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King lear character analysis
Aristotle on tragedy
King lear critical commentary
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"How does Act 5 fit our expectation of a Shakespearean tragedy?" Shakespeare wrote King Lear in 1605 or 1606 when he was already a successful playwright. It is one of his many tragedies, although it includes some differences. Nevertheless, following a classical model, the fifth act is used to bring a conclusion to the play, thus the audience expects the events to be wound up, with justice done and right restored. According to Aristotle, the Greek philosopher, a tragedy should arouse emotions of pity and fear; King Lear can be put in parallel to these thoughts. First and foremost, a tragic story generally leads to, and includes the death of a hero. In King Lear, the protagonist dies in the last scene of the play following great suffering and apparent fatality. Nevertheless, what is particular about the hero in a Shakespearean tragedy is his ability to resist many harsh events, as Kent outlines it in Act 5 of King Lear: "The wonder is he hath endured so long. He has but usurped his life." This also reminds us that the story also depicts the troubled part of the hero's life that precedes and leads up to his death, which is exposed in the earlier acts and scenes. In addition, what is also typical of a tragic story is suffering and calamity, these factors reach they climax in Act 5 with the death of Cordelia which sets total confusion in Lear's mind whether she is really dead. Indeed, the "old majesty" first says she's "dead as earth" before saying, "she lives", these contradictions shows he can't accept his truly loving daughter that he has just got back to be dead. This frustration is noticeable in his words of desperation: "Cordelia, Cordelia, stay a little." where he calls for something he knows is impossible and is seeming to hear her speak. When he dies, we don't know if he thinks Cordelia lives, it's up to every audience member to make their opinion. Edgar tries to revive Lear, but Kent stops him, knowing that his master had reached the limit of suffering and was ready for death. Moreover Shakespeare's tragic heroes are men of rank, and the calamities that befall them are unusual and exceptionally disastrous. That is precisely the case in King Lear where the hero goes from being the most powerful man in the country to being "stripped". After giving away his kingdom, his daughters rebel against him and violently take power of the kingdom giving him no recognition; he eventually becomes nothing'.
In the play King Lear, Shakespeare used the main characters to portray the main theme. The main theme in this play is blindness. King Lear, Gloucester and Albany are three examples Shakespeare used to incorporate this theme. Each of these characters were “blinded” in different ways because of the wrong decisions they’ve made and later on regretted.
Once more, the consequences of Lear's single sin are felt. In a typically Christian or hopeful ending, King Lear would learn to listen to the caring friends he has, and become less selfish. Shakespeare, however, chooses not to end it so predictably or simply. Even after all of Lear's suffering and repenting, he continues to receive punishment. Cordelia, who he has now realized truly loved him most, is killed. Lear is left feeling hopeless, saying, "I know when one is dead, and when one lives. She's dead as earth," which seems slightly to refer to his now cynical view of the earth.
Most readers are aware of the many famous deaths or acts of death within the Shakespearean plays. And when the main characters die in Shakespeare’s plays, indeed, the readers would categorize the play as a tragedy. The problem with any tragedy definition is that most tragic plays do not define the tragedy conditions explained or outlined by Aristotle. According to Telford (1961), a tragedy is a literary work that describes the downfall of an honorable, main character who is involved on historically or socially significant events. The main character, or tragic hero, has a tragic fault, the quality that leads to his or her own destruction. In reading Aristotle’s point of view, a tragedy play is when the main character(s) are under enormous pressure and are incapable to see the dignities in human life, which Aristotle’s ideas of tragedy is based on Oedipus the King. Shakespeare had a different view of tragedy. In fact, Shakespeare believed tragedy is when the hero is simply and solely destroyed. Golden (1984) argued the structure of Shakespearean tragedy would be that individual characters revolved around some pain and misery.
Cordelia and Kent speak the truth which Lear does not want to hear. Their behaviour is foolish as they confront Lear, a mighty fortress of pride, in their willingness to be true and loyal to a father and to a king. Cordelia cannot heave her heart into her mouth and speaks plain, “I love your majesty according to my bond no more nor less”. In doing this she risks displeasing her father, furthermore she continues to displease him when she tries to make him realize his foolish behaviour. In the end she is willing to give her life for a father who has wronged her (when she returns to rescue him). Likewise Kent is also wronged when he confronts Lear with the true reality of things. In doing this he sacrifices his identity as Earl. Kent again risks his life when in disguise he returns to serve Lear again. In the end there are suggestions that he will follow Lear, his master, to the grave.
