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Culture and society of the 1920s
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1920’s were a period of great turmoil and contrast for the USA. In the aftermath of the war people were determined to have fun. The average working week dropped from 47.7 to 44.2 hours, and average wages were raised by 11%. So people had more leisure time much of this spare time and money was channeled towards entertainment. The Jazz Age was a feature of the 1920s ending with The Great Depression. When jazz music and dance became popular, this occurred particularly in the United States, but also in Britain, France and elsewhere. Jazz music became an obsession among young people. The entertainment industry boomed and so did people. Such as the infamous Josephine Baker.
Josephine Baker had a challenging childhood. Freda Josephine McDonald also
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87). Her exotic beauty generated nicknames like “Black Venus”, “Black Pearl”, and creed goddess (Project). She had transformed herself into a sophisticated, elegantly, attired French star. (Gates Pg.40). Josephine became the most photographed woman in the World and a subject of famous Parrison painter and sculptors. (Rollyson). She wrote her first autobiography “Les Memoires de Josephine Baker “published in Paris in 1927. (Alexander. Pg. 86.). Josephine became one of Europe’s most popular and highest paid performers (Josephine Baker). Her immense popularity afforded her a comfortable salary which she spent mostly on clothes, jewelry and pets. (Project). She owned a leopard, chimpanzee, a pig, snake, a goat, a parrot, parakeets, fish, three cats and seven dogs. (Project). Sensing her shows were tiring of frenetic antics, Baker left Paris. (Gates. Pg.40) Capitalizing on her success in France, Baker sang professionally for the first time in 1930. (Emery. Pg. 230). She began recording for Columbia Records in and starring in two films, Zou-Zou and Princess Tam-Tam. (Gates. Pg.40).In 1934 she successfully tackled light opera in the starring role of Offenbach’s Operetta La Creole. (Gates. Pg.40). She also faced a rising tide of fascism that advocated white supremacy. (Rollyson). Josephine was an outspoken critic of racism and gender discrimination long before such …show more content…
(Emery. Pg. 230). She continued to dance in her 1951 appearance included the Black Bottom. (Emery. Pg. 230). In the 1950’s and 60’s Josephine devoted herself to fighting segregation and racism in the U.S (Josephine Baker). She became an advocate of Civil Rights participating in demonstrations and boycotting segregated clubs and concert venues. (Josephine Baker). In honor of her effects, the NAACP eventually named May 20th “Josephine Day” (Josephine Baker). She was a lifelong advocate for racial justice throughout the World. (Rollyson). By the mid-sixties, Josephine was revered worldwide (Alexander. Pg. 87).In 1963 she participated alongside Martin Luther King Jr. in the march on Washington and among the many notable speakers that day. (Josephine Baker). On April 8, 1975, after decades of rejection by her countrymen and a lifelong spent dealing with racism, she premiered at the Bobino Theater in Paris where she performed a medley of routines from her 50 years of performing career, at age 68 she was greeted with a standing ovation. She was so moved by her reception that she wept openly before her audience. The show was a success and marked Baker’s comeback to the stage. (Josephine Baker). The reviews were among her best ever.
Josephine Baker Josephine Baker was an African American woman who had to overcome discrimination and abuse in achieving her dream of becoming a singer and dancer. She did this during the 1920s, when African Americans faced great discrimination. She had a hard childhood. Her personal life was not easy to handle. Furthermore, she overcame poverty and racism to achieve her career dream.
