Kirlian Photography is used to capture electrical coronial discharges. It is basically a way of capturing contact photographs through connecting an object to a voltage source. You would first begin by placing film on top a piece of metal. Then you would place the object you wish to capture an image of on top the film. As you switch on the power electricity will flow through the object and jump to the metal plate, creating coronal discharges, which is what the film captures to create the image of the object. You may see an image of the setup below Semyon Kirlian was the first to discover this method and he did it on accident. Experimentation on Kirlian Photography really started back in 1896 when H. Baravuc, created electrographs of hands and leaves. Then in 1898, Yakov Narkevich-Iodko demonstrated electrography at the 5th exhibition of the Russian Technical Society. Kirlian did not even report his research until 1958, and even then very little interest was created far from Russia. However, Russians did hold a conference about Kirlian Photography in 1972. Kirlian Photography was...
There first invention produced was the Technicolor System 1 Additive Color, which I’m sorry to say flopped massively due to the unfortunate screening of The Gulf Between in 1917 which only a few frames remain of this film today. This was the first public premier of the technology and was disastrous. The film was captured through two separate filters red and green and the light through those two filters was captured on a single reel of film, when processed this negative had red and green information captured on a black and white reel, when this was processed the reel was placed into a projector and then threw red and green filters. To project the image an adjustable prism that had to manually lined up by the projectionist as two separate images formed on the projection screen this did not work as planned as the projectionist failed to line up the images correctly.
"A picture is worth a thousand words," we say. From the eyes and mind of the archivist studying the pictures of Robert Ross' experience with war, they are worth a lot more. The photographs in the epilogue of Timothy Findley's "The Wars" play an important role in Findley establishing both a trust with the reader, and a sense of realism to his war story. This satisfies the need for realism in his tale. The result of this image that is brought forth through the medium of the photograph, is that we are forced to see the "before" and "after" of Roberts "experience" and figure out our way through what is deposited in between: the cause and effect.
Self-Portrait with Two Pupils, Marie Gabrielle Capet and Marie Marguerite Carreaux de Rosemond was done Adelaide Labille Guiard in 1785. It was done in Paris, France and the medium is oil on canvas. Adelaide Labille Guiard was born in 1749 and died in 1803. She was one of few to practice and master at miniatures, pastels and oil paintings. Due to male dominance in these practices, women were not accepted as pupils, due to society perception that women are not able to follow instructions as easily as men.
Prior to the invention of the daguerreotype, the Camera Obscura was the main optical instrument that was used to project images onto paper. The Camera Obscura was a device in the shape of a box that allowed light, which was being reflected from the images that the user was intending to capture, to enter through an opening at one end of the box to form an image on a surface and an artist would then trace the image to form the most accurate impression of an image at that peri...
Practiced by thousands who shared no common tradition or training from the earliest days of taking photos, the first photographers were disciplined and united by no academy or guild, who considered their medium variously as a trade, a science, an art, or an entertainment, and who often were unaware of each other’s work. Exactly as it sounds photography means photo-graphing. The word photography comes from two Greek words, photo, or “light”, and graphos, or drawing and from the start of photography; the history of the aforementioned has been debated. The idea of taking pictures started some thirty-one thousand years ago when strikingly sophisticated images of bears, rhinoceroses, bison, horses and many other types of creators were painted on the walls of caves found in southern France. Former director of photography at New Yorks museum of modern art says that “The progress of photography has been more like the history of farming, with a continual stream of small discoveries leading to bigger ones, and in turn triggering more experiments, inventions, and applications while the daily work goes along uninterrupted.” ˡ
The art world of photography is changing all the time. Peter Schjeldahl starts out with a very strong and well written paragraph about the world of art. Peter Schjeldahl says, “You can always tell a William Eggleston photograph. It’s the one in color that hits you in the face and leaves you confused and happy, and perhaps convinces you that you don’t understand photography nearly as well as you thought you did”. These couple of sentences are very strong and flow so well together, and they grab the reader’s attention. Peter explains how William Eggleston was known as a great American photographer.
The first half-tone photograph sent in an electronic manner was transmitted by Western Union in 1921. The concept of a photograph being sent in this manner was conceived by Alexander Bain, a Scottish clockmaker, in 1843, but this was the first physical manifestation of his concept.
