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Writing strategies for college students
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Engfish *English
Professor Ken Macrorie is frustrated, and through his article “The Poison Fish” is willing to help college students become good writers instead of using phony and pretentious language to impress their teachers. He names this language, Engfish through his frustration of the use of the phony language he explains why it is bad, and then with an optimistic tone gives hsi college students a way to become great writers .
The first three pages of Macrories article are to give examples of this newly defined “language” Engfish, and explain why it is bad. Macrorie is a college professor that struggles with the way his students write, he gives their type of writing a name. “ Pure Engfish undefined, a tongue never spoken outside the walls.”(Macrorie298). Meaning that college students usually only want to please their teachers and think that using pretentious,confusing and phony language will help them get a good grade on an
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essay, when in reality they would never speak like that. He goes on to show the difference between Engfish and the way people talk in real life. He ponders on how no one on campus would stop and say “ I desire assistance in the location of Sangren Hall.” (Macrorie298) instead they would stop and ask, how do I get to Sangren Hall? That would be the more natural way of asking for directions, but he believes students tend to use the first example , with a more scholarly tone, in their writing because they think that is what teachers want. However Macrorie assures his audience that no teacher wants this Engfish, instead they want natural and clear writing. “Teachers become fed up with writing like that.”(Macrorie298). They don’t support it and definitely do not want to see it in essays. Yet there is always the question of what teachers want in writing? Macrorie gives an example of a third grader who was describing a Hawaiian guitar, the boy wrote a small paragraph where he used words and phrases such as “tight as a jar”, “high”, and “lower”(Macrorie299). He didn't use any big “purple” words to describe the guitar instead he used what made sense to him. Macrorie frowns on college student would look at the writing and see a bad paragraph, instead of the content and great expression. This is why Macrorie compares the college students to third graders, “ The difference between the college students’ writing and the third-grade child’s is simple: One is Dead, the other is alive.”(Macrorie299). The child is alive because he cares about what he is writing about and expresses what he feels and observes. The college students are dead because they are pretentious and keep their own expressions and observations to themselves while they try to please the teacher with a scholarly way of writing. The teacher doesn't want to have to try and understand what you are writing you should be showing her what you are writing through your work. Teachers want writing that doesn't waste words, and who show that they know what they are talking about, teachers want the third grader that once was in every college student. Macrorie implements more examples and explanations of the steps he believes help create good writers, the requirements to helps college students find the third grader in themselves. The tone shifts from the frustration of the use of Engfish, and the comparison between college and child writing, to an optimistic call to action. He starts by giving examples or “requirements” to good writers. “ This is the first step to good writing: truth…”(Macrorie300). He stresses how young students are taught how to lie and fill their writing with false details to give more detail. Macrories believes that a good writer should be able to shake that habit and try to hold themselves to the highest standard of truth telling. Another requirement is have a clear writing, understandable writing. He gives this example of a sentence from a college student's essay, “ If you are a student who desires assistance in order to write effectively and fluently, then this textbook is written for you.”(Macrorie298). This sentence is not alive and as Macrories says will probably be forgotten a year later, because it has no meaning. Writing that is easily understood is the type of writing Macrorie has hope for. “ But there is a way out” (Macrorie299).
Macrorie has hope that with the steps he provided college students will be more inclined to try and improve their writing. The steps go from “ Writing Freely without a focus” to “ Writing Freely with a focus”. These steps give the audience some assurance that it’s not too difficult to change their writing skills. Writing freely without a focus is the first step, it calls the audience to take sometime out of their busy college lives and free write of ten minutes nonstop. This will help provide voice, by forcing yourself to write nonstop you give yourself no time for Engfish and lies. Macrories reviews a student who attempted ten minutes of free writing this is an excerpt from her writing , “Just one impression was the result, no heat or light or sound- all of them rolled into one impact when the torch set off the fumes.”(Macrorie302). The student accomplished everything Macrorie wanted to, the writer perfectly communicated the effect of an explosion in a short space and it made complete
sense. Writing freely and with a focus is the second and final step that closes the process, it ties together all of Macrories ideas from the first step, of truth and clearness, in a writing with more of a purpose in contrast to the first step. The last step asks for college students to free write for 15 minutes and to try and focus it around a specific topic. Macrorie uses an example from a college student that is a personal narrative about the students experience with snow sledding (Macrorie305). He says that the writing is “so honest it reveals the writer twice making a fool of himself.”(Macrorie205). This is to show that the writer was so truthful that she even makes fun of herself, and she connects the audience to sympathize her so every word has meaning to the audience. Writing with a focus does not have to be perfect, Macrorie talks about how it is not easy to be truthful or connect with the audience, but that it takes practice. With practice college students can be good even great writers. Macrories was very strategic in his format, supplying his audience with explanations, examples and a solution to stopping Engfish. He stresses the importance of having your own voice and then helps college students find it. Not only does he explain how one can achieve being a good writer, he gives steps on how and shows that everyone has struggled trying to find the great writer within themselves, and that there is hope. Macrorie makes it easy for college students to follow his steps and to focus on the main requirements , honesty, end to Engfish, and clarity in writing.
