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Fate and free will in greek tragedy
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When experiencing a conflict between his two obligations, Kreon chose to uphold his obligations as king to his community, which ultimately led to the death of his family and his demise. Despite his best intentions as king, he must live every day knowing he was the cause of his family’s suicide, which is a far more tragic punishment than death. In Sophocles’ Antigone, Kreon, being king, chose his community and people over his family. This approach to his obligations is shown through the punishments his nephew’s corpse and nieces face for disobeying what he deems right. “This girl knew well how to commit an act of outrage when she first transgressed against the published laws; and here’s a second outrage: after doing it to boast of it and laugh, …show more content…
exulting in her deed. It’s clear enough that I’m no man, but she’s the man, if she can get away with holding power like this.
No, whether she’s my sister’s child, or tied to me closer by blood than all my household under Zeus, she won’t escape from a most evil doom, nor will her sister, her blood-kin, the other whom I hold equally guilty in the planning of this tomb” (480-490). This lack of empathy towards his niece’s emotions for her brother’s death and his insistence that she be punished for doing what she felt was morally right shows how coldhearted and stubborn he was to his family. He showed no regard or obligation for his family and only considered the law he imposed and enforced the consequences. This shows that he holds his obligations as king and lawmaker much higher than that of a family man. It is these tragic flaws of stubbornness and pride that blinded his judgment of what was the best course of action and resulted in his demise. An example of such pride and stubbornness is as follows, “To yield is awful; but, by standing firm, to strike with ruin my proud heart – why, that is awful too” …show more content…
(1096-1097). In this particular scene, Kreon acknowledges his flaws of pride and stubbornness and did not want to admit he was in the wrong and retract the law he made. Tragic characters tend to have flaws that throughout the play leads them to their demise. In Antigone, Kreon’s flaws blind him from heeding advice from Antigone, the Chorus, Haimon, and Teiresias.
If he lacked these flaws, Kreon would have been able to understand the pattern of advice he was given and understood that his actions were not the wises and needed to be changed. Due to these flaws, he lacks to ability to see anyone else’s view and refuses to take any advice that contradicts with his own view. These flaws result in his demise since he lacks the ability to overturn his actions until it is too late for him. As a result, he must live with being the cause of his family’s death. This is another element of the play that makes him a tragic character. At the end of the play, Kreon exclaims, “I killed you, my son, without intending to, you too, my wife – ah, wretch that I am!” (1340-1341). This ending reveals that for the rest of his life he must live knowing that he ultimately caused the suicide of everyone he loved. While Antigone was able to die knowing she fought her brother, Kreon must live knowing he did not fight for his family and lost them because of that. That is a far crueler reality and punishment to a tragic character than a noble death. Kreon was a new king trying to help his people transition well after a civil war and a change of
power. He did what he deemed best for his nation to resume peace and that was punishing those that began the war by not offering them a proper burial. Kreon had pure intentions and did not realize the error of his actions. If Antigone would have spoken up to him, then possibly the ending could have drastically changed. Kreon was only trying to be a good king and made a wrong decision that he must live with. It is through his good intentions, error in judgment and flaws, and the consequences he must suffer that make him a more tragic character deserving of sympathy. Having analyzed Sophocles’ Antigone and the characters, it has allowed for a better understanding of the internal struggles they had and understand the complexity of their situation. The characters in this play simply wanted to attain the good life and provide their community and family with it as well. Even with the best intentions in mind some choices can destroy others’ lives and prevent them from achieving the good life. This is reflective of reality since there is never truly a good or bad person, but simply someone making the decision they believe is best that ends up having dire consequences. The lesson at the end of the play is to heed the advice and try to correct mistakes before it is too late, and the damage is already done.
