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An essay about life and death
An essay about life and death
Essay on theatre of absurd
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The ideas of life and death are often questioned and it’s hard to find a way to explain what happens, but the theory of Existentialism and the practice of Absurd Theatre take a look at these ponderings. Existentialism is a philosophical idea that was focused on trying to find life’s purpose and while answering the questions about death and meaning to life that was explored by Tom Stoppard, in his absurd play, Rosencrantz and Guildenstern Are Dead. Existentialism is a philosophy centered on the analysis of why humans exist and what their purpose is to life through trying to look at things such as the ideas of death and the meaning of life (Existentialism 1). It is centered on the ideas of finding yourself through free will, choice and personal …show more content…
Absurd theatre was first explored with the ideas of silent film and comedy with actors such as the Marx Brothers and Laurel and Hardy (Ahmed 3). As a result of trauma and the threat of nuclear war after World War Two, the thoughts of absurd theatre became a way of life. (Crabb 2) The people living in the world saw no way out and were looking for answers because life had become meaningless in their eyes. The person that was given credit to starting absurdist plays was created by Martin Esslin but inspired through Albert Camus’s Myth of Sisyphus (Maslin 2). In the Myth of Sisyphus the idea of absurd theatre was presented when the main character had to complete a pointless act with no progression. This reminded people of the life they were living in post war society. Absurd theatre uses no religious dimension but tries to use myth and ritual to bring back meaning into the life that people live (Ahmed 1). Absurd theatre aims to through existential beliefs to break down people’s confidence so they have no sense to who they are and where they belong. The characters are often living in a world of nonsense and have to reestablish their connection with the universe (Ahmed 2). They do this by learning through the decisions they make in life. There are many elements that help make the absurd theatre …show more content…
It is a behind the scenes look at a viewpoint you don’t get to see during Hamlet. The characters Rosencrantz and Guildenstern are behind the scenes of the story Hamlet and watch the events unfold. They often debate the philosophical questions of free will versus predestination and throughout their debates they are trying to prove absurd questions with existential answers. It was written in 1966, the prime time for existentialists and absurdist’s (Bas 1). Stoppard connected the play to these views in many ways with absurd theatre. His play analyzed the views of human existence, with meaningless communication, while distorting character and tapping into a force that controls everything outside of nature (Bas 2). Stoppard did a very swell job at connecting everything together and making people
Stoppard’s existentialist philosophy emphasized on personal freedom and the option of direction of life with possibilities that are less limited. These two contrasting values of society significantly control the reader’s perception when studying the way they were ‘transformed.’ An instance of the religious diversifications is the beliefs and ideals on death. In the play ‘Hamlet’ death is displayed as dramatic and violent with examples involving sword fights and poisoning. Due to his beliefs, Stoppard brings the probability that death isn’t an event that causes judgment by some divine values of the Elizabethan Christianity. This is displayed by Guildenstern when he defines death as “simply failing to re-appear”. The comparison here depicts death’s uncertainty, and by this transformation the reader comes to the opinion that death is like secrecy to all of us, no matter what era or beliefs one mi...
A term coined by the critic Martin Esslin, 'The Theatre of the Absurd' refers to the work of a number of playwrights, mostly written in the 1950s and 1960s. Its roots lie in an essay by the French philosopher Albert Camus. In his 'Myth of Sisyphus', written in 1942, he first defined the human situation as basically meaningless and absurd.
When French Noble Prize winning author, journalist, and philosopher, Albert Camus, died in 1960 at the age of 46 his literary works that incorporated ideas of existentialism and absurdism were still studied and interpreted by scholars and his colleagues. Existentialism was one of the two philosophies Camus believed in and used in his works; existentialism is philosophical movement that focuses on the importance of the individual experience and self responsibility. The individual is seen as a free part of a deterministic and meaningless universe. The second philosophy Camus used and believed in was absurdism; a philosophy based on the idea that life and work are meaningless and looking for order causes inner and outer chaos. Camus had a dual culture as he was born in Algeria and lived most of his life in France, his cultural duality also is expressed in his works.
Many messages are revealed throughout Tom Stoppard’s play Rosencrantz and Guildenstern are Dead including the use of language, the question of identity, and the uncertainties of life or death. The use of language throughout the play is remarkable and basic words have many different meanings or representations. Also, Rosencrantz and Guildenstern, or Guildenstern and Rosencrantz are always getting confused showing that no one knows who they are and it makes them question their identity. Lastly, both life and death both hold many uncertainties and we can never be sure of anything. We don’t know if the life we are living is real or if it is just a dream and we don’t know what happens after death. Yet, these are just a few messages from a play that contains thousands of metaphors.
Stoppard gives Rosencrantz and Guildenstern an existence outside ‘Hamlet’, although it is one of little significance and they idle away their time only having a purpose to their lives when the play rejoins the ‘Hamlet’ plot, after they have been called by the King’s messenger: “There was a messenger...that’s right. We were sent for.” Their lives end tragically due to this connection with ‘Hamlet’, predetermined by the title, but the role provided them with a purpose to their otherwise futile lives, making them bearable. Their deaths evoke sadness and sympathy leaving the reader grieving for them.
