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Gender roles of women in literature
Gender roles of women in literature
Gender roles of women in literature
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Birthday Party, a short story written by Katherine Bush in 1946 explores the topic of marriage and its repercussions. Katherine Bush showcases the idea of an individual's involvement in an unloving and abusive marriage lead to the victims lead to despair and unhappiness. The theme of the short story is developed through the use of extended metaphors. The wife, who is the victim of the husband’s verbal abuse attempts to hide her sadness from the outside world and her “big hat” is a metaphor for this statement. Similar to how no one else is unaware of her sadness, the big hat covers her face and she goes unnoticed by many. The narrator states that she witnesses the woman “[c]rying quietly and heartbrokenly and hopelessly, all to herself, under the gay brim of her …show more content…
This metaphor showcases how the wife tries to conceal her unloving marriage from the world in hope that it will be resolved, yet she still suffers from the way the man treats her. The small candle on the cake is another metaphor used to portray the loneliness of the wife. This feeling is a common emotion felt by many victims of a detached relationship. The description “...one pink candle burning in the center”, gives the candle a feminine trait which reflects the wife. The cake, which the candle was used for was not well received by the husband and the celebration comes to a halt. Then, the cake is ignored and the candle burns in loneliness. Similar to the cake and the candle, the wife and her efforts have never been appreciated or respected by her husband. Much like the cake, the wife is ignored, and she lives her life in desolation and solitude. Lastly, the setting symbolises the wife’s lack of importance to her husband. The setting is described as “a little narrow restaurant” and with a few
The anniversary girl used to have “a mother, real mother, but the mother had to go away"(3). The anniversary girl lost her mother to another concentration camp and even if the night sitter tries to fill that position she can never be her real mother. The anniversary girl lacks basic necessities because the camps do not have“any soap”, “water to wash in", or "any toothbrushes or toothpaste"(4). The anniversary girl"did not have any dresses except the little skirt and pullover"(2). The anniversary girl lacked luxuries, but “they are not crying because they don’t have something to eat. They are crying because their mothers have gone away.”(3) The anniversary girl has nothing, but the thing she desires most is her mother because she needs her mother’s affection to feel safe and secure despite the lack of necessities. The night sitter explains that “the little girl became my little girl because her mother went away”(3). Even though the anniversary girl’s mother’s love can not be replaced she still needs someone to help her feel safe. The anniversary girl helps convey the message that even when you have nothing and are starving you still yearn for the love of a mother more than anything
In the brief introduction of the story, Wolff mentions, “Helping out with the dishes was a way of showing how considerate he was,” (1356) which shows the initial nature of the couple’s relationship—caring. The caring nature of the couple’s relationship is show again when the wife cuts her hand and the husband, “ran upstairs to the bathroom and rummaged in the medicine chest” (1357). These two instances provide the reader with the notion that the couple, especially the husband in this instance, cares for one other deeply. Though this statement seems to be true, the domestic details serve an alternative purpose as well—symbols. When the conversation begins to become more heated, Wolff demonstrates how, “she was piling dishes on the drainboard at a terrific rate, just wiping them with a cloth” (1356). Wolff’s attention to this detail shows how the frustration of the wife is building up and ultimately leads to her stabbing her finger. The water of the sink, “flat and gray” (1357) symbolizes the essence of their conversation—gloomy and going nowhere. Towards the end of the story, the husband cleans the house as it was when they first moved in which symbolizes how their relationship is reverting back to the beginning when they were
Through the use of symbolism, and characterization that involves an instance of imagery, the author advocates this notion through the newlywed’s decision of neglecting her personal feminine taste to make her husband’s preferences her own, and embracing her title of submissive partner by kissing the hand. Also, the choice of words to describe each partner differs tremendously, as the author seems to give more importance to the man by making him appear handsome, and particularly strong. On the contrary, the young woman appears to be weak and minor, which supports this idea of submissive women in a couple through the perception of the woman being way behind her husband. This story demonstrates a great symbolic significance when it comes to the hand, which can lead to other important ideas surrounding the message the author is trying to
Analyzing the content or idea of the essay can lead into understanding the structure of the composition. This piece of literature is conveying the idea of irony between the writer and the moth, while also illustrating a kind of connection between the two characters. The writer is alone in her study, with the window open to the world, which indicates that she is observing the surrounding outside and the life that nature has. Although the writer seems t...
