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Synopsis of the legend of Gilgamesh
Synopsis of the legend of Gilgamesh
Bring out the character of Gilgamesh
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Kingship plays an important role in The Epic of Gilgamesh. Their are many characteristics of kingship such as being a leader, ruling and protecting over their people, and last but not least, being ready to sacrifice themselves if need be. A great example of someone who exemplifies the qualities of kingship is Jesus Christ. He obviously was a strong leader considering people still not only talk about him, but worship him to this day. He also protected his people during his time such as the apostles or disciples. And lastly, He sacrificed himself. Not only for his apostles or himself, but for everyones salvation. Gilgamesh to myself does not fulfill the duties of a king in the beginning of the epic. Gilgamesh is to be king from birth. However, from the beginning of the epic we learn that he is not a leader or “shepherd” king. He is more of a tyrant focused on personal desires rather the welfare of Uruk. Gilgamesh has little value for any human life other than his own due to his often rampages of rapes and murders. He was cruel …show more content…
considering he would rape virgins often or sleep with women on the day of their wedding. Although Gilgamesh is the greatest warrior alive at the time, he still doesn’t fulfill the duty of protecting his people either. He would often leave the walls of Uruk unattended and in decay. To get Gilgamesh to diverge from his tyrannical ways the gods create Enkidu.
Enkidu will be his equal and balance Gilgamesh out. Contrary to what the gods wanted, they become the best of friends and Gilgamesh acquires a deep love for Enkidu. Enkidu then dies and Gilgamesh mourns deeply over his death. Gilgamesh can’t stop worrying about his own death. He is so flawed by being a mortal that the conflict between his divinity and humanity ignites a quest inside of him to seek out immortality. Gilgamesh finally recognizes that he is not above all humans and is terrified by this idea. To find immortality he must find Uta-Napishti (Who is the Mesopotamian Noah). Uta-Napishti was granted immortality by the Gods because he survived the Deluge. He tells Gilgamesh that there is a plant on the bottom of the sea that will help him obtain immortality. Gilgamesh finds the plant, but a serpent steals the plant from him as it sheds its
skin. Finally in the end of the epic, Gilgamesh learns that he is an actual human instead of a god and he must accept his mortality. This leads to him realizing the only true way to achieve immortality is to achieve fame. Fame will make his name and city immortal by keeping their names carried on forever. Gilgamesh throughout his journey has learned the value of human life and He finally focuses on the welfare of Uruk instead of his personal desires. He now wants to rule over Uruk with wisdom and care. As Gilgamesh returns to Uruk he is empty handed and also mortal. But, Gilgamesh has finally learned that while he may not be able to live forever, humankind will. Learning that Uruk, the city he abandoned, in his sadness and horror, is magnificent and admirable, Gilgamesh realizes this is as close as you can get to immortal for any king or mortal. Gilgamesh now speaks pridefully of the cities walls and people because he is focused on protecting and promoting Uruk instead of himself. He now values his peoples lives and by the end of the epic, Gilgamesh fulfills all duties of kingship. He is now much more responsible and wise. He is an admirable leader, protects his people and is ready to sacrifice himself anytime Uruk would need it.
Gilgamesh is restless, becomes fearsome of death, and stops having basic hygiene all because of Enkidu’s death . Without Enkidu Gilgamesh is nothing. When Gilgamesh and Jesus lose their followers/friend their life spirals out of control and they become more unstable than ever before.
Gilgamesh, without Enkidu, is like fire without oxygen. Enkidu is needed by Gilgamesh in order to flourish; not being able to survive long without his sidekick. Both men were created, by the God’s, for each other. They were built to be together and work off each other’s strengths, being able to accomplish great things together. Without Godly intervention, the two may have gone unmatched and never met their other half. The question is: would the story, The Epic of Gilgamesh, have the same outcome without Enkidu and what would become of Gilgamesh.
Gilgamesh ignored many of these kingly duties and was eager to become heroic and godly. "The young men of Uruk he harries without warrant, Gilgamesh lets no son go free to his father. By day and by night his tyranny grows harsher" (George, Tablet I 67-69). The beginning of the epic depicts his kingship as tyrannical and immoral, which could go without question or complaint unless the gods will it. Although considered great for his many feats such as his great walls and military expeditions, his faults could not be questioned by the commoners, which show a flaw in Mesopotamian kingship. Therefore, the gods ask Anu to create a counterpart to Gilgamesh to balance his oppressive reign. "Let him be a match for the storm of his heart, let them vie with each other, so Uruk may be rested!" (Tablet I 97-98). Enkidu, Gilgamesh 's counterpart, was initially created as a wild, uncivilized man rather than a demigod king. His position was to serve as a person that would try to prevent Gilgamesh from becoming so lofty and boastful and to make him become mature and make rational decisions. This becomes evident in Enkidu 's first encounter with Gilgamesh at the wedding: "For the goddess of weddings the bed was laid out, Gilgamesh met with the maiden by night. Forward
He goes by the name of Gilgamesh. He is the king of Uruk. He is a charming, tough, and an insanely smart man. He built high walls around his city to keep people out, and built incredible towers and monuments. Gilgamesh had a tyrannical behavior that made him fail in his most important duties to his people.
After the death of Enkidu, Gilgamesh tries to find immortality by trying to cross the ocean to find it.
