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The judgement of paris summary
Influences of art
Essays about paris
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Recommended: The judgement of paris summary
The figures portrayed in The Judgement of Paris by Ludovico David c. 1690 (68” x 96 ½”), found in the Ringling Museum of Arts, come together harmoniously to describe a well-known story as well as evoke a range of emotions. The event shown in the painting, done with oil on canvas, reveals the aftermath of the Judgement of Paris. The tale, which originated from Greek mythology, recounts a contest that was held in order to determine who was the most beautiful out of three goddesses. A shepard, Paris, was appointed by Zeus to adjudicate such an exasperating challenge. The three goddesses: Athena (goddess of wisdom and war), Hera (wife of Zeus), and Aphrodite (goddess of love), each offered their own rewards in order to coax Paris into choosing them. In the …show more content…
After doing some basic research about the piece, I was able to learn more about what David was trying to capture in his piece as well as more about the background and original folktale itself. I find it very intriguing that David made a piece of art out of something which already existed in the minds of others. Because this is something that normally is not given a visual aid, the people who have heard the tale all have their own interpretations and images they have given the characters and scenery in their own minds. Despite this, David used his interpretation to create this piece, which I find very bold. I believe David wanted to take something well known and put it in a new light. By doing so, not only does the story become more heard and familiar, but it gives it an overall added sense of meaning. The way David placed the figures and emphasized the goddesses’ beauty and elegance really completes his overall painting and makes it successful. He stayed true to the art style of both his time and how the Greek’s pictured their gods and
Achille-Claude Debussy (also known as Debussy) was born in 22 August 1862, he also was a French composer. He also was associated with impressionist music. Debussy is the eldest among five children.
The Pietà and the David were reflected as his most famous artworks, because of the amazing realistic features. The details that were carved into both the David and the Pieta are astounding with him even adding the details of the veins and skin textures in the sculptures. The faces in both works have expression, which conveys feeling and a new way of expressing art. The techniques he used such as detail and expression makes these two pieces of art very powerful. They are great works because they are humanistic and show realism in every way it is perceived.
Stebbins, Elinor. "Athena." Sweet Briar College { History of Art Program }. Web. 27 Feb. 2011. .
Because even if he wanted people to see a Greek myth, he cannot force their minds to interpret his painting in only the way he wants it interpreted. A painting can be interpreted just as the viewer wants to interpret it. But that is what makes it a work of art, the fact that one single image can mean so many different things and make so many different stories, all because of the backgrounds and history of the people who are interpreting it. But a true skill would be for an artist to make a work of art and have the majority of people who view it, all interpret similar or exactly the same things. This means that the artist has the ability to reach into our minds and make us think a certain way about a certain aspect of the painting or even the painting as a whole, which is a true skill that not many people have achieved.
Gianlorenzo Bernini, famous for his production of pieces such as The Ecstasy of Saint Teresa and his sculptural program for the Cornaro Chapel, was yet another artist that took on the task of sculpting a representation of David. Statues of David from the story of David versus Goliath have been created by the likes of Michelangelo, Verrocchio, and Donatello. From these three figures, Bernini’s David draws the attention of the viewer more as it depicts David mid action. “The Baroque style is fundamentally theatrical in character, and the space it creates is theatrical space” (Sayre 327). Features in this presentation of David go against the already established elements seen in the Renaissance Davids.
In comparison with the Kroisos Kouros, the David seems to be the very picture of perfection embodying all the Classic Ancient Greek ideals of order symmetry and proportion. Compared to the Kouros, whose anatomical features are shown in an almost geometric way, Michelangelo’s David is very animated and lively. He is based upon the biblical hero by the same name, depicted just before his battle with Goliath. He stands with his weight resting on his right leg while his left is slightly bent, displaying the contrapposto pose, exhibiting diagonal tension in his body typical of Classical sculptures. Although extremely lifelike his pose seems to be almost meditative as if he is planning the defeat of his nemesis.
Throughout the history of art, the story of David and Goliath has appeared many times. The story begins with Goliath, a giant over nine feet high, taunting the Israelites. He brags that no one will ever defeat him. David, a young boy, faces Goliath, armed only with stones and his sling. David shot only one stone. The stone killed Goliath. The moral of the story is that the power of God is stronger than any other force on Earth. Three artists, Bernini, Michelangelo, and Donatello, each retold the story the way they knew best: through art. THESIS STATEMENT
This was seen with the group statue of Aphrodite, Pan and Eros depicted a satirical scene, in which the sculptor was possibly influenced by the new type of narrative that New Comedy offered. As for the Venus de Milo, Alexandros’ choice in combining Classical and Hellenistic traits to display a more erotic version of Aphrodite was an indication that the Hellenistic period was a time where sensuality and eroticism can be depicted in female sculptures.33 From looking at a cultural and social perspective, it offers possible explanations for the
Flemish artist Jacob Jordaens developed a naturalistic Baroque style in his oil canvas depiction of the Judgement of Paris. Jordaens use of form, saturated colors, effects of texture, and the fact that his female models are believed to representations of his wife make him unique during the Baroque era. The Judgement of Paris is a painting that illustrates a vital scene/moment in classical history, Greek mythology. Many Greek gods and goddess, such as Hera, Athena, Aphrodite, Hermes, and Paris of Troy, are portrayed in the artwork. The content of the painting depicts the wedding banquet of Peleus and Thetis. Almost all the goddess are invited, except Eris, goddess of strife. Out of spite, Eris throws a golden apple with the words "to the
Aside from the portraits indicating the passing of highly significant people in his life. David uses icons to further signify the presence of death and the absence of life. We can clearly depict from the image three bubbles that are floating away. The bubbles will eventually pop as they are just soap bubbles. This is to show the viewer that life does not last forever.