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The history of digital cinema
Digital + cinema + history
The history of digital cinema
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Introduction
A good movie can either be captivating or thrilling depending on the plot of the movie. Like the thrill of a rollercoaster, so is the thrill that comes from watching the King Kong movie. It is both captivating as well as intriguing in the sense that it provides rich thematic presence and sceneries. In this paper, the learner will take a look at the King Kong movie from a critical perspective to deduce whether the movie really should be living up to its fame.
The movie “King Kong” was a commercial success in 1933, although the great gorilla briefly flickered merely on a few hundred screens (Linn 35) and (Selznick, Cooper and Schoedsack n.pag). According to “Universal Studios Hollywood (13), King Kong’s story had to be repeated on smaller home screens through television for new generations of youth and adults to embrace it fully as their own, making the fable a fundamental part of our culture that is widely recognized by everyone. The original 1933 film of remains one of the central myths created in the 20th century (“Peter Jackson’s King Kong” 116 +). Its core conceits, scenes, imagery and dialogue diffused outward everywhere into the culture, as the essays in this very volume attest (“Peter Jackson’s King Kong” 117). King Kong is a constitutive work of genius. It remains as powerful a viewing experience today, even more than 70 years after it was created and first released (Linn 35).
King Kong Movie Summary
King Kong’s movie story opens in New York with preparations for a film to be made on location at ‘Skull Island’ which is reputed to be inhabited by prehistoric beasts (Selznick, Cooper and Schoedsack n. pag) and (“Universal Studios Hollywood” 13). The filmmakers sail for the remote island; the long voyage is ...
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...ng; Jurassic Park just Got a Lot Hairier." EGM [i] 2005: 34,34-35. ABI/INFORM Complete. Web. 4 Nov. 2011 .
"Peter Jackson's King Kong; Great Ape." EGM [i] 2006: 116,116-117. ABI/INFORM Complete. Web. 4 Nov. 2011 .
RKO Pictures, 1933. 100 minutes - Black & White. Merian Cooper and Ernest Schoedsack.
Selznick, D.O., Cooper, C.C., and Schoedsack, E.B. “King Kong” (1933), Motion picture. United States: RKO Radio Pictures.
"Universal Studios Hollywood; King Kong Re-Emerges in a Fierce New 4-D Attraction in 2010 at Universal Studios Hollywood, the Entertainment Capital of L.A., as "the Eighth Wonder of the World" Rises from Ashes to Astound Studio Tour Guests." Entertainment Newsweekly. 19441673 (2009): 13. ABI/INFORM Complete. Web. 2 Nov. 2011.
2. According to Sobchack, contemporary screen violence greatly differs than portrayals of violence in years past. Today, violent scenes are careless and lack significance because we as audiences have become calloused and desensitized to any acts of violence. She states that there is “no grace or benediction attached to violence. Indeed, its very intensity seems diminished” (Sobchack 432). Senseless violence, gruesome acts, and profound amounts of gore are prevalent in movies today, and because even this is not enough, it must be accompanied by loud blasts and noise, constantly moving scenes to keep audiences stimulated and large quantities of violence for viewers to enjoy what they are watching. Decades ago, it was the story that was engaging to audiences and filmmaking was an art.
Cynthia, Erb. Tracking King Kong: A Hollywood Icon in World Culture - Ch. 1: A Showman’s Dream: The Production and Release of King Kong. Wayne State Univ Pr, 1998.
Wizard of Oz, The. Dir. Victor Fleming. Perf. Judy Garland, Frank Morgan, and Ray Bolger. Warner Bros., 1939.
One could easily dismiss movies as superficial, unnecessarily violent spectacles, although such a viewpoint is distressingly pessimistic and myopic. In a given year, several films are released which have long-lasting effects on large numbers of individuals. These pictures speak
I chose to view the movie Lion, a movie based on the book A Long Way Home by Saroo Brierley. This movie is about a five-year-old boy, Saroo, living in a poor, rural area in India. Saroo convinces his older brother Guddu, to let him tag along and find work in a nearby city. Saroo ends up trapped and alone in a decommissioned passenger train that takes him to Calcutta, over 1,000 miles away from his home.
