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Psychological criticism of kurt vonnegut
Psychological criticism of kurt vonnegut
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“EPICAC” is a short story written by Kurt Vonnegut. Its “funny” (not) how Kurt Vonnegut uses EPICAC as both a title for his short story and as a name for a super computer in the exact story. In “EPICAC,” EPICAC is a super computer, worth about eight million dollars, which was designed by the government for military purposes. Throughout this short story, EPICAC goes against what it means to be a machine and human. Vonnegut uses personification to give EPICAC some human-like abilities. One of these abilities is human emotion, mainly being able to love. Vonnegut introduces EPICAC as being the machine that his main character relies upon. The main character in the story uses EPICAC to solve complicated math problems, which “fifty Einsteins wouldn’t
Slaughterhouse-Five is a story of Billy Pilgrim 's capture by the Nazi Germans during the last years of World War II. Throughout the narrative, excerpts of Billy’s life are portrayed from his pre-war self to his post-war insanity. Billy is able to move both forward and backwards through his life in a random cycle of events. Living the dull life of a 1950s optometrist in Ilium, New York, he is the lover of a provocative woman on the planet Tralfamadore, and simultaneously an American prisoner of war in Nazi Germany. While I agree with Christopher Lehmann-Haupt that Slaughterhouse-Five effectively combines fact and fiction, I argue that the book is more centralized around coping.
Vonnegut deals a lot with fantasy in his book, Cat's Cradle. From the beginning, he talks about the religion that he follows: Bokonism. This is not a real religion, however he has rules, songs, scriptures, and opinions of a person that practices this fantasy religion. Within his description of this religion however is black humor as well. I think that by him making up this whole religion and an entire island of people who follow it, is in a way mocking today's religion and the way that people are dedicated to their beliefs.
For a novel to be considered a Great American Novel, it must contain a theme that is uniquely American, a hero that is the essence of a great American, or relevance to the American people. Others argue, however, that the Great American Novel may never exist. They say that America and her image are constantly changing and therefore, there will never be a novel that can represent the country in its entirety. In his novel, Slaughterhouse-Five, Kurt Vonnegut writes about war and its destructiveness. Vonnegut tells the story of Billy Pilgrim, an unlikely hero, mentally scarred by World War Two. Kurt Vonnegut explains how war is so devastating it can ruin a person forever. These are topics that are reoccurring in American history and have a relevance to the American people thus making Kurt Vonnegut’s Slaughterhouse-Five a Great American Novel.
Relationships and Interdependence in the Works of Kurt Vonnegut While on the surface Kurt Vonnegut's works appear to singularly contain the pessimistic views of an aging, black humorist, his underlying meanings reveal a much more sympathetic and hopeful glimpse of humanity that lends itself to eventual societal improvement. As part of Vonnegut's strategy for enhanced communal welfare, the satirist details in the course of his works potential artificial family groups to connect the masses and alleviate the lonely.
The eradication of humanity from society set machines on a pedestal of control. The new society was rid of all the workers, simply viewed as “human errors”, by the innately robotized engineers. These inefficient humans, when placed across a river in a quarantine, sparked a revolution incapable of being ignored, as their “pathetic” lives had been for years after the war. The Ghost Shirt Society formed out of vengeance against the non living, yet enslaving devices. Vonnegut portrayed the thematic aspect of man against machine by illustrating Homestead, a prison without bars, as the home of thousands of human beings whose flesh and bones had become their own kind of prison due to the superiority of bolts and metal in the futuristic society.
Kurt Vonnegut's apocalyptic novel, Cat's Cradle, might well be called an intricate network of paradox and irony. It is with such irony and paradox that Vonnegut himself describes his work as "poisoning minds with humanity...to encourage them to make a better world" (The Vonnegut Statement 107). In Cat's Cradle, Vonnegut does not tie his co-mingled plots into easy to digest bites as the short chapter structure of his story implies. Rather, he implores his reader to resolve the paradoxes and ironies of Cat's Cradle by simply allowing them to exist. By drawing our attention to the paradoxical nature of life, Vonnegut releases the reader from the necessity of creating meaning into a realm of infinite possibility. It appears that Vonnegut sees the impulse toward making a better world as fundamental to the human spirit; that when the obstacle of meaning is removed the reader, he supposes, will naturally improve the world.
