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The role of nature in modern literature
Use of nature in literature
Poisonwood bible colonization
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Introduction:A careful reading of the opening passage from The Poisonwood Bible indicates that Kingsolver’s characterization of the life, both human and animal, conveys a tone of malignancy and frailty, which suggests a very hostile environment for which you need to be wary. Therefore shows a juxtaposition of the infirmity of the peace given by the Okapi in the final chapter. Body #1:The struggle of life and death is an eternal endeavor. “Eyes in the trees”, “slick, brindled bark”, “poisonous frogs, war-painted like skeletons”, “strangling their own”, “everlasting, wrestle”, “army of ants”, “ravenous queen”, “sucking life”. In Kingsolver's text she uses words that describe the natural environment in which the story takes place, in a cancerous
and noxious way. In this way the setting of the story is a very hostile and unforgiving place. Body #2: “Death is not the greatest loss in life. The greatest loss is what dies inside us while we live.”(Norman Cousins). Kingsolver characterizes the family as intense and anxious through her descriptions of their clothing and interactions.“Pale doomed blossoms”, “pale eyed”, “ragged lace”, “false pearl”, “tight as bowstrings”, “glory or damnation”, “flanked by matching brunettes”, “short and fierce”, “each one tensed”, “leading hungrily”. Given these quotes we can conclude there apparent lack of comfort and and uneasiness. Body # 3: Kingsolver’s first description of the natural environment is in hard opposition with her description of the Okapi scene. “Beautiful animal”, “amazing to find”, “gentle hump”, “surrenders his surprise”, “peace unbroken”, “measure of silence”, “velvet horns”, “lapping from her hand”. The Okapi is symbolic of peace and safety. This gives the Mother a measure of calm and helps to still her fears. This is shown through the wording of the passage. Words such as beautiful, amazing, gentle, peace, and silence help to instill a sense of serenity for the reader.
The Silver Chalice by Thomas B. Costain is a spectacular story which takes place about twenty years after Jesus ascended into Heaven. It tells of how a young man named Basil was adopted by a rich merchant. But, when the rich merchant died, Basil’s cousin stole Basil’s inheritance; and made him a slave. After a few years he was to be rescued, married, and to gain back his inheritance.
Robert A. Krieg uses modern English to explain the Bible that make easier for people to understand the contents of the Bible. The first chapter, Creation and salvation is really good for beginners who does not understand or does not have any background or concept of Christianity, and it is interesting to read the stories, although some descriptions are not logic or have several inconsistencies. Krieg uses creation for beginning that opens up the mystery of the world, which make more sense for human’s daily life and people who wonder how everything happened. God is the creator of this world, and he/she used six days to create, and the seventh day is resting day, which is our Sunday now. The seven days a week is God’s creation, and also the human, men and woman.
The Poisonwood Bible is the story of an evangelical Baptist preacher named Nathan Price who uproots his wife and four daughters from the modern culture of America and moves them to the Kilanga Village in the Belgian Congo as missionaries. He is bullheaded and obstinate in all his ways. His approach is inflexible, unsympathetic, and unaccepting of the culture and customs of the people of Kilanga. Nathan Price exemplifies the words of Romans 2:4 that says, “Or do you despise the riches of His goodness, forbearance, and longsuffering, not knowing the goodness of God leads you to repentance?” He did not share the goodness of God, but sought to spread his uncompromising pious agenda. Instead of leading people to God he turned them away.
... passage to suggest the essential role natural evils play in this story: "People who do not believe in God do not, of course, see our living to ourselves as a result of a prehistoric separation from God. But they can be aware – and it is a part of God’s plan of Atonement that they should be aware – that something is pretty wrong and that this wrongness is a consequence of the intrinsic inability of human beings to devise a manner of life that is anything but hideous" (203). Nowhere does experience prove this inability of human beings to escape the hideousness of the world more than in the case of natural disasters. They have existed as long as the human race, and though it may be possible for a person to delude him or herself into believing he or she is living a good life in a seemingly good world, no one can deny the horrible dangers that natural disasters present.
The Poisonwood Bible by Barbara Kingsolver is a work of historical fiction. The novel is based the Congo in 1959, while it was still under Belgian control. Nathan Price is a southern Baptist preacher from Bethlehem, Georgia who uproots his family, consisting of wife and three daughters, and takes them on a mission trip to Kilanga. Orleanna Price, Nathan’s wife, narrates the beginning of each book within the novel. Rachel, Leah, Adah, and Ruth May rotate the narration throughout each book. Rachel is the oldest Price child, and high materialistic. She refuses to accept the ways of the Congo, believing that she is better than everyone simply because of where she had her start in life. Leah is the next oldest, and she is a self-proclaimed tomboy. She likes to climb trees and practically worships at the feet of her father. Adah is the handicapped one, with a physical deformity. However, this deformity does not limit her, instead making her the smartest of the Price girls. Ruth May is the baby of the family, and has not yet lost the childhood innocence that she views the world with. Barbara Kingsolver uses a very interesting narrative style in the novel, switching between four narrators between the ages of five and fifteen, who are all female. Kingsolver's use of multiple narrative perspectives serve to amplify life in the Congo during the early 1960s through characterization, religion, and politics.