In "the story of an hour" Chopin discuss how getting married can lead you to live a life of anguish. In the beginning of the short story Mrs. Mallard revives terrible news that her husband has been recently killed, she "Wept at once, with sudden, wild abandonment." This intense reaction is how society would expect her to act if your husband dies. Mrs. Mallard then goes into her bedroom to grieve alone: "She could see in the open square before her house the tops of the trees that were all aquiver with the new spring life." Seeing the open square makes her crave freedom, something she doesn't remembering having. The new spring life will eventually represent her new-found freedom and happiness. As she stares outside the window she thinks, but "It was not a glance of reflection, but rather indicated a suspension of intelligent thought." She is critically thinking of what will come and what has just happened, she has not ever has to think for herself, her husband always did that for her. This is the first time her feelings start to stir, she tries to process the information more to figure out what they mean.
The narrator is confined to a room with strange wall-paper. This odd wall-paper seems to symbolize the complexity and confusion in her life. In “The Story of an Hour” by Kate Chopin, the protagonist, Mrs. Mallard must also deal with conflict as she must deal with the death of her spouse. At first there is grief, but then there is the recognition that she will be free. The institute of marriage ties the two women of these two short stories together. Like typical young women of the late 19th century, they were married, and during the course of their lives, they were expected to stay married. Unlike today where divorce is commonplace, marriage was a very holy bond and divorce was taboo. This tight bond of marriage caused tension in these two characters. Their personal freedom was severely restricted. For Mrs. Mallard, marriage was a curse to be reckoned with. She knew inside that her marriage was wrong, but she could not express her feelings openly. Her husband was not a bad man, but he was in the way. After hearing about her husband’s death, Mrs. Mallard comments, “now there would be no powerful will bending her in that blind persistence with which men … believe they have a right to impose a private will upon a fellow creature” (Chopin 72), Her husband definitely was a thorn in her
In the short story, “The Story of an Hour,” author Kate Chopin presents the character of Mrs. Louis Mallard. She is an unhappy woman trapped in her discontented marriage. Unable to assert herself or extricate herself from the relationship, she endures it. The news of the presumed death of her husband comes as a great relief to her, and for a brief moment she experiences the joys of a liberated life from the repressed relationship with her husband. The relief, however, is short lived. The shock of seeing him alive is too much for her bear and she dies. The meaning of life and death take on opposite meaning for Mrs. Mallard in her marriage because she lacked the courage to stand up for herself.
...simple everyday meal it was symbolic to the temptation and the spontaneous change of mind of the young lady. She was tempted for a split second to return to the inordinate relationship, but just like Princip she takes advantage of her second chance and changes history.
The Wife?s Lament speaks movingly about loneliness, due to the speaker projecting the lonesomeness of the women who was exiled from society. The woman in the poem has been exiled from her husband and everything she loves, all she has is a single oak-tree to be comforted by. As she has been banished from all she loves, the tone becomes gloomy and depressing. The speaker uses expressions such as joyless and dark to create a sorrowful mood for the poem. As well as the expressions used in this poem, the setting also creates loneliness. The setting generates a darkened and desolate place which makes the woman feel exiled from society.
The placement of the morning in a bedroom was a daily routine, just like their marriage. It wasn’t bright or cheerful. Where most people enjoy the feeling of waking up to a new day, she just saw it as a routine. “She fetched up her gentle voice and sent it warily down the stairs for coffee, swung her feet out upon the oval mat, and hailed the morning with her bare arms’ quivering flesh drawn tight in rhythmic exercise: left, left, left, my wife and fourteen children, right, right, right in the middle of the dusty road.” The pool of motionless water was symbolic of the overflowing problems that were their marriage, it was stagnant; just like their marriage. “Then she stepped carefully around the motionless spread of water i...
The bleak tone of this story takes a particularly sad and disturbing tinge when the wife illustrates a scene from early on in her marriage where she tries to get her husband to satisfy her desire and provide her with mutual satisfaction, only to have him rebuke and reprimand her. In fact, the husband responds in such a particularly brusque and hysterical manner that the reader can see how traumatized the wife would have been at ...