Ella was born in Newport News, Virginia on April 25, 1917. When alled “The First Lady of Song” by some fans. She was known for having beautiful tone, extended range, and great intonation, and famous for her improvisational scat singing. Ella sang during the her most famous song was “A-tiscket A-tasket”. Fitzgerald sang in the period of swing, ballads, and bebop; she made some great albums with other great jazz artists such as Duke Ellington, Count Basie, and Louis Armstrong. She influenced countless American popular singers of the post-swing period and also international performers such as the singer Miriam Makeba. She didn’t really write any of her own songs. Instead she sang songs by other people in a new and great way. The main exception
The Jazz Age which is also referred to as the Roaring Twenties began after World War I took place and lasted until 1929, when the Great Depression began. The 1920s opened up a world of change to Americans; some did not approve and others, especially those in the big cities, celebrated with music and dance every day. There were numerous inventions that were being created throughout the 1920s and because of nationwide advertisement; people all over America were able to buy all the same stuff as one another. But unfortunately, times were different for those that lived in Colorado.
Singer/actress Lena Horne's primary occupation was nightclub entertaining, a profession she pursued successfully around the world for more than 60 years, from the 1930s to the 1990s. In conjunction with her club work, she also maintained a recording career that stretched from 1936 to 2000 and brought her three Grammys, including a Lifetime Achievement Award in 1989; she appeared in 16 feature films and several shorts between 1938 and 1978; she performed occasionally on Broadway, including in her own Tony-winning one-woman show, Lena Horne: The Lady and Her Music in 1981-1982; and she sang and acted on radio and television. Adding to the challenge of maintaining such a career was her position as an African-American facing discrimination personally and in her profession during a period of enormous social change in the U.S. Her first job in the 1930s was at the Cotton Club, where blacks could perform, but not be admitted as customers; by 1969, when she acted in the film Death of a Gunfighter, her character's marriage to a white man went unremarked in the script. Horne herself was a pivotal figure in the changing attitudes about race in the 20th century; her middle-class upbringing and musical training predisposed her to the popular music of her day, rather than the blues and jazz genres more commonly associated with African-Americans, and her photogenic looks were sufficiently close to Caucasian that frequently she was encouraged to try to "pass" for white, something she consistently refused to do. But her position in the middle of a social struggle enabled her to become a leader in that struggle, speaking out in favor of racial integration and raising money for civil rights causes. By the end of the century, she could look back at a life that was never short on conflict, but that could be seen ultimately as a triumph.
Jazz became popular during the 1920s and was developed from Blues and Ragtime. The 1920s was nicknamed The Roaring Twenties or the Jazz age because it was a time where many traditonal moral standards were not followed and people indulged in new danicng and dressing styles. Jazz is still important to us today but according to Nielsen‘s 2014 Year-End Report, jazz is continuing to fall out of favor with American listeners and has tied with classical music as the least-consumed music in the U.S., after children’s
She did more than just performing for the troops. She was had secret messages in her music for the French Resistance. Also, she served as a sub Lieutenant in a Women’s auxiliary unit during the time. Fast forward to the 1950’s and 60’s, Baker served as a civil right activist in the United States. When New York’s popular Stork Club refused her service, she engaged a head-on media battle with pro-segregation columnist Walter Winchell. She often participated in demonstration in boycotting clubs. She marched with Dr. Martin Luther King, in the March of Washington. Her efforts resulted in the NAACP naming May 20th Josephine Baker
According to Ruth Feldstein “Nina Simone recast black activism in the 1960’s.” Feldstein goes on to say that “Simone was known to have supported the struggle for black freedom in the United States much earlier, and in a more outspoken manner around the world than many other African American entertainers.” Her family ties to the south, her unique talent, her ability to travel and make money are similar to the Blues women movement that preceded her. It can be said that Nina Simone goes a step further the by directly attacking inequities pertaining to race and gender in her music. However, what distinguishes her is her unique musicianship and that is what ultimately garners her massive exposure and experiences over those of her past contemporaries.
Also known as the Jazz Age and the Roaring Twenties, the American people felt that they deserved to have some fun in order to forget the emotional toll and social scars left from the war. The Jazz Age was appropriately named due to the illegal activities and good times, which included music, parties, and flapper girls. Jazz was a new style of music that originated out of the New Orleans area, where one of the greatest jazz musicians of all time – Louis Armstrong – began his career. The energy of jazz was a very new and almost uncomfortable style for the very traditional, rigid family of the 1920s. Young people in particular seemed to enjoy this new music the most, as it made them feel carefree. The energy of jazz was symbolic of the era’s trans...
