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Within the first few pages of The Consolation of Philosophy, Boethius laments his circumstances from the confines of a cell. Lady Philosophy arrives to soothe him, but she soon discovers that her former charge suffers from a deep-seated existential crisis that simple sympathy will not cure. In order to fulfill her dual role as teacher and healer, Lady Philosophy incorporates both an extended appeal to Boethius’s poetic sensibilities and a Socratic approach to introspection. The empathetic qualities present in both of these educational methods help her correct the prisoner’s misery because they allow her to gradually overcome Boethius’s initial resistance to advice. Although he ultimately proves to be an eager student, Boethius finds it difficult …show more content…
to remove his ego from the learning process. At first, he counters Lady Philosophy’s early explorations with emotional retorts and only reluctantly concedes to her assertions. Eventually, however, Boethius learns to appreciate his position from the objective viewpoint that Lady Philosophy urges him to consider, and through their combined intellectual effort, he emerges from his pit of despair. It goes without saying that the nature and subject of Boethius’s despair at least in part directs Lady Philosophy’s approach to easing him out of his misery. Soon after she offers him her ear, Boethius mourns, “…and among the burdens that weigh on me is this idea that, if actions are judged only by outcomes, then those who are, like me, unfortunate or unlucky are likely to be immediately abandoned by men of goodwill” (Consolation, p. 17). It is apparent here that the prisoner’s unhappiness stems from his self-portrayal as a victim of capricious Fortune. Despite a distinguished career and a virtuous attempt to protect the Senate, Fortune abandoned him to the will of malicious men. Lady Philosophy will have to uproot Boethius’s deep-seated misunderstandings of the human condition in order to assuage him: Firstly, Boethius must learn that Fortune—and by proxy, fate—do not determine life’s outcomes. Secondly, he must re-evaluate his definition of happiness to account for the aforementioned notion that Fortune should not weigh as heavily on his perception of existence. Unfortunately, these beliefs are integral to Boethius’s identity and his awareness of the world, so Lady Philosophy will have to carefully coax him towards accepting a new interpretation of the human condition. If she missteps by simply forcing an entirely separate world view upon him, he will resist the change. Luckily, Lady Philosophy’s Socratic style of inquiry allows her to induce a modification of Boethius’s mindset cautiously, without triggering any internal opposition. The majority of the conversations that follow Boethius outlining his concerns mirror the following formula: “’Do you suppose, for instance, that that which needs nothing is in need of power?’ ‘No, that can’t be.’ ‘You are correct. If it needs power, it needs the help of other people.’ ‘Yes.’ ‘So power and self-sufficiency turn out to be the same.’ ‘That would follow’” (Consolation, p. 80). In this discourse, Lady Philosophy poses a series of assumptions, each building upon the previous assumption; Boethius evaluates each assumption individually and either agrees or disagrees with the argument made. The teacher chooses to lead the student to conclusions through this method because it encourages the student to seriously consider the individual statements before saying “yes” or “no.” What if the teacher were to simply deliver the lessons to the student as statements that resemble platitudes, without the exchange of arguments and agreements? To simply state “power and self-sufficiency are the same” removes the student’s participation from reaching that iteration in a series of arguments. By using the Socratic method and posing questions for Boethius to answer, Lady Philosophy leads her pupil to achieve revelations through the power of his own reasoning. This approach is empathetic by nature since she does not have to force her perspective onto Boethius; he can personally follow the logic that leads to the arguments she makes and choose to mold his own perspective to resemble her more objective one. Lady Philosophy’s use of poetry augments the ability of her arguments to reshape Boethius’s awareness of his unhappiness. She initially expresses disgust at the Muses of poetry who comfort the prisoner before she arrives: “’Who let these choir girls in here to approach a sick man’s bedside? They have no cures for what ails him’” (Consolation, p. 4). Lady Philosophy’s demeans the Muses of poetry with the term “choir girls;” the refuge provided for Boethius by their practice pales in comparison to the salvation which Boethius can acquire through Philosophy’s guided introspection. Yet it does not explain why she resorts to song to supplement her arguments throughout the remainder of Consolation. To begin, one must take note of the way Boethius introduces himself when he says in the first lines of the book, “I used to write cheerful poems, happy and life-affirming, but my eyes are wet with tears and the poems are those that only grieving Muses would prompt me to compose” (Consolation, p. 1). Boethius pays homage to the tradition of invoking the Muses that one may observe in the work of great historical poets like Homer. This, of course, strongly implies that he considers himself a poet; Lady Philosophy must realize this, so she incorporates verse as summaries or allegories for her argument. There can be no question as to the effectiveness of her choice to include poetry, however. After she sings about the importance of love and friendship to the world, Boethius reflects, “She finished singing, and the melody hung in the air, its sweetness still in my ears, which were eager for more” (Consolation, p. 59). This shows that Lady Philosophy’s logical argument can appeal to the prisoner’s intellectual understanding of his unhappiness, but it fails to attract his emotional involvement in the argument. The use of poetry, thus, provides a complete learning experience for Boethius: by engaging the portions of his self which logic simply cannot touch, he becomes more open to the ideals which Lady Philosophy coaxes him to adopt. Naturally, the success of Lady Philosophy’s lessons depends heavily on the receptiveness of Boethius as a student.
