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The essay of childhood memory
Accounts of childhood memories
The essay of childhood memory
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In “Where is Here” by Joyce Oats, Landon starts to remember little pieces of his childhood during the times in the kitchen with his family. Landon spent the majority of his childhood in that home with his younger sister, and would do anything to go back to visit the home he grew up in at some point in time. The two story house was painted bright yellow. There was always dead flowers laying across the lawn, he never understood why and never really asked his parents about it. Out of seven rooms in the house surprisingly the kitchen was Landon’s least favorite, the cabinets were all painted white with a black trim. There was a chandelier right above the kitchen table, it was the only light there in the kitchen. The kitchen was a very sad place
The setting takes place in April at a funeral. There was a “gardenia on the smooth brown wood” (Holczer 1). They have been “wandering across the great state of California” (2). The setting moves to Grace's grandma’s house. It was “two stories with attic windows”, “sky-blue paint with white trim”, “ and a wood porch” (19). There were “two chairs covered in yellowed plastic and pine needles” (19). There was a gently sloped driveway. Inside the house there were “piles of Tupperware and glass dishes” (19). Outside there was a shed, garden, trees, and
"The house is 10 feet by 10 feet, and it is built completely of corrugated paper. The roof is peaked, the walls are tacked to a wooden frame. The dirt floor is swept clean, and along the irrigation ditch or in the muddy river...." " ...and the family possesses three old quilts and soggy, lumpy mattress. With the first rain the carefully built house will slop down into a brown, pulpy mush." (27-28)
There was another time when Esperanza wanted to eat lunch in the canteen at school. She was not allowed to eat at school, because she lived close enough to walk home for lunch. But, Esperanza wanted to feel special like the other kids, so she convinced her mother to write a note to the nun in charge giving her permission to eat in the school canteen. The mother wrote the note, but the nun was not convinced. So, she made Esperanza go to the window and point to her house. She was too ashamed to point to the old-run-down home where she lived. This was one of her most embarrassing moments. Not to be outdone, Esperanza said, "I knew then I had to have a house. A real house. One I could point to" (page5).
A Light in the Attic as a whole was not the problem, The trouble was lying in certain poems such as “How Not to Have to Dry the Dishes” and “Little Abigail and the Beautiful Pony”. In the poem “How Not to Have to Dry the Dishes” the reader is instructed to drop a dish so that their parents will not want them to do the dishes again. Likewise, in “Litt...
"In a little four-room house around the corner. It looks so cozy, so inviting and restful."(79) With this description Chopin introduces the reader to Edna’s new residence, which is affectionately known as the pigeon house. The pigeon house provides Edna with the comfort and security that her old house lacked. The tranquility that the pigeon house grants to Edna allows her to experience a freedom that she has never felt before.
She brings light to an issue that divided her family from her father, his “obsession” with fixing up the house. She states, "I grew to resent the way my father treated his furniture like children, and his children like furniture" (14). She believes her father was detached, living his life through restoring old furniture and fixing up the family home, leaving little attention for the family that lived there. She was suspicious of her father’s décor saying, “they were lies” (14). This left much to be desired, often leading her to question whether her father even liked having a family. This feeling is expressed when she says, "Sometimes, when things were going well, I think my father actually enjoyed having a family. Or at least, the air of authenticity we lent to his exhibit. A sort of still life with children" (13). He occupied his life with fixing up his home almost as if he was trying to cover up the problems going on inside himself. Bechdel suggests that the antique mirrors decorating the home were meant to distract visitors from his personal shame. She says, "His shame inhabited our house as pervasively and invisibly as the aromatic musk of aging mahogany" (20). She states that this shame stemmed from her father’s closeted sexual preferences. This would later connect them in a very powerful
The rooms where the action of a story takes place are also very important. Some the rooms used in the book are bedrooms, the dining room, the parlor, and the enclosed garden patio. The first room we see inside of this old house is the garden patio. This room is interesting because the smell from the patio is always associated with the title character. Felipe looks for her in this garden; he smells the patio plants in her hair. Symbolically, the garden can be associated with the mind, with the unconscious, or it may give you clues to your own inner state. The plants, flowers, and fruit found in the garden may also enhance t...
Throughout history, society has been used as a means of inspiration for writers of all genres. More often then not, writers do not shine a light on the positive aspects of society, they chose to focus on the decline of the modern world. For a writer to truly capture this societal decline, they must be brave enough to accept it. For one writer in particular, her passion and style are what fuel her to create masterpieces of literature centered on that very topic. With her ability to focus on modern American society with topics such as rape, child abuse and murder, Joyce Carol Oates’s novels have been able to capture the sometimes cruel reality of American life in an unorthodox way.
