Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Compare and contrast Buddhism with Daoism
Compare and contrast Buddhism with Daoism
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Compare and contrast Buddhism with Daoism
I am going to compare two iconic statues from two distinct religions, Buddhism and Daoism. The Buddhist statue I have chosen to examine is the Giant Buddha at Leshan from the Tang Dynasty in China and the Daoist statue being the Laozi Statue from the Song Period in China. Both statues are in China and are large icons, yet intricate differences lie within the details of each statue that reveal major advances and philosophies from their times. Both religious statues have a being associated behind them; Siddharth Gautama being the Buddha from Buddhism and Laozi being the founder of Daoism.
Laozi was the founder of Daoism in the 6th Century, during the Zhou dynasty. Laozi is usually depicted as an old man riding an ox, with long white or gray hair. The philosophical system of Daoism puts an emphasis on the individual, rather than the communal, pursuit of harmony with the dao.
The Dao is the prescriptive doctrine or way; conceived as the void out of which all reality emerges, beyond time and space, so vast it cannot be described. The Dao spontaneously generated the primal energy (QI) and the contemporary yin and yang. Laozi believed that social harmony would come if people tuned themselves to The Way (The Dao). To be content, one must accept that change is the absolute reality, and that all things and transformation are unified in the Dao. The best way to achieve understanding of The Way is through meditation, seeking quietude in nature, dropping out of society and living the life of a hermit — going into the mountains and getting drunk or high on various substances. Many daoists would retreat to the Boshan mountains that are located on the isle of immortals in the Eastern Sea. There is a daoist myth that the Boshan mountains give ac...
... middle of paper ...
...rtists and engineers.
The Leshan Buddha and the Laozi Statue essentially hold the same purpose, to commemorate an icon to their specific philosophical beliefs; both Laozi and Buddha are considered ones to be worshipped, dieties that many believers follow and praise. The Giant Buddhaof Leshan happens to be an icon for a more social religion, Buddhism, therefore it is designed to accommodate heavy foot traffic. It also demonstrates how Buddhist society could harmonize and solve problems together; problems like the turbulent river and the rocks. The Giant Laozi Statue is an icon for a religion that promotes seclusion from society in order to balance one’s Dao, Daoism. Both are largly followed religions, Buddhism being much more followed. To visit either of these statues would be breath taking due to their immensity and level of importance in modern and acient history.
Daoism is a Chinese philosophy that focuses on Dao, or, "the way". Daoists believe in the supernatural, nature, and hope to understand the natural principles that governed the world and how we could learn to live in harmony with them. Judge Dee relies heavily on spiritual inspiration when all else fails. When Judge Dee was having a hard time solving the Bee Hsun case, he decided to go to the city temple, and pray. Judge Dee thought that begging to the "Powers on High" (79) would show him to the way of this case. This suggests that the magistrate depends on spiritual forces in times of need. After, he tries to meditate, which is also a Daoist idea. "He sat down on the cushion, with crossed legs and his body erect. Closing his eyes, he tried to achieve a tranquil state of mind." (79) Judge Dee was using meditation, which is to reach a level of spiritual peace by becoming one with your surroundings, which is very Daoist. This shows that Judge Dee uses Daoist qualities in attempt to be a more effective
The difference between an archaic statue such as Kroisos (fig. 5-11) and a classical statue such as Doryphoros (fig. 5-42) may not seem very great in a single glance. In fact, you may not notice any differences in that one glance. Yet, if you were to look at them closely, you can see that these two statues actually have very little in common.
The statue that will be the focus of this paper portrays the figure “Amida, the Buddha of Infinite Light.” Like many other statues of the Buddha, this Amida Buddha was portrayed to be deep in meditation, sitting cross-legged. A viewer could observe that the Amida Buddha is making a hand gesture while in deep meditation. These gestures, also known as “mudras,” are symbolic in the Buddhist religion, and they are used to convey certain ideas (O’Riley 70). In this case, the Amida Buddha is making the mudra of appeasement (“Amida”). More physical observations could be made by pointing out the “balanced form, divine features, and flowing drapery” (“Amida”) of the Amida Buddha. Those qualities represent the nature of the Buddha, revealing him as “transcendent, graceful, and compassionate” (“Amida”). Features common to other Buddha sculptures show up on this Amida Buddha, like the elongated earlobes, the mole on his forehead, and patterned hair. At first glance, the Am...
...ngly opposite, the Chinese Landscape Painting depicts a boulder-filled mountainside with a waterfall, a river, a Chinese house, and trees spread throughout. The quote underneath is from Lao-tzu, (the founder of the Daoism philosophy). The complexity of the sentences by Lao-tzu is much higher than the sentence of Socrates.
...tues being so near. From the Sui dynasty (581-618), the “Quan Yin” statue reminded me of the readings in class about Red Azalea. I have always thought that this was a female saint; however, after seeing and observing it, maybe I’m wrong. Another place in the museum that evoked my feelings was the Japanese collection. The Japanese Buddhas were mentally more lifelike, because of the details of the color in the eyes. One could mistake some of them for demons and evil beings. However, they are all doers of good for mankind. The Japanese exhibit felt like a place of court where people came in to be cleansed, forgiven and punished after their evil deeds. Overall, my learning experience has taken me to a higher level of understanding that diversity within the same beliefs in Buddhism are mainly different by the way they migrated and the way Buddha is represented in the features and looks in another culture. However, whatever the culture might be, the teachings of Buddha are all shared and learned the same way:
Philosophy is a complicated subject. Since the beginning of human existence, many tried to come up with theories about life, happiness, reality and knowledge. From philosophical ideas different beliefs sprung, and existence of different religions followed. Every theory raised by a philosopher attracted different followers. In today's modern society aside from major religions, there are thousands of others that suggest that their explanations to universal questions are the only accurate ones, and all of these religions seek to gain more followers to join their "way". One of these religions is the religion/philosophy of Taoism. Taoism has it roots in China, where the founder of Taoism Lao-Tse was searching for a way that would avoid the constant feudal warfare and other conflicts that disrupted his society during his lifetime. The result was his book: Tao-te-Ching. Lao-Tse described Taoism as a path or a way which one must follow in order to reach inner serenity and peace. In order to reach these inner goals one must live in harmony with nature and natural process that creates the balance in the universe.
