To many people, the “American dream” is having a decent job, a nice family, and a white picket fence in the suburbs. But what actually happens behind that white picket fence? Sam Mendes’ 1999 film, American Beauty, explores what happens behind closed doors of a seemingly perfect and normal family in American suburbia. The film plays on many different emotions; ranging from funny and whimsical to sad and tragic. American Beauty utilizes remarkable cinematography and stunning visual images, realistic characters, and relatable themes to show the journey of a man breaking free from the everyday monotony of the American suburban life, which urges watchers to look closer and find the beauty in life. The film American Beauty details the miserable life of Lester Burnham, a middle aged man stuck in a boring, dead-end job, living in the suburbs with his perfectionist wife, Carolyn, and his …show more content…
Lester is the main protagonist of the film, but as supported by the author in the article “Looking Closer: Structure, Style and Narrative in American Beauty", there are actually multiple protagonists in the film (Law 124). Although the main story is framed around Lester, the other protagonists play key roles. The characters in American Beauty each have their own internal struggles. While Lester desires to become his true self, Carolyn struggles with keeping up her appearance of having a perfect life in order to be seen as successful, while Jane is coping with the trials of adolescence. Each of the character’s struggles help drive the different themes of the film in different ways. The main example of this would be Lester’s break from imprisonment, but also Carolyn’s desire to have the perfect life exemplifies the materialism of American suburbia. Because of their relatability, the characters in American Beauty help engage audiences in the
During the process of reading this compilation of works, Portrait of America, many different point of views were aired. The opinion or attitude on the subject was too tainted. The authors were very biased to their perception of the "story". This book could have been much more beneficial if the facts would have stayed to the straight and narrow. Only the detrimental facts needed to be applied to these chapters. For a history class, as broad as this, this book opened too many doors that could not be explained in as much detail as would be liked. Many of the authors enjoyed mentioning the most scandalous moments of the people's lives then dropped the fact without much support or follow through as to what happened to cause or end these events. Brief summaries only tease the mind, and with the course load of most students, there is hardly extra time to investigate the matter further in detail. For a class such as History 152, biographies and/or documentary style books are more worth the while of the student. For instance make a list of a selection of novels that could be read for the class, so that every student can then explore in depth what that student thinks is interesting. Although the book was teasing in nature the chapters did flow well and were easy to read. The procession of the chapters had wonderful transition as to not loose the student. While proceeding through this book there were several different reoccurring topics that appeared. This paper will discuss these two reoccurring topics: the civil rights movement and former presidents.
This movie is about David and Jennifer, who live in Southern America in the ‘90s which was said to be a liberal state, are sent from reality to a TV show ‘Pleasantville’ in 1950s. From reality looking through this TV show, Pleasantville looks like an ideal place for people to live in, but getting a closer look and being part of this world you actually realize that it is very different from what is shown on TV. After David and Jennifer arriving to Pleasantville, they become colorless, everything there is either black, white or gray. People then expose their conservative lifestyles with suppression of sexuality, discrimination and restrictive of personal liberty and imagination. In Pleasantville, people assume that there is no outside world other
The American Dream is a major in American Literature. According to James Truslow Adams, in his book Epic of America, this dream promises a brighter and more successful future, coupled with a vision based on everybody being equal irrespective of their gender, caste and race. It emphasizes that everyone is innately capable of achieving his or her dreams with hard work. In F. Scott Fitzgerald's novel The Great Gatsby, the American Dream is portrayed by Jay Gatsby's vision of attaining the social status he desires. Gatsby can achieve his dream once he marries Daisy Buchannan, a young woman he met in Louisville, where he falls in love with the opulence that surrounds her. Throughout the book, the motifs of the green light and fake facade are used to signify Gatsby's hope and never ending lust for status respectively. Gatsby's obsession with restructuring his past leads to his failure. Fitzgerald uses these motifs of the green light, fake facade and past to showcase Gatsby's objectification of his American Dream.
Americans live in constant pursuit of what they want more than anything, the American Dream. The perception of the American Dream varies from person to person, depending on what they hope to accomplish. In The Great Gatsby and Of Mice and Men the American Dream manifests in various extravagant and corrupt forms. The lives of these characters revolve around achieving their version of the American Dream.
Reality. Merriam Webster’s Online Dictionary defines reality as “something that is neither derivative nor dependent but exists necessarily.” But what is real by today’s standards? Does what appears to be normal equal reality? By looking at two different films it seems that the old cliche stands correct. Things aren’t as they appear. American Beauty and The Virgin Suicides give classic examples of how “normal” and “happy” suburban life is anything but. American Beauty, directed by Sam Mendes (1999) and The Virgin Suicides, directed by Sofia Coppola (2000), share many of the same themes even though the plots are contrasted. Underneath the layers of white picket fences, beautiful houses, and safe neighborhoods, lies a truth. A truth so dark that it leads to the destruction of many characters in both of these movies.
Durkheim's concepts of the sacred and the profane has dominated religious and social commentary for decades. While these two, inexorably linked, concepts are most often related with respect to religion, we can apply them to the almost-religion of the “American Dream” for the purpose of analyzing the lives of Lester and Carolyn Burnham, Buddy Kane, and Angela Hayes in the film “American Beauty.” In “American Beauty” the experiences of the characters illustrates the dichotomy between the sacred and profane, the morality associated with the sacred and profane, and the influences the sacred and profane have on the characters.