“Unteaching the Five Paragraph Essay” by Marie Foley demonstrates how a five paragraph essay formula disturbs the thought process of the students and limits what they can write. A five paragraph essay is an introduction with the main idea, with three supporting topics showing the relationship to the main idea, and a conclusion summarizing the entire essay. Foley argues that this formula forces students to fill in the blank and meet a certain a word limit. She noted that this formula was intended for teachers in the education system to teach an overcrowded class how to write. While it is beneficial for the first-time students learning how to write. In the long run, this standard destroys any free style writing, new connections between a topic,
In Downs and Wardle’s article, they argue and identify the flaws in teaching writing in college. Demonstrating the misconceptions that academic writing is universal, but rather specialized in each case. Citing studies and opinions from esteemed professionals, Downs & Wardle state their points and illuminate the problem in today’s many colleges.
While preparing for one of his college lectures, Dennis Baron, a professor and linguistics at the University of Illinois, began playing with the idea of how writing has changed the world we lived in and materials and tools we use in everyday life. This lecture slowly transitioned into “Should Everybody Write?” An article that has made many wonder if technology has made writing too easy for anyone to use or strengthens a writer's ability to learn and communicate their ideas. Baron uses rhetorical strategies in his article to portray to his audience his positive tone, the contrast and comparison of context and his logical purpose.
According to Runciman, there are many plausible reasons that students and other people don’t enjoy writing. Evidence, assumptions, and language and tone are the basis for which Runciman makes his argument. Overall, this argument is effective because reliable and well known sources are used in a logical fashion. Also, the assumptions made about the audience are accurate and believable. Runciman used his assumptions wisely when writing his claim and in turn created a compelling, attention capturing argument. The article was written so that students and teachers at any level could understand and easily read it. This argument is interesting, captivating, relevant through its age, and can relate to students and teachers at almost every academic level.
“Although both articles are exploring writing and the change that needs to or that does happen, Peter Elbow’s idea of growth in writing is a more naïve and simplistic approach to writing, where as Somers and Saltz’s article, while still very general, takes a more realistic point of view at the writing experience for students and new writers”.
In “Writing to Learn: Writing across the Disciplines,” Anne J. Herrington finds different sources stating that writing is to be taken serious. Janet Emig says, "writing represents a unique mode of learning-not merely valuable, not merely special, but unique” (1) meaning that writing is far more essential than we ought to make it seem. Anne Herrington wants educators teaching in economics, history, chemistry or any other subject to guide their students into understanding why progressing their writing skills will be more helpful to them. At the end of the day, it all comes down to the educator; whether he/she wants their students to use writing as a way for students to adapt to different disciplines.
Several people have trouble writing college level essays and believe that they are unable to improve their writing skills. In “the Inspired Writer vs. The Real Writer,” Sarah Allen argues how no one is born naturally good at writing. Sarah Allen also states how even professional writers have trouble with the task of writing. Others, such as Lennie Irvin, agree. In Irvin’s article “What is ‘Academic’ Writing?” states how there are misconceptions about writing. Furthermore, Mike Bunn’s article “How to Read Like a Writer” shows ways on how one can improve their writing skills. Allen, Bunn, and Irvin are correct to say how no one is born naturally good writers. Now that we know this, we should find ways to help improve our writing skills, and
...s educational system on traditionalism that focuses on fluency, appreciation, and comprehension. King states, “no one can be as intellectually slothful as a really smart person” (138). As a whole we are “creatures of habit”, thus resisting changes in the traditional sphere of academics. King uses his spin on popular culture to engage future readers and inspire the next generation of writers. “Some of this book—perhaps too much—has been about how I learned to do it. Much of it has been about how you can do it better. The rest of it—and perhaps the best of it—is a permission slip: you can, you should, and if you're brave enough to start, you will.” (King 269-270). “On Writing” is a poignant, educated, and inspiring book, a book that is sure to help hundreds of struggling writers and will motivate others who may pick up the book not for inspiration, but mere curiosity.
