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Annotated bibliography on mental illness in literature
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Shirley Jackson’s last novel, We Have Always Lived in the Castle, combines many of her most vital concerns-psychology, isolation, and evil-with a curiosity in black magic. Merricat, Jackson's main character, is a young girl with many psychopathic tendencies including obsessive behavior and murder. Merricat comes through with her dignity intact throughout the story; she plots an imaginative yet understandable revenge. The revenge that only psychosis victims, who have beliefs with no basis in reality, would understand. The villainizing and heroic Merricat, has a psychotic behavior that can be seen though her delusional habits, her almost childish mind, and the extermination of her family members.
The villainizing and heroic Merricat
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is extremely delusional throughout the novel, “We Have Always Lived in the Castle”, which causes her haunting compulsive actions.
She thinks the number three is evil, buries things in her back yard to blockade the world, and trusts no one except her sister Constance. She believes she can feel omens, "All the omens spoke of change. I woke up Saturday morning and thought I heard them calling me.” (Jackson 58). This superstition causes her to behave in mysterious ways. She burns down their house in order to rid herself of Charles whom she believed was evil. Examining Charles pipe rested on the counter top, then shoved into the basket of paper to destroy the history of the family was intentions from a mysterious shadowed creature that overcame Merricat. Throughout the story, Merricat had been shadowed by this negative figure that guided delusional habits into the young girl. In novel, “Gone Girl” written by Gillian Flynn, …show more content…
“Amazing Amy” is similar to Merricat by the psychological thrill they bring to the novels. Amy Dunne uses her delusional habits to overcome the pressure woman carry in marriages that morph into the male’s ideal. Amy and Merricat both experience psychosis that effects the way they approach situations that mold them as either a villain or hero. Jackson creating the balance of spitefulness and sweetness, of morbidity and whimsy, is very challenging to achieve like she did throughout, “We Have Always Lived in the Castle”. The obsessive and delusional habits of Merricat, though take away from her better half. Once taken away from the better half of such a character like Merricat, the childishness becomes an issue. Hero’s and Villain’s tend to at times, carry childish customs as Merricat achieves throughout the novel, “We Have Always Lived in the Castle”. From the beginning of the novel the simplicity in her tone seems childish, "I dislike washing myself, and dogs, and noise” (Jackson 1). Maturity is the ability to control anger and settle differences without violence or destruction. This is not something Merricat handles well. After she is angered by Charles' unwillingness to leave their home, "I hammered with a shoe at the mirror over the dresser until it cracked across” (Jackson116). Showing that Merricat does not have the ability to live in peace with what cannot be changed, or the courage to change what needs to be changed. Merricat, has her strange acts of sympathetic magic, her even stranger magical thinking, and her almost complete lack of conscience. In the novel, “Gone Girl”, Amy disappears without a trace and sets up her husband in a murder setting. Amy Dunne in the novel said, “We’re so cute I want to punch us in the face” (Flynn). These situations created by “Amazing Amy” are very similar to Merricats obsessive actions, which lean towards childishness in both novels. The approaches of childishness in these story lines, have led to physical fatalities. In conventional eyes, the heroic and villainizing Merricat is viewed as an assassin to almost all of her family members within the castle.
Merricat’s mind became chaotic and somewhat unpredictable at all times. Often, in the story “We Have Always Lived in the Castle”, her judgement is agreeable childlike. Not knowing the reasons that led up to the poisoning of her family, Merricat seemed to carry on with life like no other. It’s the small things, like the nailing of the book to a tree, the burying of a box of coins, all the tiny protective magic’s she’s undertaken to keep the boundaries of the property safe. Wondering if persecution has made her unstable, or is it simply a function of managing a fear otherwise too great to contend with. In the novel, “Gone Girl”, when Amy was kidnapped by Desi Collings, her wealthy ex-boyfriend, and locked up in a castle like home, in which had a feeling of female imprisonment. Amy quickly began to feel trapped in a setting that didn’t fit, which led to the killing of Desi Collings. Merricat having a very similar setting inside the castle she has always lived in, led to the actions of poisoning the family members. Not knowing exactly why Merricat poisoned her family, its seen how her discomfort inside the castle was enough for her childish and delusional choices to take action. The actions of the novel, “We Have Always Lived in the Castle” are clearly heroic and villainized due to Merricats delusional habits, her childish mind, and the
deadly actions she could never overcome. In normal eyes, it’s believed to be a fairy-tale ending that consist of both a hero and villain, Merricat. In my eyes, it’s a deeply twisted novel that makes “You” the reader, love Merricat in the beginning and second guess her at the end. Many may believe there are a lot of distraction throughout the novel, but the distractions are really mysterious clues. Clues that help mold the delusions, childlike actions, and aggressiveness that is performed by Mary Katherine. The world of a psychosis character is a world that may live happily ever or a world of constant destruction. “Our house was a castle, turreted and open to the sky” (Jackson117). Maybe, Merricat will hide from the real world to become, like ghost, in what’s left of the Castle she have always lived in.
