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Literary analysis of sir gawain and the green knight
Sir gawain and the green knight brief summary for an essay
Sir gawain and the green knight brief summary for an essay
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Although throughout Tolkien’s work death the characters and legends constantly stress human mortality as “a gift”, the uncertainty and unfamiliarity of what comes next persuades men to view death in a different light. A large number of Tolkien’s men fear death, and envy the immortality the elves carry. Due to the ever-present fear of death, many of the men throughout The Lord of the Rings and The Silmarillion make rash or unwise decisions in order to protect themselves and their lives. However, those such as Aragorn blessed with a long lifespan and who represent many noble qualities view death as a right of passage for men and do not fear death the way many others in Tolkien’s work show fear. Comparatively, Sir Gawain in Sir Gawain and the Green Knight fears death, and lets the fear of losing his life cloud his decision making process. Therefore, throughout Tolkien’s work and the medieval text Sir Gawain and the Green Knight characters that fear death perform questionable or less than virtuous actions to preserve their own lives, and as a result other characters shape their opinions and scrutinize their actions, further contributing towards the idea of formed misconceptions on who fully knows the proper information regarding others.
The way men and other races view immortality differs depending on who knows the proper knowledge regarding who holds the immortality. Those who hold the immortality may not fully understand the impact of what it is to be mortal, or may use their knowledge of immortality to their advantage. In Tolkien’s work, the race of Elves are blessed with immortality, and others recognize them as ”immortal were the Elves, and their wisdom waxed from age to age, and no sickness nor pestilence brought death to the...
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...the medieval text of Sir Gawain and the Green Knight. Those who hold immortality such as Tolkien’s elves and the Green Knight manifest different levels of curiosity, whether from the improbability of what happens to those who are mortal or through creating a spectacle in front of a large audience. The concern for their own lives is one of men’s greatest downfalls, thus leading to their need to find ways to become immortal or cheat death, which is present in the destruction of the Ringwraith’s humanity and the destruction of Sir Gawain’s chivalrous code. However, those who remain pure and satisfied with their lives such as Aragorn do not dread death in the same way, and believe death to be the rightful gift of the Iluvatar. Therefore, fear and uncertainty often drive the destruction of human virtue, thus leading to many to diverge from the idea that death is a gift.
When referring to archaic writing, it is clear to see the recurring archetypes and symbols throughout plots and situations. Understandably, certain patterns involving such motifs have continued through centuries, resulting in various works based around the same monomythic template with slight variations. All the big movie titles we love, Aladdin, Shrek, even, Sharknado contain more than traces of these archetypal patterns, consisting of a hero, a mentor, a dark figure and so on. Prime examples of this archetypal plot structure, with their own unique adaptations, may be found within the two poetic narratives Beowulf and Sir Gawain and the Green Knight. Aside from their completely disparate backgrounds and morals, both works include and follow the monomythic journey, as perceived by Joseph Campbell in The Hero with a Thousand Faces, as well as in the secondary works of others who have helped to further our understanding of this analytical method. This generalization, however, is shifted when one dissects further into these two pieces of literature. As in the majority of monomythic quest narratives, the protagonist often practices and displays the characteristics of courage, loyalty, humility
In the opening lines of Sir Gawain and the Green Knight, the Gawain-poet predicates the numerous dualities—which lead the reader through questions of moral seriousness—that exist in the poem. The opening historical recounting, according to Richard Hamilton Green, reminds the reader that “the greatness of the past is marred by reminders of failure” (179). The paradox of triumph and greatness arising out of failure foreshadows Sir Gawain following the same pattern of fate as his predecessors. While the completion of Gawain’s quest reaffirms the historical paradox of greatness, his journey to renown is fraught with situations and symbols that develop the poem’s main concern of moral seriousness. The Gawain-poet skillfully reveals his theme by leading Gawain on a journey in which nothing is what it seems. Sir Gawain and the reader are confronted with several contrasts of characters’ actions and intentions, symbolic meanings, and Christian and secular virtues. Mainly by showing the difference between actions and attitudes while inside in a social situation and outside in a more wild, untamed environment, these contrasts help to emphasize the importance of unbending faith and loyalty.
From the power of persuasion to the value of honor and beyond, one can witness many facets of human nature played out among the pages of “Sir Gawain and the Green Knight”. No theme of which can be seen more impeccably than the showcase of virtue verses sin. As Gawain is launched into tests of courtesy it is clear that much more is being examined than just his execution of courteous behavior, it is the nature of those around him that is also being taken into account. It is interesting how an author uses the combination of a negatively imbued foe and a positively inspired hero to highlight the traits most desirable for the mere mortals reading such a tale. In “Sir Gawain” the author uses some of the seven deadly sins to poetically draw their reader numerous and highly elaborate verbal pictures. For instance, in the opening passages of “Sir Gawain” the reader is told of rich and sumptuous clothing, decadent banquets hosted by Arthur and the lavish finery in his court. The reader might find that Arthur’s court is gluttonous in these displays of wealth while reading this section. Opulence, however, is laced thoroughly as reoccurring theme through many of the court and hall scenes in this particular romance. Another specific instance of the seven deadly being used is when the reader is shown that courtesy is a “big deal” for Arthur and his court. On display here is pride, chief of the seven deadly sins, which obviously reigns supreme when it comes to the reputation of courtesy in Arthur’s court. It comes into question here if these traits are entirely good or if they have a darker, more sinful nature attached to them. Thus as Gawain was tested for his diligence to courteous behavior, here and thence five of the seven deadly sins that a...