“The Sick Rose” is a short poem that was written by William Blake; he is also known as a poet artist and mystic. Since many poets receive their inspirational of writing their poems from sources like a lover, a personal experience and or a history event. Thus; Blake short poem is not from his imagination, but it’s from the reality that he might witness in his life. The Blake’s poem had received many criticisms from critics who tried to investigate “The Sick Roe” and they give their interpretation with many different types of explanation. There’re some critics who believe that the Rose is a symbol of beauty, youthfulness, innocent; compare to the worm whom they think it represent an old age, corrupts and decay. And there is the type of critics who thinks that the Rose is represented the “social crown of life”. The criticisms of “The Sick Rose” came from Michael Riffaterre in his test “the self-sufficient”, Cervo Nathan in his journal the “explicator” and Berger Harry in his book the caterpillage. I chose these three critics to make some comparison of their opinion and in what point they don’t agree on. “The Sick Rose” is derived to capture the world for allegory and interest in the way that life still challengeable between innocent fragile and evil and corruption”.
These factors lead to the unraveling of the relationship as the conflict precedes and is described through both of their views on the issue. As the topic of their son was brought up, which is the cause of the confrontation, the woman immediately “withdrew shrinking from beneath his arm”, illustrating how she feels as she faces him in such a situation (33). The woman feels she must make herself and her emotions smaller, ultimately concealing them completely from him, as she faces him due to his inability to understand her, avoiding his questions and comments. Throughout the poem she seems insistent in leaving their home saying “[She] must get out of [there]. [She] must get air” because she feels suffocated both by his way of responding to situations which have taken an emotional toll on her and her incapability of being able to have closure on the situation while living in conditions that are not being of assistance to her (39). These actions show how she has to alter some aspects of her personality when speaking to him to please him, and he feels like he has to do the same. As he says “A man must partly give up being a man / With women-folk”, he is describing how he feels he must give up his opinion or view on certain topics and even says “[they] could have some arrangement by which [he’d] bind [himself] to keep hands off / Anything special [she’s] a-mind to name” (52-55). He continues by describing how having such disagreements and having to make compromises with each other are part of being in a relationship “Though [he doesn’t] like such things ‘twix those that love”, but now that he sees how serious she is about
“On Sharing a Husband” the first two stanzas are straight forward and reveals the mood of the speaker. “ Screw the fate that makes you share a man. One cuddles under cotton blankets; the other’s cold.” , illustrates the speakers frustration that is experienced in her relationship with her male figure. The use of the word “screw” implies a sense of anger and resentment toward the cultural understanding of husbandry. The poet expresses the biast nature of a commitment to a man, who is in charge of multiple women. “ One cuddles under cotton blankets, the other’s cold.” The poet implies the women were treated as conveniences and not individuals Likewise, she implies that the need for commitment springs from the need to survive in a society of ultimate dependence. “ You try to stick to it like a fly on rice, but the rice is rotten. You slave like the maid. The dislike for commitment is reiterated when the speaker compares her relationship as a fly stuck on a rice. The imagery of a fly stuck on a rice illustrates the the weight of a relationship and the dependence for necessities Likewise, the ...
This unique treatment abides by rules of isolation from people and any from of creativity. The wife secretly wrote in her journal “Nobody would believe what an effort it is to do what little I am able,—to dress and entertain, and order things” (Chopin 649). The wife was being deprived from everything that she knew and loved; her creativity and even her own newly-born child. The wife goes through a roller-coaster of emotions throughout the story in what her thoughts and beliefs are. In the beginning on the story, the reader could question whether she was really that sick. Her husband, John, restricted her to one room in the house with a ugly mustard yellow wallpaper, which the wife hated. As the days continued, the hatred turn into a weird fascination, which turned into a madness that engulfed the narrator. Since the narrator was restricted only to her room, she didn’t have the luxury of society judging her and her actions; nevertheless, her behavior, if broadcasted to the public, would be harshly criticized. Readers can infer that the wife viewed herself as a confused woman who justed wanted to live a little. She always believe that if she was allowed to express her creative side maybe she would start to feel