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Critical analysis of a thousand splendid suns
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Critical analysis of a thousand splendid suns
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A Thousand Splendid Suns by Khaled Hosseini is a story of two Afghan women, from seemingly different backgrounds, whose paths cross and lives are changed by each other. Although it may seem like this story is one of resilience and optimism, A Thousand Splendid Suns is clearly a story that represents pain and hopelessness. The story opens up with Mariam’s mother, Nana, calling her a “harami” for breaking a sugar bowl. “Harami” means “bastard child” and Mariam was born out of wedlock, with her father being Jalil, a wealthy businessman. Although it was Jalil’s fault for having an affair with Mariam’s mother, Mariam gets the pain and backlash from her mother for being a “harami.” She did not understand what this meant, though, because she was …show more content…
young when this happened. When she grew older and found out what “harami” meant, she felt ashamed for ever being born and believed that she would never be fully accepted in society: “It was the way Nana uttered the word-not so much saying it as spitting it at her-that made Mariam feel the full sting of it. She understood then what Nana meant, that a harami was an unwanted thing; that she, Mariam, was an illegitimate person who would never have legitimate claim to the things other people had, things such as love, family, home, acceptance.” This pain always lingered with Mariam. Mariam continues to endure pain and experience hopelessness with Jalil.
For her 15th birthday, Mariam asked Jalil if he could take her to his cinema to watch Pinocchio. She also asked if Jalil could bring her brothers and sisters so she could meet them. Both Nana and Jalil thought it wasn’t a good idea, but Mariam insisted on going, so Jalil said he would send someone to pick her up. Mariam did not like this idea and said that she wanted to be picked up by Jalil. Jalil reluctantly agreed. Later that day, Mariam gets the backlash and hate from her mother from her decision: “Of all the daughters I could have had, why did God give me an ungrateful one like you? …How dare you abandon me like this, you treacherous little harami!” Mariam wakes up the next day, disappointed and fed up since Jalil did not come to pick her up. She heads out to town to find Jalil herself. She makes it to his house when a chauffeur tells Mariam that Jalil was “away on urgent business.” She slept outside of his house and was awoken by the chauffeur, telling her that he would take her home. Mariam snatches away from the chauffeur’s grip and turns around towards the house, to see Jalil in an upstairs window. It was then that Mariam figured out that all she was to Jalil was a disgrace. Jalil had always been careful with the information he told Mariam. He may have loved her, but only on his own terms. Once Mariam realizes that her father allowed her to sleep on the street rather than bring her into his
home, she is traumatized and realizes there is more truth to Nana's stories than she initially thought. Jalil continues to cause Mariam pain and suffering by forcing her into a marriage she did not want to be in. Jalil brings Mariam into his house and lets her sleep in a guest room. This was always Mariam’s dream to be with Jalil in his house, but after the incident with her mother committing suicide, Mariam finally understood the dream has become a nightmare since she now realizes the social and cultural divide between her and her half-siblings. Mariam's new understanding of this divide is made clear as she refuses to take part in family activities, despite Jalil's invitation. It's obvious, through Mariam's visit with Mullah Faizullah, that she feels responsible for her mother's death. This guilt guides her behavior and fuels her desire to remain isolated.
Sharon M. Draper’s Copper Sun had many impactful quotes that affected the characters and their ideas, most of them revolving around hope, as the message of the novel is hope is necessary for one to live and be motivated. Early on in the book, Afi was preparing Amari for the slave trading, telling Amari, “Find beauty wherever you can, child. It will keep you alive,” (Draper 64) basically telling Amari not to focus on the unpleasant parts in her experiences. The quote affects Amari many times throughout the duration of the novel, one of the first at the Derby plantation. At the plantation, Clay forced Amari to bed with him, and Amari was disgusted. As an attempt to distract herself, during their nightly encounters, Amari would think of her
Death. Only two things are certain in life, death, and taxes. As the Human condition is concerned death is directly related to mortality. Mortality is in a sense the focus of all human existence. In most cases, the human mind inadvertently neglects this concept. In the true depth of mortality is hidden behind a shroud of humor. In the inquisitive, the brain creates a logical fallacy to cope with the concept. The basis of the human condition is mortality. The main points of the human condition are birth, growth, emotionality, aspiration, conflict, and mortality. Birth, growth, and aspiration all stem from the concept of mortality.
