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Dolls house by hery ibsen
Dolls house by hery ibsen
Dolls house by hery ibsen
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In Ibsen’s A Dolls House the truth comes out, but the lie is what comes out more powerful. The lie is the deal breaker, the truth manipulated, the decision ender. Nora is most affected by lying about her problem which was when she committed forgery of her father’s signature. Her lying becomes her worst enemy and the truth is told. After the truth was out, her decisions were later influenced by her lies. The truth and the lie both come with consequences. When Nora met her old friend Mrs. Linde, Nora became very open to her and the truth came out. Nora tells Mrs. Linde, “I only want to tell you that, Kristine, so that you can be my witness.” (Ibsen 999). Nora doesn’t want her as a witness, she wants Mrs. Linde to save her from the situation as it comes out. Her situation with her father is where she showed it the most. Signing her father’s name and lying about it to Krogstad didn’t just go by him as she says, “I didn’t know that Krog- that this man Krogstad had anything to do with the bank” (Ibsen 979). Nora says this as a lie as she knew Krogstad worked at the bank, but she wanted to cover up that he was part of her problem. She also neglects the fact that her problem involves money by saying, “You don’t have to. Whoever …show more content…
Nora’s worst fear is for her husband to hear about her issue and she says, “This secret – my joy and my pride- that he should learn it in such a crude and disgusting way…” (Ibsen 983). This is Nora’s after thoughts of what could potentially happen when Torvald hears of her issue and how he may react. She fears of the truth reaching the rest of the family she is in. Nora’s lies are much more powerful than the truth she tells. She later goes on and says, “It’s true- I’ve got something to be proud and happy for. I’m the one who saved Torvalds life.” (Ibsen 975). She does explain the truth here by a certain extent, but it is an example of her issues
In the Doll’s House, Nora dutifully lies to save Torvald from dying of illness. The readers are told that Nora’s husband, Torvald, fell sick. Nora lied to him about why she needed to borrow money. Though she told him she want to travel to shop (Ibsen 11), the doctors told her in order to save the ill-fallen Torvald, he needed to go to the South (Ibsen 10). Since she cannot borrow the money, Nora forges her father’s signature to save her husband’s life. It might seem as if Nora’s lying is wrong, but in reality, it was justified because Torvald would not have gone to Italy if he had known he was sick. He thought of her as a child, not capable of making adult decisions (Ibsen 69). Would not it make sense for Nora borrow money to help Torvald, even if it meant forging a signature and keeping it a secret? Krogstad also would not have lent Nora the money if he had known she was the actual borrower, not her father. Nora lies for reasons pertaining to life and death. She is not being deceptive to keep herself out of trouble. For these reasons, her deceit is defendable.
Henrik Ibsen’s A Doll House, which was written during the Victorian era, introduced a woman as having her own purposes and goals, making the play unique and contemporary. Nora, the main character, is first depicted as a doll or a puppet because she relies on her husband, Torvald Helmer, for everything, from movements to thoughts, much like a puppet who is dependent on its puppet master for all of its actions. Nora’s duties, in general, are restricted to playing with the children, doing housework, and working on her needlepoint. A problem with her responsibilities is that her most important obligation is to please Helmer. Helmer thinks of Nora as being as small, fragile, helpless animal and as childlike, unable to make rational decisions by herself. This is a problem because she has to hide the fact that she has made a decision by herself, and it was an illegal one.
Identifying a lie can at times prove quite troublesome. Some individuals may occasionally claim to spot deception simply by noticing the behavior of someone accused. This gut feeling is by no standards definite, and could be in fact mistaken. On the on other hand, one possible way to expose a lie concerns the revealing of an idea that is most assuredly true, such as with an article that has been written down. Documents usually are quite accurate, for once an idea is put on paper it becomes quite hard to retract. In effect written words relate to the truth, and if understood by the viewer they may expose the lies of those around him. Taking this a step further involves putting truthful, paper into the hands of someone else, perhaps in the form of a letter or note via the post office. In his drama A Doll House Ibsen included three articles of mail to symbolize the truth, and thereby to reveal some of the lies perpetrated by Nora.
