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Social media affecting women psychologically paper
Social media affecting women psychologically paper
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“Woman…[are] bound by a symbolic order in which man can live out his fantasies and obsessions through linguistic command, by imposing them on the silent image of woman still tied to her place as bearer of meaning not maker of meaning” (Mulvey 1). Laura Mulvey, a British feminist film theorist who wrote a psychoanalysis paper called Visual Pleasure and Narrative Cinema, believes that the gendered gaze, a symbolic theory that holds that men drive society while woman act as mere “provoking” objects to men, is beginning to take hold of society and everyday life. John Berger, who interestingly enough wrote his book, Ways of Seeing, two years before Mulvey’s paper, explains how “Men look at women. Women watch themselves being looked at… thus she turns herself into an object – and most particularly an object of vision: a sight” (Berger 47). …show more content…
As social networking sites began to erupt throughout the country in the past decade, such as Facebook and MySpace, users slowly began morphing sexism and misogyny into these sites. Andrew Mendelson and Zizi Papacharissi, authors of the sociological analysis, Look at us: Collective Narcissism in College Student Facebook Photo Galleries, show through statistical evidence that woman have a higher number of pictures, comments, selfies, and cyber friends, thus allowing themselves to be targeted by other users. Though social networking allows an equal opportunity for both males and females to express their identities, females are highly more articulating their lives as symbolic creations of their worlds, thus allowing themselves to become mere objects, which in turn concretes the idea of the gendered gaze that both Mulvey and Berger hypothesized
Many young girls are aware that what they are doing on the internet can be seen by others and it can lead to positive or negative reactions from their peers. Orenstein is concerned about younger girls and women and how social media could take a bad turn on things for them. She wants us to know that social media can damage one’s reputation depending on how it is used. Girls post pictures of themselves on the internet in order to attract positive attention from their peers, as well as others who are considered as strangers. They want to be able to seek the attention from others in order to create an audience. As a result of this, Facebook is then used as a “social norm”, meaning that people can judge and form opinions based off of what is seen in an online profile. Orenstein explains that she isn’t trying to put technology in a bad light, because she uses it to keep in contact with her friends and family. She’s mindful about what she puts on the internet, while young adults are making their identities into a
Even today, despite much debate, we live in a patriarchal society—we live in a world ruled by men and their thoughts, feelings and ideals. Women are a large part of a man’s life, and there are standards and inferences made about them. Berger explains man’s view of its counterpart through art. The earliest depiction of nudity is in art surrounds the biblical story of Adam and Eve. In the tale, Eve is pictured as a temptress and because of her rebellion against God; she is a lesser being. This is what kicked off the prejudice against the female race. The discrimination reflected in society by the roles women are given in the world. They are objects owned by men. Women are expected to clean, bake, cook and please their men in anyway possible. They do not hold jobs; their job is to obey and dote on their husbands. Women are passive members in art, so they become ...
The images that infiltrate our lives appear to focus on maintaining the status quo or the norms of society. They are designed to show what is expected in life. Berger states, "Images were made to conjure up the appearance of something that was absent"(107). Berger argues "images" are "conjured up" or imagined to represent what is "absent" or what the individual wants to see as reality. There used to be a tendency to over exemplify the way in which women were thought to be, but "today, that opposition no longer seems to hold quite as rigidly as it once did (women are indeed objectified more than ever, but, in this image-dominated culture, men increasingly are too)" (156). Regardless of so...
When looking at the United States Presidents, we picture the president to embody great leadership skill, who could show strong communication skill, and be in a position to display power. When people elected the president, there are certain quality traits and skill that the president need to display. Some people will view the president as grandiose narcissism, while others may have a different perspective of the president. People who are narcissist, believe their selves to become more important than others. Narcissist people are also overconfident of their decision making, and have difficulty at learning from their mistake (Watts, Lilienfeld, Smith, Miller, Campbell, Waldman, Rubenzer, & Faschingbauer, 2013). There are different types of characteristics of narcissism: vulnerable and grandiose. Vulnerable narcissistic people, who are become anxious when they are not regarded as royalty. People who are vulnerable narcissism shows coming back and forward between feelings superiority and inferiority (Rohmann, Neumann, Herner, & Bierhoff, 2012). While grandiose narcissistic people are types to be viewed as leaders, however narcissistic people are overconfidence and put their needs before others.
In Visual Pleasure and Narrative Cinema, Mulvey states that, “Traditionally, the woman displayed has functioned on two levels: as erotic object for the characters within the screen story, and as erotic object for the spectator within the auditorium, with a shifting tension between the looks on either side of the screen.” (Mulvey 40). A woman’s role in the narrative is bound to her sexuality or the way she
As human beings we long for a connection with other human beings and hope that the connection is positive and helps us overcome our fears and struggles. A very first step to connect with one another is to overcome the anxiety about our self-shame and start daring greatly.
Led by Laura Mulvey, feminist film critics have discussed the difficulty presented to female spectators by the controlling male gaze and narrative generally found in mainstream film, creating for female spectators a position that forces them into limited choices: "bisexual" identification with active male characters; identification with the passive, often victimized, female characters; or on occasion, identification with a "masculinized" active female character, who is generally punished for her unhealthy behavior. Before discussing recent improvements, it is important to note that a group of Classic Hollywood films regularly offered female spectators positive, female characters who were active in controlling narrative, gazing and desiring: the screwball comedy.
