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Drama essay on absurdism
Drama essay on absurdism
Theory of absurdism
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20607281 PHIL 265 Online Midterm October 25, 2017 Part 1 – Explanations (worth 25 marks each) 1. On p. 53 of the Myth of Sisyphus, Camus maintains that "[life] will be lived all the better if it has no meaning". Explain what you think Camus means by this claim by discussing it in light of relevant aspects of his broader philosophy. Camus’ philosophy of absurdism states that life has no inherent meaning, and that search for meaning will only result in confrontation with the absurd. His quote, “[life] will be lived all the better if it has no meaning”, perfectly exemplifies the meaning behind his philosophy. I believe this quote is describing what happens when one confronts the absurd head-on and embrace it, rather than evade it. This idea …show more content…
We must first define what it means to be ethical and what it means to be religious. Kierkegaard believed that there are three levels of existence: aesthetic, ethical, and religious. The aesthetic is when one lives according to pain and pleasure, ethical is when one lives according to the universally true values of society, and religious when one lives in accordance with the religious centre of existence. (Lecture Notes, 7). Teleological suspension of the ethical simply means that the ethical can be suspended, or disobeyed, in order to fulfill the religious. This can be explained through using Abraham’s story from Genesis. In the story, Abraham is ordered from God to sacrifice his only son, Isaac. Kierkegaard argues that the action of human sacrifice can be considered ethical if the purpose is to serve the society, such as the case of Agamemnon and Iphigenia. (Kierkegaard, FT, Problem One) In Abraham’s case, however, he would simply be considered as a murderer since his action would not benefit society. Kierkegaard suggests, however, that Abraham’s action is justified due to teleological suspension of the ethical – that he suspended his ethical obligation for faith, and that religious faith can replace the ethical. This creates a paradox – how can an individual’s experience be higher than, and supplant something universal? According to …show more content…
To him, any action other than confronting the absurd face-first would be considered as an act of eluding. This elusion can be found in many forms, one of them being suicide. Suicide can be thought of as the consequence of the absurd – when someone realizes that there is no meaning in life. They try to escape this fate by killing themselves, thus freeing them from the idea rather than battling it. In Camus’ mind, this is similar to Kierkegaard’s idea of accepting the absurd. Kierkegaard states that one must have faith in God to battle this feeling of anxiety. Kierkegaard is eluding from the true way of fighting the absurd by making it “the criterion of the other world, whereas it is simply a residue of the experience of this world”. (Camus, MS, Philosophical Suicide) Therefore, his interpretation fits the description of suicide. Only in this case, the person is not killing themselves, rather killing their rational thinking through a leap of faith, thus the term philosophical
...inal moments. Secondly, by embracing his fate, he gains a sense of compassion from the reader, who, by default, will begin to feel pity for this tortured soul. Morally, it would be impossible to judge this sort of act "evil," but also equally difficult to label it "good." Again, this is Camus' personal philosophy emerging through his literature, almost seeming to beg the audience not to pronounce judgment.
Taylor is careful to identify exactly which features of Sisyphus predicament account for the lack of meaning. He argues that the facts that Sisyphus task is both difficult and endless are irrelevant to its meaninglessness. What explains the meaninglessness of Sisyphus’s life is that all of his work amounts to nothing. One way that Sisyphus’s life could have meaning, Taylor proposes, is if something was produced of his struggles. For example, if the stone that he rolls were used to create something that would last forever then Sisyphus would have a meaningful life. Another separate way in which meaning might be made present is if Sisyphus had a strong compulsion for rolling the stone up the hill. Taylor points out, though, that even given this last option, Sisyphus’s life has not acquired an objectives meaning of life; there is still nothing gained besides the fact he just ...
Several philosophers have made differing viewpoints regarding the outlook of life. Richard Taylor and Albert Camus are notably known for presenting their thoughts on whether life is meaningless or not through the use of the Greek myth of Sisyphus. The two philosopher’s underlying statement on the meaning of life is understood through the myth. The myth discusses the eternal punishment of Sisyphus who was condemned by the Gods to take a large boulder up a hill, only to have it roll back down, forcing him to repeat this task endlessly. Each conceive the myth in their own way and ultimately end with a conclusion that differs from each other. Taylor’s ideals and his take on the meaning of life contrast with what Camus presents in his argument. While Taylor suggests that there is a subjective meaning to life, Camus states that life is ultimately meaningless.
Fear in To Kill a Mockingbird by Harper Lee Fear is an important force in the novel because it is the cause of most people's actions. The main theme in the book is a result of fear. such as the Tom Robinson case and Boo Radley. Ignorance breeds fear which in turn breeds prejudice. Fear is infectious, and each character.
To Kierkegaard, the whole biblical story is a paradox. “Thinking about Abraham is another matter, however; then I am shattered. I am constantly aware of the prodigious paradox that is the content of Abraham’s life, I am constantly repelled, and, despite all its passion, my thought cannot penetrate it, cannot get ahead by a hairsbreadth” (Fear and Trembling, 12). Faith to Kierkegaard is even paradoxical. “Precisely because resignation is antecedent, faith is no esthetic emotion but something far higher; it is not the spontaneous inclination of the heart but the paradox of existence” (Fear and Trembling, 19). Under the ethical, Abraham was going to commit murder. Kierkegaard uses an example of a preacher going to him after the murder and screaming, “You despicable man, you scum of society, what devil has so possessed you that you want to murder your son” (Fear and Trembling, 10). He knows that murder cannot be ethically disclosed and wonders how that can be faith. Under the absurdity of faith, Abraham’s crime of murder becomes a merited duty to his Creator. “The ethical expression for what Abraham did is that he meant to murder Isaac; the religious expression is that he meant to sacrifice Isaac” (Fear and Trembling, 11). Abraham had to suspend his duty to the universal, or the ethical in order to carry out his duty to God. The Christian must make an existential leap out of the universal to acquire faith. This ultimately means that faith is higher than the un...
