The Madness Inside, or Outside Hamlet

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One of the most controversial pieces of Hamlet is whether Hamlet’s madness is real or if he is faking it. If his madness isn’t real, and he is feigning it, it opens up the idea that he is using his madness as a distraction in order to divert attention from his true actions of killing Claudius. In The Lion King, Simba doesn’t have any of his own madness, but his friends Timone and Pumba supply him with some of their own. Timone and Pumba are Hamlet’s madness, but instead of Simba being mad himself, it is projected onto others. Timone and Pumba help Simba push the death of his father out of his mind, help him push the thoughts of his own death out of his mind, and help create a distraction for him realize his destiny of taking his rightful place as king.
The story of The Lion King and the tragedy Hamlet are parallel stories. Both journeys take the recalcitrant protagonist through the loss of their fathers’ and on a journey to discover who was there to seal their fathers’ fate. Once the characters learn that the said person is one of their own family members they realize that in order to restore order they must avenge their fathers’ deaths. This decision would not have been made without the madness that both Simba and Hamlet face to face with.
The tragedy of Hamlet begins approximately two months after the passing of King Hamlet, but in all of that time Hamlet has not moved on. He acts like his father’s death happened the previous day. He can’t let go of his father’s death. Gertrude tells Hamlet that he needs to move on when she says,
Good Hamlet, cast thy nighted color off,
And let thine eye look like a friend on Denmark.
Do not for ever with thy vailèd lids
Seek for thy noble father in the dust:
Thou know'st 'tis common...

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...an important piece of Hamlet. Without the madness Samba would not have been able to push past his father’s death, would have committed suicide, and not have taken his rightful place as king. Without the madness the story would have progressed differently. That is why the writers had to incorporate the madness somehow. Their clever use of Timone and Pumba as a way to introduce Simba’s madness allowed the story to progress in the same way, without the confusion that the madness of whether Hamlet was truly mad or not that was introduced in Hamlet.

Works Cited

Shakespeare, William, and Harold Jenkins. Hamlet. London: Methuen, 1982.
The Lion King. Dir. Roger Allers and Rob Minkoff. By Irene Mecchi, Jonathan Roberts, Linda
Woolveton, Time Rice, Elton John, Matthew Broderick, James Earl Jones, and Jeremy Irons. VHS. Buena Vista Pictures Distribution, Inc., 1994.

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