Initially, the prisoner finds it difficult to separate the painful events of the recent past from the direction of the present discussion: “’But it is also true that the worst kind of misfortune is one that befalls someone who has previously known happiness’” (Consolation, p. 37). Boethius cannot at first break away from the idea that Fortune has such an enormous impact on his life because he has just undergone one of the worst experiences of his life. Although Lady Philosophy urges him to relinquish his passion for the contrived “good” of man in favor of a larger, more wholesome good, the student defaults to the more immediate bitterness of his situation. Eventually, however, Lady Philosophy’s calm appeals to logic soothe Boethius’s emotional resistance. As the teacher progresses with her Socratic questioning, his resistance eventually slips: “’I can’t remember a time when I wasn’t worried, no…’ ‘So you desired the presence of some things and the absence of others?’ ‘That’s right.’ ‘Now everyone lacks something he desires, isn’t that right?’ ‘Of course,’ I had to agree” (Consolation, p. 66). One might perceive a hint of resignation throughout this excerpt, especially within Boethius’s final thought. He slowly realizes that he cannot find a flaw in Lady Philosophy’s logic even though he still feels emotionally primed to reject her attempts to get him to see reason. Nonetheless, Boethius reaches a point where his emotional attachment to the past no longer hinders his ability to internalize Lady Philosophy’s lessons: “’…It occurs to me to ask you whether you find any room at all in your theories for the operation of pure chance. Is there such a thing? And if so, what is it?’” (Consolation, p. 146). The prisoner’s progress is apparent here, involving a movement from his initial struggle to accept the Lady’s advice to an earnest appreciation of the
knowledge she imparts; Boethius has gained the confidence not only to answer her questions but also to voice his own curiosity regarding the subject of their conversations, the mark of a truly dedicated student. Some might argue that Lady Philosophy’s Socratic method of teaching results in only limited success with regards to Boethius becoming a true student. It is possible that her process of posing assumptions and accepting binary answers directs Boethius towards a specific conclusion or mindset, governed by the set of logical precursors she coerces him to draw; this argument draws upon the assumption that learning requires a student have the ability to freely choose what he wants to study. While this may be true, it overlooks what Lady Philosophy actually achieves through her seemingly unidirectional questioning of Boethius: she empowers him to gradually discard his old passions and emotional attachments to the earthly objects which cause his unhappiness. Boethius may indeed only gain a certain limited perspective by learning from Lady Philosophy, but at the same time, he acquires a freedom to learn by shedding the mental preconceptions which would restrict any future learning.
I was given the task to make a decision concerning the confession of Alexandros of Nicomedia regarding his Monophysite beliefs. After carefully studying Boethius’ Consolation of Philosophy, and closely analyzing his arguments, I was able to come to a conclusion. Boethius would argue that the correct thing to do is punish Alexandros to push him to reform himself rather than just senseless torture, given that wicked men technically do not exist, wicked men are already punishing themselves and wicked man can reform themselves by suing the right punishment.