Mama said Maria was very pretty before the incident, and that she looked like a princess in her wedding dress at the altar, but after she was stood up, she lost her mind and beauty. Cofer describes her in her mind as a woman with a fat, middle-aged body, a wrinkly face with yellowed teeth like an old lady, and the demeanor of a child, hopping and skipping around. Cofer offers a description of Maria’s decline in beauty and mental health because that is what Mama believes will happen to a woman who is too trusting and does not choose her husband
Rasheed tries to convince Mariam that the only way to keep Laila safe is by marrying her. He ends up hiring a man named Abdul Harif to tell Laila that he had met the love of her life, Tariq, in the hospital and that he had died. Laila is told this right when she finds out that she is pregnant with Tariq’s child. Rasheed had hired Abdul Harif to tell Laila this because he wanted to get Laila to marry her. When Rasheed brings up marriage to Laila, she jumps on board right away, and falls into Rasheed’s trap. After Rasheed and Laila get married, he treats her like a queen. He becomes very protective of Laila. Almost all his attention is spent on her, and in a sense, forgets that he is even married to Mariam. But him acting affectionate and caring does not last very long. When Laila gives birth to a baby girl, named Aziza, Rasheed starts to treat Laila how he treated Mariam when she could not successfully carry a child full term. Again, Rasheed ends up not getting what he wants, and therefore he turns onto Laila. The abuse, both verbal and physical, starts to get worse in the household. A particular situation that displays just how violent the abuse in their household can get is when he locks Laila and Aziza in their room, and Mariam in the shed because they tried running away from Rasheed and the abuse. He leaves them without water or food, and it ends up almost killing Aziza. This is where Rasheed falls into the paradox of power again. “ ...the 16th century Italian philosopher Niccolo Machiavelli insisted that compassion got in the way of eminence. If a leader has to choose between being feared or being loved, Machiavelli insisted that the leader should always go with fear. Love is overrated” (Lehrer The Power Trip). Rasheed would rather have his own family be completely afraid of him and almost
From start to finish, one could see how much Mariam values Laila, Aziza, and their friendship. The first example is when Mariam vows to help Laila while they are in the hospital for Laila’s unborn child: “I’ll get you seen, Laila jo. I promise” (287). This simple promise is a deep portrayal of Mariam’s desire to help Laila find a doctor and deliver her baby. Additionally, one can see Mariam’s love for Laila when she protects her from Rasheed’s grip of death, “‘Rasheed.’ He looked up. Mariam swung. She hit him across the temple. The blow knocked him off Laila” (348). Rasheed was going to kill Laila, but Mariam steps in and knocks him off of her with a shovel to save her life. Mariam forms a tight-knit bond with Laila, and when Hosseini includes their relationship, one can see how Mariam values Laila enough to kill another man. The author also describes their relationship after Mariam and Laila discuss plans for leaving: “When they do, they’ll find you as guilty as me. Tariq too. I won’t have the two of you living on the run like fugitives.” … “Laila crawled to her and again put her head on Mariam’s lap. She remembered all the afternoons they’d spent together, braiding each other’s hair, Mariam listening patiently to her random thoughts and ordinary stories with an air of gratitude, with the expression of a person to whom a unique and coveted privilege had been extended” (358). The love Mariam has for
Mariam can be seen as the victim of many men’s actions. A victim can be someone who is physically or emotionally hurt from another person’s actions. Because of the choices a person, or a group of people make, people are affected and made victims of the situation. In Mariam’s life, she faced many attacks from men, both physically and emotionally. She was the victim of Jahlil’s actions to send her away in order to keep his reputation. He made her the victim of his lies and actions to make sure society viewed him
Mariam has built a mutual relationship with Jalil in her childhood, with weekly visits every Thursday. Mariam has hid behind a wall of innocence, and Jalil helped her get past the wall with the harsh realities of the world. Mariam was an innocent being at childhood: she was stuck indoors in Kolba. Mariam does not know what is going on around her home, because she has not experienced the outdoors as well as others. All she gets at is from Jalil’s stories, and Mullahs teaching. She does not understand that the world is not as as happy as it seems. In Khaled Hosseini’s novel, A Thousand Splendid Suns, Hosseini uses Jalil’s character to show development in Mariam's life, in order to emphasize how significant the impact of trust breaks Mariam’s innocent in the story.
Mariam’s strength is immediately tested from birth and throughout her whole childhood. She has been through a lot more than other children of her age, and one of those challenges is the hope for acceptance. She is looked at as an illegitimate child by her parents, and they say there’s no need to attend school. We learn right away what the word “harami” means when Nana uses that to describe her own daughter. She says, “You are a clumsy little harami. This is my reward for everything I’ve endured. An heirloom-breaking, clumsy little harami” (Hosseini 4). Nana especially pushed Mariam away from pursuing her goals. She said there was no need for education and men always find a way to blame it on a woman. This pushed Mariam away from her mom and closer to Jalil, but he refuses to acknowledge her and his wives look at her with cold stares of disgust. Mariam only feels loved by Jalil through all of this, mainly because he brings her things and shows her some love. She asks him to do something with her outside of the kolboa and he first agrees, but never brings her because of his fear with his wives and the structures of Afghan culture that frown upon it. He starts to act as if she was a burden to him and Mariam’s hope for acceptance is crushed. She realizes the truth, especially once she reaches adulthood. In Afghanistan, marriage is not all about love for eachother, it is about traditional role...