Gilgamesh is viewed as a hero because of his origin. Gilgamesh is a king who has done great things for Uruk. Although being King, he's also human and God, which he can die on his journeys. According
Although Gilgamesh starts out cruel he develops into a very kindhearted man. He is extremely supportive of Enkidu and encourages him in various situations. When the men are fighting Humbaba Gilgamesh says, ã[you] will surpass all of them... a fri...
...reat flood. Gilgamesh was not worthy of being a full god. Instead, Utnapishtim granted Gilgamesh the opportunity of the life he wished for so deeply by challenging him to stay awake for six days and seven nights. Being the human being that he was, Gilgamesh was unable to stay awake for the duration of that time. Prior to Gilgamesh’s reluctant return to Uruk, Utnapishtim bestowed upon him the secret of the magical plant that grows in the depths of the seas that which makes man youthful again. After successfully retrieving the plant, Gilgamesh unfortunately loses possession of the motif to a snake whom according to mythology now acquires “eternal life” or “everlasting youth” due to the continuous shedding of the skin. So, once again, Gilgamesh had been cheated of his supernatural gift yet again, demonstrating his true identity of a mortal human being (Gresseth, 6).
Gilgamesh, feeling the fear of his own mortality, sets out on a journey to search for a way to preserve himself. Although the journey that he endures is much larger than life, Gilgamesh comes to realize that he can never achieve immortality. Before the creation of Enkidu, Gilgamesh is a man without an equal match. He is an individual with overwhelming power, and it is because of this that makes Gilgamesh a very arrogant person.
The stories of the hunt for immortality gathered in the Epic of Gilgamesh depict the conflict felt in ancient Sumer. As urbanization swept Mesopotamia, the social status shifted from a nomadic hunting society to that of a static agricultural gathering society. In the midst of this ancient "renaissance", man found his relationship with the sacred uncertain and precarious. The Epic portrays the strife created between ontological nostalgia for a simpler time and the dawn of civilization breaking in the Near East. In this Epic, Gilgamesh is seen trying to achieve immortality through the methods of both the old and the new. His journeys through the sacred and the profane in many ways characterize the confusion arising from the unstable social climate. Therefore, the society, by writing the story of Gilgamesh, guarantees not only his immortality, but the immortality of the new order being established.
In the epic of Gilgamesh the friendship between Gilgamesh and Enkidu is very complex and necessary. Their friendship brings animal, human, and god together. Gilgamesh is changed by his friendship with Enkidu. He becomes a better person and a better ruler because of Enkidu. Enkidu’s life is enriched because of his friendship with Gilgamesh. Enkidu was created to balance out Gilgamesh, and he accomplishes this goal. The two men are very close, and love each other deeply. Both Gilgamesh and Enkidu benefit from their friendship.
The story itself reflects an image of the cultural situation in which it was conceived. One major difference between this ancient society and our own is the way in which we sustain our leaders. Gilgamesh's character, whether based on an actual person or not, is portrayed as a very powerful and proud person. He was created to be better and stronger than common man and he is favored by the gods. This portrayal of a super-human king indicates a deep respect for leadership by those who told this story. Likely, these people lived under the rule of a monarchy in which the King was the all powerful leader and lawmaker. In today's society though, it is not common for one person to have unlimited power. Our governments are designed to divide ruling power between numerous parties; in order to keep any one person from becoming all powerful. Today's society would not tolerate a king who could do as he pleases, even if he were a noble and just man. In the story, Gilgamesh's super-human strength and power are not always convenient to his subjects. "His arrogance has no bounds", and "his lust leaves no virgin to her lover," yet the people respect his authority. The supremacy of Gilgamesh in the story reflects the feelings toward leadership held by that society which created the story. The respect they had for an all powerful monarch is hard for us to understand today. Our society looks down on those who rule as dictators and labels them tyrants and enemies. It is odd to imagine living in a society where a king is to be respected.
After Enkidu's death, Gilgamesh comes to the realization that one day he too will succumb to the same fate as his friend.
... Gilgamesh is unable to go back to get another plant because he lost both the boat and his tools. Gilgamesh has the hope that this plant will free him from his burden of the idea of death; he says “I myself will eat it and so return to my carefree youth” (80). After the snake took the plant away Gilgamesh began to weep “Thereupon Gilgamesh sat down weeping, His tears flowed down his face” (81) showing that Gilgamesh is saddened by his reality. At this point Gilgamesh tells Ur-Shanabi “I have come much too far to go back, and I abandoned the boat on the shore” (81).
One of the main themes in the epic is that death is inevitable, which is shown through Enkidu's death. When Enkidu dies, Gilgamesh becomes very worried, because he realizes for the first time that everyone is going to die at some point in time. The fact that Enkidu is a close friend makes it even more visible to Gilgamesh that everyone is mortal. Then, along with this realization, comes the theme of denial. Gilgamesh does not want to accept the fact that he will die. He denies the truth, because he does not want to think about the truth or cope with the tragedy that has struck him. "And he-he does not lift his head. 'I touched his heart, it does not beat'" (Tablet VIII, Column II, 15-16). "'Me! Will I too not die like Enkidu? Sorrow was come into my belly. I fear death; I roam over the hills. I will seize the road; quickly I will go to the house of Utnapishtim, offspring of Ubaratutu. I approach the entrance of the mountain at night. Lions I see, and I am terrified. I lift my head to pray to the mood god Sin: For...a dream I go to the gods in prayer: ...preserve me!'" (Tablet IX, Column I, 3-12).