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Billie holiday the harlem renaissance
Most influential jazz singer, billie holiday
Billie holiday influence on jazz
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It was no wonder why Billie Holiday was considered to be the woman of jazz, her sweet velvet voice carried the crowd. With hits like strange fruit that told a darker story it was easy to see where her passion came from. She told stories in her music and people across the nation were more than willing to sit down and listen to what she had to say. Billie Holiday was an icon of her time and there was not a person who listened to jazz that could say they did not know her name. Her voice was smooth with a hint of seduction that had her audiences reeling. However, things were not always so glamourous.
Eleanora Fagan Gough was born on April 7th, 1915 in Philadelphia, Pennsylvania. Eleanora grew up in Baltimore in the 1920s and during time that
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city was roaring with jazz music. There was so much talent that surrounded the young Eleanora which inspired her music filled aspirations. She wanted to share the same talent with the others that surrounded her. When Eleanora became a teen she started her career with impressive apprenticeships with singing along with artists such as Louis Armstrong and Bessie Smith at clubs. These two artists were the high hitters of the time and it was incredible that a young teen would be able to keep up with such outstanding artists. Audiences were captivated by her unique voice that seemed to fit in with artists like Lewis Armstrong. Eleanora’s mother decided that it was time to pack the bag and move the fabulous New York City. Eleanora followed suit and decided it was time for a change. Eleanora Fagan Gough became known as the newly named Billie Holliday.
Her name change was based off her lover for Billie dove, a film star, and she became known in the clubs she performed at as Lady Day. Together she came up with the idea of Billie Holliday and that would stick to be her professional stage name for the rest of her career. Billie made her debut in Harlem nightclubs and she took off. With no technical training and no knowledge of reading music it was astonishing how talented this woman was. She moved around the jazz scene, club after club, collecting tips. When she was 18 Billie Holiday was seen by John Hammond who worked with Benny Goodman. Then in 1935 her career she recorded tracks that became hits and this lead her to get her won recording contract. Then, in 1942 she recorded a number of tracks that would help build early American Jazz …show more content…
music. In 1936 Billie began working with Lester Young which led to her working with Count Basie in 1937 and Artie Shaw in 1938.
She was also one of the first black women to work with an all-white orchestra which was impressive considering the time. Holiday began to work with Columbia records and was introduced the poem, “Strange Fruit.” The record label would not record this track because of the content but that did not stop Billie. She found an alternative record label that would record the track which became one her most known songs. Billie went on to record around 100 tracks with Verve during 1952 to 1959. Her voice transformed into a raw and vulnerable which added a new found soul into her later tracks. During this period she toured Europe and made her final recordings with MGM in 1959. Billie Holiday went on musical journey that most musicians would kill for but, not all of it was
pleasant. As Holiday became more famous she turned to alcohol and drug use like most musicians during the time. She also was in abusive relationships that only seemed to make her have this rawness which transcended into her voice. For most of her life Billie Holiday participated in the use of recreational drugs. She started with marijuana and she used at the early age of thirteen. This usage did not really affect her and it was until she tried another drug her audience would see a difference. Heroin would be the undoing of Billie holiday. She began to heavily use heroin around the 1940s. Her success was hard on her and was easy to tell with her abusive tendencies. Her relationships took a toll on her emotionally and in some cases physically and that really was portrayed in her voice. Her youthful tone was replaced with regret and sadness. The last years of her life were sad to say the least. She had no cabaret card and that made it impossible for her to work in New York clubs and for the last 12 years of her life. We have to imagine that this had to have a very negative on her. This was all her doing as she could not possess a cabaret card with narcotics violation. Billie Holiday was arrested for a narcotics violation in 1947 and attempted to gain sobriety by going to a rehabilitation center. This failed and when the realization that she could not play in clubs hit her she quickly returned to the use of narcotics. She eventually died at the age of 44 in the Metropolitan Hospital. The cause of death was determined to be a congestion of the lungs complicated by heart failure. Billie Holiday was a fantastic artist with many flaws. Her voice captivated many and she seduced so many. With her being one of the first black women to work with an all-white orchestra, she influenced many. Her voice was soft like velvet and it stuck with people through centuries. She was able to make jazz timeless and became well known as the women of jazz. She was so talented and it is a shame that she came to such an early demise. Billie Holiday continues to inspire many people of many different generations.