As Mariam waits for Jalil she finds herself very bored, “She watched a caterpillar inching along the foot of an immature thistle,” her boredom shows that her home can be very dull (30). One of the reasons she decided to leave, “for the first time in her life, headed down the hill for Herat,” was because she wanted an adventure (30). Living with Nana in a small house outside of Herat with nothing to do can be very unentertaining. Mariam was able to believe everything Jalil had been saying because she had not been anywhere outside her home. Mariam had waited for Jalil for a while, “she waited until her legs were stiff,” which shows that she believed everything he said, she believed that he was gonna come (30).
As stated previously, Nana was shamed not only by her former employer and his employer’s wives, but her own father, the only other man in her life. The pivotal result from this is her severe depression which she kept through her life with Mariam. One of the specific factors contributing to Nana’s depression is Jalil’s betrayal and irresponsible actions with one of his employees. A result of this is Nana having to birth Mariam herself, cutting the umbilical cord and all. However, Mariam, the only other person in Nana’s life that actually loves, cares for, and stays with her, has Jalil visit their little hut that he built for Nana. Every week, she attempts to dress herself up in her most appealing clothes and masquerades herself behind a face which says that she is fine as a single mother, when in reality, she is not. “Despite her rants against him when he was around, Nana was subdued and mannerly when Jalil visited” (20). In sum, Nana’s passionate hate for the man who turned her life inside-out affects her daily mood and mindset, ultimately leading Nana to her
The tone of the book can help readers understand the theme of A Thousand Splendid Suns by pointing out magnitude of how evil man can be and in contrast the good man can do. Even though not every character is clearly seen being good and evil, with a careful analysis and an open mind good and evil can both be seen. The tone and the theme combined make a great message and a wonderful
The Narrator’s family treats her like a monster by resenting and neglecting her, faking her death, and locking her in her room all day. The Narrator’s family resents her, proof of this is found when the Narrator states “[My mother] came and went as quickly as she could.
Before they left, Nayeli and her mother had a small conversation, “I wish you could go there,” Maria said. “To KANKAKEE. I wish you could bring him back.” “If I can,” she suddenly heard herself, promising, “I will,” (ITBN, 63). Throughout the story, Nayeli expresses her need to find her father. When talking to Aunt Irma over the phone Nayeli says, “I...I think I want to get my father,” (ITBN, 175). “To Kankakee,” Nayeli continued. “I want my father to come home,” (ITBN,175). When Nayeli was finally able to find her father, things did not go as she had planned. He wasn’t “moved by her brave journey to find him, to save her home,” (ITBN, 308). His features didn’t “soften and break into a smile,” (ITBN, 308). In reality, when Nayeli found her father, his arm was wrapped around another woman as he “accepted a kiss on the mouth from her and smacked her bottom as he yelped as she skipped inside. He briefly skimmed the neighborhood-his eyes passed right over Nayeli-before stepping inside and shutting the door,” (ITBN, 323). Nayeli was heartbroken, “She shook, she gasped, she shouted as loud as she could. “FATHER!” she wailed. Over and over,” (ITBN, 323). To Nayeli, “she had lost Yolo, she had lost Matt...She pondered Chava, too. Now that she had found him, would she lose Aunt Irma? To love?” (ITBN, 260) “Her world was coming apart. Pretty soon it would be
Next let us examine Mariam's plight. She is denied the chance to go to school. "What's the sense schooling a girl like you? It's like shinning a spitspoon." She lives with a cruel mother. "You are a clumsy little harami. This is my reward for everything I've endured. An heirloom-breaking, clumsy little harmi"(4). She has a neglectful father. "Mariam kept thinking of his face in the upstairs window. He let her sleep on the street. On the street. Mariam cried lying down"(35). Her mother commits suicide and Mariam blames herself. "You stop that. These thoughts are no good, Mariam jo. You hear me, child? No good. They will destroy you. It wasn't your fault. It wasn't your fault no". Mariam nodded, but as desperately as she wanted to she could not bring herself to believe him"(44). She is forced into marriage to a man she does not love. "I don't want to," Mariam said. She looked at Jalil. "I don't want this. Don't make me"(47). She is sent to live in a strange city were she does not know anyone. She has a physically abusive husband. "Then he was gone, leaving Mariam to spit out pebbles, blood, and the fragments of two broken molars"(104). Her husband is cruel and says hurtful words to her. She can not do anything right in his eyes. When he is not ignoring her he is being verbally or physically abusive towards her.
Mina comes back home only fifteen minutes later, crying. The grandmother is blamed once again for Mina’s actions. Mina reacts to her grandmothers questions of the tears by saying “ You m...