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Character analysis where are you going
123 essays on character analysis
Into the wild character analysis
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Exposition Mariam is born a harami. Mariam loves Jalil, but on her 15th birthday, he refuses to take her to Herat to one of his movies. She waits outside of his house all night, and discovers that he is inside hiding. Whenever she goes back home, she finds that Nana has hung herself. Jalil’s wives marry Mariam off to a shoemaker named Rasheed. Then Rasheed takes Mariam away to live in Kabul. Rising Action A girl named Laila lives near Rasheed and Mariam. Laila’s brothers are off fighting with the Mujahideen, and her mother suffers from depression. Her father is a book-learning man, and want Laila to get a good education. After Laila’s brothers are killed and her best friend Tariq’s family leave Kabul, her parents are killed in a bombing, …show more content…
which explodes their house. Rasheed rescues Laila from the explosion. Laila got pregnant at 14 and marries Rasheed as a cover up Climax Mariam and Laila’s relationship are horrible in the beginning because Mariam is jealous of Rasheed’s love for Laila.
She is also jealous of Laila’s daughter. However, they soon become friends and try to run away together. They are caught, brought home, and Rasheed brutally beats them. After Laila gives birth to Rasheed’s son, she finds out that Tariq is still alive. Mariam kills Rasheed with a shovel as he is choking Laila. Falling Action Laila, Tariq, and Zalmai find Aziza in the orphanage that Rasheed had left her at, then Mariam turns herself in for murdering Rasheed. She does this so that Tariq, Laila, and the children can leave Afghanistan. Mariam’s executed in the Ghazi Stadium in front of a lot of people. Resolution Tariq works in a hotel. After the Taliban falls, Laila feels the need to return to Kabul. Before they go to Kabul she wants to visit Herat first. When they are there she meets Mullah Faizullah’s son he then takes her to the kolba where Mariam was raised. He gives her a box that Jalil tried to give to Mariam years ago. It was filled with a copy of Pinocchio, Mariam’s inheritance money, and an apology note. Laila uses the money for the orphanage in Kabul, she then finds out she is pregnant again and if it is a girl she will name it
Mariam.
Elli talks about daily life in her neighborhood. Her mother does not show any compassion for her. When Elli complains of this, her mother brings up excuses that are unconvincing. Elli believes her mother does not care for her and that her brother is the favorite. Hilter’s reoccurring radio broadcast give nightmares to Elli, whos family is Jewish. The nights when the Hungarian military police would come and stir trouble did not provide anymore comfort for Elli. One night, her brother, Bubi, comes home with news that Germany invaded Budapest, the town where he goes to school. But the next morning, there is no news in the headlines. The father sends him back to school. He learns the next day that a neighbor’s son who goes to school with Bubi has said the same. The day after, the newspapers scream the news of the invasion. Bubi arrives home, and the terror begins.
In all honesty, I truly believe that the narrator, with no name, has a huge weakness; and that weakness is that since she is discouraged by her mom, which caused her to be completely blind sighted about Raheem which made her so willingly to take him back even though she realized she was being abused and cheated on. “You aint no beauty prize”-Narrators mom. And: “He hooks his thumb through my gold hooped earring and pulls down hard……….But he don’t get far-I don’t let him. I apologized.” This shows that Raheem is abusive and that the narrator is very forgiving and blind-sighted. As the end neared, I felt as if the narrator did not really act realistic in the scene because
For her 15th birthday, Mariam asked Jalil if he could take her to his cinema to watch Pinocchio. She also asked if Jalil could bring her brothers and sisters so she could meet them. Both Nana and Jalil thought it wasn’t a good idea, but Mariam insisted on going, so Jalil said he would send someone to pick her up. Mariam did not like this idea and said that she wanted to be picked up by Jalil. Jalil reluctantly agreed. Later that day, Mariam gets the backlash and hate from her mother from her decision: “Of all the daughters I could have had, why did God give me an ungrateful one like you? …How dare you abandon me like this, you treacherous little harami!” Mariam wakes up the next day, disappointed and fed up since Jalil did not come to pick her up. She heads out to town to find Jalil herself. She makes it to his house when a chauffeur tells Mariam that Jalil was “away on urgent business.” She slept outside of his house and was awoken by the chauffeur, telling her that he would take her home. Mariam snatches away from the chauffeur’s grip and turns around towards the house, to see Jalil in an upstairs window. It was then that Mariam figured out that all she was to Jalil was a disgrace. Jalil had always been careful with the information he told Mariam. He may have loved her, but only on his own terms. Once Mariam realizes that her father allowed her to sleep on the street rather than bring her into his