Eleanora Fagan (April 7, 1915 – July 17, 1959), professionally known as Billie Holiday, was an American jazz artist and artist musician with a vocation traversing almost thirty years. Nicknamed "Woman Day" by her companion and music accomplice Lester Young, Holiday affected jazz music and pop singing. Her vocal style, firmly propelled by jazz instrumentalists, spearheaded another method for controlling stating and rhythm. She was known for her vocal conveyance and improvisational aptitudes, which compensated for her restricted range and absence of formal music instruction. There were other jazz vocalists with equivalent ability, however Holiday had a voice that caught the consideration of her crowd.
Josephine Baker Josephine Baker was an African American woman who had to overcome discrimination and abuse in achieving her dream of becoming a singer and dancer. She did this during the 1920s, when African Americans faced great discrimination. She had a hard childhood. Her personal life was not easy to handle. Furthermore, she overcame poverty and racism to achieve her career dream.
Ella was born in Newport News, Virginia on April 25, 1917. When alled “The First Lady of Song” by some fans. She was known for having beautiful tone, extended range, and great intonation, and famous for her improvisational scat singing. Ella sang during the her most famous song was “A-tiscket A-tasket”. Fitzgerald sang in the period of swing, ballads, and bebop; she made some great albums with other great jazz artists such as Duke Ellington, Count Basie, and Louis Armstrong. She influenced countless American popular singers of the post-swing period and also international performers such as the singer Miriam Makeba. She didn’t really write any of her own songs. Instead she sang songs by other people in a new and great way. The main exception
Freda Josephine McDonald was born on June 3, 1906 in St. Louis, Missouri. Her father, Eddie Carson, a vaudeville drummer left Josephine’s mother Carrie McDonald soon after her birth. Her mother remarried an unemployed man named Arthur Martin, who was kind. Their family would grow to include a son and two more daughters. Josephine grew up cleaning houses and babysitting for wealthy white families. She got a job waitressing at The Old Chauffeur's Club when she was 13 years old. This is where she met her first husband, she decided to leave home and get married.
...ng to this day, she is one of few who could compete with the men of hip-hop, but she never pretended to be anything but a woman. She not only sang about female empowerment, but she wrote about being a woman from the insecurities that we as women sometimes feel to the nirvana of being in love. Sensuality and femininity were always as important to her which was her strength, and message to get out to women especially those of color.
In 1933 Billie audition as a dancer when she was 18, but the judges said she was not good enough so they asked her if she could sing-she could. In 1939 Billy sang at a café called Café Society and the song was “Strange Fruit”. Holiday wanted the song to be recorded but it was forbidden because it was “too inflammatory” Strange Fruit is a song about racism. She did not want to sing it on many radio stations because they banned all the intense words in the song. She could have been killed by the Koo Klucks Klan if she sang that song. Promoters objected Billie Holiday because of her race. The style of her voice-often tries to sound like a horn instrument because she likes the sliding sound. She refused to sing like other singers. Billie slyly said on a radio interview,”I always wanted to sound like an instrument.” She changed her name to Billie Holiday because her favorite film star, Billie Dove. In 1944 Billie Holiday received the Esquire Magazine Gold Award for Best Leading Female Vocalist. She would then receive some more awards in the following years to come. She got the nickname “Lady Day”. She was discovered by John Hammond, a young producer at Monette’s, a Harlem night club. When he heard Billie’s voice he was
The movie Lady Day: The Many Faces Of Billie Holiday paints an interesting, and thought provoking portrait of one of jazz and blues most charismatic, and influential artists. The incomparable talent of Billie Holiday, both truth and legend are immortalized in this one-hour documentary film. The film follows Holiday, also referred to as “Lady Day” or “Lady”, through the many triumphs and trials of her career, and does it’s very best to separate the facts from fiction. Her autobiography Lady Sings The Blues is used as a rough guide of how she desired her life story to be viewed by her public. Those who knew her, worked with her, and loved her paint a different picture than this popular, and mostly fictional autobiography.
