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Branaghs hamlet critical commentary
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Hamlet is a very popular tragedy written by the famous author William Shakespeare. This drama follows Prince Hamlet and his quest to avenge his father. The play was first performed approximately between 1600 and 1601 (Alchin). Hamlet is still performed to this day in many big theatrical theaters, such as Broadway in New York City. Many movie adaptations have come from it. The “To be, or not to be” line is one of the most, if not the most, famous line uttered in the entire play. Many people, such as I, have had knowledge of this line long before knowing where it came from. Each rendition of Hamlet differs in the choices the director and actors make, which contribute to the feeling and the message of the scene. The goal is to create the best …show more content…
Therefore, it would only make sense if the costumes the actors wear resemble outfits from that time period. Mel Gibson’s costume is black and ordinary. In general, it is something you would expect to see in the medieval era. Kenneth Branagh’s costume is very formal. It makes Hamlet seem very wealthy. After all, he is a prince, therefore this outfit fits the character. Branagh is seen wearing a black suit jacket over a white button up, along with black slacks and black dress shoes. Once again, this resembles something you might expect from the medieval era. Looking both Branagh’s and Gibson’s outfit, the viewer would not think twice about the choice in clothing and the time period it belongs to. David Tennant’s attire, however, does not fit the time period Hamlet is set in. He is wearing an orange shirt and jeans. This takes away from his performance. It is impossible for Shakespeare to envision Hamlet to be wearing something like this. This type of clothing did not even exist during the medieval era. Thankfully, the camera is positioned on his face and not much attention is drawn to his outfit, at least for this scene. Gibson and Branagh make much better use of costume design than
Modern day directors use a variety of methods to hold ones interest. Ethan Hawke and Kenneth Branagh’s created versions of Hamlet that shared some similarities, but ultimately had many differences in respects to an audience’s appeal. An appealing movie is one that has an alluring ambiance and an intellectual stimulus. With these two movie versions, a setting and a mood forced an audience to acquire specific emotions, but Ethan Hawke’s version generated emotions more strongly and effectively. Also, these movies had extremely different uses of music and visuals, but both movie versions incorporated them well for the ambiance it tried to obtain. Finally, both movie versions drew characters to captivate the audience; however in Ethan Hawke’s version, the characters were used so effectively that it was easy to feel involved with them. While both these versions of Hamlet had a captivating ambiance, Ethan Hawke’s version was more appealing due to the intellectual incentive that it offered.
...udius wear very formal gowns and suits, but they are not from an specific time period, an example being Gertrude’s blue gown and Claudius’s dress-suit in their marriage scene (Act 1, scene ii). The way Hamlet and Ophelia dress are also timeless, but they also have more distinct times, like Hamlet’s jeans and muscle t-shirt (Act 3, scene i) which can be related to the more current times, while his suit in the wedding scene (Act 1, scene ii) is more classic, yet both formal and modern. Ophelia’s clothes from the scene where her brother Laertes warned her about Hamlet (Act 1, scene iii) is more modern, but her dress for the play-within-a-play scene (Act 3, scene ii) was, like Hamlet’s suit, classic and modern. The clothes are a way for the audience to relate to the characters, and in a very subtle way, say that the story of Hamlet can be related to by many generations.
Kenneth Branagh’s version of the ‘to be or not to be’ soliloquy, although slightly overdramatic, was superior in delivery and setting. First, Hamlet’s tone held a faint aggressiveness, which helped emphasize his growing dissatisfaction with his current disposition. The other films’ depictions of the scene were dull and lacked the proper emotion required to give life to Hamlet’s internal debate. In addition, the mirror Hamlet faces as he speaks alludes to the derivative and folly of his, and his father’s, vengeful pursuits. Hamlet’s obligation to fulfill his father's demands causes him to self loathe, which leads him to question his existence. As Hamlet approached the mirror with his sword drawn, both Polonius and Claudius flinched in fear,
The difference between the setting shows how modern the Kenneth Branagh version of Hamlet is compared to the Mel Gibson version of Hamlet. One of the difference between the two films is the setting and time period. Mel Gibson version of Hamlet is set in a dark and medieval time castle during the 19th century. Kenneth Branagh's movie of Hamlet was set in 19th century making the setting of the castle more of a luxurious modern palace. For instance, In Act 4 Scene 4 during Hamlet’s soliloquy, Hamlet is seen in a setting full of snow in which he emphasize his anger towards the world and Claudius, “How all occasions do inform against me, And spur my dull revenge! What is a man if his chief good and market of his time be but to sleep and feed? A beast, no more.”(4.4. 31-34). The lighting of the movie plays a major role in the production of the film because it demonstrates emotions and feelings from the characters. For instance, in Hamlet starring Mel Gibson the lighting was adjusted to make the scenes darker to show sadness and grief. However in the Branagh version of hamlet the lighting was fairly bri...
