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Aristotelian description of tragedy
Aristotelian description of tragedy
Classical and romantic tragedy
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Julius Caesar, Death of a Salesman, and Oedipus Rex Meet the Criteria of a Tragedy
To be considered a classic tragedy, a story should follow the principles presented by Aristotle in his work, Poetics. A tragedy, in Aristotle's view, concerns the destruction of a person of high social status and strong character. The tragic fall of the individual is brought about by a tragic flaw. Arthur Miller expanded upon the classical definition of a tragedy to include not only those of high social status but also the common man. Using the criteria established by Aristotle and Miller, the plays Julius Caesar, Death of a Salesman, and Oedipus Rex may be considered as tragedies.
Although the title of the play, Julius Caesar, focuses on Caesar, the play itself is really based on Brutus. "Brutus had rather be a villager than to repute himself a son of Rome."(Shakespeare 172). This was said by Brutus after Cassius told him how Caesar had become a towering figure over Rome and how Caesar controls Rome. Notice the good in Brutus, and the extremes he will go to in order to protect democracy in Rome even if it means killing the one he loves, Caesar. Brutus possesses one of the most tragic flaws. He is too nice of a person and therefore he gets taken advantage of. He lets Cassius persuade him into killing Caesar for the good of Rome. Because he does for others more than himself he makes a fatal mistake, he lets Antony live. Brutus says to the conspirators, "For Antony is but a limb of Caesar"(Shakespeare 165) meaning that if Caesar is killed Antony will die off too. Brutus clearly does not regard Antony as being a threat, but little does Brutus know that Antony will stir up the town to seek revenge after the assassination of Caesar. This mistake will cost him his own life. When he dies he becomes a prime example of tragedy because not only did he bring about his own death he dies by his own hand.
In Death of a Salesman, Willy Lowman's tragic flaw is that he is a dreamer who is unable to face the realities of a modern day society. Willy builds his whole life around the philosophy that if a person is well liked and good looking then he will be successful. Willy says to Biff, "I thank Almighty God that you are both are built like Adonises.
wood - this shows a sign of wealth as it would cost a lot to import
Both Caesar and Brutus have a tragic flaw. In the beginning of the play a soothsayer is telling Caesar to beware the ides of march Caesar Responds “He is a dreamer; Brutus leave him. Pass” (shakespeare page??? line????) When Caesar tells the soothsayer this it shows that he does not believe that he could be harmed. Just like caesar, Brutus suffered a tragic flaw, his being trusting everyone. After Caesar is dead Antony wants to say a speech at Caesar 's funeral, after making the crowd violent says “Now let it work. Mischief, thou art afoot, take thou the course thou wilt.”(shakespeare3.2.266-264). Brutus trusted Antony to say some nice words about Caesar, instead he turn the crowd violent. Caesar and Brutus love the roman people and would sacrifice anything for them. after Caesar dies Antony reads “ to every roman citizen he gives, to every several man, seventy-five drachmas”( page lines title). Caesar loved the romans so much he gave them all a bit of his money after he died. Even though he was prideful he loved the romans as much as Brutus. Brutus saw that under Caesar 's rule romans were suffering and says” Not that i love Caesar less, but that I loved/Rome more”(?) He Explains why he felt
In the play the Life and Death of Julius Caesar (just as in all of Shakespeare’s tragedies) there is much death, much tragedy, and of course, a tragic hero. However unlike most of Shakespeare’s plays this time the tragic hero is not particularly obvious. Throughout the play a few main characters present themselves as possibilities for being the tragic hero. But as being a tragic hero is not only having a tragic flaw but also entails much more, there really is only one person to fit the mold. The character Brutus is born into power and is higher/better then we are. He has a tragic flaw that causes his downfall and at the end he realizes his mistake (a trait none of the other characters can really claim).
Aristotle defined a tragic story as the adventure of a good man who reaches his ultimate downfall because he pushed his greatest quality too far. Sophocles advocates the definition in the tragic play Oedipus Rex. He develops the play with the great polarities of fame and shame, sight and blindness, and ignorance and insight to show Oedipus’ experiences in search for knowledge about his identity. Through his search, Oedipus pushes his quest for truth too far and ultimately reaches his doom. Oedipus’ reliance on his intellect is his greatest strength and ultimate downfall.
Aristotle analyzed drama to form a definition of tragedy. Aristotle considered “Oedipus the King” the perfect tragedy, so he modeled his definition after the play. He decided that there were some factors that made a tragedy: plot, character, diction, thought, spectacle, melody. The character had to have a tragic flaw that would ultimately lead to his downfall. The traits of tragedy's character defines Willy Loman as a tragic man. Also, a tragedy must have catharsis at the end, and the end of Death of a Salesman cleanses the audience.
Human beings are thought of as a combination of mind and body, and it is assumed that there is a union between them. Although the mind and body may or may not correspond and interact with each other, it is scientifically unclear whether it is true that they both affect each other. René Descartes, a famous French philosopher who gave grand contributions to the mind body problem, viewed the mind as distinct from matter, and so laid the groundwork on the controversy for interactionism, which dictated the mind and body were separate. Furthermore, the different sectors of the medical field and dualistic theories propose that the mind and the body are relatively distinct.
