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Women's roles in the Victorian era
Women's roles in the Victorian era
Envy and jealousy essays
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Even though Lady Audley attempts to solidify her role in society as a wife, her unconscious mind, the id, is greatly influenced and altered by her childhood-rooted feelings of jealousy and lower standing. She experiences momentary mental instability, not insanity, while striving for a better life than the one she is dealt. Although she experiences intervals of what could be considered possible insanity, such as when “she was obliged to place the flaming tallow candle very close to the lace furbelows” (Braddon 276), Lady Audley does not consciously leave the candle near the furbelows to start the fire, which is conveyed with the use of the word obliged. She experiences a temporary loss of control, where the id takes over because she is frightened …show more content…
and fearing for the future that she has carefully set forth. As a poor female child, the constant sense of inferiority and jealously Lady Audley has experienced has altered her id, making it briefly reckless while seeking the pleasures that money and status could bring.
This continuous desire for more has upset the balance in Lady Audley’s mind as she is trying to preserve her future and secrets. Freud addresses the fact that “an idea can be sufficiently intense to provoke a lively motor act…and at the same time not intense enough to become conscious” (Freud 1936, 223) which materializes in Lady Audley due to her upbringing. Another instance where Lady Audley’s id is present is when she speaks to Phoebe saying “in a cold, hard voice ‘Get up, fool, idiot, coward!” (Braddon 278) as if Lady Audley is no longer the temperate woman that she has presented herself to be. There is a direct representation of the id in her looks and voice because she is no longer the angel, but a devil that demands to satisfy her desire for wealth that is established through her jealousy. The feelings she experiences as a child satisfies “the rule for the emotional disturbance…to precede the appearance of the somatic symptom or to follow it immediately” (Freud 1936, 224) which materializes in Lady Audley as she speaks and commits crimes in order to ensure the secrecy of her …show more content…
identity. Although Lady Audley says she is “a madwoman” (Braddon 294), she does so following with the reason that it is because she is threatened with exposure. Lady Audley does not mean that she is mad with insanity, but with the fear that her secret identity and lineage of her mother who is in a mental institute would be known. Even though there are times of brief instability, it does not impact her unconscious as a whole. It is the need for self-preservation and an imbalance in the mind from the damage she experiences as a youth that ultimately leads her down this path. Furthermore, the ego is another aspect of the mind that is important that balances the superego and the id in Lady Audley, however, the constant pull of the superego and the id in separate directions are creating a split in her mind that allows for Lady Audley’s ego to be calculating and cunning.
As Lady Audley is examined, the doctor finds “no evidence of madness in anything that she has done” (Braddon 321) because all of Lady Audley’s actions in her life have been for a reason. Freud states that “when an idea immediately produces lively somatic consequences, this implies that…it flows off into the paths concerned in these consequences” (Freud 1936, 224), explaining that it is the ego of Lady Audley that is weighing her options of how to gain the status and wealth that she yearns for. Lady Audley’s upbringing has changed her ego into a cunning and calculating machine because her constant desires have impacted her decision-making process. She employs the challenges she has experienced and channels them into intelligence and ways that can advance her in society. She finds a happy medium within her superego and id by having “the cunning of madness, with the prudence of intelligence” (Braddon 323), which symbolizes her ego throughout the story. As a woman with this ability, “she is dangerous” (Braddon 323) because no other woman has presented these qualities, meaning it would be harmful to the power and control of men. Even though “there is a splitting of the mind into two
relatively independent portions” (Freud 1936, 227) in Lady Audley, where her id temporarily prevails over her superego, her unconscious as a whole is not insane. Lady Audley’s ego brings her unconscious back into balance, which creates a person that society views as dangerous because she has the intelligence and willingness to go after the wealth she wants. Although Lady Audley is perceived as a woman that is crazy and should be in a madhouse, she is just a person fighting for the wealth and status that she has been denied due to her gender and upbringing. All that Lady Audley wishes for in life is for lasting comfort and prosperity, which she finally thought she achieved when marrying Mr. Audley. Because of her constant desire for wealth and status in society, which is caused by the jealously and inferiority she develops in her early youth, Lady Audley’s unconscious is altered, changing her superego, id, and ego. In spite of her temporary moments of mental instability, which can be accounted for in the alteration of her unconscious, her ego and unconscious as a whole is not insane, because mental unsteadiness does not mean insanity. Even though Freud believed that Lady Audley’s confession would free her from all her turmoil and early grief, it ended up being her downfall, making her lose all the wealth and status she has been trying to achieve in her life.