In Act 3 scenes 1 Hamlet makes his famous speech “To be or not to be,
Zeffirelli’s filmic Hamlet evidently interprets the original play especially considering Mel Gibson’s performance making it easy for the audience to understand Shakespearean dialect. Shakespeare’s Hamlet is a man with friends who proves to be much more reserved, and manipulative than someone might imagine today. His hamlet is considerate in his plans, but with no tact interpersonally. Zeffirelli’s audience is required to focus on the troubles, and character of Hamlet, who is nonstop, and unfriendly, but a sensitive loner when the time is right. Zeffirelli accomplishes this mixture while staying faithful to his starting place my maintaining solid screenplay with a constant flow supporting his own take on the story. Concisely, Zeffirelli’s Hamlet is both a free and a loyal understanding of its source, which is, for today’s viewers, a Hamlet in its own right.
Cinematic art has portrayed popular literature in a variety of ways throughout its history. A plethora of movie directors have put their depiction on certain scenes from these famous works. Hamlet, from William Shakespeare’s timeless classic, Hamlet, has had his famous soliloquy, “To be or not to be”(III.i.56), reproduced in a variety of tones throughout history. Specifically, there have been three persistent tones that have been in the majority of the soliloquy’s vast interpretations. In Laurence Olivier’s, Hamlet (1948), Hamlet is portrayed as a confused, lost character that ponders some of life’s toughest questions. Mel Gibson’s 1990 version of Hamlet depicts Hamlet as a dark, reticent character who only speaks in a dismal way. Finally, in Kenneth Branaugh’s Hamlet (1996), Hamlet is portrayed as deranged individual who is insane, within the context of the scene. Hamlet’s famous soliloquy, “To be or not to be”(III.i.56), has been reproduced by modern moviemakers as either dark, insane or confused in different versions because of Hamlet’s multifaceted and complex character.
Franco Zeffirelli portrayed a more effective version of the famous to be or not be soliloquy by having it set below in the family mortuary. Having violently rejected Ophelia, Hamlet climbs down the stoned stairs of the medieval castle and into the cellar where all his ancestors’ burial tombs lie, including his father’s. Surrounding himself in tombs and skeletons, he intones the to be or not to be speech in isolation and darkness. Having this particular set design, Zeffirelli enhanced the scene by creating a cold, dark, and suspenseful atmosphere. The family mortuary set design was eerie and melancholic which added realism into the speech as it allowed the audience to really see the manifestation of death that Hamlet contemplated.
The interpretation of Hamlet’s, To Be or Not to Be soliloquy, from the Shakespearean classic of the same name, is an important part of the way that the audience understands an interpretation of the play. Although the words are the same, the scene is presented by the actors who portray Hamlet can vary between versions of the play. These differences no matter how seemingly miniscule affect the way in which someone watching the play connects with the title character.