The idea of male gaze in cinema is best addressed by Laura Mulvey in her article “Visual Pleasures and the Narrative Cinema”. One idea she looks at is the notion that women are related to the image, and men assume the role as bearer of the look. She quotes “In their traditional exhibitionist role women are simultaneously looked at and displayed, with their appearance coded for strong visual and erotic impact so that they can be said to connote to-be-looked-at-ness.” The traditional exhibition role is what Sarah Polley must overcome in order to express female and national identity in a position of strength. In order to do this she must alter some the traditional constructions associated with the gaze in cinema to bring in order to critique the gaze that is male.
As there is a general rise in narcissism over time, the next pressing question is what factors drive these trends. Children develop cognitive processes to self-evaluate their actions and concept from the perception of others (Harter, 1999), but it is when these processes become maladaptive and the child develops excessive degrees of value of worth that narcissism develops (Thomaes, Brummelman, Reijntjes, & Bushman, 2013). This is exacerbated by dysfunctional parental styles where parents over-evaluate and inflate a child’s self-concept, thus creating the impression in the child that they are superior and makes them dependent on constant praise (Brummelman et al., 2015). Alternatively, perceptions of parental coldness
Over the past decades, media has constructed and manipulated women into being the main form of sexual pleasure for the male viewer. Pleasure in looking, scopophilia, is one of many possible types of pleasure that media presents. Scopophilia does not only present looking as a source of pleasure, but also the pleasure in being looked upon. Freud explains in his book, the three essays on the theory of sexuality (1905) that one of the main instincts of sexuality is scopophilia, and that scopophilia should be isolated as an independent source of pleasure because it does not depend on the erotogenic zones. Freud further demonstrates that “he associated scopophilia with taking other people as objects, subjecting them to a controlling and curious gaze” (Mulvey, 1975, p. 16.). As such, the theory of scopophilia does not only involve pleasure in being looked at and the pleasure in looking, but also the pleasure of looking at someone as an object. Freud ties scopophilia to the curiosity children show considering the human body and other people’s genitals. The media pleases the primitive lust of looking, while developing a narcissistic form of scopophilia in the audience (KILDE.
In her essay, “Visual Pleasure and Narrative Cinema”, British film maker Laura Mulvey attempts to demystify how pleasure can be fulfilled in film. Contending that a pleasure in looking (scopohilia) and a pleasure in possessing the female as what to be looked at (voyeurism) fufills the audience’s desires, Mulvey suggests how filmmakers use this knowledge to create film that panders to our innate desires. In “Meshes of the Afternoon” by Maya Deren and “Vertigo” by Alfred Hitchcock, it is seen that Mulvey’s argument—the desire to look, the hunting, seeking, and watching, and harnessing of the female form is natural human desire. Deren and Hitchcock will use entirely different techniques to achieve that sense of fulfillment for the audience. But how does this watching and looking translate in to the written word? In “The Winter’s Tale” by William Shakespeare, we will see the ideas approached by Mulvey and the themes used by Hitchcock and Deren utilized to create a sense of looking and objectifying the woman in the absence of the screen. Through this paper, the concepts of pleasure for Mulvey will be shown to have applicability not only in cinema but in art in far more universal terms. First, a discussion of pleasure and Mulvey’s definition of it will allow for clearer understanding as to what this fulfillment actually is. Secondly, Vertigo will be examined—as an example of “mainstream film” utilizing the ideas of scopophila and voyeurism in a perfect balance. Scottie and his search will then be contrasted with Leontes of Shakespeare’s Winter’s Tale, where again desires will be balanced in harmony with Mulvey’s principles. It is to become clear through...
Still, some narcissistic people gravitate towards religion in order to be praised by followers, exploit for personal gain, or dominate others (Sandage & Moe, 2012; Kernberg, 2014). In essence, what Sandage and Moe (2012) refer to as exterior religiosity (e.g. structure, benefit, and gain) are what often attracts narcissists to organized religion. For instance, several religious organizations are comprised of layers of hierarchy in which narcissists can entrench themselves, several church leaders have abused their posts for personal gain, and some organizations offer rewards for the faithful–such as the early Mormon Church’s offer of bigamy, worlds like the Earth for the deceased, and to eventually become god-like when one dies (Young, 1852).
Narcissism in the Workplace Have you ever had the pleasure of working with an individual who was completely full of themselves? This person loved to be the center of attention and the topic of every subject, had extravagant dreams and considered themselves to be a person of many talents. This same person believed that they were a better leader than you would ever be and had no problem telling you that. He or she thought that the best way to gain the admiration of others and receive confirmation of their authority was by “talking down” to those who threaten them. The qualities that I mentioned are all common traits of a narcissist.
16.)Utt, Jamie. "Navigating The Difference Between The Appreciation of Beauty and Sexual Objectification." Everyday Feminism 18 Apr. 2013: n. pag. Web. 19 Apr. 2014. .
The representation of violence exacted upon women in cinema is inextricable from being projected upon all women. To provide a scene that objectifies the female is to reduce the feminine form to its non-dual state, e.g., a sexual object providing a vessel for male gratification (hubris and sexual) rather then being defined by its duality of sentient and physical forms. Those who construct scenes of violence against women are bound to a moral responsibility to subjectify the woman’s perspective, thus reestablishing the female as a victim rather then an object and rendering the act of violence intelligible (deplorable, open to interpretation).