Antigone sought to do what she perceived to be right and just, and had no fear of consequences nor no desire to try to negotiate or protest. Antigone simply did her part of doing what she in her mind felt was right even though it was against what she was strictly forbidden to do. Antigone used these tactics differently from Dr. Martin Luther King. Jr. Antigone says to her sister Ismene “To me it’s fine to die performing such a deed” (Antigone 22). The “deed” Antigone is discussing is the deed that was forbidden by Kreon. Antigone truly believes in civil disobedience of directly disobeying in order to fight for justice for her dead brother. Antigone also exclaims “What I shall suffer will be far less dire than dying from an ignoble death” (Antigone 24). To Antigone, honoring the Greek gods, her brother, and her family is more important than following an unjust rule. Antigone believes that dying from the consequences of civil disobedience is far more worth dying for than dying without having ever fought for a cause. When addressing Kreon, Antigone discusses that she in face knew of his proclamation but felt that honoring her brother, and the laws of the Greek gods was more important than standing idle to her brother being unjustly forgotten and watching his life not be honored after his death. She says that death for her punishment was a profit because she was doing
This made her sound increasingly emotional and sarcastic in the way she spoke to him, which made him less inclined to show mercy. Antigone, a defiant young woman, buried her brother with the sole purpose of doing what was just and moral. However, her decision caused an upheaval of problems as Kreon condemned her to death, and her sister Ismene was suffering now because she was going to lose yet another sibling. Antigone knew death was going to be an end result as she stated that, “You be as you think best, but I shall bury him. To me it’s fine to die performing such a deed.” (Sophocles lines 70-71). Kreon was so furious at the fact that Antigone committed such an act, and that she had no regret for what she did by the attitude and arrogance Antigone portrayed. In contrast to Antigone’s emotional and defiant attitude, Dr. King was more calm and collected in the way he presented his ideas. The way a leader speaks is very crucial to the way people will come to perceive an individual. Dr. King addressed every problem raised in a calm manner with reasoning behind his claims. By speaking in a fluent and non-aggressive manner people come to understand what you are saying, and there is a better chance of compromise. Antigone bitterly argues with Kreon about her sentence and what she did, instead of trying to peacefully try to make him understand what her
In Sophocles' Greek tragedy, Antigone, two characters undergo character changes. During the play the audience sees these two characters' attitudes change from close-minded to open-minded. It is their close-minded, stubborn attitudes, which lead to their decline in the play, and ultimately to a series of deaths. In the beginning Antigone is a close minded character who later becomes open minded. After the death of her brothers, Eteocles and Polyneices, Creon becomes the ruler of Thebes. He decides that Eteocles will receive a funeral with military honors because he fought for his country. However, Polyneices, who broke his exile to " spill the blood of his father and sell his own people into slavery", will have no burial. Antigone disagrees with Creon's unjust actions and says, " Creon is not strong enough to stand in my way." She vows to bury her brother so that his soul may gain the peace of the underworld. Antigone is torn between the law placed against burying her brother and her own thoughts of doing what she feels should be done for her family. Her intent is simply to give her brother, Polyneices, a proper burial so that she will follow "the laws of the gods." Antigone knows that she is in danger of being killed for her actions and she says, "I say that this crime is holy: I shall lie down with him in death, and I shall be as dear to him as he to me." Her own laws, or morals, drive her to break Creon's law placed against Polyneices burial. Even after she realizes that she will have to bury Polyneices without the help of her sister, Ismene, she says: Go away, Ismene: I shall be hating you soon, and the dead will too, For your words are hateful. Leave me my foolish plan: I am not afraid of the danger; if it means death, It will not be the worst of deaths-death without honor. Here Ismene is trying to reason with Antigone by saying that she cannot disobey the law because of the consequences. Antigone is close-minded when she immediately tells her to go away and refuses to listen to her. Later in the play, Antigone is sorrowful for her actions and the consequences yet she is not regretful for her crime. She says her crime is just, yet she does regret being forced to commit it.
The belief that Antigone is the hero is a strong one, but there is a stronger belief that Kreon, the Ruler of Thebes, is the true protagonist. Kreon's main and foremost hamartia was his hybris, or his extreme pride. Kreon was a new king, and he would never let anyone prove him wrong or let anyone change his mind once it was made. One main event that showed Kreon's hamartia and also caused the catastrophe was when he asked his son Haimon, who was engaged to marry Antigone, if he still loves his father. Haimon says he respects Kreon's ruling, but he feels, in this case, that Kreon was wrong. Haimon asks his father to take his advice and not have Antigone executed, but, because of Kreon's hybris, Kreon gets furious and makes the situation worse then it already was. He was way too proud to take advice from someone younger, and in his anger he decided to kill Antigone right away in front of Haimon's eyes. "'Just understand: You don't insult me and go off laughing. Bring her here! Let him see her. Kill her here, beside her bridegroom'" (Sophocles 919-921). This was too much for Haimon to take, and he runs out of the room, yelling, "'...her death will destroy others'" (Sophocles 908). Blinded by his pride and arrogance, Kreon takes that remark as a threat to himself, unknowing that it wasn't directed to himself, but was a suicide threat by his own son. Another example of Kreon's tragic pride is when the prophet, Teiresias, travels all the way to Thebes to tell Kreon very important news, but Kreon pride makes him ignore it and he accuses Teiresias of being bribed.