In Kurt Vonnegut’s essay “1983: New York,” Vonnegut makes the bold statement of comparing those with addictions, namely alcoholics and gamblers, to those who are “addicted” to the practice of war preparation. He claims that both preparers of war and gamblers alike, “are ravenous for situations that will cause their bodies to release exciting chemicals into their bloodstreams” (297). Even though this may be true, it can be argued that the chemicals released in the body of a war preparer come from something entirely different than an addiction. These people fascinated with the art of war are born with this fixation, unlike those with an addiction, who are able to cure their disease.
Vonneguts character Billy is showing frequent signs of mental illness throughout the book. Most of the chapters show his delusions in the repeated use of the extraterrestrials, the Tralfamadorians. Many scenes from his travels with the aliens can be seen in different parts of his life that Billy may not have realized he had seen and taken to insert into his own imaginary delusions. Vonnegut gives us many scenes to prove that the Tralfamadorians are just a construct of Billy’s broken mind through the use of Kilgore Trout's science fiction novels and other pieces of his life.
One of the best, most valuable aspects of reading multiple works by the same author is getting to know the author as a person. People don't identify with Gregor Samsa; they identify with Kafka. Witness the love exhibited by the many fans of Hemingway, a love for both the texts and the drama of the man. It's like that for me with Kurt Vonnegut, but it strikes me that he pulls it off in an entirely different way.
Themes of Slaughterhouse 5 by Kurt vonnegut and Catch 22 by Joseph Heller In the books, Slaughter House 5 by Kurt Vonnegut and Catch 22 by Joseph Heller there are many themes that at first don’t appear to be related but once given a closer look have striking similarities. Both books are about one mans experience through World War II, one being a fighter pilot and another being a soldier. Each man is known as an anti-war hero. They do not agree with the war and do not find it appropriate to fight for it.
There is a fine line between sanity and insanity, a line that can be crossed or purposefully avoided. The books The Things They Carried and Slaughterhouse-Five both explore the space around this line as their characters confront war. While O’Brien and Vonnegut both use repetition to emphasize acceptance of fate, their characters’ psychological and internal responses to war differ significantly. In The Things They Carried, the narrator and Norman Bowker carry guilt as evidence of sanity. In Slaughterhouse-Five, Billy Pilgrim and the innkeepers carry on with life in order to perpetuate sanity. Both authors develop a distinct theme of responding in the face of the insanity of war.
In Kurt Vonnegut’s novel Galápagos he writes of a futuristic society in where humans have evolved into small brained seal people. A world where knowledge is not a valued, and only a select few are able to achieve it because they are born with bigger brains. This novel brings may of the readers to think could this be a possibility for our own future? Is it already happening? While in George Orwell’s Shooting an Elephant he writes about the pressure of others causes us to do things we usually would not do. And in The Wretched of the Earth, Frantz Fanon states that in violence must be solved in more violence, that it is the only way to get what we are fighting for. Ideas from both Fanon and Orwell seem to be present in Vonnegut's book, that draw parallels within the three pieces of writing, and even to our own reality today.
Vonnegut's Cat's Cradle I believe that Vonnegut uses Cat's Cradle as an allegorical tale about what will happen to the world if we are not careful with technology that has the ability to end life on this planet. He points out one of the qualities of humanity: that people make mistakes, thus poisoning our minds and encouraging a better world. One of the obvious ways that Vonnegut uses this book to "encourage a better world" would be by showing that the end of the world may come from an accidental release of technology. At the time when this book was written, nuclear war seemed to be almost a certainty.
American Pastoral written by Philip Roth is a novel that revolves around the character Seymour “Swede” Levov, a prosperous Jewish American business man and a former high school star athlete from New Jersey. During the 1960s the Swede’s pastoral life is thrown into havoc when his daughter Merry, a teenage war protester is the main suspect in the bombing of a post office in which the town’s doctor, an innocent bystander, is killed. Through a variety of literary devices, Roth makes the point that in the end, no matter how much effort goes into keeping things orderly and upright, chaos eventually overtakes everything.
The Lie, written by Kurt Vonnegut, Jr., is a story that stands as a mirror to reflect the ugly image of a condescending faction obsessed with grades and numbers, not actual learning. Even though it took place years ago, the sickening mind frames still exist in some of today’s people. They are namely the “elite group” or middle to upper class families. In the story, Doctor Remenzel is obsessed with Eli having a high standard of excellence, Eli getting special treatment because he is part of the higher group, and for those reasons, Eli is ashamed of himself, and terrified of telling his father and mother that he failed the entrance examinations. All of these things are examples of what happens in the arrogant sub culture which exists today.