The concept of standing up for one’s self plays a key theme in the novel, Wanting Mor. The novel unfolds with an illustration of Jameela, as a timorous, obedient girl, influenced by her religious beliefs. As it states in the novel, “ ‘Don’t tell me what I am! I’ll tell you!’…My face is hot. How could I have been so careless? So disrespectful. Maybe I’m tired too” (Rukhsana 29). These statements are followed after the death of Mor and how Jameela’s father, Baba, reacts to the situation by demeaning everything including his own daughter. Jameela tries to soothe her father in the attempt to make her father relaxed by informing him he is simply fatigued. In spite of this, her father believes this to be offensive as he needs to be mollified by her young daughter, which results into Jameela believing the cause was of her own. She is also depicted as diffident because she abides to anyone regardless of her own feelings and emotions. This is illustrated through chapters’ three to nine, which begins with Baba telling Jameela that they are leaving their village to go to the picturesque city known as Kabul, regardless of Jameela’s consideration in the process. Afterwards, Jameela labours away with the multiple Khalaas, respectable term for o...
From start to finish, one could see how much Mariam values Laila, Aziza, and their friendship. The first example is when Mariam vows to help Laila while they are in the hospital for Laila’s unborn child: “I’ll get you seen, Laila jo. I promise” (287). This simple promise is a deep portrayal of Mariam’s desire to help Laila find a doctor and deliver her baby. Additionally, one can see Mariam’s love for Laila when she protects her from Rasheed’s grip of death, “‘Rasheed.’ He looked up. Mariam swung. She hit him across the temple. The blow knocked him off Laila” (348). Rasheed was going to kill Laila, but Mariam steps in and knocks him off of her with a shovel to save her life. Mariam forms a tight-knit bond with Laila, and when Hosseini includes their relationship, one can see how Mariam values Laila enough to kill another man. The author also describes their relationship after Mariam and Laila discuss plans for leaving: “When they do, they’ll find you as guilty as me. Tariq too. I won’t have the two of you living on the run like fugitives.” … “Laila crawled to her and again put her head on Mariam’s lap. She remembered all the afternoons they’d spent together, braiding each other’s hair, Mariam listening patiently to her random thoughts and ordinary stories with an air of gratitude, with the expression of a person to whom a unique and coveted privilege had been extended” (358). The love Mariam has for
In the novel, A Thousand Splendid Suns, by Khaled Hosseini, the characters Mariam and Nana, though very different, are similar in that they are both victims, illustrating how people can be considered victims for many different reasons.
In the novel A Thousand Splendid Suns by the author Khaled Hosseini presents the tragedy that Mariam went through. Mariam the unwanted child for her father because he was not married to Mariam’s mother when she get pregnant from him. She lived in a village with her only family member, her mother. One day she left her mother and went to the city that her father lived in. Her mother felt abandoned and committed suicide because Mariam is all she had. After the death of her mother, Mariam moved with her father to Kabul. She was a burden to her father so after some weeks she was forced to marry a forty-five year old man when she was only fifteen year old. She moved to another city with her husband where she had to live with a man that she never
The characters of Nana and Mariam show the archetype of a mother by sacrificing to make their children’s life better. Towards the beginning of the book Nana describes Mariam’s birth to Mariam and mentions, “ I cut the chord between us myself. That’s why I had a knife.”(11). As Nana mentioned she sacrificed throughout her pregnancy though the pain and separated the umbilical chord herself because she wanted her child to have the best chance that she could. She also mentions the knife, which could have been use to kill the baby, similar to what Laila almost did with the rusty bicycle spoke. In addition, the knife could have been used to kill herself to end her suffering. Nevertheless, Nana does not carry out this plan and instead she decides to give up her feelings for the child’s. Mariam too goes through moments where sacrifice is necessary. For instance, when the drought hit and Rahseed looses his shoe store she realizes that in order for her family to survive she must ask Jalil, her father, for money. In order to contact her father she travels in the hot sun, calls the mayor, and says, “I know you have important things to tend to, but it is life and death”(310). Mariam swallows her pride and begins to realize her negative reaction towards her father w...