Nora, with the best of intentions, has caught herself and her family in a legal trap caused by her disregard of the law, when she forges her father’s signature on a bond. In her conversation she first discusses with Mrs. Linde “Yes, a wonderful thing!--But it is so terrible, Christine; it mustn't happen, not for all the world.” (II.66). The reader finds out later that the wonderful thing is also her romantic imaginings of her husband, Torvald, standing up and taking the blame for her actions shielding her from the consequences if what she has done ever comes to light.
In the entire play, Nora is in fact THE one and only real one imprisoned. She has no rights to do anything; she is “a bird in a cage';. Kristine gives the exact figure of Nora by saying: “ A wife cannot borrow without her husband’ s consent';. She is also imprisoned by law because of her forged signature and is therefore “aggressed'; by Krogstad, the man who lent her the money in the first place. She has been convinced that males are kings of the society she lives in. She even tells Kristine about this idea: “ A man can straighten out these things so much better than a woman';. She cannot afford or obtain anything herself, she has to ask her husband and get his permission to buy everything: “ Your squirrel will scamper about and do all her tricks, if you’ ll be nice and do what she asks.'; Her liberty is non-existent, Helmer is comparable to a prison guard, he thinks that he owns her: “… all the beauty that belongs to no one but me, that’ s my very own';. Helmer is the “prison guard'; and “the prison'; is the apartment she lives in.
Nora hides the fact that she has done something illegal from Torvald. She is given the opportunity to tell Torvald and maybe get his support or advise on the situation, and she lies to him to hide the truth. She claims that the reason that she does not want Torvald to fire Krogstad is that "this fellow writes in the most scurrilous newspapers...he can do [Torvald] an unspeakable amount of harm"(Ibsen 519). Nora hides the truth and replaces it with lies. Torvald does not know that if he fires Krogstad that the consequences will affect his whole family. Nora could have told him, but instead she decided to hide the truth from her husband.
Most of us live a life where we do what we want and when we want without anyone telling us how to live our lives. This wasn’t the case in A Doll’s House by Henrik Ibsen, where he illustrates to us how one woman lives a life through her father and husband. Throughout the play we see how a once childish like woman gains her independence and a life of her own. Ibsen shows us a very realistic play that demonstrates how on the outside Nora and Torvald seem to have it all. While in reality their life together is simply empty until Nora stands up for herself and starts to build her own life.
Nora is the pampered wife of an aspiring bank manager Torvald Halmer. In a desperate attempt to saves her husband's life Nora once asked for a loan so she and her family could move somewhere where her husband could recover from his sickness. Giving the circumstances she, as a woman of that period, by herself and behind her husband forged her dad signature to receive the loan. Now, Nora's lender (Mr. Krogstad), despite her paying punctually, uses that fault as a fraud to pressure her so she could help him to keep his job in the Bank where her husband is going to be the manager. Nora finds out that Torvald would fire Mr. Krogstad at any cost. At learning this, Nora trembles for she knows Mr. Krogstad will tell everything to Torvald. She remains confident; however that Torvald will stand by her no matter what outcome. His reaction though is not what she expected and therefore here is when she realizes that she "must stand quite alone" and leaves her husband.
When confronted by Krogstad, who tells her it is against the law to sign someone else's signature, she responds, "This I refuse to believe. " A daughter hasn't a right to protect her dying father from anxiety and care? A wife hasn't a right to save her husband's life. I don't know much about laws, but I'm sure that somewhere in the books these things are allowed. " Nora simply does not understand the ways of the world, and the final realization that she is in real danger of risking hers and her husband's reputation, and worse, makes her snap out of the childish dream she had been living. & nbsp; Kristine, Nora's childhood friend, is the wisdom and support Nora needs to grow up.
