Helen Keller, a great American author believed, “Character cannot be developed in ease and quiet. Only through experience of trial and suffering can the soul be strengthened, ambition inspired, and success achieved.” In the nonfiction book by Laura Hillenbrand, Unbroken, Mutsuhiro Watanabe, also known as “The Bird” cruelly carried out Keller’s belief by sentencing Louie to a life of suffering and hardships. The Japanese believed that it was a disgrace to get captured; therefore, he punished the Prisoners of War. To The Bird, they were personal enemies of Japan and were to be treated like slaves. The cruel POW camp corporal, also known as The Bird, committed cruel and violent acts during World War 2:“‘Not a mere guard, but an absolute monarch of POW’s at Omori’”(404). As a Corporal and a tormentor at the same time, earned him an extremely feared reputation, not only among the prisoners, but the guards too. A reporter had once confronted the Bird and said, “‘Zamperini and the other prisoners remember you, in particular, being the most brutal of all the guards’”(404). After all the POW’s endured during the war, to remember one man in particular for his cruelty, is an unforgivable offense against humanity. …show more content…
Now he was considered a war criminal, Hillenbrand wrote, “While investigators combed Japan for Mutsuhiro, prosecutors were inundated with some 250 POW affidavits concerning his actions in camps”(345). Watanabe had only a fraction of his charges known to the police. Yet as he passed a radio in Kofu he was not shocked at what he heard, but instead thought: “…Arrest would mean execution”(344). It wasn’t until he was a fugitive did he know that he would be punished for his cruel actions against the prisoners of war; whom he felt such a strong hatred
“She took a chance by entering a Berkeley art contest through the mail and won.” (The Life of Mine Okubo) Mine was able to leave behind the isolation she experienced during the camps by winning the contest. Another case where invisibility was resisted was when Mine sketched her daily life in the camps. “Internees were not allowed to have cameras, but Mine wanted to document what was happening in the camps. She put her artistic talents to use making sketches of daily life inside the fences.” (The Life of Mine Okubo) Instead of using recording devices to reveal what internment camp life was, Mine used art. Likewise, Mutsuhiro Watanabe, also known as “The Bird,” was a Japanese sergeant who mistreated the prisoners of war. “Time ticked on, and still Louie remained, the beam over his head, his eyes on the Bird’s face, enduring long past when he should have collapsed.” (Hillenbrand 213) Watanabe’s central target was Louie Zamperini because of his running career in the past. As a result, he often abused Louie more than the other prisoners. Prisoners of war and internees will “resist invisibility” while in the
In the pursuit of safety, acceptance, and the public good, many atrocities have been committed in places such as Abu Ghraib and My Lai, where simple, generally harmless people became the wiling torturers and murderers of innocent people. Many claim to have just been following orders, which illustrates a disturbing trend in both the modern military and modern societies as a whole; when forced into an obedient mindset, many normal and everyday people can become tools of destruction and sorrow, uncaringly inflicting pain and death upon the innocent.
After reading Newjack, I clearly appreciate the difficulty, the chaos and the stress of an officers' job. I am less sure how they manage to do it, and I wonder at what cost to their sense of self it has on them. By contrast, with a few well-chosen stories, Conover humanizes individual prisoners: one who has lines from Anne Frank's diary tattooed on his back; a prisoner on the serving line who tries to sneak extra food to his friends; a young, emotionally needy prisoner grasping for attention from anyone, even an officer. As a result, the prisoners are often drawn “with more humanity” than the staff.
Conflict arises in several aspects of life. We often have conflicts with ourselves, with other people, and even with nature. These three main conflicts, which bring Louie to redemption are seen in Hillenbrand’s Unbroken: A World War II Story of Survival, Resilience, and Redemption. These conflicts are between the man and nature, Louie and the Bird, and the internal conflict as Louie struggles with alcoholism
Being Unbroken is defined as not being damaged or being fractured. Throughout the two stories; Unbroken, written by Laura Hillenbrand and Night, written by Elie Wiesel, both Louie Zamperini and Elie Wiesel were challenged on many levels, both emotionally and physically. However, their perseverance through their struggles and their optimistic views is what truly got them through the pain and hardships and allowed them to stand tall and not let their faith fail them.
War is cruel. The Vietnam War, which lasted for 21 years from 1954 to 1975, was a horrific and tragic event in human history. The Second World War was as frightening and tragic even though it lasted for only 6 years from 1939 to 1945 comparing with the longer-lasting war in Vietnam. During both wars, thousands of millions of soldiers and civilians had been killed. Especially during the Second World War, numerous innocent people were sent into concentration camps, or some places as internment camps for no specific reasons told. Some of these people came out sound after the war, but others were never heard of again. After both wars, people that were alive experienced not only the physical damages, but also the psychic trauma by seeing the deaths and injuries of family members, friends or even just strangers. In the short story “A Marker on the Side of the Boat” by Bao Ninh about the Vietnam War, and the documentary film Barbed Wire and Mandolins directed by Nicola Zavaglia with a background of the Second World War, they both explore and convey the trauma of war. However, the short story “A Marker on the Side of the Boat” is more effective in conveying the trauma of war than the film Barbed Wire and Mandolins because of its well-developed plot with well-illustrated details, and its ability to raise emotional responses from its readers.
