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Macbeth important quotes analysis gcse
Guilt portrayed in macbeth
Guilt portrayed in macbeth
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(1.2.84-86) For they are actions that a man might play; But I have that within which passeth show, These but the trappings and the suits of woe. (1)
(1.2.129-132) O, that this too solid flesh would melt, Thaw, and resolve itself into a dew! Or that the Everlasting had not fix’d His canon ’gainst self-slaughter! (3)
(1.4.84-86) Unhand me, gentlemen. By heaven, I’ll make a ghost of him that lets me! I say, away!—Go on, I’ll follow thee. [Exeunt Ghost and Hamlet]. (3)
(1.5.29-31) Haste me to know ’t, that I, with wings as swift As meditation or the thoughts of love, May sweep to my revenge. (4)
(1.5.148-150) “Upon my sword.“ “We have sworn, my lord, already.” “Indeed, upon my sword, indeed.” (3)
(2.1.79-82) Pale as his shirt, his knees knocking each other, And with a look so piteous in
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Remorseless, treacherous, lecherous, kindless villain! O, vengeance! (3)
(3.1.7-8) Nor do we find him forward to be sounded, But, with a crafty madness, keeps aloof (1)
(3.1.56-60) To be, or not to be: that is the question. Whether ’tis nobler in the mind to suffer The slings and arrows of outrageous fortune, Or to take arms against a sea of troubles, And by opposing end them. (3)
(3.1.119-121) Get thee to a nunnery; why wouldst thou be a breeder of sinners? I am myself indifferent honest, but yet I could accuse me of such things that it were better my mother had not borne me. (4)
(3.4.22-24) “What, ho! help, help, help!” “How now! A rat? Dead, for a ducat, dead!” “O, I am slain!” (5)
(3.4.130-134) “To whom do you speak this?” “Do you see nothing there?” “Nothing at all, yet all that is I see.” “Nor did you nothing hear?” ”No, nothing but ourselves.”(5)
(4.1.7-8) Mad as the seas and wind, when both contend Which is the mightier. (5)
(4.3.2) How dangerous is it that this man goes loose! (3)
(4.4.65-66) O, from this time forth, My thoughts be bloody, or be nothing worth!
“It is a sin to write this. It is a sin to think words no others think and to put them down upon a paper no others are to see. It is base and evil. It is as if we were speaking alone to no ears but our own. And we know well that there is no transgression blacker than to do or think alone” (p.3)
--- Walvoord, J.F. and R.B. Zuck (ed.) The Bible Knowledge Commentary; eds. 2 vols. n.d. e-Sword, Version 9.5.1
This quote, along with the one from Chapter 16, “All gods who receive homage are cruel. All gods dispense with suffering without reason. Otherwise they would not be worshipped.. Half gods are worshipped in wine and flowers. Real gods require blood” (pg.145, par.1), portray exceedingly sinister pictures of the Lord our God.
Pope chose to utilize the heroic couplet to trivialize this mock- epic “But when to mischief mortals bend their will, how soon they find it instruments of ill!” (3. 53-54). He also employs in many instances, historic allusions to give the poem a serious feel “Fear the just Gods, and think of Scylla's fate! chang'd to a bird, and sent to flit in air, she dearl...
(II: II, 569-574) "Why, what an ass am I! This is most brave,/That I, the son of a dear father murder 'd,/ Prompted to my revenge by heaven and hell,/ Must like a whore unpack my heart with words/ And fall a-cursing like a very drab,/ A scullion! Fie upon 't! Foh!"
not mad, sweet heaven!Keep me in temper; I would not be mad! (1.5.44-47). John the savage
...rying out twice, "You young gods have ridden roughshod over/ the ancient ways,/ wrenched them from our grasp./ We are dishonored and dejected,/ and our anger rises..." (lines 778-781 and 808-811).
“the gods have made you mad. They have that power, putting lunacy into the clearest head around or setting a half-wit on the path of sense. They unhinged you, and you were once so sane. Why do you mock me? – haven’t I wept enough?” (23.12-16)
The common connection made between fire and wickedness does not hold a position of credibility throughout the majority of the poem; however,
‘Are you sure?’ asked the Savage. ‘Are you quite sure that the Edmund in that pneumatic chair hasn’t been just as heavily punished as the Edmund who’s wounded and bleeding to death? The gods are just. Haven’t they used his pleasant vices as an instrument to degrade him?’
'So, Pentheus listen to me. Do not mistake the rule of force for true power. Men are not shaped by force. Nor should you boast of wisdom, when everyone but you can see how sick your thoughts are. Instead, welcome this God to Thebes. Exalt him with wine, garland your head and join the Bacchic revels'(19).
“The night has been unruly. Where we lay,/ Our Chimneys were blown down, and, as they say, / Lamentings heard i’ the air, strange screams of death,/ And prophesying, with accents terrible,/ Of dire combustion and confused events/ New hatched to the woeful time. the obscure bird/ Clamored the livelong night. Some say the earth/ was feverous and did shake.” (2.3.58-65)
“ I cannot hide what I am. I must be sad when I have cause, and smile at no man’s jests; eat when I have stomach, and wait for no man’s leisure; sleep when I am drowsy, and tend on no man’s business; laugh when I am merry, and claw no man in his humour” (1.3.10-14).
The final few stanzas continue a similar repetition but instead turn their focus more unto the severity of Adam’s and Pontius Pilate’s transgressions and guilt. For instance, she argues that women came from the rib of men biblically, so any evil that women might be characterized with originated within men [cite.] Though none of “Eve’s Apology” has let up on the fact that Adam and men are not blameless, here we see a more aggressive attitude in proving just how hypocritical men are in their thoughts about women in this sense. Lanyer here moves from the focus on Adam and Eve to the crucifixion of Christ, the character of the Wife of Pilate lording that abominable sin over man. She describes the sin of killing Christ equaling many “world’s” sins