death. The girl and her abuser are at the back of the classroom in the
Two weeks after Tariq and Laila had sex, Laila lies on the living-room couch as she battles handling “guilt on one side, partnered with shame, and [also] . . . the conviction that [the sex] . . . was not sinful” (186).
War ravaged the land and tore people apart emotionally and physically. One recurrence that came about during the war was the raping and “ruining” of women. To be ruined meant that a woman was raped and/or tortured so severely that she would no longer be capable of having sex. In a culture that values the fertility of its women, this lead to the breakdown of many communities. A perfect example of this breakdown would be in the case of Salima and Fortune. Salima was taken into the bush and raped for 5 months and when she returned home her husband, Fortune, turned her away. This violence committed against Salima caused her to be forced from her community, and it also forced her to take up work at Mama Nadi’s. Here she has to endure a change of identity in order to do the work required of her and to come to terms with her past. At the end of the play, Salima dies and states the haunting words; “You will not fight your battles on my body anymore”(94). These last words sum up just how intrusive the war has become in the lives of everyone in its path and also represents a clear shift in Salima as an individual. Instead of the woman who just wanted her husband back at the end of the play, we are left to contemplate a
To start off, Murugan, Nathan and Rukus son left and stayed demure about it. “He left me… he has been gone for awhile.”(122) They traveled all the way to the city to find their son. Murugan moved out of the city without telling anyone where he was going. Afterwards, Ruku and Nathan meet Puli. “There is no one to worry about me and none to worry me which is good.”(127) Puli is an orphan who led Nathan and Ruku to the doctors place. Later on, Puli comes back and ttys to get money for helping them. Tragically, While working for money Nathan dies. “AI, see to your man he has fallen.” (138) Nathan dies while taking the rocks to the rock place. Rukumani took Puli to her home
I was in the car with my friend and we were listening to Tiesto and we were living the part, singing along and clapping as if we were in some concert in Las Vegas. Truth was, we were in Ashrafeye and we were just passing time until we went home. While rocking around, a sudden knock on the window startled me and I looked out to see a woman holding a child. This woman looked young, maybe no more than 21 and she had a small girl in her hand. I opened the window and she started begging for money. I had seen many fair shares of beggars before but what struck me about this girl was that she was almost my age, and was also a Syrian. This girl…. Could be my sister. I suddenly thought how scared this girl must be, living in a terrible conditions away from her country, and on top of that being forced to beg for money and food. This girl is doing this mostly not for herself but for her baby child, for whom she is willing to die. The story of this girl is very similar to the poem of Mahmoud Darwish “A Gentle Rain in a Distant Autumn” in that poem the poet is describing how he left his country and he was then searching for a new reasons to die, in that poor girl case the reason to die for was her small child. The author also quoted “form the country that slaughtered me” and by this he is referring to his own country. This is very much similar to this girls story by which the war that happened in her country, my country, slaughtered her and made
The story then becomes complicated because Mary Pereira, who is a mid-wife, switches Ahmed and Amina with Vanita and Wee Willie Winkie's baby. Our narrator Saleem is therefore raised into the Sinai's home while Shiva, the baby of Ahmed and Amina is raised in a much poorer home. This act guaranteed Vanita's son a life of comfort. Shortly afterwards Saleem's mother, Amina gives birth to Saleem's baby sister The Brass Monkey.
This story is focused on one family in the town of Kafr El Teen, especially on the woman of the family. Zakeya and Kafrawi are Brother and sister and the oldest of the house. Karfrawi's daughters also live with them, Zeinab, and Nefissa's. Also at one point Galal, Zakeys son lived with them ( also Zeinabs husband ). This family is put through many struggles mostly placed upon them by the Mayor of the town, who has an obsession with the daughters of Karfawi.