Ella Jane Fitzgerald was born April 25, 1917 (“Ella Fitzgerald”). The location was Newport News, Virginia. She was born to be the daughter of Temperance “Tempie” and William Fitzgerald (“This Day in History”). As a child, Ella and her mother moved to Yonkers, New York to live with her mother’s new husband after William Fitzgerald’s death. She grew up there for most of her childhood. Although today Ella is known as the “Queen of Jazz, ” she lived a normal childhood. When she was younger, she collected signatures from famous people. She is also known as the “Master of Scat Singing” (“Ella Fitzgerald Was Known as The Master of Scat Singing”). Although this is true, Ella’s original dream was to be a dancer.
Josephine Baker once said, “Art is an elastic sort of love”. Josephine Baker was known for her infamous “Banana Dance”. She was also known for being a Civil Rights Activist. Josephine Baker was known for many things. She had many nicknames when she was a dancer. She had adopted 12 children from around the world.
African-American star Josephine Baker’s legacy began with performances in the 1920s and 30s, presenting both an exotic and erotic nature. From barely-there or no clothing to becoming a fashion icon, Baker swept the world by storm, especially in Paris. Her work continued to push boundaries racially, sexually, with gender, and—ultimately—with identity. However, her work would be nothing without her beginnings.
Her influence in dance and in culture is still alive today. The NAACP organized Baker day in her honor, in Harlem on May 20 1951. It was a day of tributes to Baker and all that she did, a day of music and culture. The effect she had on people was astounding. She changed the role of song and dance in culture, and of blacks in song and dance. Earlier in 1951, Baker was awarded the NAACP Outstanding Woman of the Year award. Even before her Rainbow Tribe- her vision of a racially utopian family come to life-, Baker was a war hero and fought for civil rights. Baker’s actions did not go unrecognized. She was a model for multiracial or multinational families. She set a precedent for people of different ethnicities and backgrounds to live together peacefully. She set a standard for
It was no wonder why Billie Holiday was considered to be the woman of jazz, her sweet velvet voice carried the crowd. With hits like strange fruit that told a darker story it was easy to see where her passion came from. She told stories in her music and people across the nation were more than willing to sit down and listen to what she had to say. Billie Holiday was an icon of her time and there was not a person who listened to jazz that could say they did not know her name. Her voice was smooth with a hint of seduction that had her audiences reeling. However, things were not always so glamourous.
Lena Horne was an African American entertainer and civil rights activist, born in Brooklyn, New York. She, like many other African Americans in general, and African American women in particular, born in 1910’s, saw many evolutions of race and racialized gender relations in America. She was able to transition to glory at the ripe age of 92 years old, passing away from congestive heart failure in 2010. Lena Horne’s height of her career, while predating Womanism being named but not actualized, embodies the four tenets that are, radical subjectivity, critical engagement, redemptive self-love and traditional communalism, by way of her commitments to hope in perilous times. She is quoted saying many things that will be highlighted in this paper,
Growing up, she is always finding a way to make a living. Her first job was to babysit other people’s kids and work for rich white people, who treated her in a way that is considered inadequate. Baker has had many bad experienced in her early age. At 13 years old, she dropped out of school and applied at The Old Chauffer’s Club as a waitress. Adding to her experienced, she was also a drifter or a bum. However, attracted attention, this lead her to take on for the St. Louis Chorus vaudeville show when she was 15 years old. Her journey began when she show her talent in Louis Chorus vaudeville show. After that, she headed to New York during the Harlem Renaissance, to perform Shuffle Along and The Chocolate Dandies. Baker, however, did not let this chance to go away. She grabbed all the opportunities and offers for her to make her life better. Eventually, Baker created her way up to fame in