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Langston hughes poem about racial inequality
Langston hughes poem about racial inequality
Langston Hughes on racism
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Langston Hughes' "On the Road"
In Langston Hughes, "On the Road" the Sargeant is a homeless Black man that is desperate for food and shelter. In his desperation, Sargeant goes to the church to refuge, but there is no one at the Church to help him get refuge. Although Sargent is living in a time where the depression is in existence amongst all people, Black and White, he finds no one to help him. Sargent goes to the Church because the Church helps people. However, because Sargeant is Black and the Church is populated by a White congregation, he is rejected. In the story " One the Road", one of the people: A big black unemployed Negro holding onto our church... "The idea"! This represents that Sargent wants the benefits of the white society, but because of racism he was not allowed the opportunity to acquire the benefits. When Sargent was holding on to the Church, this represents his relentlessness and striving that he had to endure to live in a society in which discrimination and racism existed. He held on to the Church's doors because he was holding on to the American dream in which all people have the right to receive the same treatment regardless of color. Sargent knew he was no longer a slave, so when he was holding on to the Church's doors to be let in. He wanted to be fed and accepted into a society that did not want him.
In his persistence of wanting to be accepted, the Sargent caused the Church to collapse. Once the Church fell down, Christ came off the cross, and symbolically this represents freedom. "They have kept me nailed on a cross for nearly two thousand years(Hughes 619)." Victory invokes a feeling of freedom. Therefore, when the white converts kept Christ on the cross for two thousand years, they kept ...
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... "Sargeant grabbed, but not for anything so weak as a broken door. He grabbed for one of the tall stone pillars beside the grabbed at it and caught it. And held it" (Hughes 618) As I read this, I wanted to know what the Sargeant wanted. When I asked myself this question, white poeple said: "A big black umemployed Negro holding on to our Church!... "The idea(618)!" I realized he was holding on because he wanted the benefits of this white society that he was entitiled to.
There is interaction between the text and the reader. If there were no interaction between the text and the reader, people would not read. Iser made a very good point that the text is not only in motion, but the reader is too. The reader's perception of the text is what makes the story come alive, and what enable readers to write and analyze different ideologies that are presented in a text.
In his Letter from Birmingham Jail, Martin Luther King Jr. uses his personal experience to convince others of the importance of revising the segregation laws that were in place during 1960’s. In paragraphs 13 and 14 in particular, there is a lot of language used to persuade the reader’s opinions and emotions toward King’s argument. He does this not only convince his fellow clergymen, but to inform others of the reality that African Americans faced in the 60’s.
Although Langston Hughes’ “Why, You Reckon?” is a short story, it encapsulates differences between races and classes in American society. The story highlights the desperate and hopeless lives of poor African-Americans in Harlem, New York, who would do anything just so they can fill their stomachs. Hughes adds a contrast by putting in a white man who uses his money and privileges to try to experience the exuberance of Harlem but fails to do so. Written in 1934, during the peak of racial divide in America, Langston Hughes’ “Why, you reckon?” shows that real experiences, not money, contribute to happiness.
Have you ever heard the expression money isn’t everything? Well it’s true and in Langston Hughes short story, “Why, You reckon,” Hughes reveals his theme of how people aren’t always as happy as they seem when they have lots of money.
There is a fire in the building ravaging everything in its path. One tries to escape, but low and behold, the fire escape is inside and there is no way out. African Americans are trapped in their position, for they can not possibly change their skin color. Their skin is just as much as a physical prison as is the actual building. The red color of the building symbolizes hatred and violence, and for a fact, African Americans face opposition as soon as they step out of line, or ask for too much. The mouth open in one of the windows of the building, symbolizes a cry of help. A cry of help that is muffled by the dense brick walls, and in real life, ignored and oppressed by society’s unreasonable, ancient justifications. Additionally, bricks are all the same, usually indistinguishable. In the same light, African Americans are seen as one group rather than individuals, which more often than not, turns out to be a negative image. In sum, society has constructed a prison for African Americans and the brick building is a physical
“All our dreams can come true if we have the courage to pursue them.” This quote from Walt Disney addressing the concept of achieving dreams is very accurate, and can be seen throughout literature today and in the past. Dreams can give people power or take away hope, and influence how people live their lives based upon whether they have the determination to attack their dreams or not; as seen through characters like the speaker in Harlem by Langston Hughes and Lena and Walter Younger in Lorraine Hansberry’s A Raisin in The Sun.
Berry, Faith. Langston Hughes Before and Beyond Harlem Connecticut: Lawrence Hill and Company Publishers, 1983
Langston Hughes's stories deal with and serve as a commentary of conditions befalling African Americans during the Depression Era. As Ostrom explains, "To a great degree, his stories speak for those who are disenfranchised, cheated, abused, or ignored because of race or class." (51) Hughes's stories speak of the downtrodden African-Americans neglected and overlooked by a prejudiced society. The recurring theme of powerlessness leads to violence is exemplified by the actions of Sargeant in "On the Road", old man Oyster in "Gumption", and the robber in "Why, You Reckon?"