Birenbaum, Harvey. “To Be or Not to Be” The Archetypal Form of Hamlet. N.p.: Penn State,
Branagh embodies the mad Hamlet with strange laughs, quick quips, and grand gestures. Branagh portrays Hamlet as violent in his feigned madness, especially towards Gertrude and Ophelia, whom he throws about like rag dolls. This reaches a peak when Hamlet releases a chandelier on Claudius before poisoning him. While there are some small discrepancies between the play and the film, overall the film follows the play extremely closely, and these discrepancies are easily overlooked as the film as a whole is so well executed. This not only showcases Branagh’s dedication and respect for Hamlet but also his understanding of
The question asked by Hamlet “To be, or not to be?” (III.i.57.) analyzes the deeper thoughts of the young prince of Denmark. In Hamlet by William Shakespeare, the battle between living life or dying runs repeatedly through Hamlet’s head. In this famous soliloquy, Hamlet ponders the feelings going through his head, during his monologue, on whether he should live with the disruptions in his life or end it all at once. Hamlet’s life, both fulfilling and depressing, made him act out more when it came to interacting with other people. With all the people who admired him, he still managed to push everyone away using his sarcastic antics to degrade them intentionally. Not only does he portray this type of personality to people, but the change in so
Hamlet's "To be, or not to be" soliloquy is arguably the most famous soliloquy in the history of the theatre. Even today, 400 years after it was written, most people are vaguely familiar with the soliloquy even though they may not know the play. What gives these 34 lines such universal appeal and recognition? What about Hamlet's introspection has prompted scholars and theatregoers alike to ask questions about their own existence over the centuries?
As often associated with a tragedy, a conflict usually ensues between a protagonist and another force in the play. A tragedy is ‘a serious drama typically describing a conflict between the protagonist and a superior force and having a sorrowful or disastrous conclusion that elicits pity or terror’ (Webster's dictionary). Given its structure and depth in characterization, this play will or can be analyzed and interpreted from various perspectives and beliefs. However, my analysis of the play is conducted on the basis of various components which are: Hamlet as a tragic hero, the ironic message conveyed in the play, the roles of its characters, the role and personification of madness, the role of paranormality, the role of friends and family, the role of inaction, the role of sex and violence, and the role of death as portrayed in the play. Based on literary definitions and portrayal of his character, there is popular belief that Hamlet as the protagonist acted to satisfy his own conscience but could his actions be attributed purely to his desire or was he being influenced by other factors?
Hamlet In Shakespeare's Hamlet, the tragic hero reveals his inner conflicts and introspective attitude in each of the lengthy soliloquies in the play. Hamlet is a static character whose thoughts never dramatically change. Each soliloquy delves further into Hamlet's motivations, or lack thereof, and psyche. Each soliloquy, each slightly different, is all united by vivid imagery, introspective language, and discussion of Hamlet's delay of action. The first soliloquy serves to 'set the stage' for the rest of Hamlet's thoughts, feelings, and actions. It is here that Hamlet first reveals his hatred for his mother's incestuous marriage to his uncle, Claudius, his low self-image, and his great reverence for his father. Each aspect of this soliloquy has an integral and conflicting part in Hamlet's role. While he hates Claudius and immensely idolizes his father, Hamlet will be plagued by his low self-image, thus taking no action and contributing even more to his existing problems. In the beginning lines of this soliloquy Hamlet is already considering suicide. O that this too too solid flesh would melt,… Or that the Everlasting had not fixed His canon 'gainst self-slaughter! O God! O God! How weary, stale, flat and unprofitable Seem to me all the uses of this world (I, ii, 135-140). Through these lines it is obvious that Hamlet is in the midst of a deep depression. He has no control over the "uses of the world." Hamlet compares Denmark to an "unweeded garden" to symbolize the corruption within his country, that is seeded within Claudius and his incestuous marriage to Gertrude. Hamlet goes on to compare his father to Claudius and comment on the relationship between King Hamlet and Gertrude. So excellent a King that was to this Hyperion to a satyr; so loving to my mother That he might not beteem the winds of heaven Visit her face too roughly (I, ii, 145-148). In Hamlet's eyes Claudius is a beast in comparison to the god-like features of his father. This lays the foundation for Hamlet's vengeful intentions. Hamlet's also comments on the loving relationship enjoyed by his parents, in disbelief of Gertrude's actions. He does not understand why his mother married Claudius in such haste, causing such internal torment for Hamlet. This leads Hamlet to make a generalization about all women. "Frailty, thy name is woman"(I, ii, 146)! Hamlet displays his inability to separate his emotions from his rational being.