This carved schist shows Avalokitesvara, the Bodhisattva of mercy and compassion. The divine statue is standing in front of a nimbus while clutching some sort of garment in his left hand. Most of his right arm seem to have fallen off. Only his lower body is is cover in clothes. He is also wearing several neck less that are attached to his ears as well. On the base of the statue four other Bodhisattva’s are carved surrounding someone who appears to be Buddha.
... subtle and elusive. It can’t be named, held, seen, or heard, but it is the essence of it. It is part of us and everything around us. It is first and foremost life itself. Unfortunately, we do not recognize it unless we truly destroy of our ignorance. Daoism and Hinduism influenced the Dao and the Brahman in their own unique ways but the core remains the same – indescribable. The Dao is motion-like and entails a process thus called “The Way,” while the Brahman relates to the transcendent spirit. Perhaps each possesses its own cultural uniqueness originating from India and China but both are pointing to the fundamental nature of reality. The Dao and the Brahman are in nature, are natures; they are the life force, and the core of nature. In order to experience them, we must at least follow world-renowned martial artists, Bruce Lee’s advice: “Be like water, my friend.”
As was the case in China, Cao depicts the two forms of belief existing alongside one another, and not necessarily practiced exclusively to one another. Confucianism involves the concern for worldly affairs and order within a rigid social hierarchy, with importance placed on filial piety and family relations. Daoism is a way of thought that encompasses ideas of transcendental worlds of spirit through observation of simplicity, a comprehension of natural law and order, and a desire to lead with compassion, rather than force.
My reaction to the Marble statue of Dionysos leaning on an archaistic female figure was it looked amazing and I feel like I could have written more about it. I also felt like there more than one symbolic meaning behind it. The other symbolic meaning I see is that Dionysos is always watching the protecting the small figure. My reaction towards the statue of King Sahure and Nome God was that who was more important the king or the God. The reason I say that is because the king is more focused on that the God. I would think they will be equal, or that the god should be more focused on.
Buddhism was first introduced into Nara Japan through trade with Han China and reportedly, a few ambassadors from the Chinese imperial court appeared at the emperor’s palace one day bearing the finger bone of Buddha, among other gifts, to present as a gesture of goodwill in order to be allowed to spread their religio...
Lao Tzu believed that Tao is a natural thing. He believes that you come by it or you realize its presents and experience it. The best way for me to explain how Lao Tzu perceives the Tao is to take it directly from our reading in Molloy, “The Doa cannot be named because it has no form. But the Dao can be experienced and followed by every individual thing that has a name (213).” Lao Tzu used Tao as a way of being and living in harmony with nature. Lao Tzu believed that Tao came to you by using his teaching of Wu Wei, Simplicity, Gentleness and Relativity (217-218).
Chinese artwork is a form that contains and demonstrates many different meanings and morals that can be linked back to not only religion, but the overall meaning of life. This paper will discuss the sculpture titled Seated Buddha and how it represents peace, enlightenment, and the overall importance of how these two components influence the mindset of the people involved in the Buddhist religion. The Seated Buddha was created between the 5th and 6th century in China. The artist of this piece is unknown, but this does not hinder us at all from seeing what the artist was trying to portray through the different aspects that they included in the Seated Buddha sculpture. This piece is crafted from stone and a chisel was then used to create the
It is speculated that this anti-iconic symbolism was done in order to comply with Gautama’s wish that his physical form not be depicted after his passing, but there are no found scriptures known to prove this statement. On the east gate is a continuous narrative scene called “The Great Departure,” where Gautama departs on his journey for enlightenment (Chien). He is represented as an umbrella, a royal symbol, when seated on his horse and as footprints, which shows his physical impact on the world, when he dis-mounts his horse. The Buddha is represented as an umbrella on a shrine on the Western gate. Buddha sculptures have evolved over time in order to fit the changing views of Buddhism. The earliest styles for Buddhist sculpture are from the ancient civilizations of Mathura and Gandhara started the iconic phase of depicting Buddha. A seated Buddha statue from Mathura resembles traditional Indian images of male nature deities, has fearless hand gestures, and is characterized by a cranial protuberance, which shows his greater understanding of all things. These seated statues constitute of broad shoulders, a swelled chest, firmly planted legs, a shaven head, a smiling round face, and drapery that clings to the form of the body while leaving the right shoulder bare (Britannica). Other characteristics include “the right arm raised in
...at maintain the harmony of the universe (Philosophy and Theory). This concept of balanced equilibrium is seen many times in Chinese mythology and applies well to real life aspects, especially with the notions of good and evil, and how the two interact in a given person or thing. Mythology in China also tends to show a discouragement towards violence, a main belief of Daoism and Shintoism. This religious concept aims to promote peace in society, where time usually wasted on trivial matters like arguments and war could be spent protecting nature and appeasing spirits (Collier 25). Religion in Chinese mythology has set certain guidelines in which followers of a given faith were expected to act accordingly based on the concepts they learned from legends. It has proved to be one of the more influential factors in the daily actions of those affected by Chinese traditions.