This metaphor showcases how the wife tries to conceal her unloving marriage from the world in hope that it will be resolved, yet she still suffers from the way the man treats her. The small candle on the cake is another metaphor used to portray the loneliness of the wife. This feeling is a common emotion felt by many victims of a detached relationship. The description “...one pink candle burning in the center”, gives the candle a feminine trait which reflects the wife. The cake, which the candle was used for was not well received by the husband and the celebration comes to a halt. Then, the cake is ignored and the candle burns in loneliness. Similar to the cake and the candle, the wife and her efforts have never been appreciated or respected by her husband. Much like the cake, the wife is ignored, and she lives her life in desolation and solitude. Lastly, the setting symbolises the wife’s lack of importance to her husband. The setting is described as “a little narrow restaurant” and with a few
Many features of the setting, a winter's day at a home for elderly women, suggests coldness, neglect, and dehumanization. Instead of evergreens or other vegetation that might lend softness or beauty to the place, the city has landscaped it with "prickly dark shrubs."1 Behind the shrubs the whitewashed walls of the Old Ladies' Home reflect "the winter sunlight like a block of ice."2 Welty also implies that the cold appearance of the nurse is due to the coolness in the building as well as to the stark, impersonal, white uniform she is wearing. In the inner parts of the building, the "loose, bulging linoleum on the floor"3 indicates that the place is cheaply built and poorly cared for. The halls that "smell like the interior of a clock"4 suggest a used, unfeeling machine. Perhaps the clearest evidence of dehumanization is the small, crowded rooms, each inhabited by two older women. The room that Marian visits is dark,...
The story begins with Mama, and her daughter, Maggie, waiting in their yard for a visit from Dee. Walker uses the setting of the story to allow the reader to fully grasp the financial hardships that the family has had to bear. The house is described as having “three rooms, there are no real windows, just some holes cut in the sides, like the portholes in a ship, but not round and not square, with rawhide holding the shutters up on the outside” (Baym and Levine 1531). Dee is the daughter who couldn’t wait to leave home. In fact, she hated the house she grew up in. When it caught on fire many years ago, Mama wanted to ask her “Why don’t you do a dance around the ashes? She had hated the house that much” (Baym and Levine 1532). Dee’s family raised enough money for her to go to school and, as she moved away and became more educated, she lost sight of where she came from. Mama is not just waiting on her daughter to arrive but also wondering if she will be accepted by her. Her daughter is the complete opposite of her, and Mama sometimes dreams that “I am the way my daughter would want me to be: a hundred pounds lighter, my skin like an uncooked barley pancake. My hair glistens in the hot bright lights” (Baym and Levine 1531). Mama is a practical woman though and knows this is not the way things are. The reader realizes this when
In the early parts of the story, the narrator behaves in a way that would be expected of a young child. She, along with her younger brother, finds Henry Bailey (the family’s hired hand) to be quite amusing in his antics. She states that “we admired [Henry] for [his] performance and for his ability to make his stomach growl at will, and for his laughter, which was full of high whistling and gurgling and involved the whole faulty machinery of his chest”(101). Being afraid of the dark is another experience that she and her brother share, and they fabricate rules that “When the light was on, [they] were safe as long as [they] did not step off the square of worn carpet which defined [their] bedroom-space” (101). Children that are of a young age will often make up stories that reflect their s...
Upon moving in to her home she is captivated, enthralled with the luscious garden, stunning greenhouse and well crafted colonial estate. This was a place she fantasized about, qualifying it as a home in which she seemed comfortable and free. These thoughts don’t last for long, however, when she is prescribed bed rest. She begins to think that the wallpaper, or someone in the wallpaper is watching her making her feel crazy. She finally abandons her positivity towards what now can be considered her husband’s home, and only labels negative features of the home. For example, the narrator rants about the wallpaper being, “the strangest yellow…wallpaper! It makes me think of… foul, bad yellow things” (Gilman). One can only imagine the mental torture that the narrator is experiencing, staring at the lifeless, repulsive yellow hue of ripping
As Tara sits in the car on the way to the manor, she looks out the window, and starts to go deep into her thoughts asking herself, “What do I remember? Green hills, crooked houses on narrow streets, no traffic, Blue skies, swans… Swans? Focus Tara! It hasn't changed since that summer when I was little, still miles from anywhere, still crooked and green. I remember my great aunt Bridget telling me this place was special. And she was right. The perfect place for my mom to write her next book, it’s big enough for me, my brother and for… our stepfamily mash-up. What do I remember? I remember thinking I'd never see it again, and now I live here.” Tara’s father Rob parked the car in front of their new home, and Tara jumps out of the car and says,
‘She wanted to warm herself,’ the people in the town said. No one had the slightest suspicion of what beautiful things she had seen” (**). The little maiden saw the stars in Heaven, and one fell down and formed a long trail of fire (**). Before the maidens cold and freezing death, she dreamed of the roast goose steaming with stuffing, the apple pie, dried plums all sitting on a pure white table cloth (**). The matches brought comfort to the little girl for a little bit, but the short stick burnt fast. Lighting the match for the little girl was a small get away, away from her very miserable life. “The little maiden stretched out her hands towards them when-- the match went out” (**). Dreaming and visualizing the Christmas trees, roast goose, and the warm stove was a way for the maiden to cope with the harsh conditions she was living