In the struggle between Creon and Antigone, Sophocles' audience would have recognized a genuine conflict of duties and values. From the Greek point of view, both Creon's and Antigone's positions are flawed, because both oversimplify ethical life by recognizing only one kind of good or duty. By oversimplifying, each ignores the fact that a conflict exists at all, or that deliberation is necessary. Moreover, both Creon and Antigone display the dangerous flaw of pride in the way they justify and carry out their decisions. Antigone admits right from the beginning that she wants to carry out the burial because the action is glorious. Antigone has a savage spirit; she has spent most of her life burying her family members.
In Sophocles’ Antigone, the most prominent theme is the concept of divine law versus human law. The play opens with the debate between the sisters Antigone and Ismene concerning which law comes first- the devout obligations of citizens, or civic duty. Antigone requests for Ismene to assist her in burying their brother Polyneices, though the new king Creon, has prohibited burial on pain of death. It can be argued that Creon’s edict, which deprived Polyneices of his funeral rites, is understandable. The young man had been killed perpetrating the most atrocious crime of which a citizen could be guilty, and Creon, as the responsible head of state, naturally supposed that exemplary punishment was the culprit’s right...
Antigone accuses Kreon of overstepping the laws of the gods, by relying on his own thinking. As is brought out later, Kreon never listened to other peoples advice until it was too late. In the above passage Antigone heroically faces up to the most powerful man, the King, knowing he could kill her in an instance, but still she tells him he is wrong.
The notion of honor and justice is prevalent throughout all types of literature. In Greek culture, honor is essential for creating a solid foundation within a society and family. Honor will follow you until the day you perish, and beyond. The honor for men in Greece is spiritual in that loved ones show respect to the deceased by giving them a proper burial. Nevertheless, when a man acts upon betrayal of the city, that man looses the privilege to die in such honor. This is evident in the life of Antigone when her two brothers, Polyneices and Eteocles, both die at each other’s hands at war when deciding the ruler of Thebes. Polyneices cannot have a proper burial, because the new king, Antigone’s uncle, Creon created a law that decrees that anyone who tries to give Polyneices a proper burial will have a dire consequence: death. In Sophocles’ Antigone, the quest that Antigone endures to stay true to her pure intentions of honoring Polyneices by giving him a proper burial is in juxtaposition with the fact that her defiance towards Creon is not only to do with Polyneices, but also to show appeasement to the gods.
The story of Antigone deals with Antigone’s brother who’s body has been left unburied because of crimes against the state. The sight of her brother being unburied drives Antigone to take action against the state and bury her brother regardless of the consequences. The concept of the Greek afterlife was far more important and sacred than living life itself. Everything they did while they were alive was to please the many gods they worshipped. They built temples for their Gods, made statues to symbolize their Gods, and had a different God to explain things that we now say are an act of mother nature. Antigone percieved her actions to be courageous and valid, and Kreone, the King, percieved them as blasphemous. The entire story focuses on deciding who’s right. The question arises, "Did Antigone take proper action?" Was it right to go against her Uncle Kreon’s wishes and go ahead and bury her brother that was to be left out for the vultures? Would it have been better just to leave the situation how it was? The fact is, Antigone did the right thing. She was acting out of divine influence so to speak. Since divinity and humanity are shown to be colliding forces where divinity out weighs humanity in ancient Greece. Antigone was justified in her actions.
