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Influences of romanticism
A conclusion on the history of ballet
French revolution and ballet
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In this essay I will be discussing the story behind Le Corsaire, the people who created it and the social and cultural situations that affected it.
The Corsaire was written by Lord Byron in 1814, which was the peak of the Romantic era of art and poetry. It is a poem which the ballet Le Corsaire is loosely based on. Le Corsaire is a ballet typically presented in three acts, with a libretto created by Jules Henri Vernoy de Saint Georges. It was originally choreographed by Joseph Mazilier to composed by Adolphe Adam, and was first performed by the ballet of the Theatre Imperial de l’Opera in Paris on the 23rd of January 1856. Mazilier and Vernoy de Saint George decided that all they needed from the poem was the names of the characters and the exotic location, so they transformed Medora into an active, feisty heroine instead of the stay at home mistress of the pirate Conrad. They made Gulnare bright, but much more accepting of her fate, rather than the adventurous rebel of the original story. The ballet quickly became a huge success, being adapted and staged in many different places including London, Turin, Milan, Boston and St Petersburg.
Le Corsaire (meaning the pirate) follows the adventures of
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In Kansas, a civil war broke out, known as Bleeding Kansas. In May 1856, a pro slavery group attacked the town of Lawrence, destroying and stealing property. By the end of 1856, nearly 200 Kansans had been killed and property worth $2 million had been damaged or destroyed. This could have influenced why the Paris Opera Ballet chose to create this ballet, as some of the main characters are slave girls, (Medora and Gulnare) and the ballet starts with Lankendem selling these girls in the market place. Because the subject and plot of the ballet was relevant to what was going on at the time, the audience would have been able to relate to it as it would have drawn parallels with their own
As the play opens, there is much merrymaking and festivity in preparation for the play. The sheer happiness of all of the colorful characters is transferred to the reader almost instantly. The mood is portrayed very well as being light and bubbly, an overall good feeling. The next major shift comes when Cyrano enters and, after riding himself of Montfleury, puts on the spectacle wherein he demonstrates not only his impeccable verbal dexterity, but also his fencing abilities - and both at the same time. This whole scene causes a strong reaction from the audience, and in turn, the re...
“La Fille Mal Gardee” was a comic ballet choreographed by Jean Deuberval, and premiered in Bordeaux, France on July 1st, 1789. The ballet was a Ballet d’ action, and was very important because it was the first ballet choreographed to be about regular citizens, and not just about the monarchy. In many ways, the ballet was a representation of the growing dissatisfaction that regular citizens were really feeling towards the rich in France. Turns out that
In his book The French Revolution, William Doyle talks about the king’s power before the The French Revolution. Doyle explains that the king has an absolute monarchy over the citizens in France. An absolute monarchy is when a king or queen has full control over his citizens. The king is the judge, jury, and the executioner for his people. Whatever the king decides goes, no one has a say in what he has decided on. There are several examples that Doyle talks about in his book that shows how King Louis the 16th had an absolute monarchy over his citizens before 1787.
Pierre performs whiteness in several different ways. First thing that is noticeable is the way Pierre talks. He has this accent that he adapted to separate himself from other african americans. At one point in the movie his father even calls him out on his ridiculous accent and how he needs to stop. Another thing Pierre changed about himself was his name. Pierre Delacroix is the name he had it change to for sound like he has less of a “black” background. His original name, Perrless Dothan, did not fit the “white image” he was trying to pass off. Pierre also furthers his image of a white man by dressing and acting as if he his white. He tries his hardest to pretend like he has no “black” in him, at the beginning of the movie at least.
He may even have been the first to sing the tragic love of Tristan and Isolde. One of Chretein de Troyes’ works, Chevalier de la Charette (The Knight of the Cart) expresses the doctrines of courtly love in its most developed form. The plot of this story is believed to have been given to him by Marie of Champagne and has been called “the perfect romance” for its portrayal of Queen Guinevere’s affair with Lancelot of the Lake.1
The original choreographer of this piece was named Philippe Taglioni who was an Italian dancer. La Sylphide was performed by his daughter Marie Taglioni, who also was a very important ballerina at the time of the Romantic Era, at The Paris Oera in Paris of 1832. She played the sylphide in her father’s piece and wore a costume that had real flowers on her dress which was different from the other dancers. She had also dance for August Bournonville who was a part of The Royal Danish Ballet Company.. August soon took over the piece in Copenhagen of 1836. August created more than 50 ballet pieces for the Royal Danish Ballet. He wanted more of a French and English romantic side to the piece,...
Pre-Revolutionary peasants were upset with the chasm between low and high class and were ready to make a change in the French society that would follow Enlightenment philosophies. The people decided to work together to form a constitution for their country that would treat all men fairly under the law, giving no special privileges to the high class citizens and equal voting rights for all. Their self-given name, Sans-Culottes, is a symbol of their rejection of high-class luxury, as the “Culottes” were the knee-length pants worn particularly by wealthy French citizens (the name literally meaning Without Culottes.) This movement was extremely popular because it appealed to any and all of the impoverished people in France, urban and rural. Over time, the new, fair government was not fully realized and the Sans-Culottes became angry to the point of violence in an effort to make the changes promised by the first Revolutionaries. The Sans-Culottes were a powerful driving force in the French Revolution and the Reign of Terror because of the massive impact their violence had on society.
