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Greek gods in the Odyssey
Greek gods in the Odyssey
Greek gods in the Odyssey
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Over millennium people have changed their point of views, similar stories or practices were given different names. For example, ideologies of Greek Mythology and Hinduism are very similar because both beliefs in polytheism. Many believe the Bell-Krater which is a wine mixing bowl and it was dedicated to Persephone, the goddess of spring and harvest. However, according to Hindus this Bell Krater wasn’t for mixing wine, but, for grinding herbs such as Mendhi (Henna) and Haldi (Turmeric). This artifact was created to portray the Hindu goddess Lakshmi, who represents wealth and prosperity. The Hindu Goddess Lakshmi being lifted up above to transform to become a goddess. The mixing bowl for Hindu was to grind herbs such as Mendhi (Henna) and Haldi …show more content…
She acted like everything was well, Lakshmi was happy that she forgot everything and joined the joy of the wedding. However, they underestimated the girl, underneath her smile; laid a devil’s mind. The girl made a plan while grinding the herbs Mendhi and Haldi in the mixing bowl, she would mix poison to kill Lakshmi when they apply the herbs on her. The poison came from a leave, the leave is found on a very poisonous tree called Abrus Precatorious. While apply on Lakhmi what Vishnu’s daughter didn’t realize is the herbs that was intended for Lakshmi got switched with her father’s herbs. When Vishnu began to apply the herbs, he began to feel restless and he drops on the ground. Lakshmi puts him in her arms and says “Thank You.” He took his last breath her arms, as his spirit gets lifted above he becomes the God of love. Lakshmi couldn’t deal with the love of her life dying; she goes to the river and drowns herself. After death she becomes the Goddess of Prosperity, she reunites with Vishnu to become the power lovers who are meant to be together in Heaven and Earth. The daughter, who killed her father, becomes the devil named
What happens when a young girl is betrayed and sold into a world of harassment and betrayal? Her father dies, and her mother and she are “taken in” by a “man.” She is sold by her so-called stepfather to a woman named Mumtaz. Mumtaz owns a place called the happiness house. This is where the main character and a few other girls live. This is the place where men come, and girls were forced to do things that they didn’t want to do. Mumtaz found ways to not let the girls pay off their debt, and they could only leave after they are diseased. Lakshmi is a young girl, who is forced to lose her gold (innocence) at a young age. Throughout her journey, she realized
After doing her best to fight the poison that curses her family, she finally succumbs.
Selvadurai uses an allusion to demonstrate his grandmother’s role as a negative mentor in Shivan’s life. His dream of seeing his grandmother “incarnated as the demoness Kali” running after him (in the body of his mother) is very telling of what Shivan subconsciously thinks of his grandmother. (Selvadurai 371) The demoness Kali is the Hindu goddess of destruction. Though she is seen as a god, her physical appearance is quite appalling. Her dark skin, red eyes, fangs and necklace made of human heads are all quite terrifying. When portrayed, she is often seen standing on top of the Hindu god Shiva as well. Kali’s frightful appearance, paired with her relationship with the god Shiva is very telling of Shivan’s relationship with his aachi. He fears her with every fibre of his being. In said dream, he imagines himself as his mother, carrying a child, running from his grandmother, but proving to be unfruitful when Kali, “snatches the infant from [his] arms and opens her mouth wide to consume him”. (Selvadurai 371) This baby is Shivan, and Kali eating the baby shows how as a mentor, she has taken away all the innocence from Shivan and taken him away from his mother. Shivan’s ammi shows how even negative mentors can push their mentees into
Mumtaz, the ruler of the brothel, runs the house with brutality and a sense of street smart. Cheating Lakshmi of her paltry earnings, Mumtaz tells the girl she will never leave until she can pay off her family’s debts, which will never happen given the way the process is set up. She is living what is essentially enforced slavery. Despite her dire circumstances, Lakshmi continues to live by her mother’s words “simply to endure is to triumph” and slowly forms friendships with Shahanna and Anita who enable her to make it through her new struggles (McCormick 16). She learns to speak English from “this David Beckham boy” (McCormick 140). In time, Lakshmi meets a disguised Ame...
...stepfather received when he sold Lakshmi is all her family gained from the sexual enslavement. For me, the physical tin roof needed for an improvement of shelter disappeared amidst the struggle for freedom, but Lakshmi showed compassion and effort in order to return home. Reclaiming her life involved risking everything, yet her willpower and purpose proved to be enough after one year of forced prostitution. The symbolic relationship between the tin roof and her debt is consistent throughout every vignette. In the end, both objects dissipated leaving only one completed goal: personal triumph. Her suffrage was inspired by Ama’s words: “Simply to endure … is to triumph” (McCormick, p. 16). The tin roof and debt symbolize her struggle as a woman and having the power to fight for freedom.
...milarities. Their single god creates a firmament, luminaries, dry land, and the people that inhabit that land. Chinese and Egyptian mythology also share an uncanny amount of coincidences, such as the presence of a dog-headed god, or the creation of Earth and the heavens from a cosmic egg. Norse, Japanese, and Greek mythologies, too, agree on a lot of ideals. They each contain a clash of gods and the death of certain gods in order to form life. The list of creation myths, and myths in general, that relate to each other could stretch out for miles. With these parallels, humanity can better understand earlier cultures and document the method to how mythologies change over time.
