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Justice meaning
Ancient greek womens roles in stories
Ancient greek womens roles in stories
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Before comparing these two pieces of works, the definition of justice is needed to address the question as fully as possible. Justice is a concept which involves fair and ethical treatment for everyone. It is usually seen as the continued effort to do what is right. In most cases this is done by making use of logic. This is the premise which is going to be used for justice when comparing the two works. Sophocles’ Antigone differs largely from Ibsen’s A Doll’s House since they were written in different centuries and different cultures, but at the same time both works share similarities. Ibsen does not identify a direct problem and he chooses to develop his characters and the problem as the play unfolds. Sophocles begins Antigone with a challenge directed at the power of the king. This directly identifies a problem and source of tension from the start of the play in contrast to Ibsen’s A Doll’s House. Tensions arise in both works when the female protagonists disobey laws which they find contradictory to their values and beliefs. The protagonists stand by their beliefs throughout unlike their counter parts who continue to change their beliefs.
Ibsen chooses to create and develop his characters at the same time as developing the source of the dilemma. We see the problem later on when Nora and Christine hold their first discussion. Ibsen does not disclose the precise nature of the loan during this discussion. Nora presents the issue vaguely with a simple question, “Is it imprudent to save your husband’s life?” With the question presented in such a way, the audience is placed in a position where they agree with Nora since saving someone is usually considered to be heroic. The audience discovers later, however, that although Nora’s ac...
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...n to accomplish the respective tasks which create a moral dilemma. The female protagonists in both plays always follow their principles whilst their counterparts keep changing their principles showing signs of weakness. From the definition given at the beginning concerning justice, we see that both the female protagonists are right in the sense that they did the right thing which was to save one’s husband and to bury one’s brother. They used logic to make the decisions they made irrespective of the consequences thinking they were true. The male protagonists fail to understand logic right to the end until finally they are in a total ruin.
Works Cited
Ibsen, Henrik J. Four Great Plays of Henrik Ibsen: A Doll's House, the Wild Duck, Hedda Gabler, the Master Builder. New York: Pocket, 2005.
Sophocles. The Three Theban Plays. Great Britain: Penguin Classics, 1984
There are many similarities in the relationships between men and women in Susan Glaspell's Trifles and Henrik Ibsen's A Doll House. The conflict in each play is the result of incorrect assumptions made by the males of a male-dominated society. The men believe that women focus on trivial matters and are incapable of intelligent thinking, while the women quietly prove the men's assumptions wrong.
Ibsen, Henrik. "A Doll House." The Bedford Introduction to Literature: Reading, Thinking, and Writing. By Michael Meyer. 9th ed. Boston: Bedford of St. Martin's, 2011. 1709-757. Print.
In the play Antigone, Sophocles writing can be very controversial. He explains different perspectives of justice through the fates of the characters in the play. Creon and Antigone both would claim to have the law and Gods on their sides. They bring acceptable evidence for their reasoning to be true for their thought of the right way to carry out justice. Creon is certain that his ability to be king will justify leaving Polynices unburied. On the other hand Antigone sees justice as the ability to bury her brother. Conflict explodes with their inability to compromise over what is the definition of justice. Justice has a different role to play in any individual’s life because gender differs from man to women and society sometimes looks down upon women. Justice should be served and women should have the same divine rights that men do.
Glorified overeating. Two words that together create the ultimate oxymoron, in a society obsessed with body image. Adam Richman, the host of the popular television program Man v. Food, is showing his viewers the sport in eating. Each episode this attractive and far from obese man eats a humanly impossible quantity of food. The feat quickly escalates into a spectacle, with chanting fans and opponents salted and deep-fried. The spectacle of overeating has been transformed into a sport and one celebrated by the media.
Ibsen, Henrik. A Doll House. The Bedford Introduction to Drama. Ed. Lee A. Jacobus. Boston: Bedford/ST. Martin’s, 2001. 659 – 688.
First, the major characters in both of the plays are suffering through great pain and end up with death. The drama Antigone which is written by Sophocles, tells the story of Antigone. Antigone is a tragic heroine who doesn’t have the power to challenge the authority of the king; she has to obey the rules. However, she shows her strong will and voices her opinions and she is willing to challenge the authorities and the rules. She not only fights for her brother, she also challenges her rights to speak out her thoughts. Yet, her sister Ismene is satisfied to recognize herself as a woman in a male dominated society. Ismene argues, “I, for one, I’ll beg the dead to forgive me- I’m forced, I have no choice- I must obey the ones who stand in power” (832: 80). Ismene's words clearly state her weak and helpless character. Antigone is not happy with her sister’s response, says, “Set your own life in order"(833: 97). Antigone is telling her sister to do her own life, and that she will do what she wants to bury her brother. Antigone preferring the god's laws to man's, disobeys Creon, to bury her brother Polyneices. After her uncle found out what Antigone did, he punished her with death. However, when Creon discovered that what he did was wrong; it was too late. Antigone is already dead, and Creon is punished by Heaven with the suicide of his own wife and son.
2. All references to A Doll's House are from Henrik Ibsen, Four Major Plays, trans. James McFarlane and Jens Arup (Oxford and New York: Oxford UP, 1981).
Ibsen, Henrik. Hedda Gabler. Four Major Plays. Trans. James Arup. Ed. James McFarlane. Oxford: Oxford UP, 1998.
Discuss the Concept of the sins of the father in relation to A Doll’s House and Antigone
Ibsen, Henrik. A Doll House. The Bedford Introduction to Literature: Reading, Thinking, Writing. 5th ed. Ed. Michael Meyer. Boston: Bedford/St. Martin's, 1999. 1564-1612.
Ibsen, Henrik. Four Major Plays: A Doll House, the Wild Duck, Hedda Gabler, the Master Builder. New York: New American Library, 1992.
Ibsen, Henrik. “A Doll’s House.” Literature for Composition. Ed. Sylvan Barnet, William Burto, and William E. Cain. 9th Ed. New York: Longman, 2010. 792-841. Print.
Ibsen opens the play with the perfect home where Nora is planning Christmas and how she is planning every detail with no concern for her own needs. Torvald asks Nora, “what have you thought of for yourself?” (Doll 1). Nora replies that she doesn’t, “want anything at all.” (Doll 1). Nora displays her own selfless attitude as she prepares to provide all these great gifts for the family and nothing for herself. When Torvald pushes Nora to choose something, she chooses money so she can spend it on things for others and not for herself. The playful nature between husband and wife displays the perfect bond between them. The Hellmer’s are a middle class family and since Torvald got a promotion and is getting a raise, they can afford to spend more lavishly. They don’t have to worry about money anymore. They also have a Christmas dinner planned where they invite the sick Dr. Rank and then Nora’s friend Mrs. Linde. Nora convinces Torvald to try to see if he can get Mrs. Linde a job at the bank because she has fallen into some tough times. The relationship that Nora has is a great one that sets up this perfect family life for her.
Ibsen, Henrik. A Doll's House. In Four Major Plays. Trans. James McFarlane and Jens Arup. Oxford: Oxford University Press, 1981.
Ibsen, Henrik. "A Doll House." Ibsen : Four Major Plays - Volume 1. Trans. Rolf Fjelde. New York: Signet Classics, 1992. 43-114. Print.