Billie Holiday’s “Strange Fruit “is probably one of the greatest songs composed telling the chilling story about lynching. A little unknown fact is that it was written by a Jewish man by the name of Abel Meeropol. Initially “Strange Fruit” originated as a poem written by Abel Meeropol, as a protest against lynching of African Americans. Meeropol meet Holiday in a bar, where she read the poem, and decided to make the poem into a song. The record made it to No. 16 on the charts in July 1939. This song is probably Holiday’s most famous song she ever sung throughout her whole life. In the end Strange fruit forces listeners to relive the tragic horrors of living in America as an African American. The vivid lyrics paints a picture that causes a person
Women’s sufferage was at it’s peak with the ratification of the United States Nineteenth Amendment. Women recived more independence after the end of the First World War and took a greater part in the work force. In the 1920s, there were many famous women Jazz artists such as Lovie Austin, a piano player and band leader, Lil Hardin Armstrong, a pianist who was originally a member of King Oliver’s band, and Bessie Smith, an African-American blues singer who inspired women like Billie Holiday and Janis Joplin. Although women were also making a difference in the Jazz industry, it wasn’t until the 1930s when they were recongnized as successful artists in the music world.
Bessie Smith impacted Billie Holiday because Holiday learned a lot through Smith’s records by thinking that Smith was kind of a teacher. Even though Billie Holiday did not have a voice as powerful as Bessie Smith, Billie Holiday’s musical interpretations and phrasing were similar to Bessie Smith. Frank Sinatra was impacted by Bessie Smith because he believed that she was an early blues genius. Sinatra’s voice was more polished than Smith’s voice, but he did find inspiration in the emotions she sang with in the records. Bessie Smith was a highly influential artist that had the power to help people with their music even after her death proving that she truly is “The Empress of Blues” ("Bessie Smith"
Ella Fitzgerald and Billie Holiday were both prominent jazz singer-songwriters during the same time and masters in their own right, but their worlds could not have been further apart. In 1939, while they were both in the midst of experiencing mainstream success, Ella was touring with Ella and her Famous Orchestra and showcasing her perfect pitch and tone to the world while singing songs that would soon become standards to fellow singers and musicians. Billie was singing solo, comfortable with her limited range, and gaining the adoration of audiences nationwide who loved her soulful voice. Both of these historic singers made contributions to the art of jazz, with vocalists and instrumentalists still using elements of their style today. Ella
Known as the “Empress Of Blues”, Bessie Smith was said to have revolutionized the vocal end of Blues Music. She showed a lot of pride as an independent African-American woman. Her style in performance and lyrics often reflected her lifestyle. Bessie Smith was one of the first female jazz artists, and she paved the way for many musicians who followed.
Known mostly by her stage names, “Lady Ella”, “The Queen of Jazz”, and “The First Lady of Song”; Ella Jane Fitzgerald, born in Newport News, Virginia on April 25th 1917 was renowned for her improvisational ability in her scat singing. She never
Entitled "The First Lady of Song," Ella Fitzgerald was the most famous female jazz singer in the United States for about more than half a century. In her life time, she won more than 10 Grammy Awards, and also earned the title “The First Lady of Song.”Her voice was flexible, wide-ranging, prefect and ageless. She could sing sultry ballads, jazz, blue, and imitate every several instruments. She worked with all the jazz musicians, like Duke Ellington,Frank Sinatra, Dizzy Gillespie and even Benny Goodman. She performed at top places all over the world. Her audiences were as diverse as her vocal rangeand they all loved her.
Butch Cassidy was born Robert LeRoy Parker on April 13, 1866, in Beaver, Utah. The oldest of thirteen children he was born into a poor Mormon family; who had moved from England with his grandparent’s to the mountains of Circleville. Butch had problems with the law at a very young age. Around 1884 Butch had snuck into a shop looking for a pair of jeans, he left an ‘I Owe You’ on the counter for the owner to see. However, this did not go over well and the owner did not wait for Robert to return later that evening to pay for the jeans, instead the owner called the police. Butch also got in to trouble because his father had lost some land in a property rights dispute this caused Butch to no longer looked up to his father as a role model. Butch