Two of the most widely studied ancient works are Homer’s Odyssey and the book of Genesis from the Bible. Each of these texts provides a unique viewpoint of an early civilization. In both of the texts, one can learn not only stories about great heroes, but also about the way that these peoples lived and what they believed. Many interesting parallels can be drawn between the two developing societies shown in the Odyssey and the book of Genesis. One parallel is the importance placed on names by each culture. Although viewed as important in different ways, the value placed on a name shows a striking similarity between the evolving cultures of both the Greeks and the Hebrews.
Later uses of the Snake Goddess in Greek society seemed to have a similar function in ritual, even though they were sometimes slightly different in their design.
Laila--an originally young girl pregnant with her best friend’s child--became obliged to marry Rasheed once hm and Mariam nurse her back to health after a bomb injuries her and kills the rest of her family. Originally, Mariam and Laila did not understand each other, but after awhile Laila and Zalmai became the reason that Mariam found hope in the world. Through Rasheed’s wrath and lust, they helped each other through their abusive situations and found support in one another. The end of Mariam’s life resulted from Mariam’s love for Laila. She searched all her life for something that gave her life purpose, and she found it in Laila and her children. She described Laila and her children as flowers that bloomed in her life and brought back hope for a better ending. When she began to see the end for Laila, she took matters into her own hands for the first time in her life, stating that she “it occurred to her that this was the first time that she was deciding the course of her own life” (349). After murdering Rasheed, and saving Laila and her children, Mariam faces the inevitable consequences of death. She reminiscents her life, feeling very content with herself and what she has accomplished. She thought “of her entry into this world, the harami child of a lowly villager, an unintended thing, a pitiable, regrettable
Hope and friendship are two cornerstones for surviving life’s difficulties. For example, it helped Lakshmi to move forward and continue her life despite how hard it was, and how easy it would be to end it all by giving up. Another example is how hope and friendship in my life has helped me get through school.
...al religious and cultural beliefs. Yet, the carefree placement of the packaged foods woven throughout the traditional Indian dishes exemplifies the casual influences of the Western diet on the strong cultural history of India. There are many individual parts that comprise this photograph, but this entire photograph is a snapshot of India as a whole. The most important aspect is that this food not only brings the Patkar family together to enjoy their meals and connect to one another, but it is a giant system connecting the community to their meal. By appreciating the bounty of food provided by the local market the Patkar family is one part of a larger whole. Hinduism teaches that all things are sacred and that all things are interconnected. The Patkar family of India is a beautiful example of how even old traditions hold out against the ever-changing Western world.
One point in the story where you were able to point out her painful experience was when Boudi realized the man she was in love with, was dating another woman. The man she was in love with name was Parnab Chakaraborry, or Parnab Kaku.
One day, Aglanta was walking through the field of the kingdom with her head held high and suddenly the ground began to shake. Aglanta’s heart fell to her feet, she was scared. Then, Aglanta’s life flashed before her eyes and she fell into the mysterious underworld. Aglanta has been told stories about the underworld but never knew it was true. The whole kingdom was worried for the poor Aglanta as they thought she was gone forever.
The film Water 2005 is a period film set in pre-independent India of 1938. During this time child marriage had not yet been completely abolished in India. It was very common for child brides to be married off to much older men as a settlement of debt, as riddance to the female child in the family, and as an effort to be done with the parental responsibility of marrying off a female child. The child bride now married continued to stay in the house of her parents, until puberty, after which she would be sent to the house of the older man she was married to. The older men used to end up dying of age, ailments and diseases. The child widow lost her youth and her entire life. She cannot remarry because widow remarriage was uncommon in society and looked down upon. Widows themselves were looked upon as bad luck, a curse and a bad omen. So what happened to these widows? They were sent to widow homes, where they supposedly led lives of chastity and austerity devoting their lives to God. Water explores the life of one such child widow, named Chuya, who is about 8 years old. Her older husband dies. Her parents give her away to the widow house. Here Chuya encounters another younger widow in her early twenties named Kalyani, and sees the life of widowhood through the life of Kalyani. The widow house is headed by an elderly matriarch is an equivalent to a master pimp who sends away the relatively younger and more attractive widows to the Zamindars. In effect these younger widows are the Zamindars prostitutes. They are exploited but have nowhere better to go and stick within the confines of this widow dorm. Kalyani, the younger widow in her early twenties has been forced into this prostitution and is the bread winner of the widow house. Despite...
'Shri' or 'Lakshmi', as depicted in the Vedas, is the goddess of wealth and fortune, power and beauty. In her first incarnation, according to the Puranas, she was the daughter of the sage Bhrigu and his wife Khyati. She was later born out of the ocean of milk at the time of its churning. She, being the consort of Vishnu, is born as his spouse whenever he incarnates. When he appeared as Vamana, Rama and Krishna, she appeared as Padma (or Kamala), Sita and Rukmani. She is as inseparable from Vishnu as speech from meaning or knowledge from intellect, or good deeds from righteous-ness. He represents all that is masculine, and she, all that is feminine.