They must form lessons that should aid students in understanding composition, definitions, transition words, and symbolism. There is no denying the significance these lectures bring; however, for some students, it is not enough to repetitively apply the mentioned rules to discussions they find disinterest in, deciding for themselves unwilling to participate in the conversation teachers beg for students to join. As mentioned, Fish proclaims that to diverge from teaching subject matter any other way that is not specifically academic, deviates too much and distracts from the correct process of intellectual thought. In his The New York Times piece, "What Should Colleges Teach?", Fish states his stance expressing one must "teach the subject matter" alone and not to "adulterate it with substitutes". He continues praising "the virtue of imitation," asking students to "reproduce [great author's] forms with a different content". Already, Fish demands from students derivative mimicry in which they must glean an understanding of another's process. I echo Fish's own question: "How can [one] maintain... that there is only one way to teach writing?" As students, we desire to express ourselves, and to follow the principles Fish speaks of, to "[repeat] over and over again in the same stylized motions", confines us from discovering the beauty and potential writing can bring. Rather, students are taught we must so closely follow fastidious rules and decorative wording, teaching English may as well, as Fish writes, "make students fear that they are walking through a minefield of error," and to use such a method makes students believe to write any other way will cause them to "step on something that will wound them", the odds of students learning anything are diminished (Stanley Fish, "What Should
Ralph Fletcher’s story in the beginning of the introduction quickly grabbed my attention. Although the story was humorous, I found there to be a lot of truth in it. In the story, the young students realize that their teacher will take anything and make them write about it. It seems to be that the teacher does this so often, that the students are afraid to take joy in the simple things. The students don’t want to assigned another writing prompt. Fletcher then says that teacher need to be sure “not to get too evangelical about teaching writing.” I agree with this statement. It is very important to teach students how to write, but as a teacher we need to know when we should take a break so the students do not get burnt out. Once students get tired
The purpose of Baker’s essay and its placement in The Prentice Hall Guide for College Writers is to encourage young writers to realize that writing truly is a privilege. It is also placed in the book to show college English students that writing does not have to be a grim task and that thinking of it in that manner will only make the student average.
While there are people who love to read and write, there are others that do not. When a student is required to read a book for a class and that student does not enjoy reading, there are very few things they would rather do less. And when that book’s topic is about learning how to write that is the worst of it. When I was assigned to read Writing with Style by John R. Trimble, my immediate thought was that this book and assignment was going to be a struggle to get through. To my pleasant surprise, I couldn’t have been more wrong. Writing with Style provides the reader with a wide range of writing tips while being written in a fun, conversational style. This book provides easy to find writing tools that can be understood by people of varying
A poem without any complications can force an author to say more with much less. Although that may sound quite cliché, it rings true when one examines “The Fish” by Elizabeth Bishop. Elizabeth’s Bishop’s poem is on an exceedingly straightforward topic about the act of catching a fish. However, her ability to utilize thematic elements such as figurative language, imagery and tone allows for “The Fish” to be about something greater. These three elements weave themselves together to create a work of art that goes beyond its simple subject.
As a second language learner I have never expected myself to be a perfect writer throughout the semester. Even If English was my first language still, I would not be a perfect writer. It is not about first or second language, it is about how well I understand the learning objectives. Then organizing and writing with my own ideas and putting them in my paper. I am going to be honest, I am not good at English subject and English subject is my strongest weakness than the other subjects. In this paper I will discuss and analyze my own writing, reflecting on the ways that my writing has improved throughout the semester.
Any craftsman knows that you need the right tools to complete a project successfully. Similarly, people need the right language and usage to communicate in a positive way. How people write is often a problem because they don’t have the right tools, but a bigger problem occurs when a writer “is almost indifferent as to whether his words mean anything at all” (592). If a writer carries this mentality, why try to communicate in the first place? People need...