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Women in contemporary india and her status
Background of women empowerment
Women status in contemporary india
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The film Water 2005 is a period film set in pre-independent India of 1938. During this time child marriage had not yet been completely abolished in India. It was very common for child brides to be married off to much older men as a settlement of debt, as riddance to the female child in the family, and as an effort to be done with the parental responsibility of marrying off a female child. The child bride now married continued to stay in the house of her parents, until puberty, after which she would be sent to the house of the older man she was married to. The older men used to end up dying of age, ailments and diseases. The child widow lost her youth and her entire life. She cannot remarry because widow remarriage was uncommon in society and …show more content…
When we talk about 21st century or present condition of Indian widow’s identity and women states in the Indian society, we can surely say that present condition is better than 19th century. In the present time India is more aware of rights of women. What Deepa Mehta has projected Indian widow’s identity is picture of pre-independence Indian women not present. So what is intension of Deepa Mehta through this movie? That is big question of Indian society because in the modern time, the younger generations in parts of India, where girls are beginning to forgo the more traditional ways of Indian life and break gender stereotypes. In more flourishing parts of the country, the idea of “dating,” or more specifically openly dating, has come into play, and the terms “girlfriend” and “boyfriend” are being used. Some women are making their careers in Bollywood or Hollywood and advertisements, politics, force in short everywhere. At last, every society is good or bad it can be judged by its present time. So which types of condition of women is in contemporary India? And which types of identity of Indian women has been projected by Deepa Mehta in front of world that is big
In addition to, the main actors in the film looked the part and associated with the main idea of the culture of an Indian family. For instance, Samir’s appearance showed he had drifted away from his family’s culture and developed a professional understanding and love for the cooking industry. Farida’s appearance showed she was highly involved with her
A traditional extended family living in Northern India can become acquainted through the viewing of Dadi’s family. Dadi, meaning grandmother in Hindu, lets us explore her family up close and personal as we follow the trials and tribulations the family encounters through a daily basis. The family deals with the span of three generations and their conflicting interpretations of the ideal family life. Dadi lets us look at the family as a whole, but the film opens our eyes particularly on the women and the problems they face. The film inspects the women’s battle to secure their status in their family through dealing with a patriarchal mentality. The women also are seen attempting to exert their power, and through it all we are familiarized to
Bollywood films portray unequal power relations between the female and male characters. Male are allotted to have sexual desires and are portrayed to be active lookers, while females on the contrary are represented passively and seen as the objects of the male gaze (Mulvey, 11). Spectators watching the film unconsciously identify with the male characters due to the narration of the film and the way the camera caters to the male gaze (Smelik, 494). Women are not shown to have sexual desires throughout the course of the film because of the ...
Stonjanova, Christina. 2010. “Beyond Tradition and Modernity: The Transnational Universe of Deepa Mehta,” in Brenda Austin-Smith & George Melnyk, Canadian Woman Filmakers:The Genered Screen. Ontario, Canada: Canada Council for Fine Arts, pp 217.
A movie where women are seen inferior to men, the movie depicted the socially structured norms of India, where gender oppression was evident in every part of a patriarchal society. The issues, which were observed, lead to the development of the research question: How does the movie Lunchbox depict gender oppression in a patriarchal society?
There have been worldwide movements on Feminism, a lot has been written and studied about it as how femininity has been dissected at various stages of life. Feminism is a very wide topic to study and research, feminist cinema study being a small but important part of this huge macrocosm topic have helped a lot, films can be considered in examining the depiction of women on screen, movies, television etc. Fram- Kulik have very well stated in their book that,” film can be considered a language of its own, but the language that it uses still symbolizes the same binary order that has dominated our society with its phallocentric perspective” (Fram-Kulik, 2002:1). Cinema has contributed a lot in term of raising this very critical study about feminism; it has helped in diverting the world’s attentions over how wrongly women are depicted on screen. As suggested by the author Kaplan (1983:33) the main reason behind this is,” that all dominant images are basically male constructs”. This issue of male dominance in cinema industry has been very well questioned and documented by feminist cinema
Also, the film revealed women empowerment and how superior they can be compared to men. While demonstrating sexual objectification, empowerment, there was also sexual exploitation of the women, shown through the film. Throughout this essay, gender based issues that were associated with the film character will be demonstrated while connecting to the real world and popular culture.