She opens up her essay by saying “How surprised [Yorick] would be to see how his counterpart of today is whisked off to a funeral parlor and is in short order sprayed, sliced, pierced, pickled, trussed, trimmed, creamed, waxed, painted, rouged, and neatly dressed transformed from a common corpse into a Beautiful Memory Picture.”(Mitford) Funerals are meant to protect people from seeing what kind of toll death has on their loved one; to remove the scars of being human. Kubler-Ross touches on this when she says “The more we are making advancements in science, the more we seem to fear and deny the reality of death. How is this possible? We use euphemisms, we make the dead look as if they were asleep” (Kubler-Ross) which connects to her opinion that death is feared and people take responsibility when a loved one dies, even if they had no impact on their death. The eradication of the sense of death is the key reason why the deceased are embalmed. Clifton Bryant discusses that the reason why people want to have their dead embalmed is because of “death anxiety”, that it is the collective phrase for all the different and complex fears of death. He later states that death anxiety is why we tend to have “death denial” and why we tend to avoid it wholly. “Likewise, the use of metaphors or euphemisms that serve to soften the harshness of death (e.g., passed away, deceased, expired) clearly represents a culturally approved attempt to deny or camouflage death's impact on our daily lives.”(Bryant) This reflects well on the point Mitford makes, when she says “[The funeral director] put on a well-oiled performance in which the concept of death played no part whatsoever” (Mitford) Kubler-Ross feels that death being ever increasingly more taboo the more
The author uses diction in the passages to signify the effect of the author¡¯s meaning in story and often sway readers to interpret ideas in one way or another. The man in the story arrives to a ¡°[dry] desert¡± where he accosts an animal with ¡°long-range attack¡± and ¡°powerful fangs.¡± The author creates a perilous scene between the human and animal in order to show that satisfaction does not come from taking lives. With instincts of silence and distrust, both of them freeze in stillness like ¡°live wire.¡± In addition, the man is brought to the point where animal¡¯s ¡°tail twitched,¡± and ¡°the little tocsin sounded¡± and also he hears the ¡°little song of death.¡± With violence ready to occur, the man tries to protect himself and others with a hoe, for his and their safety from the Rattler. The author criticizes how humans should be ¡°obliged not to kill¡±, at least himself, as a human. The author portrays the story with diction and other important techniques, such as imagery, in order to influence the readers with his significant lesson.
In The Poisonwood Bible, Kingsolver paints a picture of a world-weary Adah Price. The author accomplishes this through various depictions of Adah’s beliefs, such as her convictions on Christian hypocrisy, which will ultimately lead her to the question of God’s very existence. This “what-if” is a universally debated inquiry that colors the way in which Adah interacts with the world, her family, and the people of the Congo.
“The King James Bible was 400 years old in 2011, and it remains one of the most favored translation used today” (“At 400, King James Bible still No. 1”). “Some statistics from a newspaper said, that out of the people polled thirty-one percent said the King James language was beautiful, and twenty-three percent said it was easy to remember” (“At 400, King James Bible still No. 1”). When the King James Bible was published in 1611 there were many ways it could have been improved. The King James Bible has had a huge impact on the world of today. The King James Bible was published by scholars that King James I gathered from 1604 to 1611. King James did this in order to create a
Being that death is a universally explored topic, William Shakespeare, a master of English literature, opted to thoroughly investigate this complex notion in his play Hamlet. Shakespeare cleverly and sometimes subtly brings the reader/viewer through a physical and spiritual journey of death via the several controversial characters of Hamlet. The chief element of this expedition is undoubtedly the funerals. Every funeral depicts, and marks, the conclusion of different perceptions of death. Shakespeare uses the funerals of the several controversial characters to gradually transform the simple, spiritual, naïve, and somewhat light view of death into a much more factual, physical, serious, and down to earth outlook.
Austenfeld, Anne Marie. “The Revelatory Narrative Circle in Barbara Kingsolver’s the Poisonwood Bible.” Journal of Narrative Theory: JNT 36.2 (2006): 293–306. ProQuest. Web. 11 Nov. 2013.
...at significance but more importantly, they see death as a way of escaping the sin and pain that manifests itself on earth. The body is considered a shipping crate when it comes to the soul. It is something for the soul to reside in until it has fulfilled its purpose on earth. Then it leaves, to start a new life in another shipping crate. With a clean conscious each of the characters in these poems are able to die guilt-free and both believe they will ascend to heaven. They acknowledge the fact that their souls will carry on after their bodies have died and seem to rest assure in the fact that there is more to life than the experiences they had on earth. Similar to the way souls are regarded by today's standards, it is something that departs from person upon death and carries the memory of an individual forever. I think John Donne would have agreed with this idea.
The speaker believes that there is life after death, she believes that death isn’t the end but it is one step closer to eternity. She believes that death is something that happens to us and is not something we can challenge or decide when and how it happens. In the poem Dickenson presents death as something other than death. She uses the poetic device of personification to present death as if it was a human being. (Napierkowski 26-38.) She humanizes the experience making it more acceptable, fearsome and less abstract. (Napierkowski 26-38.) She capitalizes death to make the word more like someone’s name rather than being depicted as the end of human life. Dickenson describes “death” as her companion who is accompanying her to her resting place, her grave. (Napierkowski 26-38.) She states in the poem that “He kindly stopped for me.” Therefore making the event of death, through her use of personification an interaction between human
... Nature, including human beings, is `red in tooth and claw'; we are all `killers' in one way or another. Also, the fear which inhabits both human and snake (allowing us, generally, to avoid each other), and which acts as the catalyst for this poem, also precipitates retaliation. Instinct, it seems, won't be gainsaid by morality; as in war, our confrontation with Nature has its origins in some irrational `logic' of the soul. The intangibility of fear, as expressed in the imagery of the poem, is seen by the poet to spring from the same source as the snake, namely the earth - or, rather, what the earth symbolizes, our primitive past embedded in our subconsciouness. By revealing the kinship of feelings that permeates all Nature, Judith Wright universalises the experience of this poem.
1) The difference between distributive and integrative bargaining Negotiation approaches are generally described as either distributive or integrative. At the heart of each strategy is a measurement of conflict between each party’s desired outcomes. Consider the following situation. Chris, an entrepreneur, is starting a new business that will occupy most of his free time for the near future.