Candide: A Satire On The Enlightenment. Works Cited Missing Candide is an outlandishly humorous, far-fetched tale by Voltaire satirizing the optimism espoused by the philosophers of the Age of Enlightenment. It is the story of a young man’s adventures throughout the world, where he witnesses evil and disaster. Throughout his travels, he adheres to the teachings of his tutor, Pangloss, believing that "all is for the best in the best of all possible worlds. " Candide is Voltaire’s answer to what he saw as an absurd belief proposed by the Optimists – an easy way to rationalize evil and suffering.
Mad Magazine, The Simpsons, Saturday Night Live. In our society, satire is among the most prevalent of comedic forms. This was not always true, for before the 18th century, satire was not a fully developed form. Satire, however, rose out of necessity; writers and artists needed a way to ambiguously criticize their governments, their churches, and their aristocrats. By the 18th century, satire was hugely popular. Satire as an art form has its roots in the classics, especially in the Roman Horace's Satires. Satire as it was originally proposed was a form of literature using sarcasm, irony, and wit, to bring about a change in society, but in the eighteenth century Voltaire, Jonathan Swift and William Hogarth expanded satire to include politics, as well as art. The political climate of the time was one of tension. Any criticism of government would bring harsh punishments, sometimes exile or death. In order to voice opinions without fear of punishment, malcontented writers turned to Satire. Voltaire's Candide and Swift's Modest Proposal are two examples of this new genre. By creating a fictional world modeled after the world he hated, Voltaire was able to attack scientists, and theologians with impunity. Jonathan Swift created many fictional worlds in his great work, Gulliver's Travels, where he constantly drew parallels to the English government.
In his book Gargantua and Pantagruel, Francois Rabelais uses satire to address the dislocation felt by Renaissance Humanists. By providing an exaggerated fable, comical in nature, Rabelais poses a serious introspection into the extremes of both the Medieval and the Renaissance man. More importantly, however, he brings into question his own ideals of Humanism. Through an analysis of Rabelais’ satirical technique and by examining his social parody of the Medieval and the Renaissance man, we are able to better understand Rabelais’ introspection into the ideals of his own generation and to accept his argument that learning is transitory and often a necessary, yet futile, attempt to understand our world.
'It seems to me, my dear friend, that the music of this ballet will be one of my best creations. The subject is so poetic, so grateful for music, that 1 have worked on it with enthusiasm and written it with the warmth and enthusiasm upon which the worth of a composition always depends." - Tchaikovsky, to Nadia von Meck.
John Marwood Cleese, an English actor, comedian, writer and film producer said, “If I can get you to laugh with me, you like me better, which makes you more open to my ideas. And if I can persuade you to laugh at the particular point I make, by laughing at it you acknowledge its truth”. The point he brings up is the ideology of satire. Satire, by definition, is a technique utilized by writers to expose and criticize foolishness and corruption of an individual or a society. This can be done by using humor, irony, exaggeration or ridicule ("Satire - Definition and Examples", para.1). Often times, the humor used opens the audiences’ minds to the underlying problem that the writer is trying to reveal. By examining the purpose and methods of satire, dissecting literary works, and displaying examples in the media, satire is shown to be a valuable tool.
Satire is defined as “the use of humor, irony, exaggeration, or ridicule to expose and criticize people’s stupidity or vices, particularly in the context of contemporary politics and other topical issues” (Oxford). The best satirical writers can make the readers believe that an idea is “logical and practical.” This is seen in great abundance in Aldous Huxley’s novel, Brave New World. Through his writing, Huxley uses satire to effectively point out the flaws of society at the time. Even though Brave New World was written in 1931, the satirical points Huxley makes are still relevant in today’s world.
Following the history of the era in literature, many authors were fascinated by the courtly tradition, chivalry and a higher love. Therefore, we have today musical compositions that speak of many of the same ideas. French composers wrote songs in the vernacular called chansons de geste . These songs spoke of the heroic acts performed by knights for their ladies in the name of love. The French have a national epic called the Chanson de Roland which related the life and death of Charlemagne’s nephew and his endeavor to rid France of the Basques.
Sir Arthur W. Pinero's play The Second Mrs. Tanqueray was written in 1893 and was constructed around the conventions of the well-made play. The well-made play originated in France as the pièce bien faite, and is characterized by a detailed, practical intended organization of plotting. The logical precise construction of the well-made play is characterized by a number of conventions: the audience is quickly introduced to the characters and their relevant histories, there is a complication usually a withheld secret, known to the audience but unknown to the characters, which, when revealed at the climax, is an unreal coincidence and it reverses the fortunes of the play's hero. The hero's fortune fluctuates during this conflict with the antagonist until finally, at the climax, the plot unravels, quickly, the secret is revealed in the final dénouement, or resolution. The Second Mrs. Tanqueray is an effective well-made play because of its structure and the way it impacts the audience in the end. As the elements of the well-made play entail, we are introduced to all of the characters and have an understanding of their history and the troubles that their history can cause. More precisely this is a story of a very non-conventional woman of this audience's time and by going through the play I will identify its key representations of the well-made play.