In the play Antigone, Creon, king of Thebes faces a harsh conflict with himself, involving the values of family and religion verse the civic responsibility he must maintain for the city of Thebes that comes with being the new king. In theory no decision Creon makes is going to be the rite one. Although both Antigone and Creon have justified reasons for believing in there own laws only one can be upheld by the play and how Sophocles interoperates the play himself. Creon must decide whether to punish Antigone, a princess, daughter of king Oedipus, or fail at enforcing his own law and look weak in front of the citizens of Thebes as their new leader. The law stated that anybody who touched the corpse of Polyneices, a prince, and son of Oedipus would be stoned in the town square.
This is the Crux of the theme, the conflict between the law of King Creon, and the law of the gods. In fact, according to Greek belief, Creon would have been ordained by the gods to be king, and thus, should not his law be their law as well? This is the hurdle that Antigone has to face; should she abide by the law of Creon and leave her brother to rot, under penalty of death? Or should she disregard Creon's edict, follow the law of the gods and bury her brother? Creon is a brother to Jocasta, and thus next in line to become king after Etocles is killed in battle. The king is believed to be the chosen of the gods and to rule in their stead. Why then would the king attempt to punish Polyneices after death and so blatantly violate the rules of the gods? However, Creon is the king, and the penalty for disobeying this law of his is very real and very brutal, death.
Antigone if she is caught. As the play moves on there is a building of this fear and pity that is felt for many of the characters that finally is resolved at the catastrophe. At that point the reader learns that Creon, the king, has lost his wife, his son, and his niece Antigone, all because he was too stubborn to give in as well as to afraid that if he did give in that he would be judged as an easy king. In a way this ending brings the two emotions together. The reader feels pity for Creon because of his great loss, but at the same time he feels a bit of fear because he wouldn’t want this type of tragedy to ever occur in his life.
Antigone uses the concept of death in many ways when unfolding the tragic story of Antigone and her rebellion. The most obvious way is how death is used as a form of capital punishment and justice against state-dubbed criminals and wrongdoers. The play first exhibits this notion when Antigone states, “No passing humor, for the edict says who’er transgresses shall be stoned to death” (Sophocles, p. 3). The head of the state, Creon, uses death as a form of justice for the man or woman who is to disobey his law. Creon also emphasizes this by threatening a guard when he is notified that his edict has been violated. Creon states, “Go, quibble with thy reason. If thou fail’st to find these malefactors, thou shalt own the wages of ill-gotten gains is death” (Sophocles, p. 8). Death is once again used as a threat and form of justice for people sinning against the state laws. However, death is not only used as a form of state justice, it is also portrayed as a factor in personal justification and completion. The notion that people are not whole or justified until they die is emphasized by Antigone when she states, “A sinless sinner, banned awhile on earth, but by the dead commended; and with them I shall abide for ever” (Sophocles, p. 4). Antigone says that through death, human life is justified and made complete, and that death is essentially the final form of justice for any human l...
Antigone respects her blood relations, and she is driven by this to oppose the laws created by Kreon. Even though she recognizes the sin in which Oidipous bequeaths upon his kin, she refuses to abandon her brother is determined to "not be caught betraying him" (Sophocles, 58). Kreon's man made laws cannot "keep [her] from [her] own," and in this she accepts the blood line of her doomed oikos. Furthermore, Antigone justifies herself by honoring her brother above other relationships that she is capable of producing. Antigone states that she "would never have assumed this burden...if it had been [her] children or [her] husband who had died...no more brothers could ever be born- This was the law by which [she] honored [Polyneikes] above all others" (966-77). Using this reasoning, the death of Antigone’s brother means extinction of the blood line and proper burial is still needed, even if it the traitor was Eteokles. Antigone's breach of nomos is a necessary one, for the dead cannot be revived and must be honored, especially those that en...
Natural law can be considered the ‘morally correct’ approach to authority and justice. It is the idea that one should make decisions based upon what they deem morally appropriate within themselves. Antigone’s support of this approach is apparent in her refusal of Kreon’s order when she buries Polyneices anyway. She loves Polyneices and believes in her heart that there is no other alternative. She is aware that by burying him she would be breaking the law and risking her own life for it. “I will bury him myself. If I die for doing that, good: I will stay with him, my brother; and my crime will be devotion” (87-90). To her this is the only morally acceptable solution. Her support of Natural law resolves her to perform what she believes in her heart to be right, casting aside any social and political upholding that prove to be opposition.