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“The light of the unknown world was already visible in his eye,” (397) this light was seen through Jean Valjean’s eyes as he neared death. This light symbolizes the bishop’s goodness and God’s love for him. When he saw this light, he knew he was ready for his journey to Heaven. The story is in Les Miserables is heavy with themes of grace, mercy and redemption as seen through Javert and Jean Valjean.
Javert is very committed to the chance of righteousness and the denial of transformation and the possibility of spiritual redemption. He says to Valjean, “Men like you can never change,” (72) which was shown to be one of his many basic principles. Children who are raised as strongly evangelical have been drilled the opposition between law and grace. When Javert says, “My duty’s to the law; you have no rights,” (104) he is being well-defined as a lost soul who is trying to earn their salvation through submission to God’s law because they haven’t believed in Christ. God has zero tolerance for breaking the law as does Javert. Jesus sacrificed his life for our sins so a criminal must accept...
The Postal Service released three hits; The District Sleeps Alone Tonight, Such Great Heights, and Clark Gable. These songs all share a common theme; teenage self-loathing love songs. I will be analyzing these three songs and the common themes between them.
On the word of Martin Luther King Jr., “An individual who breaks a law that conscience tells him is unjust, and who willingly accepts the penalty of imprisonment in order to arouse the conscience of the community over its injustice, is in reality expressing the highest respect for the
True virtue has no limits, but goes on and on, and especially holy charity, which is the virtue of virtues, and which having a definite object, would become infinite if it could meet with a heart capable of infinity.
Love, tradition, emotion are just a few of the themes that are covered in the movie Like Water For Chocolate directed by Alfonso Aráu(1992) and bases on the novel written by Laura Esquivel(1989). The movie tells the story of Tita, a young woman that longs her life to marry her lover, Pedro but can never have because of her family’s traditions. The story develops on how Tita is trying to rebel against her mother and her tradition of the youngest daughter not marrying but taking care of her mother until the day she dies. The story takes place in Mexico at the turn of the twentieth century. The movie was amazing at showing these themes and really easy to identify them.
Rife with different themes in every storyline, Les Misérables entices critics to examine the numerous themes and speculate as to their meanings. These themes that they elicit from the text include, but are not limited to, fate dictating the course of one’s life, good works saving every soul, evil being the root of all of the problems of humanity, society weighing a person down, misfortune being the sole cause of faults in a person, love being the meaning of life, and the ability of love to alter a person. Many who read the novel are enamored with the many themes and agree that they are all explicitly explored. First, according to the critic Reeves, one can try to shape his own destiny all that he wants by “[chiseling] the ‘mysterious block’” from which his fate is made. However, no matter...
In Camus' novel The Stranger the predominate motif of the sun has been variously interpreted by many critics as a symbol of Meursault's repressed emotions.
Silence of the Lambs, is commonly said to be one of the most famous thrillers made. After watching the film for the first time, I noticed the director had many interesting themes and concepts. Some of these themes included, good vs. evil, the search for peace, judging a book by its cover, and gender and sexuality in the workplace. The theme I found most interesting, and what I found the director made most apparent, was gender and sexuality in the workplace. The director showed that gender and sexuality in the workplace was the most noticeable theme because of the constant contrasts set between Clarice and her male co- workers, her continuous denial about her femininity, and the amount of danger Clarice runs into because as a women, she is always having to do things on her own.
Mr. Kenneth Muir, in his introduction to the play - which does not, by the way, interpret it simply from this point of view - aptly describes the cumulative effect of the imagery: "The contrast between light and darkness [suggested by the imagery] is part of a general antithesis between good and evil, devils and angels, evil and grace, hell and heaven . . . (67-68)
...'s anguishes with obsession, help him to more effectively relate his novel, Les Misérables, to the reader. In the book's ending, Jean Valjean dies knowing he is happy, content and prepared for his death. His adoration for Cosette has left her loving him and satisfied with the life he has helped her create. Before Jean Valjean dies, he says to Cosette and Marius, "I die happy. Let me put my hands upon you dear beloved heads" (399). Like Jean Valjean, Javert's obsessions rule his life, but with negative intentions rather than positive ones. Once Javert realizes his obsessions are nothing but empty promises, he too is empty and chooses to end his life. Three of the main characters of the story, find that their perseverance and obsession to have the life they wish for ends triumphantly.