It is quiet rare to watch a film that trumps its novel origins. Film version of movies are often less detailed, give poor representation of true characters, and are frequently just plain laughable in comparison to “the real deal.” However, the best selling memoir, “Wild: A Journey from Lost to Found” offers a framework that simply begs to be put into motion picture.
Steven Spielberg’s Jaws (1975) and his other film Jurassic Park (1993) both contain a major theme of what makes a successful hero in society. In Jaws, police chief Martin Brody must successfully eliminate the threat of a Great White Shark from attacking Amity Island. In Jurassic Park, billionaire John Hammond creates a theme park where cloned dinosaurs come alive, hoping that his ideal resort becomes a major success. Through the use of film style elements, such as editing and mise-en scene, Spielberg develops Brody’s character as a person who must learn from his past mistakes in order to become a successful hero while Spielberg creates Hammond’s character as a man who only sees himself as a hero of science and technology without realizing his attempted control over nature is what leads him to his ultimate failure.
Christie, Ian (1 August 2012). "The Top 50 Greatest Films of All Time". Sight & Sound. British Film Institute. Retrieved 12 May 2014
It is no doubt that Martin Scorsese has heavily influenced the emulating of American film making from European influences. He is a prime example of a ‘New Hollywood Cinema’ director, not only from his ethnicity and background, but from his sheer interest in this form
Film, as a traditional and beloved media, has been influential on people's life. We spend time in the cinema to be entertained, touched, scared and experience romantic love story and exotic places. As one of the most famous film industry base in the world, Hollywood, produces and sell their movie products all over the world.
The Lion King. Dir. Roger Allers and Rob Minkoff. By Irene Mecchi, Jonathan Roberts, Linda
Postmodernism theory when associated with films can be represented as the delay of skepticism audience is broken in order to free public understanding of the work of the director. Small alterations are made to create a different and important meaning in the vision of the public. The director has created a work of art that takes the audience of conventional and emotional attachment to the subject, creating a new point of view.
Hundreds of thousands of Hollywood's most famous celebrities have graced the halls of the Chinese Theatre, at movie premieres and ceremonies. In the Book Hollywood Cinema written by Richard Maltby, he says“it was once stated ‘To visit Los Angeles and not see the Chinese Theater is like visiting China and not seeing the Great Wall’ [Grauman’s] Chinese Theater has been a part of Los Angeles history for over seventy five years”. The Chinese Theater, in Holl...
“Entertainment has to come hand in hand with a little bit of medicine, some people go to the movies to be reminded that everything’s okay. I don’t make those kinds of movies. That, to me, is a lie. Everything’s not okay.” - David Fincher. David Fincher is the director that I am choosing to homage for a number of reasons. I personally find his movies to be some of the deepest, most well made, and beautiful films in recent memory. However it is Fincher’s take on story telling and filmmaking in general that causes me to admire his films so much. This quote exemplifies that, and is something that I whole-heartedly agree with. I am and have always been extremely opinionated and open about my views on the world and I believe that artists have a responsibility to do what they can with their art to help improve the culture that they are helping to create. In this paper I will try to outline exactly how Fincher creates the masterpieces that he does and what I can take from that and apply to my films.
Classic narrative cinema is what Bordwell, Staiger and Thompson (The classic Hollywood Cinema, Columbia University press 1985) 1, calls “an excessively obvious cinema”1 in which cinematic style serves to explain and not to obscure the narrative. In this way it is made up of motivated events that lead the spectator to its inevitable conclusion. It causes the spectator to have an emotional investment in this conclusion coming to pass which in turn makes the predictable the most desirable outcome. The films are structured to create an atmosphere of verisimilitude, which is to give a perception of reality. On closer inspection it they are often far from realistic in a social sense but possibly portray a realism desired by the patriarchal and family value orientated society of the time. I feel that it is often the black and white representation of good and evil that creates such an atmosphere of predic...