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King lear s corruption
King lear is more sinned against than sinning
Critical readings of king lear
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King Lear’s Sins Pale in Comparison to those Committed Against Him
King Lear commits several acts that are nearly unforgivable. Not only does he exile a trusted, loyal servant, he also banishes his own daughter. Cordelia, unable and unwilling to submit herself to the ridiculous game of her father, is sent off to France with his curses. His subsequent action - the division of the land between his two ungrateful daughters - is the final act, the final sin, and one that plunges the land into turmoil.
However, his actions do not excuse the responses they bring from his kin and kinsmen. The sins against him - the actions of his two daughters and the evilness of Edmund - are far greater than those he committed himself. While he may have started the series of events that eventually consumed the land in turmoil, it were those three who propagated the chaos. King Lear is definitely much more sinned against than sinning.
That King Lear sinned, there can be no doubt. Nevertheless, a sin does not exclude the possibility that there was a sufficient cause (in his mind) for the action. Examine, for instance, King Lear's decision to exile his own daughter, Cordelia.
The King is of an advanced age. Though he will not, can not, admit it, senility is advancing upon him, clouding his brain and influencing his judgement. Combined with his pride, age, and subconscious fear of encroaching mortality, Lear has a great desire for flattery, and more importantly, to have the love of his children reaffirmed before him. After the two first daughters inflate his ego, Cordelia is left in the unenviable position of trying to surpass them. She too will not, can not, bring herself to do so. Thi...
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...don him in his madness. Edmund, the main force of 'evil' in the play, not only comes near to destroying the country the Lear has worked so hard to maintain, he also gives the order for the death of the King and his youngest daughter. This, of course, leads directly to Lear's own self-induced death. Therefore, while king Lear's sins were horrible, and cannot be fully excused by his madness or his redemption, they still pale in comparison to those committed against him. While he wallowed in pettiness, they succumbed to greed, evil, and murder.
Works Cited
Kermode, Frank. "King Lear." The Riverside Shakespeare. Ed. G.B.Evans. Boston: Houghton Mifflin Company, 1974. 1249-54.
Muir, Kenneth, ed. King Lear. London: Methuen & Co, 1972
Partee, Morriss Henry. "Edgar and the Ending of King Lear." Studia Neophilologica 63 (1991): 175-180.
I believe Erickson’s phenomenological theory concerning the eight stages of psychosocial development was inherently designed to be very simplistic, yet impetus. Not only does Erickson’s work expand from Freud’s psychosexual stages of development but it has improved and broadened the concept and understanding (my opinion) of childhood development from a conscious perspective, thereby betiding core conflicts as a framework to support therapists for making appropriate interventions. Erickson’s stages seem to have built upon a systematic biological foundation of development. It makes sense. In life we all go through stages of life from conception to birth to adulthood and thus eldership. His theory demonstrates basic chronological characteristics.
Erick Erickson has made a huge contribution to the field of psychology with his developmental theory. Like Sigmund Freud, Erickson also saw that humans developed within stages of their life. With this he developed his eight psychosocial stages. Born on June 2, 1902 in Frankfort, Germany to a Jewish mother, Karla Abrahamsen and his biological father Valdemar Isidor Salomonsen. There isn’t much information on Erickson’s father because before he was even born his father abandoned his mother. Instead in 1905 his mother married Dr. Theodor Homberger who was also at the time Erickson’s pediatrician. Throughout Erickson’s youth he struggled with his identity because there wasn’t a father figure around his youth, Erickson never really knew
Shakespeare, William. "King Lear: A Conflated Text." The Norton Shakespeare. Ed. Stephen Greenblatt. New York:
In William Shakespeare's play, "King Lear", the main character, King Lear, claims to be "a man more sinned against than sinning"(3.2.60-61). Though a good king, King Lear's own actions cause his family and kingdom to fall apart. The sins committed against King Lear are a result of his personal faults of rashness, blindness, and foolishness.
The Consequences of Decisions in King Lear by William Shakespeare King Lear is a detailed description of the consequences of one man's decisions. This fictitious man is Lear, King of England, who's decisions greatly alter his life and the lives of those around him. As Lear bears the status of King he is, as one expects, a man of great power but sinfully he surrenders all of this power to his daughters as a reward for their demonstration of love towards him. This untimely abdication of his throne results in a chain reaction of events that send him through a journey of hell. King Lear is a metaphorical description of one man's journey through hell in order to expiate his sin.
...caused Lear to curse Goneril and Regan for not caring for him but for ruining his life. Goneril and Regan selfishness for power overwhelmed them leading to their lies of their love for their father and his power would never be returned so they could inherit all of his power.
Muir, Kenneth. "Great Tragedies I: King Lear." Shakespeare's Sources. London: Methuen & Co Ltd, 1957.
