Everyman is deserted by things that he thought were of great importance portrayed by characters that take the names of the things they represent. Throughout the play Everyman asks the characters to accompany him on his journey to death. He starts with Fellowship, his friends, who promises to go with him until they are informed of the destination.
There is an average of 823.7 deaths in a population of 100,000, 2,626,418 deaths per year and a life expectancy rate of 78.8 years. People die every day from illness, accidents, and natural causes. In this play the concept of mortality is woven throughout using comedy to get the point across. Mere Mortals by David Ives is piece made up of six one-act comedies put together to create one big play. With the first look at these six acts it is as if there is absolutely no connection to them, as if they are just six random plays thrown together. However, with further inspection it is seen that these plays have a few things in common. For one, theme, they all have a different main theme but looking more closely they have one thing in common: Mortality, life, and death. Ives also wrote all of these acts using many forms of figurative language. Mere Mortals, by David Ives inspects the concept of mortality using figurative language and a few different themes.
Hamlet’s psychological influence demonstrates his dread of both death and life. In Hamlet’s famous soliloquy, “To be or not to be” (3.1.64), he refers the “be” to life and further asks “whether ‘tis nobler in the mind to suffer the slings and arrows of outrageous fortune” (3.1.65.66). By this, Hamlet is asking himself the question of whether to live or die.
In the poem Everyman, Death illustrates that the only way to gain entirety is through preforming good deeds and to repent of all sins. Additionally, one must consider their personal choices,
Everyman is one of the earliest morality dramas. A morality drama where the main character meets with a moral decision or decisions. In Everyman, the protagonist Everyman goes through his last day alive trying to atone for his sins. In the play, he meets several other characters that symbolize different components of life. In doing so, he tries to have them go with him to meet with God, but most of them will not walk with him to meet death except good deeds. In the play, the author’s perception of Death is that he is a mighty messenger of God and he gathers every man to pay for his sins. The author also leads the reader to understand there are two different types of death; physical and spiritual.
Keller details that The Summoning of Everyman, departs from typical morality conflict, asserting that, “Everyman, instead, focuses exclusively on the final phase of the morality narrative-the coming of death. The play thus eliminates the usual struggle between good and evil for the soul of the protagonist.” (2000). The author combines the presence of Death, the inevitability of death, and the fear inducing specter of the “march toward death”, to portray the nature of physical death in the will of God as the consummation of all things.