In the Consolation of Philosophy, while wallowing in his sorrow, Boethius is interrupted by Lady Philosophy who seeks to help him in his hour of need. Driving away the Muses, Lady Philosophy begins her treatment of Boethius. She does this by walking Boethius through a series of discussions, eventually leading to conclusions that should comfort Boethius. While Lady Philosophy attempts to logically show that all fortune is good, in an effort to comfort Boethius, she also shows that humans are incapable of fully understanding this and therefore complete comfort in this knowledge is impossible without faith. She attempts to show Boethius, through the explanation of Providence and Fate, that their bad fortune does not exist but at the same time also gives him several reasons why he will not be able to understand it. She makes it very clear that man cannot understand Providence’s working out for good because man only sees confusion and disorder and they cannot know peoples inward motives and inclinations. This means that Boethius cannot find comfort in logic and reason alone, but must have some form of faith.
Feminism in Trifles and A Jury of Her Peers As a strong feminist, Susan Glaspell wrote “Trifles” and then translated it into a story called “A Jury of Her Peers.” These works express Glaspell’s view of the way women were treated at the turn of the century. Even though Glaspell is an acclaimed feminist, her story does not contain the traditional feminist views of equal rights for both sexes. The short story and the play written by Susan Glaspell are very much alike. The story takes place in an old country town in the early 1900’s.
Anna Julia Cooper’s, Womanhood a Vital Element in the Regeneration and Progress, an excerpt from A Voice from the South, discusses the state of race and gender in America with an emphasis on African American women of the south. She contributes a number of things to the destitute state African American woman became accustom to and believe education and elevation of the black woman would change not only the state of the African American community but the nation as well. Cooper’s analysis is based around three concepts, the merging of the Barbaric with Christianity, the Feudal system, and the regeneration of the black woman.
In Voltaire’s Candide, we are taken by the hand through an adventure which spanned two continents, several countries, and to a multitude of adverse characters. The protagonist, Candide, became the recipient of the horrors which would be faced by any person in the 18th century. But Candide was always accompanied with fellows sufferers, two of which our focus will lay, Pangloss and Martin. In equal respects, both are embodiments of different philosophies of the time: Pangloss the proponent of Optimism and Martin the proponent of Pessimism. Each of the two travelers is never together with Candide, until the end, but both entice him to picture the world in one of their two philosophies. Throughout the story there is an apparent ebb and flow from Candide on how to think of the world. By the end of his journey, Candide will be presented with evidence to lead to his agreement of either Optimism or Pessimism. But I submit, Candide does not become a firm believer in either philosophies but rather retains a philosophy in between Optimism and Pessimism, somewhat of a stoic mentality. Thus Voltaire’s opinion on philosophy will be predicated upon his character, Candide.
Thesis: The completion and substance of Oedipus Rex allows Oedipus to live grief-stricken throughout his successful search for justice.
Les Femmes Savantes The Learned Ladies is an astounding play. As each new character enters time transforms characters are bedazzled, enchanted and wigged we know we are sharing the stage with royalty. The women’s gowns are extremely detailed with hoop shirts to make them puffy the men are wearing exceptionally detailed waistcoats. This comical drama is set in the living room or “salon” of the family. This plays plot is focused on one major couples chaotic and forbidden love. The characters are joined by blood and lead by the controlling wife, Philamonte (Maya Jackson) and her weak spouse Chrysale (Edward Brown III). Jackson’s voice is directing with a profound tone that would have the capacity to stop anybody dead in their tracks. It is not
Elizabeth Cady Stanton, with her draft of the Declaration of Sentiments, Margret Fuller with her book Women in the Nineteenth Century and Judith Sargent Murray’s “On the Equality of the Sexes”, all share the fundamental basis of advocating for women’s rights in terms of education, social affairs, as well as civil rights and liberties. All three women are known figures of women’s empowerment and an overall devotion to the plight of equality with regard to gender. Stanton is well known for, amongst other things, coining the idea of the Seneca Falls Woman’s Convention, which marked the initiation of the voting rights campaign to gain the right to vote for women across the nation, where her first draft of the “Declaration of Sentiments” was debuted. Fuller, was a renowned author and teacher, who, along with Murray, continues to be recognized and celebrated as the one of the first pioneering Americans to write about women’s rights and equality of the sexes in her book: Women in the Nineteenth Century. All three authors and subsequently their texts address inequality with respect to gender, make suggestions for improvement and reform, and use rhetorical techniques such as logos, pathos, and ethos to incite particular reactions for their intended audience. They address inequality as a social and cultural hierarchy in which men are the leaders and sole benefactors. They also suggest that both men and women should reform their conviction on what women are capable of and are entitled to in terms of education, social affairs, and civil rights while using rhetoric as the driving force for their arguments.