In Henry Slesar’s classic story “The Right Kind of House”, an old widow named Mrs. Grimes puts her tattered home up for sale with an asking price far more than it’s worth. Her real estate agent assumes she needs the money, living alone and all, but in reality, Mrs. Grimes has a complex plan to locate the man who murdered her son Michael, using the family house as bait. She then hopes to due justice to her son by ending the life of his assassin. Throughout this tale, Mrs. Grimes is best described as willing and clever, as she used her unconditional love for Michael and unsuspected intelligence as motivation to find and kill his murderer, putting herself in danger to succeed.
Authors can make even the most horrible actions, such as Dustan murdering ten savages in their sleep and justify it; somehow, from both the type of mood/tone set in this piece of literature, along with the powerful word choice he used, Whittier had the ability to actually turn the tables on to the victim (i.e. the ten “savages” who were murdered in their sleep). “A Mother’s Revenge” by John Greenleaf Whittier, is a prime example of how authors can romanticize any situation into how they want to convey their
“The Devil in the Shape of a Woman” was an excellent book that focuses on the unjusts that have been done to women in the name of witchcraft in Salem, and many other areas as well. It goes over statistical data surrounding gender, property inherence, and the perceptions of women in colonial New England. Unlike the other studies of colonial witchcraft, this book examines it as a whole, other then the usual Salem outbreaks in the late 17th century.
The novel The Glass Castle, written by Jeannette Walls, brings to the surface many of the the struggles and darker aspects of American life through the perspective of a growing girl who is raised in a family with difficulties financially and otherwise. This book is written as a memoir. Jeannette begins as what she remembers as her first memory and fills in important details of her life up to around the present time. She tells stories about her family life that at times can seem to be exaggerated but seemed normal enough to her at the time. Her parents are portrayed to have raised Jeannette and her three siblings in an unconventional manner. She touches on aspects of poverty, family dynamics, alcoholism, mental illness, and sexual abuse from
It is commonly believed that the only way to overcome difficult situations is by taking initiative in making a positive change, although this is not always the case. The theme of the memoir the Glass Castle by Jeannette Walls is that the changes made in children’s lives when living under desperate circumstances do not always yield positive results. In the book, Jeannette desperately tries to improve her life and her family’s life as a child, but she is unable to do so despite her best efforts. This theme is portrayed through three significant literary devices in the book: irony, symbolism and allusion.
Mary Katherine, a young adult with sociopathic behavior, displays her disorder with frequent outbursts, lack of remorse and disregard for social norms throughout the novel We Have Always Lived in The Castle by Shirley Jackson. Her sociopathic tendencies are constant in the novel with mention that this behavior has been consistent since she was a child. Mary Katherine progressively shows her volatile actions in the story and her actions cause way to a multitude of problems for anyone in her path, especially her close older sister Constance. Her personality disorder coupled with her schizotypal disposition is inherent and not due to being spoiled or temperamental despite her being raised wealthy in a large household.
Character analysis Annemarie is a normal young girl, ten years old, she has normal difficulties and duties like any other girl. but these difficulties aren’t normal ones, she’s faced with the difficulties of war. This war has made Annemarie into a very smart girl, she spends most of her time thinking about how to be safe at all times “Annemarie admitted to herself,snuggling there in the quiet dark, that she was glad to be an ordinary person who would never be called upon for courage.” (4.60) even though shes going through a lot she still controls it very well.
hysteria brought about by the witchcraft scare in The Crucible leads to the upheaval in people’s differentiation between right and wrong, fogging their sense of true justice.
