Judaism in William Finn's Falsettoland

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Judaism in William Finn's Falsettoland

Judaism and Jewish culture have always been central to William Finn,

writer of a trilogy of short works following Marvin, a homosexual

living within the Jewish faith. Falsettoland itself forms the final

part of the trilogy whilst In Trousers and March of the Falsettos are

the first two instalments respectively. Christianity condemns

homosexuality within its faith, therefore, surely Judaism would take a

moral stand and condemn any theatrical portrayal of such events? Did

the Reform movement which began to grow in America in the 1830s have

any effect upon the time Falsettoland was written, and, if so, how was

Falsettoland as a music theatre work subject to such effects?

From the outset it is important to define the boundaries within which

the term ‘Judaism’ and ‘Reform Judaism’ will be used. This paper

focuses upon Judaism (be it Orthodox or Reform) within America and

does not focus upon the origins of Judaism in Europe. Although perhaps

some beliefs and moral standings were reflected across the Atlantic,

for the purposes of this argument this will be negligible.

When analysing the musical content of Falsettoland it is important

that one does not get carried away on the intended meaning, although

only suggested as a guide and personal response to the music, the

analysis is by no means definite and as the author intended.

We’re free to borrow from both European operatic tradition and

American musical tradition, toss out what we don’t need and invent

whatever creature we want, whatever we choose. And above all else,

entertain.[1]

Jewish life in America changed dramatically throughout the nineteenth

and twentieth centuries. The majority of Jews being those wit...

... middle of paper ...

...omosexuality?

http://urj.org/ask/homosexuality/>

Ø Storr, A. Music and the Mind (HarperCollins, 1997)

Ø Volkman, E. A Legacy of Hate: Anti-Semitism in America (Franklin

Watts, 1982)

Discography

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Ø Finn, W. Falsettoland (New York: DRG Records Inc, 1990)

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[1] LaChiusa, M.J. ‘I Sing of America’s Mongrel Culture’ in New York

Times 14 November 1999)

[2] Finn, W. Vocal selections from Falsettos (Warner Bros Publications

Inc, 1992) p.86

[3] Storr, A. Music and the Mind (London: HarperCollins, 1997) p.187

[4] Rossoff, R.D. What is Judaism’s view on Homosexuality? Accessed 10

January 2005

[5] Katz, L.. ‘What is a Bar Mitzvah?’ In Your Guide to Judaism

[6] Volkman, E. A Legacy of Hate: Anti-Semitism in America (Franklin

Watts, 1982) p.10

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