Boethius places an increased emphasis on God’s eternal goodness to prove He can neither causes nor condone wickedness, intending to provide comfort for the virtuous affected by injustice. Boethius’s belief concerning the interaction of evil and justice in the Consolation of Philosophy intends to comfort the virtuous from the seemingly wicked world. Lady Philosophy, representing reason, soothes Boethius’s initial concerns by explaining how evil, the absence of good, can never defeat justice, and that the wicked will receive their punishment when Providence sees fit. Boethius also places an increased emphasis on God’s eternal goodness to clarify the role of Providence in the natural plan of the world. Boethius advises the reader that true happiness can only be found in the stability of the self and a virtuous lifestyle.
The fallout of the once blissful mother and son, and husband and wife, is inevitable as it was the predestined fate of the glorified king and savior of Thebes. Through Oedipus’s traits and motivations, interactions with others, and language of others it is evident that fate is not something you can run or hide from.
The Enlightenment is known as the revolution that brought to question the traditional political and social structures. This included the question of the woman’s traditional roles in society. As the public sphere relied more and more ?? and the advances in scientific and educated thinking, women sought to join in with the ranks of their male counterparts. Women held gatherings known as salons where they organized intellectual conversations with their distinguished male guests. Seeking to further their status, enlightened women published pamphlets and other works advocating for educational rights and political recognition. Even with this evolution of woman in society, many still clung to the belief that the role of the woman was solely domestic. The females that spoke up were usually deemed unnatural. However these women used the time period of reason and science that allowed them the opportunity to break away from their domestic roles and alter the view of women in society.
Marcus Aurelius was a famous philosopher in 121 through 180 C.E. He lived a hard life and even though he was surrounded by crowds he was considered a recluse. He was known for his kindness and mercy. The last years of his life were spent on a military campaign. It is said that these years were the hardest and loneliest. However, instead of becoming bitter and angry Aurelius wrote The Meditations. This was a diary or journal of his personal thoughts. He believed that by writing this it was his duty to his soul. The Meditations, is a popular piece of stoic literature. In this paper I will be describing how Aurelius used stoicism in book two of The Meditations and what I liked and did not like about what he said.
The French Revolution spread the idea of an egalitarian society. This promise led many women to fight for the revolution with the hopes of gaining their freedom. When the monarchy had been replaced with a legislative government, the equality, liberty, and fraternity promised to women was never fully realized. Women were disempowered during the French Revolution and held more influence during the reign of the monarchy.
In John Mill 's’ essay, “The Subjection of Women”, Mill evaluates and analyses, the social differences between the sexes of the Victorian era. Mills raises some valid points about the subjection of women pertaining to the 19th century. Mills argues that during this time women are treated by their husbands as slaves to a master, not offered an equal opportunity in terms of employment, and their educational achievements aren’t recognized nearly as much as their male counterpart.
Portraying the characters rejection to conformity, American literature illustrates the distinctive following of one's own standards. From what has been analyzed previously, the authors are trying to display a message of change through the characters words and actions. Many times it is apparent that the characters are in there times of most comfort when they are acting in such that makes them their own being, stepping aside from the standards of the rest of society. Writers try to express the importance of stepping outside of that comfort zone in order to grow and develop as a human being. How will one ever know who they are if they conform to be what everyone is told to be? The biggest advocate of rejecting the norms of America is Chris McCandless.