In the final scenes of Sir Gawain and the Green Knight, Gawain’s encounter with Sir Bertilak allows Gawain to perceive his own flaws, manifested in his acceptance of the Green Girdle. The court’s reaction to his personal guilt highlights the disconnect between him and the other knights of the Round Table. Gawain’s behavior throughout the poem has been most noteworthy; his understanding of his sin, one that many of us would dismiss since it was propelled by his love of life, enhances his stature as a paragon of chivalry.
Though often extensive detail may be condemned as mere flowery language, in understanding Sir Gawain and the Green Knight one must make special emphasis on it. In color and imagery itself, the unknown author paints the very fibers of this work, allowing Sir Gawain to discern the nuances of ritualistic chivalry and truth. His quest after the Green Knight is as simple as ones quest toward himself. Through acute awareness of the physical world he encounters Gawain comes to an understanding of the world beyond chivalry, a connection to G-d, the source of truth. He learns, chivalry, like a machine, will always function properly, but in order to derive meaning from its product he must allow nature to affect him.
Stephen Manning, “A Psychological Interpretation of Sir Gawain and the Green Knight” in Critical Studies of Sir Gawain and the Green Knight, eds. Donald R. Howard and Christian Zacher (Notre Dame: Notre Dame UP, 1968), 279.
During the Middle Ages, both “Beowulf” and “Sir Gawain and the Green Knight” were epic stories that were chanted aloud to the public. Each story told about epic heroes who went on a long journey to face or conqueror someone or something. “Beowulf” is a poem about a young man, Beowulf, who slays a monster and his mother with his bare hands to protect the people he loves. As the years go by Beowulf becomes king and a dragon begins to stir. In response to this, Beowulf fights the dragon with a sword and one loyal companion. Beowulf’s life comes to end, but so does the dragons. From this epic poem you can see that good does triumph over evil, but sometimes it comes at a cost. Along with “Beowulf”, “Sir Gawain and the Green Knight” was another popular poem. This poem was about a squire, Sir Gawain, who chooses to take on a game proposed by the Green Knight instead of his uncle, King Arthur. He took on the game because he believed King Arthur’s life was more valuable than his own and that King Arthur should not risk his own life. As a result, Sir Gawain became a knight because of his loyalty and bravery. Both Sir Gawain and the Green Knight’s and Beowulf’s characters share the same quality of courage, the desire to protect people and the involvement of supernatural beings.
The medieval period occurred during the fourteenth century. It was a dark time that roamed Europe filled with many misfortunes such as the plague and a famine. However, the people emerge from this troubling time and went through a period of renewal and discovery especially when it came to literature, thus medieval literature is created. In medieval literature, storytellers tend to embellish and fantasy to add a dramatic effect to drawn the reader’s attention to allow them to share the meaning of the story or lessons to be learned from them. One of the most famous medieval literature that emerged from this period is, Sir Gawain and the Green Knight. This story is an example of the type of storytelling that was practiced during this time period.
It is this willingness and readiness to accept death at the hand of the Green Knight that makes Sir Gawain a... ... middle of paper ... ... in his willingness to lay down his life to fulfill the Green Knight’s request of King Arthur’s men. Beowulf is known among the people as a selfless hero in their times of need.
In Gordon M. Shedd’s “Knight in Tarnished Armour: The Meaning of Sir Gawain and the Green Knight”, he argues that Sir Gawain and the Green Knight is truly about the strength and weaknesses of human nature. One particularly interesting part of his argument asserts that Gawain’s humanity broke medieval romance tradition.
In Sir Gawain and the Green Knight by J.R.R. Tolkien, Gawain, a knight of the round table, expresses love and respect to aid his journey. These forms of love, from the beginning to the end, play key roles in demonstrating and maintaining the dignity of his knighthood. The manifestation of Gawain’s love forms a number of relationships over the course of the poem. Accordingly, these relationships test his true vow of chivalry and sustain his credibility as a true knight of the round table.
Death and Immortality in The Epic of Gilgamesh The search for immortality has been a major concern for many men and women all throughout history. True love and immortality in life would be a dream come true to many. To spend time with a special someone, the person one feels closest to, and never have to say good-bye would greatly appeal to most people. But when death steps into the picture, even with all the pain and devastation, one starts to re-evaluate themselves. In The Epic of Gilgamesh, Gilgamesh explores the possibility of immortality following the saddening death of his friend and brother, Enkidu.
Death and dying are two of the most common fears among people fictitious and non- . People want to make their mark on the world so that their images may live on even after they die. Gilgamesh, from the “Epic of Gilgamesh,” is no different. In this ancient poem, Gilgamesh begins as a ruthless brute who answers to no one until he meets his match, a man named Enkidu. He and Enkidu proceed to take on heroic feats so that Gilgamesh may gain pride, glory, and—ultimately—immortality. Because of these superhuman tasks, the goddess Ishtar becomes enraged and kills Enkidu which sends Gilgamesh into a weeklong depression from which he emerges with a new passion for the pursuit immortality. Gilgamesh’s fear of being forgotten drives him to believe that he may achieve immortality through superhuman acts, but he realizes that he can live on in the hearts and on the tablets of his people.
Death is possibly the most feared thing in the world. It is fate that every living being must face death one day. No one has ever or will ever escape death, also you never know when it will happen. In the story’s The Epic of Gilgamesh, The Thousand and One Nights, and the Gita there is all a fear of death and it is the same as people now days.
Death it is something we all must face at one point in our lives or another. It is either a death of a loved one, friend or co-worker. Sometimes it’s the devastation from a natural disaster. No matter what makes us face the idea of death it is how we handle this realization that truly matters. When Gilgamesh is faced with the horrendous loss of his dear friend and comrade Enkidu he begins to fear death. In Gilgamesh’s youth he is proud without fear of death, it is not until he watches his friend die that his own mortality becomes a fear.