In Albert Camus’ novel The Stranger, a young man named Mersault lives his life differently than the expectations of society and does not seem to see a purpose in life. His character implies that life is meaningless and living just like everyone else in society prevents individuals from discovering the true meaning of life. Camus famously stated: “You will never be able to be happy if you continue to search what happiness consists of. You will never live if you are looking for the meaning of lie. Most readers of the novel immediately misjudge Mersaults’ character as they begin to read the first paragraph of the novel, which begins with his being informed about his mother’s death and funeral. Due to the fact that Mersaults’ character seems unaffected emotionally by his mother’s death, he is immediately looked negatively by readers. There are possibilities that Mersault reacts this way such as him not seeing the point in life or death. He does not seem to care about anything around him and has not yet discovered the purpose in his life. Mersault’s indifference from the people around him makes him seem like a guilty man under certain circumstances. Because of his carelessness he ends up killing an Arab man for no reason and finding himself in jail. His character does not regret his actions and is immediately seen as a greater victim when the judge and jury hear witnesses testify about how he reacted to the death of his mother. After he is found guilty he spends the last few months of his life locked behind bars and surrounded by nothing but four walls. Camus is conveying that Mersault finally discovers his purpose in life right before it is about to end along with discovering his true self when he is isolated in the jail cell and away...
This is the idea that the reader can ponder. Still, people are always allowed to have their own opinions. However, Kierkegaard tries to show that nobody can judge another until the result can be seen. The end does justify the means.
The trial and conviction of Meursault represents the main ideals of absurdism, that truth does not exist, and life is precious. The jury’s attempt to place a proper verdict on Meursault is compared to mankind’s futile attempt to find order in an irrational universe. Because there is no real truth in the trial, the verdict was unfair and illogical. Camus uses his beliefs of truth not existing and life being precious to point out the absurdity of the judicial system, and suggest the abolishment of the death penalty.
While Kierkegaard’s analysis of the superiority of the Knight of Faith in relation to those who follow the aesthetic life or ethical life is correct, he fails to acknowledge that faith can be rooted in joy and love, and can be far more spiritual and fulfilling than faith alone. This is the angst-ridden and unfortunate symptom of an existential despair, and does not truly reflect the complicated relationship between man and God.
In 1962, writer Mark Esslin took pleasure in composing the novel Theatre of the Absurd and quickly became a major influence on the works of many inspired writers. Esslin subsequently made ensuing plays and stories which focused on nonspecific existentialist concepts and which did not remain consistent with his ideas, rejecting the “narrative continuity and the rigidity of logic.” As a result, the protagonist of these stories is often not capable of containing himself within his or her disorderly society (“Theatre”). Writer Albert Camus made such an interpretation of the “Absurd” by altering the idea into his view of believing it is the rudimentary absence of “reasonableness” and consistency in the human personality. Not only does Camus attempt to display the absurd through studied deformities and established arrangements; he also “undermines the ordinary expectations of continuity and rationality” (“The Theatre”). Camus envisions life in his works, The Stranger and “The Myth of Sisyphus,” as having no time frame or significance, and the toiling endeavor to find such significance where it does not exist is what Camus believes to be the absurd (“Albert”).
In Albert Camus’ novel, The Stranger, the protagonist Meursault is a character who has definite values and opinions concerning the society in which he lives. His self-inflicted alienation from society and all its habits and customs is clear throughout the book. The novel itself is an exercise in absurdity that challenges the reader to face the nagging questions concerning the meaning of human existence. Meursault is an existentialist character who views his life in an unemotional and noncommittal manner, which enhances his obvious opinion that in the end life is utterly meaningless.
An absurdist tends to discover meaning despite living in a meaningless world and are unable to fully accept and understand that every life ultimately ends. Depending on a person’s ethics and morals, some indications can be made on how someone’s life may transpire with each differing and playing a role. These people often partake in unethical and immoral actions, aware of it or not, in order to achieve some type of meaning in their absurdist life. In the novel The Fall, by Albert Camus is about an Absurdist man who used to be a judge penitent in Paris before he moves to Amsterdam. While living in Paris, Clamence lives a life full of lies as he views himself superior, as he tends to help the least fortunate. In reality, his motives are flawed
The idea of the Absurd seems to attach itself to meaningless, pointless and other such words that express a destination but without the means to get there and vice versa means but no destination. So from there I inferred that Camus does not believe in God, nor any high law or universal law that are associated with a divinity, which is a path in life (either the means or the destination). So what is an Absurd? The Absurd is living, a quest to find the meaning of anything within a reality with no purpose. Reality has no purpose because there is no high law, a universal law, nor a God.
We as humans, according to Camus, seek meaning. As humans we look for answers in a meaningless universe that yields no such comfort to our questions. Camus says it is absurd to shout into this void for answers. Since there is no such meaning, you as a free agent can choose to find meaning by taking a leap of faith, placing your hopes in a god, or choose to conclude that life is meaningless which results in suicide. Those that judge life as unworthy of living commit suicide. Since there is no such meaning, you as a free agent can choose to find meaning by taking a leap of faith, placing your hopes in a god, or choose to conclude that life is meaningless which results in suicide. Is suicide always the result of a