Leopold Mozart
The rain poured down
hard, flooding the suburban streets of Vienna. Thunder
roared all around the funeral procession on December 6,
1791, as it laboriously headed for St. Marx Cemetery. As it
reached the city walls of Vienna, the few friends who had
accompanied Mozart on his last journey turned back, due to
the unusually bad weather conditions. Such a scene is sadly
appropriate in representing the tragic end of Mozart who
had begun his life with such immeasurable promise. On
January 27, 1756, Leopold Mozart paced up and down the
hall of his home in Salzburg, Austria, in anticipation of the
arrival of his seventh child. His wife, Anna Maria, had given
birth to a boy: Wolfgang. Wolfgang and his only other
surviving sibling, Nannerl, grew up immersed in music. He
progressed quickly and began to compose before he could
even write. Leopold felt that his child's gift should be
promoted by travel so the family left Salzburg in 1762 eager
to "show the world a miracle." From court to palace the
Mozart family traveled the roads of Europe, showing
Wolfgang off to the world as a child genius. Often his father
would take him to carnivals and masked balls and dress the
little boy up as a harlequin. These experiences had made
Wolfgang not only become something of a legend but had
allowed him musical experiences far beyond those of a mere
child prodigy. Upon his eleventh birthday, commissions
flooded in not only from the court but from the bourgeoisie,
too. He wrote one act of an oratorio to be performed in
March, and followed it by a Latin comedy, Apollo and
Hyacinthus. In September of 1767, the Mozart family left for
Vienna where, after recovering from small pox, Mozart
would be inspired by his father to write his first opera, La
Finta Semplice. So impressed with Vienna was Mozart that
he and his father set off again for Italy alone in 1769.
Traveling throughout the towns of Italy, his recitals were one
success after the other, and his opera "Mitridate, re di
Ponto" saw its twentieth consecutive performance in Milan.
A failed attempt at a commission in Milan led Mozart to
understand how fickle society can be, and brought the two
back to their home in Salzburg. Mozart's farewells to Milan
were tinged with bitterness and he resigned himself to a life
as court musician in Salzburg, but the seventeen year old
genius ...
... middle of paper ...
...o grow up into the great
composer he became. If Leopold had not exerted such an
influence over him, Mozart might not have been compelled
to work day after day so intently and relentlessly on his
compositions later in his life. Mozart's amazing
accomplishments may be in part, due to his father's influence.
Yet, regardless of Mozart's personal hardships, he has left us
with an impression through his music that will last through the
years.
Bibliography
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Rothstein, Edward. "Riddle and Variations." New York Times. 26 March 1995. pp. 8-9.
Thompson, Molley (Producer/Director) Mozart.(1995). New York, NY. A&E Television Network. 50 min.
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The first reason that Lizzie Borden is guilty is that Lizzie Borden switched up her story many times. In the inquest testimony Lizzie says “I was in the kitchen” (3). She was asked if she was sure about that and then she changed her story. She said she couldn’t remember if she was in there or in the dining room (3). Lizzie then changes her answer again
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In Source #3, the text states, “In the week before the murder, following an apparent family argument, Lizzie and her sister Emma left by coach for New Bedford. When Lizzie returned, she chose to stay in a rooming house for four days, rather than in her own room in the family residence.”Already having a tense relationship with her mother, an argument like this may have made Lizzie so angry that she would kill her step mother. Lizzie also had problems with her father. One of the problems she had with him was when she built a roost for pigeons and her father beheaded all of the pigeons because he thought that it attracted boys. Maybe just like her stepmother, this argument pushed Lizzie over the edge and killed her father as well. This is the first reason why I believe that lizzie is
On the morning of August 4th, Andrew and Abby Borden were brutally murdered in their home with an axe or a hatchet. During her inquest testimony, Lizzie claimed that she had left her father lying on the sofa and gone out to the barn to look for lead for a sinker to go fishing with(even though she also shared that she hadn't gone fishing for almost five years). Bridget, the maid, was outside washing windows at the time and was the only other person at the Borden residence. Emma had b...
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TitleAuthor/ EditorPublisherDate James Galways’ Music in TimeWilliam MannMichael Beazley Publishers1982 The Concise Oxford History of MusicGerald AbrahamOxford University Press1979 Music in Western CivilizationPaul Henry LangW. W. Norton and Company1941 The Ultimate Encyclopaedia of Classical MusicRobert AinsleyCarlton Books Limited1995 The Cambridge Music GuideStanley SadieCambridge University Press1985 School text: Western European Orchestral MusicMary AllenHamilton Girls’ High School1999 History of MusicRoy BennettCambridge University Press1982 Classical Music for DummiesDavid PogueIDG Books Worldwide,Inc1997
Rowlingson, K. ( 2011). Does inequality cause Health and Social Problems? Birmingham: Joseph Rowntree Foundation.
Ludwig Van Beethoven and W.A. Mozart are the two most important musicians of their time. Their pieces are everlasting and will live on forever. Their styles are so unique and uplifting that they could never be matched. These masterminds played in the same time period but their lives differed tremendously. There are some similarities and many differences between these two but one fact will remain: They are the central and most vital part of all music.
Wolfgang Amadeus Mozart was probably the greatest genius in Western musical history. He was born in Salzberg, Austria on January 27, 1756. The son of Leopold Mozart and his wife Anna Maria Pertl. Leopold was a successful composer and violinist and assistant concertmaster at the Salzberg court.
Wolfgang Amadeus Mozart is perhaps the most well-known composer of all time. Countless accounts of his life have been created through the years, and all of them approach the topic of his life with a slightly different perspective. Amadeus provides a humorous and insightful look into the life of Mozart through the flashbacks of an elderly Italian man named Salieri. In his old age, Salieri confesses to a priest that he felt God taunting him throughout life because he always had a profound appreciation for Mozart’s music, but yet could never produce anything like it. Therefore, he turned bitter and spent his life trying to ruin Mozart and his career. Through Salieri’s lense, the audience learns about Mozart’s unique personality. Mozart is shown in the movie as a musical prodigy with an impeccable ability to play and compose. However, Mozart also has a childish, socially awkward side that causes him to be misunderstood by many adults. He lacks practicality and appreciation for social graces, instead preferring to make inappropriate jokes and attend wild parties. Our class’s textbook, The Enjoyment of Music, also
Daniels, Normal, Bruce P. Kennedy, and Ichiro Kawachi. "Why Justice Is Good for Our Health: The Social Determinants of Health Inequalities." Daeduls 128.4 (1999): 215-53. Print.
Mozart wrote The Magic Flute in 1791, just after the French Revolution and just before he died. Haydn had introduced Mozart to Freemasonry, and the opera is full of the ideas (the autonomy of the individual, self-determination, appalling sexism), the ideals (power, wisdom, beauty), and the symbols (aprons, hammers, compasses, a pyramid with an ...
Stango, C. (n.d.). A Study of Wolfgang Amadeus Mozart, His Requiem, and Its Influence on Conducting. Retrieved from https://www.misericordia.edu/honorus/CStangoPaper.cfm
Although philanthropic groups have been concerned about social inequalities for centuries, the issue of health inequalities in the UK was rejuvenated in the 1980s by the publication of the Black Report (Black and Townsend et al., 1982). Data amassed by the Black Report illustrated marked differences in mortality rates between the occupational classes, for both men and woman alike, at all ages. A class gradient was observed for most causes of death. The Black Report provided four theoretical explanations of the relationship between health and inequality:
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