The world before her is a film of hope and dreams for Indian women. We examine two girls with different paths but one goal in common, empowerment. This term conveys a wide range of interpretations and definitions one of them being power over oneself. Both Prachi and Ruhi manifest a will for female empowerment but both have distinct views on how this is achieved. Prachi believes the way to achieve empowerment is through her mind and strength, while she still confines to tradition views of Indian culture. Ruhi desires to achieve female empowerment by exposing her beauty in a non-conservative way while maintaining her Indian identity.
Whereas the relationship between Maha and Harb is one of passion and love, Ihsan and Nadia are the complete opposite. Nadia hates how Ihsan looks at her as a woman always and never a person. She struggles to prove her capability of being an individual and forming an identity of her own that is separate and goes beyond Mrs. Natour. She proves that she can ‘think and feel’ for herself and by herself. In the West where we have women out on the streets rallying for equality between men and women, fighting in the armies, present in the workforce, these victories may seem minute. However if one pays close attention to social structures and social norms in different cultures one can realize that this challenging and questioning is as important and holds as much weight as getting equal wages for women in America.
Every culture has several similarities and differences that impact the way they do things. Several of these cultures have distinct traits and traditions that make them differently from other cultures. I believe these differences make each culture different and unique. The two cultures that I have chosen to compare and contrast with each other is Kenya and India. In this paper I will discuss the similarities and differences in each of the culture’s families in context, marital relationships, and families and aging. These are important aspects of these cultures and to examine them will give me a better knowledge of both of these cultures.
Mahasweta Devi, always writes for deprived section of people. She is a loving daughter, a clerk, a lecturer, a journalist, an editor, a novelist, a dramatist and above all an ardent social activist. Her stories bring to the surface not only the misery of the completely ignored tribal people, but also articulate the oppression of w...
"But gender and caste could not be separated," says Farrukh Dhondy, who wrote the film. "The fact is that Devi was raped because she was lower caste and those men thought they could get away with it. A woman's life in India is very much defined by caste."
A factor common to all regional industries and Bollywood is the impractical and cliche portrayal of women. It can be argued that women are portrayed in much the same way in all Indian media. That this portrayal is entirely sexist is abundantly clear. Female characters in South Indian cinema are more often than not stereotyped as dumb, mindless creatures with only sexual gratification to offer. Objectification of women, as sexual objects is very common in commercial Indian movies. There are countless examples of such stereotypes. The most common cliche is the Love interest. The main female lead or the actress is always portrayed as the Hero’s love interest and has very little else to do in the movie except to amuse the hero with her beauty and romance. This stereotype is so common that it is not interrogated. The heroine is never portrayed as an individual with intelligence or to put it harshly brain, her ideas and thoughts just revolve around the hero and the other thoughts pertaining to anything other than romance or family are not
Throughout her book, she has written about women as nurtures and sharing special bond with ‘prakriti’ and doubtlessly supportive. She describes a deeper meaning of feminity with the nature but her equating every woman with nurturing, life-sustaining feminine principles is a bit exaggerated. She assumes that nature and women share a lot in common, therefore women understands nature best and always work in a way which is supportive to nature. Also, she believes that it has always been men indulged in science, development and exploitation. If women are given opportunity, they are also achieve success in the ‘male dominated’ world of machines and
The drama surrounds the story of a young woman called Anowa who disobeys her parents by marrying Kofi Ako, a man who has a reputation for indolence and migrates with him to a far place. Childless after several years of marriage Anowa realises that Kofi had sacrificed his manhood for wealth. Upon Anowa’s realisation Kofi in disgrace shoots himself whiles Anowa too drowns herself.