Altering an audience's opinion is a struggle that many writers face; it is always possible, however, to unite the reader with the speaker's position. In Paradise Lost by John Milton, the author attempted to persuade his readers into thinking that the theme of obedience to God will keep you in a blissful state and disobedience will keep you in a wretched state by the use of light in his books. God is associated with a radiant white light; while on the other hand, Satan is affiliated with a dark shady black. With this use of this contrast of symbolism of light and dark, there is a clear distinction that light is righteousness and more desired than the darkness, which is evilness and bad.
First off, is the element of forgiveness. In a book of mistrust, poverty, and hate…forgiveness thrives in the world of Les Miserables. The first example of this was at the very beginning, when Jean Valjean stayed with the bishop. Valjean stole his silver…and ran off. He ends up being caught by police, but when the police questioned the bishop, he claimed to have given the silver to Valjean. Jean was confused…and the bishop claimed that with the silver, he had purchased the convicts soul, and had given it to God, and from that day forward, Valjean must be a good man. Another example of forgiveness goes two ways. Javert, in his relentless pursuit of Valjean, is captured by revolutionaries. In reward for saving the lives of a few of these revolutionaries, Valjean asks for, and gets, permission to take Javert outside, and kill him. Once outside, a small monologue occurs…and Valjean releases Javert, and lets him go free. Valjean just wanted to be left alone in peace, and hoped this act of kindness would change Javert, and make him realize that Valjean was no longer the man he was. The second way…is that in the end, after Javert finally captures Valjean, he lets him go. Since Javert had broken the law… that he loved so dearly, he kills himself shortly thereafter, by jumping into a river.
From page fifty-eight to fifty-seven of Albert Camus’s The Stranger he uses the relentless Algerian sun as a motif for the awareness of reality that pursues the main character, Meursault, throughout the passage. When each motif appears in the novel such as this passage, Meursault’s actions change. This exemplifies that the light, heat, and sun trigger him to become debilitated or furious. Albert Camus sets up this motif in the passage to indicate to the reader that this motif shows the major themes of this novel. This motif shows Meursault’s emotion, how the imagery of weaponry affects Meursault’s actions, how the sun is a representation of society, and how the sun weakens Meursault.
Dante feels hell is a necessary, painful first step in any man’s spiritual journey, and the path to the blessed after-life awaits anyone who seeks to find it, and through a screen of perseverance, one will find the face of God. Nonetheless, Dante aspires to heaven in an optimistic process, to find salvation in God, despite the merciless torture chamber he has to travel through. As Dante attempts to find God in his life, those sentenced to punishment in hell hinder him from the true path, as the city of hell in Inferno represents the negative consequences of sinful actions and desires. Though the punishments invariably fit the crimes of the sinners and retributive justice reigns, the palpable emphasis of fear and pity that Dante imbues on the transgressors illustrates his human tendency to feel sympathy towards one who is suffering. For example, when Dante approaches the gat...
In this thematic essay, I’ll be going over John’s theme of light and dark in John 1:4-5, and possibly touch on other sections of John containing the light and darkness theme, such as John 3:19; John 8:12; and John 12:35, 46. I will also give this an interesting twist to keep this essay interesting by giving some comparisons with the Disney Movie, Beauty and the Beast.
There is little difference between colonialism and racism. The difference is only a matter of semantics. While colonialism is oppressing another group not in one's own country, racism is oppressing another group in one's own country. The Dutchman gives the audience two characters who were ignorant of each other. Lula has certain stereotypes of Clay's race, like the idea of barbed wire, just as Les Blancs gives the audience Charlie, who has stereotypes of Tshembe, like the many wives misconception. Themes in racism and colonialism, just like some of the themes in The Dutchman and Les Blancs, are ignorance of others, betraying one's own people, and how far one goes to tolerate what one believes to be the immoral behavior of another.