Racism and discrimination are problems many African Americans had to face in the 1940s; Hughes uses this aspect as the major theme in his poem “Ballad of the Landlord.” It is apparent that the tenant is discriminated against by the landlord, the police and the newspaper. For example, the newspaper shows only one side of the issue especially in the headline: “MAN THREATENS LANDLORD” (31). The tenant’s reasons for threatening the landlord were valid, although not legal, because the landlord treated the tenant unfairly by not fixing the house the tenant was renting. The tenant was angry, as expected, because the landlord was being prejudice against the tenant and refusing to fix his living conditions. The landlord would possibly have fixed the house if the tenant were white, and all problems could have been avoided had race issues not be...
Poetry was a big part of the Harlem Renaissance, especially black poetry. Poetry helped people get their emotions out and provided an outlet for many new and old African-Americans, and for Africans just arriving in the United States in Harlem. The Renaissance was filled with great poets including the great Langston Hughes. Hughes is the author of his own book The Weary Blues and the writer of the poems Not without Laughter and The Way of the White Folks. He believed in the beauty of the Africans, as stated on Shmoop “Hughes knew that black was beautiful.” He won the Harlem gold medal for literature for his literary work and helped shape the artists of the Harlem Renaissances contributions to the movement. Hughes was also the founder of three theaters meant as outlets for black actors and dramatists. The names of these theaters are the New Negro Theater, Langston Hughes Preforming Arts, and Black Arts (“Langston Hughes Founded Theaters”). Langston Hughes was a very popular and
The African Methodist Episcopal Church also known as the AME Church, represents a long history of people going from struggles to success, from embarrassment to pride, from slaves to free. It is my intention to prove that the name African Methodist Episcopal represents equality and freedom to worship God, no matter what color skin a person was blessed to be born with. The thesis is this: While both Whites and Africans believed in the worship of God, whites believed in the oppression of the Africans’ freedom to serve God in their own way, blacks defended their own right to worship by the development of their own church. According to Andrew White, a well- known author for the AME denomination, “The word African means that our church was organized by people of African descent Heritage, The word “Methodist” means that our church is a member of the family of Methodist Churches, The word “Episcopal refers to the form of government under which our church operates.”
population is oppressed and must ignore or postpone their dreams. The more dreams are postponed
Langston Hughes', "On the Road," uses beautiful symbolism and imagery. He offers a gift to his readers: Open your heart and life will provide unlimited abundance. During this literary analysis, we will take a look at how Hughes uses nature to demonstrate his main character's unwillingness to participate in life. Another point we'll examine is the use of anger and survival and how it can be used as a powerful force in breaking down racial barriers. Next, we'II look at Jesus Christ as a metaphor for how we experience life and how traditional church values contradict each other when it comes to the acceptance of human beings. Finally, we'll briefly take an historic look at how the Depression gave blacks an even playing field with whites.
“Harlem” by Langston Hughes is a poem that talks about what happens when we postpones our dreams. The poem is made up of a series of similes and it ends with a metaphor. The objective of the poem is to get us to think about what happens to a dream that is put off, postponed; what happens when we create our very own shelve of dreams? The “dream” refers to a goal in life, not the dreams we have while sleeping, but our deepest desires. There are many ways to understand this poem; it varies from person to person. Some may see this poem as talking about just dreams in general. Others may see it as African-American’s dreams.
Towards the middle of the poem the realist in Hughes comes out. He goes into the doubts that most African Americans had at the time. He says, "Down South in Dixie only train I sees got a Jim Crow car set aside for me." Another interesting technique he adds is when he capitalizes the "WHITE FOLKS ONLY" and "FOR COLORED" signs. He either does this to draw attention to the cause, or to try and know what it feels like to have these signs sticking in your face. He specifically mentions Birmingham, Mississippi, and Georgia during the poem. These were key cities that were into segregation of the South. "When it stops in Mississippi will it be made plain everybody's got a right to board the freedom train." Hughes almost is becoming a little agitated in the poem when he refers to these cities, especially when he is talking about Birmingham. "The Birmingham station's marked COLORED and WHITE, the white folks go left, the colored go right." In this part of the poem, he is questioning whether or not this Freedom Train is too good to be true. He sounds like he doubts a little of what this Freedom Train is all about. He knows there is a train, but there have been a lot of promises before that were not fulfilled, he does not want to get his hopes up before he finds out more about this train.
Literature is rarely, if ever, merely a story that the author is trying to tell. It is imperative that the reader digs deep within the story to accurately analyze and understand the message the author is trying to portray. Authors tend to hide themselves in their stories. The reader can learn about the author through literary elements such as symbolism, diction, and structure. A good example of this is Robert Frost’s poems The Road Not Taken and Nothing Gold can Stay in which he uses ordinary language unlike many other poets that became more experimental (Frost, Robert. “1.”).