Buddhism And Buddhist Art: The History Of Mahayana Buddhism

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Buddhist art spread across Asian countries, as believers brought the existing art and principles with them. The religion evolved in each new place to fit the new societies, which influenced the way the Buddha and Buddhist principles were represented in art. Starting from Theravada Buddhism in India, the religion evolved into another main branch called Mahayana Buddhism, which is popular in China, Korea, and Japan. Throughout its history, Buddhism has been ever changing to include local beliefs and customs, and the combination of these local usages with imported beliefs and symbols is characteristic of Buddhist art throughout Asia. Each new offshoot of Buddhism has its own unique take on the symbolism and rituals used to represent the religion. …show more content…

It is speculated that this anti-iconic symbolism was done in order to comply with Gautama’s wish that his physical form not be depicted after his passing, but there are no found scriptures known to prove this statement. On the east gate is a continuous narrative scene called “The Great Departure,” where Gautama departs on his journey for enlightenment (Chien). He is represented as an umbrella, a royal symbol, when seated on his horse and as footprints, which shows his physical impact on the world, when he dis-mounts his horse. The Buddha is represented as an umbrella on a shrine on the Western gate. Buddha sculptures have evolved over time in order to fit the changing views of Buddhism. The earliest styles for Buddhist sculpture are from the ancient civilizations of Mathura and Gandhara started the iconic phase of depicting Buddha. A seated Buddha statue from Mathura resembles traditional Indian images of male nature deities, has fearless hand gestures, and is characterized by a cranial protuberance, which shows his greater understanding of all things. These seated statues constitute of broad shoulders, a swelled chest, firmly planted legs, a shaven head, a smiling round face, and drapery that clings to the form of the body while leaving the right shoulder bare (Britannica). Other characteristics include “the right arm raised in

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