The first stage of Lear’s transformation is resentment. At the start of the play it is made quite clear that Lear is a proud, impulsive, hot-tempered old man. He is so self-centered that he simply cannot fathom being criticized. The strength of Lear’s ego becomes evident in the brutal images with which he expresses his anger towards Cordelia: “The barbarous Scythian,/Or he that makes his generation messes/To gorge his appetite, shall to my bosom/Be as well neighboured, pitied, and relieved,/As thou may sometime daughter.” (1.1.118-122). The powerful language that Lear uses to describe his intense hatred towards Cordelia is so incommensurable to the cause, that there can be only one explanation: Lear is so passionately wrapped up in his own particular self-image, that he simply cannot comprehend any viewpoint (regarding himself) that differs from his own (no matter how politely framed). It is this anger and resentment that sets Lear’s suffering and ultimate purification in motion.
No tragedy of Shakespeare moves us more deeply that we can hardly look upon the bitter ending than King Lear. Though, in reality, Lear is far from like us. He himself is not an everyday man but a powerful king. Could it be that recognize in Lear the matter of dying? Each of us is, in some sense, a king who must eventually give up his kingdom. To illustrate the process of dying, Shakespeare has given Lear a picture of old age in great detail. Lear’s habit to slip out of a conversation (Shakespeare I. v. 19-33), his brash banishment of his most beloved and honest daughter, and his bitter resentment towards his own loss of function and control, highlighted as he ironically curses Goneril specifically on her functions of youth and prays that her
Lear's vision is marred by lack of direction in life, poor foresight and his inability to predict the consequences of his actions. He cannot look far enough into the future to see the consequences of his actions. This, in addition to his lack of insight into other people, condemns his relationship with his most beloved daughter, Cordelia. When Lear asks his daughters, who loves him most, he already thinks that Cordelia has the most love for him. However, when Cordelia says: "I love your Majesty according to my bond, no more nor less." (I, i, 94-95) Lear cannot see what these words really mean. Goneril and Regan are only putting on an act. They do not truly love Lear as much as they should. When Cordelia says these words, she has seen her sister's facade, and she does not want to associate her true love with their false love. Lear, however, is fooled by Goneril and Regan into thinking that they love him, while Cordelia does not. This is when Lear first shows a sign of becoming blind to those around him. He snaps and disowns her:
Lear's relationship with his three daughters, Goneril, Regan and Cordelia, is, from the beginning, very uncharacteristic of the typical father-daughter relationship. It's clear that the king is more interested in words than true feelings, as he begins by asking which of his daughters loves him most. Goneril and Regan's answers are descriptive and sound somewhat phony, but Lear is flattered by them. Cordelia's response of nothing is honest; but her father misunderstands the plea and banishes her. Lear's basic flaw at the beginning of the play is that he values appearances above reality. He wants to be treated as a king and to enjoy the title, but he doesn't want to fulfill a king's obligations. Similarly, his test of his daughters demonstrates that he values a flattering public display of love over real love. He doesn't ask "which of you doth love us most," but rather, "which of you shall we say doth love us most?" (I.i.49). It would be simple to conclude that Lear is simply blind to the truth, but Cordelia is already his favorite daughter at the beginning of the play, so presumably he knows that she loves him the most. Nevertheless, Lear values Goneril and Regan's fawning over Cordelia's sincere sense of filial duty.
Erikson was a developmental psychologist and he was very well known at the time of his psychosocial development among human beings. Erikson developed eight stages that show growth across a lifespan in every human being. Each of the stages that Erickson developed, build on one another and after every successful stage the outcome is called “virtue”. Erikson believed that difficulty on one stage can have a result later on in life. There is one main contradiction between Erikson and Freud which is Freud was an ID psychologist, Erikson was an ego psychologist. He emphasized the role of culture and society and the conflicts that can take place within the ego itself, whereas Freud accentuate the conflict between the ID and the superego. (McLeod, S. A. (2013). Erik Erikson) The eight psychosocial development stages that Erikson developed are; trust vs. mistrust, autonomy vs. shame/doubt, initiative vs. guilt, industry vs. inferiority, identity vs. role confusion, intimacy vs. isolation, generativity vs. stagnation, and integrity vs. despair.
Erik Erikson is known for expanding Freud’s ideas of psychoanalytic stages and developed a theory of his own. Erikson developed the psychosocial development theory consisting of eight stages across the entire lifespan. His theory focuses on social interaction and conflicts that arise during these different
Erickson thought development was not gradual and and occurred through steps kind of like Freud. His steps were based on biological maturation, important new knowledge, and conflicts. He developed eight steps that focused on the changing of personality and developing your identity. Erickson developments stages differed from Freud's because Erickson focused on social environment and not sexual drives. Erickson believed that each stage in a person life that have to over come a psychosocial crisis and also learn a new skill. The stages took place through out your lifespan (Funder, 1997).
The first flaw in King Lear is his arrogance, which results in the loss of Cordelia and Kent. It is his arrogance in the first scene of the play that causes him to make bad decisions. He expects his favorite, youngest daughter to be the most worthy of his love. His pride makes him expect that Cordelia’s speech to be the one filled with the most love. Unfortunately for King Lear’s pride, Cordelia replies to his inquisition by saying, “I love your majesty/According to my bond and nothing less';(1.1.100-101). Out of pride and anger, Lear banishes Cordelia and splits the kingdom in half to the two evil sisters, Goneril and Regan. This tragic flaw prevents King Lear from seeing the truth because his arrogance overrides his judgement. Lear’s arrogance also causes him to lose his most faithful servan...