Lady Audley realizes that she has too much to lose if she were to flee. She knew that Sir Michael Audley would never learn to believe her, therefore she felt it was best if she stayed where she was and defended herself. She wanted to prove that Robert Audley was actually the insane one.
In the magic of the mind author Dr. Elizabeth loftus explains how a witness’s perception of an accident or crime is not always correct because people's memories are often imperfect. “Are we aware of our minds distortions of our past experiences? In most cases, the answer is no.” our minds can change the way we remember what we have seen or heard without realizing it uncertain witnesses “often identify the person who best matches recollection
Bronte discusses how female passion can be seen as a destructive force and is therefore suppressed by men. The portrayal of sexual passion and how it is condemned by society is shown through the depiction of Bertha Mason. Bertha’s character personifies female desire, which is seen in the line ‘the fiery eyes glared upon me’. The use of the definite article ‘the’ depicts Bertha as a victim by removing her identity, and showing how she is viewed as more of a sexual object and figure than a human being. The adjective ‘fiery’ and the use of fire imagery to embody Bertha’s character draws attention to her internal fire, sexual passion, as well as her potential for destruction.
Through the use of insanity as a metaphor, William Shakespeare, Edgar Allen Poe, William Blake, and Charlotte Perkins Gilman, introduced us to characters and stories that illustrate the path to insanity from the creation of a weakened psychological state that renders the victim susceptible to bouts of madness, the internalization of stimuli that has permeated the human psyche resulting in the chasm between rational and irrational thought, and the consequences of the effects of the psychological stress of external stimuli demonstrated through the actions of their characters.
Merricat’s mind became chaotic and somewhat unpredictable at all times. Often, in the story “We Have Always Lived in the Castle”, her judgement is agreeable childlike. Not knowing the reasons that led up to the poisoning of her family, Merricat seemed to carry on with life like no other. It’s the small things, like the nailing of the book to a tree, the burying of a box of coins, all the tiny protective magic’s she’s undertaken to keep the boundaries of the property safe. Wondering if persecution has made her unstable, or is it simply a function of managing a fear otherwise too great to contend with. In the novel, “Gone Girl”, when Amy was kidnapped by Desi Collings, her wealthy ex-boyfriend, and locked up in a castle like home, in which had a feeling of female imprisonment. Amy quickly began to feel trapped in a setting that didn’t fit, which led to the killing of Desi Collings. Merricat having a very similar setting inside the castle she has always lived in, led to the actions of poisoning the family members. Not knowing exactly why Merricat poisoned her family, its seen how her discomfort inside the castle was enough for her childish and delusional choices to take action. The actions of the novel, “We Have Always Lived in the Castle” are clearly heroic and villainized due to Merricats delusional habits, her childish mind, and the
Lady Audley’s Secret, by Mary Elizabeth Braddon, is a novel of many elements. It has been placed in many different style or genre categories since its publication. I feel that it best fits under the melodrama or sensational genre, and under the subgenre of mystery. It contains significant elements of both types of writing, so I feel it is best to recognize both, keeping in mind that melodrama is its main device and mystery is a type of Victorian melodrama. In order to understand how the story fits into these categories, it is necessary to explore the Victorian characteristics of each, and apply them to the text. In addition to establishing the genres, it is important to explain why and how these genres fit into Victorian culture.
The question as the relationship between genius and madness is central to David Auburn's “Proof.” This question centres on how one understands the relationship between Catherine and her father, and in particular on how one understands what precise characteristics she inherited from him. The play focuses clearly on this connection , as well as on the way in which these two may be seen co-exist within one personality. Indeed, in the character of Robert Auburn presents mental instability and ill health as a transition and qualitative change in genius, as opposed to something that may be separated from it entirely. From this perspective, it is clear that the play does not firmly suggest that Catherine inherited either her father's genius, or his mental problems, but suggests that both may co-exist within one life time. This paper will demonstrate this by paying particular attention to the way in which the play represents the way in which a personality may change and deteriorate through time.