The movie camera was developed during the height of his career; sometime referred to as the Kinetoscope, an early motion picture device from the Greek word Kinesis, (CITE). In 1888, Thomas Edison began working on the Kinetoscope. Using the income from his technological inventions, Thomas Edison built the largest and most advanced laboratory at the time in West Orange, New Jersey. Edison and his staff of scientists and skilled craftsmen began working on the Kinetoscope. During the production of the Kinetoscope, Edison attended a lecture in Orange, New Jersey with photographer Edward Muybridge to discuss stop action photographs of animals in motion. Edison later invited Mr. Muybridge to his laboratory where Thomas Edison learned how to create the illusion of still life photos into
The book “On Photography” by Susan Sontag, she expresses several views and ideas about photography to educate us further about her views. In Sontag’s view, “To collect photographs is to collect the world” (Sontag 3). In other words, Sontag believes that the photograph that is taken will always be a photograph within society in his/her own world. I interpret the quote this way because if our life is captured in photographs, that’s our whole world. Even though we are capturing it through the lenses, we are still experiencing it some how, some way.
History plays a very important role in the development of art and architecture. Over time people, events, and religion, have contributed to the evolution of art. Christianity has become a very common and well established religion, however, in the past it was hidden and a few people would worship this religion secretly. Gradually, Christianity became a growing religion and it attracted many converts from different social statuses. Christian art was highly influenced by the Greco-Romans, but it was immensely impacted by the establishment of the Edict of Milan in the year 313 AD. The Edict of Milan was so significant that scholars divide Christian art into two time periods, time before and after the Edict of Milan of 313.
For my senior project I have chosen photography. The reason I chose photography was because it has always been one of my many interests. I am a strong believer that photography is an art, and not very many people seem to notice that. My goal with the senior project was to broaden and expand the minds of our rapidly changing society. To have this opportunity to practice and achieve my goal, it has without doubt, changed my viewpoint on photography.
I am quite interested in the topic of street photography; one of the biggest reasons is because in most cases street photography is very real. Street photography is all candid images, they are not posed, they are not set up; but they are real, they are in the moment and most of the time the artists are so stealthy about the way that they capture the photographs that no one really ever knows that they are even taking the photographs. There are a few photographers that are very important to street photography that I would like to talk about; Robert Frank, Lee Friedlander, Diane Arbus and Winogrand. These are photographers really created what people might consider to be the face of street photography, you can think of street photography without thinking of one of their works. Personally, I am very fascinated with street photography. I believe it to be very beautiful. In my opinion street photography seems to be a lot similar to photojournalism, in the way that both of the photography styles are extremely, I do not know if I would use the word ‘candid’, I am not sure if that would be exactly the right way of putting it, however maybe the right word would be more like, well a phrase really, both of the photography styles of both photojournalism and street photography are really quite in the moment, they are not set up, instead of making the shot perfect, finding the camera angles and waiting for just the right moment to make that image wonderful and amazing.
Photojournalism plays a critical role in the way we capture and understand the reality of a particular moment in time. As a way of documenting history, the ability to create meaning through images contributes to a transparent media through exacting the truth of a moment. By capturing the surreal world and presenting it in a narrative that is relatable to its audience, allows the image to create a fair and accurate representation of reality.
My thoughts on my photograph being taken in particular have changed drastically over time. When I was younger, I literally gave no thought to my photo being taken, I barely even remember them being taken. When I look at the photographs of my childhood, I remember the moment in which they were taken, but I don't remember the photo actually being taken. Now I always know when someone is taking a picture of me, sort of like a sixth sense. I think the reason behind that is that when I was younger I loved my photo being taken and now I hide from the camera. Mostly because of insecurities and knowing how quickly a photo can travel now through the internet and social media.
Subsequent to the study of different philosophies of art, as well as completing projects asking for personal preference in art as well as objective “fine art,” a personal philosophy may, by necessity, include subjective and objective facets. In determining what fine art is, the quality of universality is important. There also does not have to be a traditional presentation of beauty for a work of art to be fine art. Contrary to R. G. Collingwood’s philosophy, for fine art the culture and setting in which art is created should not matter, because if art is universal and timeless, meaning endures outside of where and when it was created. Evaluation of art can be subjective, but fine art is universally appreciated regardless of understanding background,