The woman in this play is a very happy mother, who does not objectify to be a stay home wife, her life is happy and although she was faced by many obstacles before, like incurring into debt to save her husband’s life, she is a happy woman as long as she possesses the love of her children and husband. Life for Nora seems as calm as it could possibly be, but soon after the promotion of her husband and the imminent consequences such promotion will bring to Krogstad, bring a new set of complication to her life. Soon her past mistakes come to haunt her. She committed forgery, by signing in place of her deceased father, which of course is taken as leverage by Krogstad, the owner of the note she signed, in order for him to conserve his
Although Krostad’s blackmail does not change Nora’s whimsical nature, it opens her eyes to her underappreciated potential. “I have been performing tricks for you, Torvald,” (Find a different quote perhaps?) she exclaims in her confrontation with Torvald. She realizes that she has been putting on a facade for him throughout their marriage. Acting like someone she is not in order to fill the role that her father, Torvald, and society expected her to have.
The enforcement of specific gender roles by societal standards in 19th century married life proved to be suffocating. Women were objects to perform those duties for which their gender was thought to have been created: to remain complacent, readily accept any chore and complete it “gracefully” (Ibsen 213). Contrarily, men were the absolute monarchs over their respective homes and all that dwelled within. In Henrik Ibsen’s play, A Doll’s House, Nora is subjected to moral degradation through her familial role, the consistent patronization of her husband and her own assumed subordinance. Ibsen belittles the role of the housewife through means of stage direction, diminutive pet names and through Nora’s interaction with her morally ultimate husband, Torvald. Nora parades the façade of being naïve and frivolous, deteriorating her character from being a seemingly ignorant child-wife to a desperate woman in order to preserve her illusion of the security of home and ironically her own sanity. A Doll’s House ‘s depiction of the entrapment of the average 19th century housewife and the societal pressures placed upon her displays a woman’s gradual descent into madness. Ibsen illustrates this descent through Torvald’s progressive infantilization of Nora and the pressure on Nora to adhere to societal norms. Nora is a woman pressured by 19th century societal standards and their oppressive nature result in the gradual degradation of her character that destroys all semblances of family and identity.Nora’s role in her family is initially portrayed as being background, often “laughing quietly and happily to herself” (Ibsen 148) because of her isolation in not only space, but also person. Ibsen’s character rarely ventures from the main set of the drawi...
Nora was wife of Helmer and a mother of 3 children. They lived in a house where their nurse Anne-Marie took care of the children and Helene which was their maid took care of the house work. Nora was a stay at home mother and would occasionally take on little jobs in order to make ends meet. Nora has lived her whole life as a puppet. Her life has always been controlled by someone else; first by her father and then by her husband Helmer. “Her whole life is a construct of societal norms and the expectations of others” (Wiseman). “Nora’s father would force his beliefs on her and she would comply with them lest she upset him; she would bury her personal belief under Papa’s. According to Nora, Torvald was guilty of the same things” (Wiseman). Nora has always lived her life according to the beliefs of someone else. She didn 't know how to live life any other way because this is how she was raised. She felts trapped in the life she lived because she knew no other way of living besides her current lifestyle. Due to Nora being controlled her whole life she seemed childish and lacked knowledge of the world outside her house. At the end of the story Helmer decides to show his true colors once his future was threatened. This made Nora realize that she does not love her husband nor does he love her, and decides that is not the life she wants to live. “Helmer: You talk like a child. You don 't know anything of the world you live
The most joyful thing in Nora's life is something her husband disapproves of. What makes this even more ironic is a statement Torvald makes to Nora after discovering her secret. He says to her "Oh, what a terrible awakening this is. All these eight years...this woman who was my pride and joy...a hypocrite, a liar, worse than that, a criminal!" (1462). He also uses the words "pride and joy" to describe Nora, just as she describes her secret.
As the play goes on, Nora seems to transform from her delicate little character into something much more. At the end of act one, Krogstad goes to Nora for the recollection of the money she had borrowed from him. "You don?t mean that you will tell my husband that I owe you money?" (21). Since Nora was wrong in doing so socially, she could not tell Torvald or anyone else about her problem. Not only would that affect their social standard but also Torvald's ego, which inevitably would happen anyway. After Krogstad threatens to expose Nora for forging her father's signature, she realizes that no matter what she does Torvald was going to know the truth. The flaw with...