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Joseph Beuys as an art critic
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On November 30, 1970 German television station ARD aired 20 short art films as part of project Fliz-TV(felt-TV).The collection of works by 20 of the leading artists of the 1960's was titled identifications and one of these short films was created by German artist Joseph Beuys a sculptor and performance artist who defied the conventions of the objective and subjective aesthetic visual concepts of American art forms such as pop art and its ideals of commercialism, and abstract expressionism with its use of subject based on human emotion, Buyes was seen as being a part of the movement known as Fluxus a group of artists that attempted to move away from the avant-garde art forms that were dominating the 50s and 60s.
The 11 minute video that was aired showed Buyes sitting in front of a television that has a felt pad covering the screen that is turned on, with the sound still turned up. The TV presenter is talking of the prices of meat and dairy at the time, Beuys then preceded to punch himself in the face wearing boxing gloves, then he carved a chunk out of a sausage and rubbed
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The work demonstrates the belief he had that concept or idea was superior to aesthetic visuals, for …show more content…
The work of art is conveyed as a unity of concept, visualisation and the artist who provides the idea". Beuys believed that "if one where, by default, an artist, then one might be an artist everywhere, or in every context in which one finds
“In conceptual art the idea or concept is the most important aspect of the work. When an artist uses a conceptual form of art, it means that all of the planning and decisions are made beforehand and the execution is a perfunctory affair. The idea becomes a machine that makes the art.” (Sol LeWitt - Artform, 1967)
The lovers of sounds and sights, I replied, are, as I conceive, fond of fine tones and colours and forms and all the artificial products that are made out of them, but their mind is incapable of seeing or loving absolute beauty. And he who, having a sense of beautiful things has no sense of absolute beauty, or who, if another lead him to a knowledge of that beauty, is unable to follow — of such an one I ask, Is he awake or in a dream only?
My goal for this paper is to give a practical critique and defense of what I have learned in my time as a Studio Art Major. During my time here I have learned that Pensacola Christian college’s definition of art “art is the organized visual expression of ideas or feelings” and the four parts of Biblosophy: cannon, communication, client, and creativity. Along with Biblosophy I have studied Dr. Frances Schaeffer 's criteria for art, seeing how the technical, and the major and minor messages in artwork. All of these principles are great but they do need to be refined.
Art has always been considered the effervescent universal tool of communication. Art does not require a concrete directive . One sculpture,drawing or written creative piece, can evoke a myriad of emotions and meaning . Artistic pieces can sometimes be considered the regurgitation of the artist's internal sanctum. In Richard Hooks graphic painting,Adoption of the Human Race, the effect of the imagery,symbols ,color and emotional content projects a profound unification of a spiritual edict.
What does the work consist of? Who authored it, and how? What is it based on, and how does it relate? What is it, and what will become of it? The answers to these questions, collectively, form an important response to a bigger question: What is art? What does it mean to describe a piece as “a work of art”?
Art can mean many different things to many different people and was one of the earliest ways in which man has expressed him or herself to others, whether it was through cave drawings or hieroglyphics. It does not begin or end with just drawing or painting, items typically considered art, or the many other recognized facets of art including architecture, drama, literature, sculpting, and music. My research is based on Vincent van Gogh art, and two art paintings that I choose to study is The Starry Night, 1889, and the second art is The Sower 1888. Vincent van Gogh’s is known for Impressionism, that occurs to us in these times, much more to affirm close links with tradition, and to represent
The attempt to set up a standard for assessing the merit of works of art, based upon contingent connections between these works and the sentiments (feelings of pleasure or displeasure) of spectators, was famously made by David Hume. His attempt remains the locus classicus for those philosophers who attempt to found the aesthetic judgment upon empirical, rather than a priori, grounds. I have myself given it a limited defense (1). Recently, Hume's argument has been severely attacked by Malcolm Budd (2). His central contention is that Hume completely fails to introduce any normative element into the aesthetic judgment; he fails, that is, to give any content to the claim that some judgments on the value of a work are more warranted or appropriate than others...
Even to those void of a formal art background, the world of traditional art is a realm held in high regard by nearly all. This elevation of art and artists is engrained into our culture, evident even in our own language – with common phrases such as ‘a work of art’ or ‘masterpiece’ used to express utmost skill and admiration. Yet, when asked to define art most would be clueless as where to begin, other than to perhaps describe feelings of awe at the skill of artists. However, admiration is a subjective matter so is clearly not a solid foundation for such a definition. To truly explore the definition of art, a fitting example would be to examine the work of French artist Marcel Duchamp and his famed ‘readymades.’ By placing these ordinary articles of life under the spotlight of a gallery, Duchamp shattered the traditional process of producing art that had existed for centuries, and subsequently triggered thinking about what constitutes as art.
We encounter art everyday. Art is paintings and sculptures, music and dance, film and photography. It is also fashion designing and architecture, novels and magazines. These seemingly different things have one thing in common – they are all ways in which humans convey themselves. For thousands of years, humans have used symbols to tell a story or describe a struggle. Art is the use of these symbols, symbols that represent us in some distinct way.
“Every good painter paints what he is”. This philosophy stated by Jackson Pollock out lines the idea that many contemporary modern artworks incorporate certain colours, textures, space, signs,
Within David Hume's Standards of Taste we see the exploration of the idea that the level of beauty of how successful an artwork is relies entirely on the audience's personal response. By approaching this idea from many different viewpoints, although Hume focuses the primary point of his argument from the viewer’s perspective instead of the viewpoint of the meaning that is found when looking at the painting directly, basing his argument on the fact that, “though the principles of taste be universal, and nearly, if not entirely, the same in all men ; yet few are qualified to give judgement on any work of art, or establish their own sentiment as the standard of beauty.” This technique is one that is found to be used prominently throughout Hume's
The beauty of a portrait, the adventure of a saga, the delicacy of a porcelain vase, the emotion of a symphony – all forms of art, all forms of expression. Art, as Oscar Wilde explains it, is the “most intense mode of individualism that the world has ever known” (Wilde, The Soul of a Man Under Socialism). Art allows one to express themselves through a thousand mediums, using all five senses. It allows words that are not meant to be spoken, to be expressed, and ideas not meant to be thought, imagined. Perhaps the most prevalent form of art in today's society is literature, as is the most direct form of art.
will argue in favour of Russow’s claim that the aesthetic value we have for a species is actually the aesthetic value we have for individuals of that species.
regarded by many as the core of any act of beauty and reason. Different types of art have provoked many in life to pursue their goals and
Human’s have always struggled to express themselves. Art, is considered by many to be the ultimate form of human expression. Many assume that art has a definition, but this is not the case. Art, it can be said, is “in the eye of the beholder.” This simply means that what you consider art, someone else would not. Art is part of a person’s internal emotions, which signifies why different people see art as different things. Every type of culture and era presents distinctive and unique characteristics. Different cultures all have different views of what art can, and would be, causing art itself to be universally renowned throughout the world.