The atrocities of war can take an “ordinary man” and turn him into a ruthless killer under the right circumstances. This is exactly what Browning argues happened to the “ordinary Germans” of Reserve Police Battalion 101 during the mass murders and deportations during the Final Solution in Poland. Browning argues that a superiority complex was instilled in the German soldiers because of the mass publications of Nazi propaganda and the ideological education provided to German soldiers, both of which were rooted in hatred, racism, and anti-Semitism. Browning provides proof of Nazi propaganda and first-hand witness accounts of commanders disobeying orders and excusing reservists from duties to convince the reader that many of the men contributing to the mass
Kelman, Herbert C., Hamilton, V. Lee. “The My Lai Massacre: A Military Crime of Obedience”. Writing & Reading for ACP Composition. Ed. Thomas E. Leahey and Christine R. Farris. New York: Pearson Custom Publishing, 2009. 266-277. Print.
Adversity affects the lives of many individuals. Through facing adversity people tend to show their true selves. In the novel “Speak” by Laurie Halse-Anderson, the main character Melinda, faces a few different types of adversity. One form of adversity that she faces is that she was sexually assaulted. Another type of adversity that Melinda goes through in this novel is that she loses all her friends and starts to lose her family as well. Throughout my life, I have faced many different types of adversity, one major thing that I have dealt with in my life is depression. Those who face adversity in their life can choose if they want to face it or to ignore it, and the outcome will prove what they chose to do.
The violent nature that the soldiers acquired during their tour in Vietnam is one of O'Brien's predominant themes in his novel. By consciously selecting very descriptive details that reveal the drastic change in manner within the men, O'Brien creates within the reader an understanding of the effects of war on its participants. One of the soldiers, "Norman Bowler, otherwise a very gentle person, carried a Thumb. . .The Thumb was dark brown, rubbery to touch. . . It had been cut from a VC corpse, a boy of fifteen or sixteen"(O'Brien 13). Bowler had been a very good-natured person in civilian life, yet war makes him into a very hard-mannered, emotionally devoid soldier, carrying about a severed finger as a trophy, proud of his kill. The transformation shown through Bowler is an excellent indicator of the psychological and emotional change that most of the soldiers undergo. To bring an innocent young man from sensitive to apathetic, from caring to hateful, requires a great force; the war provides this force. However, frequently are the changes more drastic. A soldier named "Ted Lavender adopted an orphaned puppy. . .Azar strapped it to a Claymore antipersonnel mine and squeezed the firing device"(O'Brien 39). Azar has become demented; to kill a puppy that someone else has adopted is horrible. However, the infliction of violence has become the norm of behavior for these men; the fleeting moment of compassion shown by one man is instantly erased by another, setting order back within the group. O'Brien here shows a hint of sensitivity among the men to set up a startling contrast between the past and the present for these men. The effect produced on the reader by this contrast is one of horror; therefore fulfilling O'Brien's purpose, to convince the reader of war's severely negative effects.
The guards began mistreating the prisoners, not physically, but emotionally and psychologically, taking advantage of the power and authority appointed to them by the experimenter (Zimbardo 109). Crimes of obedience and mistreatment of other human beings are not only found in Milgrim’s and Zimbardo’s experiments. In 1968, U.S. troops massacred over 500 villagers in My Lai.
Paul Laurence Dunbar depicts this idea in his well-known poem “Sympathy” (one of my favorite poems!), describing a caged bird that longs for freedom. Dunbar establishes his knowledge of the bird ’s feelings, his desire for freedom (his motive of rebellion). Dunbar draws empathy from the audience as he describes the bird’s integrity in the descriptive lines: “I know why the caged bird beats his wing Till its blood is red on the cruel bars.” The caged bird goes to a dangerous extent to be heard, as he bleeds on his prison bars, for he is willing to do anything for his freedom— this shows his integrity and confidence in his values.
Political prisoners and criminals alike were subject to brutal conditions in the Soviet gulags at Kolyma in the 20th century. In Varlam Shalamov’s Kolyma Tales, the stories of many different prisoners are told and much is revealed about how humans react under these pressures, both naturally and socially. Being in an extreme environment not only takes a toll on one’s physical well-being, but on one’s mental and emotional state as well. The stories show that humans can be reduced to a fragile, animalistic state while in the Kolyma work camps because the extreme conditions force many men to focus solely on self-preservation.
...eased soldier, Tung, whom Kien has forgotten. “ ‘Maybe it was Tung. What do you think, Kien?’ ‘Tung who?’ asked Kien. ‘Crazy Tung. The guardsman, don’t you remember?’” (Ninh, 97). Yet, after the war, Kien cannot quit remembering all that died. “He mistook her first for a jungle girl named Hoa…Then, horribly, for a naked girl at Saigon airport on 30 April 1975.” (Ninh, 113). Kien returned to his pre-war culture of remembering the dead.
Some prisoners of war and internees including Louie and Miné face many challenges that cause them to feel isolated and dehumanized. During WWII Louie Zamperini, an American POW in Japan, and Miné Okubo, a Japanese-American internee, both fought dehumanization and isolation to regain their visibility and dignity. They both were Mistreated by captors in different ways, but they both were isolated and dehumanized. Even through all the feeling of dehumanization and isolation they find many ways to resist those feelings. Japanese American internees prisoners of war were made to feel invisible but they tried to resist it.