Intelligence is often mistaken for brilliance, and conversely genius is mistaken for madness. Some of the greatest minds have been misconstrued in there time, and it is not until their whole life is taken into observance from the outside looking in, that their genius is realized and appreciated. Websters dictionary defines madness as "the act of being foolish or illogical." Ironically this form of thought has prompted some of the greatest advancements in government, science, and technology. It was the thought that every common man and woman should be included in his or her respective governments that prompted Democracy, a form of government unheard of before the signing of the Magna Carta. It was scientists and inventors thinking outside of the lines that inspired the cure for Small Pox and the invention of the computer. It can clearly be seen that serious thought is often the by-product of irrational thinking, this is also true for literature. It is while in madness, both feigned as well as sincere, that the characters in William Shakespeare's Hamlet are able to practice true mental clarity and express themselves in a manner free of treachery and falsehood.
She now wants to carry a candle with her at all times, to have the light with her always. She is now trying to get the stench of blood off her hands, but is unsuccessful. The guilt of murdering Duncan eats away at her.
In Charlotte Brontë’s Jane Eyre, the eventual goal of Jane Eyre’s journeys and struggles as a character is for Jane to be strong enough within herself to stand on her own. It is not until she finds this internal strength that she can live as a content individual and weather the distracting demands put on her by the external forces that surround her. Throughout most of the novel, Jane makes the mistake of looking for this internal peace through external forces like Mrs. Reed, Mr. Rochester and St. John. To convey this tendency, Charlotte Brontë constructs her narrative so that, rather than looking within herself to find internal solace, Jane turns away from cold, alien internal imagery, and looks instead to fickle external imagery that is at times a friend, and at times a foe. The internal imagery is reflective of Jane’s own internal state, and the external imagery is reflective of the state of the external forces that surround her; until Jane realizes that she cannot find solace in the ever-changing external forces around her, and must instead look inside herself for this solace, the internal imagery must remain cold and alien, and the external imagery must remain unpredictable in its ability to comfort.
Another form of Emma’s neglect is one of manipulation, mostly through her control over Harriet Smith. Emma is “willful, manipulative, an arranger or rather a misarranger of other people’s lives. Much of the time she fails to see things clearly and truly, and her self-knowledge is uncertain” (Goodheart)25. “One significant effect of harping on Emma's snobbery is to set in relief her romantic notions of Harriet's origin and destiny” (Brooke)26. Although to Harriet, Emma’s “help” to her is one that will reveal optimistic results and a proper husband, Harriet is incapable to taking up for herself against Emma, but if “[s]he would form her opinions...
... to have a dual identity in Victorian society. Through Dr. Jekyll stevenson shows how a dual identity can become the tragedy of a person's life, while Wilde shows that it is not as opposite or far fetch from one's true identity. Perhaps, human nature is made up of two sides and restriction in one's life may trigger one to create a second identity, whether it is to escape the responsabilities of one's life or even to walk into the dark side and go as far as commiting a crime that will take over on'es true identity forever.
Emma's active decisions though were based increasingly as the novel progresses on her fantasies. The lechery to which she falls victim is a product of the debilitating adventures her mind takes. These adventures are feed by the novels that she reads. They were filled with love affairs, lovers, mistresses, persecuted ladies fainting in lonely country houses, postriders killed at every relay, horses ridden to death on every page, dark forests, palpitating hearts, vows, sobs, tears and kisses, skiffs in the moonlight, nightingales in thickets, and gentlemen brave as lions gentle as lambs, virtuous as none really is, and always ready to shed floods of tears.(Flaubert 31.)
In Jane Austen's Emma the eponymous heroine is "handsome, clever, and rich" but she also suffers from arrogance and self-deception. With the good judgement of Mr Knightley, and her own self scrutiny, Emma experiences a movement of psyche, from arrogance and vanity through the humiliation of self knowledge to clarity of judgement and fulfilment in marriage. The tone of the novel and the episodes where Emma is self deceived progresses from the light comedy of Mr Elton's gallantry and the eventual mortification to the sombre depression of Emma's belief that she has ruined her own chances of happiness by bringing Mr Knightley and Harriet together. Although at times the reader is able to laugh at her mistakes, as she moves slowly and uncertainly to self knowledge and maturity, the reader, like Mr Knightley, comes to take her seriously, for in the novel serious moral and social issues are dealt with, issues which directly concern her. While we may be 'put off' by her mistakes, and flights of illogical fancy, these are also the very qualities which endear her to us.
...self, but yet also strengthens her argument. Woolf’s experience with mental illness may have led to this distinct style, as she saw writing as a way to express and explore her mania depression.