actions he dies from heartbreak, and in his death Lear's soul has chosen to pass on for
In the final scene, Lear is shown carrying his dead daughter, Cordelia, in his arms, realizing all the pain and suffering he’s caused for the both of them due to his fatal mistakes throughout the play. Essentially, Lear dies of a broken heart. Watching the daughter he always loved the most, was too much for him too bare. As David Bromwich stated in his journal, “King Lear at the end, by contrast, knows what has happened to him. He knows, even though he is barely conscious and therefore cannot begin to produce the self-recognition we may be looking for.” As mentioned earlier, Lear was going through and identity crisis throughout the play, and even though he understands what has happened to him, he’s unable to recapture who he is given everything that has happened. This ending for Lear was very telling and as a result of his tragic mistakes throughout the play, his catastrophic death is a fitting end to the life of the once “King”
This new Lear is certainly a far cry from the arrogant king we saw at the beginning of the play. Shakespeare has transformed Lear from an ignorant old king into some sort of god, using a seven stage process: resentment, regret, recognition, acceptance and admittance, guilt, redemption, and optimism. Lear’s transformation can be simply described as a transition from blindness into sight, he did not see the value in listening to others, but in the end he gained a sense of optimism and idealism. There is no doubting that Shakespeare has portrayed Lear as a flawed figure, who, through his misfortune and suffering, goes from a contemptuous human being to one who has been purified into an omniscient, godly type character, proving that ignorant people can truly change to become caring individuals.
ii. 48-50). Death, violence, and loss are woven all throughout the language, and in doing so, the physicality of such matters dominate the metaphorical world of the play. Perhaps the most tragic event in the play, the death of Cordelia allows the fullest expression of the tragedy’s address to personal morality. Like the other two daughters, Cordelia is an extension of Lear. Thus her death is an aspect of his own, allowing Lear to experience death and speak to the wrongness of it all. “No, no, no life! Why should a dog, a horse, a rat, have life, and thou no breath at all? (Shakespeare V. ii. 306-308).” Both unnatural and inevitable, the unjust death of Cordelia embodies our sense that death is wrong and outrageous. Most of us are not kings, but it may be true that in each of us is a King Lear who is unwilling to give our kingdom, our sense of privilege, our rights we think we have earned. We expect to cling on to our existence, and pretend death does not exist. As we continue to explore the psychology behind death, we find, as we so often do, that Shakespeare has been there before
Perhaps Lear's most difficult moment to endure is when he discovers his youngest and most prized daughter, Cordelia, dead. His initial reaction is of unbearable pain, but, being in his current state of madness, some of the anguish is alleviated when he "realizes" that she is alive. The king overcomes his earlier mistakes only after losing the one daughter who truly loved him. It's debatable whether Lear is completely conscious of his loss, but more plausible to suspect he is not fully affected by it as he is no longer in his right mind. Finally, Lear has dealt with the consequences of his decisions and is redeemed.
In the beginning of the play the reader learns that Lear is ready to give up his kingdom and retire from a conversation that two noblemen, Gloucester and Kent, are having. He asks his three daughters; Cordelia, Goneril, and Regan to express their love for him to help him make his decision as to who would inherit his kingdom. Cordelia has always been his “favorite” daughter and when asked how much she loved her father she does not lie to him and tells him “I am sure my love’s more ponderous than my tongue” (1363). Rather than being grateful for such love and honesty, Lear banishes her to France and divides his kingdom to his two other daughters. Kent does not agree with Lear’s decision and Lear banishes him too.
..., man must make the best of his existence. Nowhere in the play is there a stronger message of hope - amidst all of the suffering and chaos in the world, Lear and Cordelia will sing. This is why, perhaps, Shakespeare wrote Lear's death the way he did - the fallen king dies thinking that maybe, just maybe, his beautiful daughter has life.
King Lear is one of Shakespeare's more complex plays and within it many different themes are addressed and explored. King Lear is the somewhat unfortunate vehicle that Shakespeare uses to explore many of these themes creating a complex character including the roles of a father, king, friend and adversary.
King Lear is a play about a tragic hero, by the name of King Lear, whose flaws get the best of him. A tragic hero must possess three qualities. The first is they must have power, in other words, a leader. King Lear has the highest rank of any leader. He is a king. The next quality is they must have a tragic flaw, and King Lear has several of those. Finally, they must experience a downfall. Lear's realization of his mistakes is more than a downfall. It is a tragedy. Lear is a tragic hero because he has those three qualities. His flaws are his arrogance, his ignorance, and his misjudgments, each contributing to the other.
The Tragedy of King Lear King Lear is a tragic story by William Shakespeare is a story of a man King Lear and his decision that led to his fate and the fate of others. With every tragic story comes a tragic hero. The tragic hero of the story is King Lear. According to the definition of a tragic hero one must be born into nobility, endowed with a tragic flaw, doomed to make a serious error in judgement, fall from great heights or high esteem, realize they have made an irreversible mistake, and faces and accepts death with honor meets a tragic death. King Lear meets all of these qualities.