The plots were different. The dramatists believed that the human existence is absurd and they used comedy in their plays such as ,Beckett's Waiting for Godot,(1953) (Drabble3). Beckett has tackled political themes in his plays such as, Catastrophe (1982), and What Where (1983) which deals with torture and totalitarian. Beckett's plays are not intellectually understood. Besides, irony was used in his works and his plays are closed compositions. The characters from the beginning until the end remain the same without development. In the Absurd Theatre the writers selected strange names for their works in order to reflect their rejection of the norms and the conventional values (Innes428-31). As for the Naturalistic Theatre, it rejects the natural laws. The naturalists and the realists share the same idea that the issues of the middle and lower classes should be tackled in the literary works. The writers at that time focused on the influence of the economic and material environment (drabble
Existentialism is a philosophical theory or approach that emphasizes the existence of the individual person as a free and responsible agent determining his or her own development through acts of the will. To Sartre, saying that som...
Shakespeare’s Hamlet was written in the sixteenth century Elizabethan historical context, where certainty was questioned and there was a growing importance of individuals and their choice as opposed to fate. Influenced by the Renaissance, Shakespeare wrote in the tradition of the revenge tragedy. Stoppard however, who was living in a time of disillusionment due to the tragedies of two world wars, was influenced by the existential movement. Disregarding the past and future due to a lack of trust, Stoppard wrote in a tradition known as the Theatre of the Absurd incorporating existentialism. He uses various processes to adapt and transform the values and ideas influenced by the sixteenth century Elizabethan context in Hamlet to reflect the twentieth century evasion of reality unless it is in a reflexive and directionless present.
The transformation of a Shakespearean Revenge Tragedy into an Absurd Drama means a considerable change in structure from a well-structured and rigid format, into a chaotic and formless play. Stoppard deliberately alters the configuration of the play to create a confusing atmosphere, which creates the exact feeling of society in the 1960s- no definites or certainties to rely on. Language portrays meaning in both plays- the language of Rosencrantz and Guildenstern are Dead differs to that of Hamlet. Stoppard employs meaningless colloquial exchanges, such as Rosencrantz and Guildenstern’s question game, which strongly contrasts to Shakespearean elaborate and poetic verse, as seen throughout the play, especially in Hamlet’s soliloquies- “There is sp...
Existentialism is defined as a philosophical movement that human beings are completely free and responsible for their own actions. Existentialists will try not to cause waves and remain completely uninvolved with anyone because they do not want to hurt anybody. There is absolutely no such thing as an existentialist because he would have to be so uninvolved to the point where he would not be able to live at all. Although the two stories: The Metamorphosis by Franz Kafka and The Stranger by Albert Camus are very different in approach, their endings are similar in that they both support the basics of existentialism.
Existentialism is the epitome of the unknown. There is no straightforward explanation of what exactly it is, there is only certain characteristics and behaviors that describe existentialist views. Throughout today’s world, there are examples of it everywhere, it’s found in movies, books, songs, and just people in general. Existentialists are known to think and do for themselves only. They believe that to understand what it means to be human requires understanding of themselves first. Some very well known pieces of entertainment existentialism is found in are: Hamlet by William Shakespeare, The Metamorphosis by Franz Kafka, “The Yellow Wallpaper” by Charlotte Perkins Gilman, The Stranger by Albert Camus, and The Breakfast Club by John Hughes. The Stranger is a book written about a young man whose mother dies, which soon leads him to becoming acquainted with the feeling of not caring about what his actions do to others or himself. The main character Meursault starts helping his friend Raymond, carry out ways to torment his mistress. Out of nowhere while at the beach, Meursault shoots Raymond’s mistress’s brother. He is thrown into jail and tried, but he seems to not be affected as much as he should about his actions. He first finds it hard to live without cigarettes, women, and nature, but he soon finds out he doesn’t need any of those. After being sentenced to death, he is suggested to turn away from his atheism but later realizes that human existence has no greater meaning. This realization and acceptance is what truly makes him happy (Camus). Next, The Breakfast Club is a very relatable movie about high school students suffering the consequences of their actions in detention. The kids are all of ...
Overall, Rosencrantz and Guildenstern are Dead should be recognized as an existentialist play due to the many existentialist ideas that come from the main characters. Rosencrantz and Guildenstern constantly bring up the idea that life is meaningless and because of this they try to search for meaning but they seemingly find nothing. Tom Stoppard’s Rosencrantz and Guildenstern are Dead can be considered an existentialist play due to the ideals of the main characters and their search for meaning in an absurd world.
Existentialism is a phiosophy which revolves around the central belief that we create ourselves. External factors are not important. It is the way that we let external factors affect us that determines who we are. As individuals we all have the freedom to choose our own path and that is what life is all about. Along with the freedom of choice comes the responsibilty of one's actions which can make some people anxious but give others meaning to their lives. To overcome this anxiousness and accept responsibilty is to meet the challenges of life and to truly live it. I can adopt the existentialist approach which states that to live life is to experience happiness and absurdness and to appreciate both as a part of life.
Existentialism is a branch of philosophy mostly concerned with the ideas of choice, meaning, and the limits of existence. Existentialism denies any form of predetermined systems, for they generally imply an external source of meaning, or power. Existentialism is often misconstrued of being nihilistic (if there is no predetermined meaning, then the world is completely meaningles...
In response to the bloody battles of World War I, the Theatre of the Absurd was born. Soldiers surrounded by death and destruction often found no other relief but to laugh at the absurdity of noble, but increasingly meaningless traditional rhetoric and patriotism. This laughter was a response to not only the absurdity of their situation, but also to the absurd responses of others to their situation. Out of this response grew what we know today as the Theatre of the Absurd. A classic example of a work from the Absurdist Theatre is a piece known as Rosencrantz and Guildenstern Are Dead. In this work, John Stoppard uses allusion to T.S. Eliot's poem, "The Love Song of J. Alfred Prufrock", and Shakespeare's Hamlet to help the audience understand the play.