In recent times, such stereotyped categorizations of films are becoming inapplicable. ‘Blockbusters’ with celebrity-studded casts may have plots in which characters explore the depths of the human psyche, or avant-garde film techniques. Titles like ‘American Beauty’ (1999), ‘Fight Club’ (1999) and ‘Kill Bill 2’ (2004) come readily into mind. Hollywood perhaps could be gradually losing its stigma as a money-hungry machine churning out predictable, unintelligent flicks for mass consumption. While whether this image of Hollywood is justified remains open to debate, earlier films in the 60’s and 70’s like ‘Bonnie and Clyde’ (1967) and ‘Taxi Driver’ (1976) already revealed signs of depth and avant-garde film techniques. These films were successful as not only did they appeal to the mass audience, but they managed to communicate alternate messages to select groups who understood subtleties within them.
American Psycho is a savage account of a wealthy investment banker in the late 80s that commits heinous acts of murder, rape, and torture. Although on the surface, American Psycho seems as though it is just another horror story, it actually has a much deeper message. This story is a harsh critique of a superficial Wall Street society in the late 80s that was rampant with materialism and greed. This is the society in which the main character Patrick Bateman lives–where appearance, material possessions, and status define a person. This superficial existence leaves him hollow and dead inside and turns him into a psychopathic killer. A society such as this, devoid of any morality, inevitably creates psychopaths such as Bateman. The film shows an excellent portrayal of a vacant, nihilistic killer with no feelings or emotions. However, there is something more to the story that the film did not quite capture. The book seems to not only be a satirical take on this society, but a tragedy as well. Recreating the dinner scene with his secretary Jean shows that underneath the surface Patrick Bateman is, indeed, a human being with real feelings and emotions, and that it is a great tragedy that this superficial society has turned him into a monster.
Each character in the novel has their own interpretation of the ‘American Dream – the pursuit of happiness’ as they all lack happiness due to the careless nature of American society during the Jazz Age. The American Dreams seems almost non-existent to those whom haven’t already achieved it.
The critically acclaimed film, American Beauty has been a topic of conversation since it debuted in theaters in 1999. The film currently sits at the 63rd spot for best movies on IMBD along with 8.4/10 stars and a 88% rating on Rotten Tomatoes. It was produced by Dreamwork Studios, written by Alan Ball, and directed by Sam Mendes. As if the title did not give it away; the film was made and filmed inside the United States and takes place in a residential neighborhood in California for the most part. The movie managed to win five Oscars on eight nominations; these include awards such as Best Picture, Best Actor in a Leading Role, Best Director, Best Writing Screenplay Written Directly for the Screen, and Best Cinematography
The male American dream is most often interpreted as moving your family up in society by increasing your wealth. With this comes the need to purchase items that are on par with one’s income level and therefore showing off wealth and status. This need for items is not particularly because of usefulness or practicality but to distinguish oneself in society as a part of a particular class level, coming from the pressure to keep up with one’s peers. This film shows that society has taken over the definition of our needs and men no longer think for themselves but rather turn to see what others have and from that interpret what society sees as acceptable and standard. The male American dream can be interpreted as a never-ending cycle to prove oneself to others and appear to the standards that others define. According to Tyler Durden, “Advertising has us chasi...
Winn, J. Emmett. "Investigating the American Dream in Pretty Woman." Journal of American Studies of Turkey 19 (2004): 59-68. Web.
...'s bias towards this novel's hero is central to the critique of belief in the 'American Dream'." The English Review 17.3 (2007): 9+. Literature Resources from Gale. Web. 14 Jan. 2014.
The American Dream is the notion that the American economic, social, and political system makes it possible for every individual to be successful, the hope for equality and self-fulfillment. America seemed to promise endless opportunities socially and financially for anyone who is willing to work hard. F. Scott Fitzgerald condemns the idea of the American Dream in The Great Gatsby. Through the empty lives of three characters, Fitzgerald shows that chasing unattainable dreams will only lead to misery. Everyone in the lower class works toward being a part of the upper class. Myrtle Wilson dreamed of being a woman of status and marrying a gentleman who was capable of taking care of her. Unlike other characters in the book, instead of achieving her own dream, Myrtle had to find a man to achieve her dream for her. Jay Gatsby on the other hand changed his whole life around, did everything in his will to become part of the upper class so he can win over the true love of his life. He must have believed that life rewards those who work hard and if he sticks to his plan he could accomplish whatever he set his mind to. Despite Daisy Buchanan’s love for Gatsby, she chose to marry Tom Buchanan because he could socially and financially protect him. Daisy chose wealth over true love and happiness because she wanted to be a woman of status regardless of whether she was truly happy or not.
“Entertainment has to come hand in hand with a little bit of medicine, some people go to the movies to be reminded that everything’s okay. I don’t make those kinds of movies. That, to me, is a lie. Everything’s not okay.” - David Fincher. David Fincher is the director that I am choosing to homage for a number of reasons. I personally find his movies to be some of the deepest, most well made, and beautiful films in recent memory. However it is Fincher’s take on story telling and filmmaking in general that causes me to admire his films so much. This quote exemplifies that, and is something that I whole-heartedly agree with. I am and have always been extremely opinionated and open about my views on the world and I believe that artists have a responsibility to do what they can with their art to help improve the culture that they are helping to create. In this paper I will try to outline exactly how Fincher creates the masterpieces that he does and what I can take from that and apply to my films.