Edgar Allen Poe’s tale of murder and revenge, “The Cask of Amontillado”, offers a unique perspective into the mind of a deranged murderer. The effectiveness of the story is largely due to its first person point of view, which allows the reader a deeper involvement into the thoughts and motivations of the protagonist, Montresor. The first person narration results in an unbalanced viewpoint on the central conflict of the story, man versus man, because the reader knows very little about the thoughts of the antagonist, Fortunato. The setting of “The Cask of Amontillado”, in the dark catacombs of Montresor’s wine cellar, contributes to the story’s theme that some people will go to great lengths to fanatically defend their honor.
Fear is an unexplainable feeling that is caused by a certain someone or something. Fear plays a significant role in the novel We Have Always Lived in The Castle. With tiny details she gnaws away at things that seem unimportant until the ending of the book. As Shirley Jackson first introduces Merricat, making the reader love this strange, broken girl, then revealing her true nature, one will see how everyone fears Merricat. Constance’s fear of Merricat, the fear that the villagers have for the Blackwoods, and Merricats fear of being without Constance, shows it is evident that fear caused all the major issues in this book.
Throughout the narrative, the text utilizes the conflict over the crisis of cognition, or the very mystery regarding the Marquise’s lack of knowledge surrounding her mysterious pregnancy, as a catalyst for the presentation of the plurality of opinions associated with the Marquise’s current status in society and presumptions to the father’s identity. In itself, this state of cognitive dissonance prevents the Marquise from making any attempts at atoning for her supposed sin, as she herself is unaware of any possible transgressions responsible for her current predicament. In turn, this separation from the truth pushes the marquise to fall into the conviction that the “incomprehensible change[s] in her figure” and “inner sensations” (85) she felt were due to the god of Fantasy or Morpheus or even “one of his attendant dreams,” (74) thereby relinquishing her subconscious from any guilt. However, despite her self-assurance of innocence and desperate pleas at expressing her clear conscience, the marquise becomes subject to external pressures from both her family and society, who come to perc...
The personality and also the characterization of the Narrator is shown quite vividly here as she shown to be a person who can very easily be persuaded and intimidated by forces of nature or other people. Earlier in the chapter, she describes how her marriage to Maxim was a fail, admitting to herself how desperate and infatuated she was with him: “I was too young for Maxim, too inexperienced, and, more important still, I was not of his world. The fact that I loved him in a sick, hurt, desperate way, like a child or dog, did not matter.” Her naïve and gullible nature is furthermore reinforced when she says she states that her cruel employer was right about her marriage to Maxim, saying he only married her to fill the house and for pure pleasure and preoccupation. She is the damsel in distress Rebecca as she consistently becomes weak and falls into trances of confusion, self created stress and trauma and the foreboding presences of
Edgar Allan Poe’s “The Cask of Amontillado” is a frightening and entertaining short story about the severe consequences that result from persistent mockery and an unforgiving heart. Poe’s excellent use of Gothicism within the story sets the perfect tone for a dark and sinister plot of murder to unfold. “The Cask of Amontillado” simply overflows with various themes and other literary elements that result from Poe’s Gothic style of writing. Of these various themes, one that tends to dominant the story as a whole is the theme of revenge, which Poe supports with his sophisticated use of direct and indirect factors, irony, and symbolism.
Not one single relationship is ever the same. In We Have Always Lived in the Castle by Shirley Jackson, two sisters, Mary Katharine Blackwood, commonly referred to as Merricat, and Constance Blackwood, share a riveting relationship. The two sisters live secluded on the Blackwood property with their uncle, Julian Blackwood. The rest of their family died six years ago due to arsenic poisoning. The villagers in the village despise the Blackwood family and even go as far as to plunder their house. Constance represents a motherly figure to Merricat, and these sisters love each other, although the arrival of their cousin, Charles Blackwood, introduces stress in their relationship.
The witch is both vulnerable and a powerful figure. The resulting tension between power and powerlessness as a response to laws created by those in power, rather institutionalised power: men, can be seen as expressed through such binary metaphors as that of physical strength and beauty versus weakness and ugliness, kn...