Shakespeare’s complex play The Tragedy of Julius Caesar contains several tragic heroes; a tragic hero holds high political or social esteem yet possesses an obvious character flaw. This discernible hubris undoubtedly causes the character’s demise or a severe forfeiture, which forces the character to undergo an unfeigned moment of enlightenment and shear reconciliation. Brutus, one of these tragic heroes, is a devout friend of the great Julius Caesar, that is, until he makes many execrable decisions he will soon regret; he becomes involved in a plot to kill the omniscient ruler of Rome during 44 B.C. After committing the crime, Mark Antony, an avid, passionate follower of Caesar, is left alive under Brutus’s orders to take his revenge on the villains who killed his beloved Caesar. After Antony turns a rioting Rome on him and wages war against him and the conspirators, Brutus falls by his own hand, turning the very sword he slaughtered Caesar with against himself. Brutus is unquestionably the tragic hero in this play because he has an innumerable amount of character flaws, he falls because of these flaws, and then comes to grips with them as he bleeds on the planes of Philippi.
Brutus recognizes that the “enemies have beat [Brutus and the conspirators].. to a pit” and believes it is honorable “to leap in” themselves “than tarry till” the enemies force them (5.5.23-25). Hence, Brutus requests his servant to assist him in committing suicide and finally utters “Caesar, now be still / I kill’d not thee with half so good a will” (5.5.50-51). Brutus’s action exhibits his understanding of the killing of Caesar, and now views it as irreparable. Furthermore, Brutus takes notice of the fights and unending deaths around him all due to his naivety and failure to judge people’s evil side. As a result, Brutus views suicide as the most appropriate “method” to retain his honor and dignity; otherwise, he would have to encounter the Roman citizens’ criticization and would be humiliated for his actions. In addition, Brutus requests Caesar to be done with his vengeance and to forgive him as he acts solely for the best of Rome, displaying Brutus to be a tragic hero who failed doing his best for good. Furthermore, the play ends with Antony’s summary of Brutus’s character leaving the audience to characterize Brutus to be the one who suffered the most and died in a tragic way. Antony describes Brutus to be “the noblest Roman of them all…/ [and have acted] only in a general
While Brutus sees life as something to be solved with logic and guided by morality, Mark Antony views life as something that he can twist and mold into whatever he needs it to be at any given moment. Mark Antony uses the audience of the funeral speech as tools to wrench the Roman Republic from the hands of Brutus and place the crown on his own head. He inspires rage and distrust in the plebeians, and directly spurs on the Battle of Philippi. Brutus is roped into this situation despite his unselfish motives, and has to defend himself and his fellows against the armies of Mark Antony and the young Octavius. From beginning to end, the characters of The Tragedy of Julius Caesar are true to their defining qualities and do not depart from the molds they have cast of
The play Oedipus Rex is a clear example of a Greek tragedy, as you read
According to Aristotle, a tragedy must be an imitation of life in the form of a serious story that is complete in itself among many other things. Oedipus is often portrayed as the perfect example of what a tragedy should be in terms of Aristotle’s Poetics. Reason being that Oedipus seems to include correctly all of the concepts that Aristotle describes as inherent to dramatic tragedy. These elements include: the importance of plot, reversal and recognition, unity of time, the cathartic purging and evocation of pity and fear, the presence of a fatal flaw in the “hero”, and the use of law of probability.
A modern tragedy of today and a tragedy of ancient Greece are two very different concepts, but ironically, both are linked by many similarities. In “Poetics”, Aristotle defines and outlines tragedy for theatre in a way that displays his genius, but raises questions and creates controversy. Aristotle’s famous definition of tragedy states:
Greek Drama had three main categories The Comedy, Satyr Plays, and The Tragedy. The most popular of the three is The Tragedy, its themes are often such as loss of love, complex relationships between men and the gods, and corruption of power. These dramas taught the people of the city the difference between good and bad behavior and the ramifications of going against the gods. According to Aristotle, the perfect tragedy consisted of the downfall of the hero through a great misunderstanding, causing suffering and awareness for the protagonist meanwhile making the audience feel pity and fear. The prominent writer who Aristotle based his perfect tragedy theory was Sophocles, his drama Oedipus the King had all the elements of a perfect tragedy.
In 350 B.C.E., a great philosopher wrote out what he thought was the definition of a tragedy. As translated by S.H. Butcher, Aristotle wrote; “Tragedy, then, is an imitation of an action that is serious, complete, and of a certain magnitude; in language embellished with each kind of artistic ornament, the several kinds being found in separate parts of the play; in the form of action, not of narrative; with incidents arousing pity and fear, wherewith to accomplish its catharsis of such emotions. . . . Every Tragedy, therefore, must have six parts, which parts determine its quality—namely, Plot, Characters, Thought, Diction, Spectacle, Melody. (http://www.cnr.edu/home/bmcmanus/poetics.html)” Later in history, William Shakespeare wrote tragedies that epitomized Aristotle’s outline of a tragedy. Shakespeare’s Hamlet is one such tragedy.
In Aristotle’s book, Poetics, he defines tragedy as, “an imitation of an action that is serious, complete, and possessing magnitude; in embellished language, each kind of which is used separately in the different parts; in the mode of action and not narrated; and effecting through pity and fear” (Aristotle 1149). Tragedy creates a cause and effect chain of actions that clearly gives the audience ideas of possible events. The six parts to Aristotle’s elements of tragedy are: Plot, character, language, thought, spectacle, and melody. According to Aristotle, the most important element is the plot. Aristotle writes in Poetics that, “It is not for the purpose of presenting their characters that the agents engage in action, but rather it is for the sake of their actions that they take on the characters they have” (Aristotle 1150). Plots should have a beginning, middle, and end that have a unity of actions throughout the play making it complete. In addition, the plot should be complex making it an effective tragedy. The second most important element is character. Characters...