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More handpicked essays just for you.
Imperialism and colonialism in Latin America
Thesis for cultural violence
Effects of colonial rule in Latin America
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After reading The Violent Land by Jorge Amado it was clear to see that not only were the people of Bahia violent, but the land that they lived on was also violent as well. The land left not only the colonels with a different perspective on ethical reasoning, but created a new world of horrors. Aside from the unpredictable weather, as stated in our book the land was filled with poisonous snakes, jaguars, and other animals that scared any newcomers (Amado 36) that would come to the forest in hopes of money and a better life. In order for these men to get the plantation, they were going to be working on they had to go through thick virgin brushes to get to their designated work area. As stated by Amado “They have crossed rivers, made their way through all but impenetrable thickets, blazing trails, tramping through swamps; and one of them had been bitten by a snake and had buried at the side of the newly opened road (Amado 38). Upon completing the book, it was evident that many men that wondered to this land would belong to the forest even after they have passed. Throughout the book, Amado states how dangerous this land is, one of the most important examples I believe there is in the book to prove this statement is when Horatio's wife Ester talks about raising her family on the plantation but fears for the baby's sake as …show more content…
well as her own. On page 52, Amado explains Ester's enormous fear of not only the forest but the forest at night. "Ester always had the feeling that one day the snakes would end up by coming up on the veranda and making their way on a stormy night until they reached her and her child's throat". The unpredictability of the weather left her not only afraid of the natural elements that she and her family were exposed to on a daily basis that also left her accustomed to the horrors of the land. "She had become used to shots in the night, along the highway, and the corpses that from time to time went by in a hammock, to the mournful accompaniment of weeping women" (Amado 51). In a sense, the land was changing everyone as a person. For example, Horacio often left Ester in heavy silence and changed his personality in ways such as making him more violent and outrageous that “left the fiercest of jaquanços huddled in fright” (Amado 51). Social relationships also played a big role as to who had the most power over the people that worked for the cocoa plantation owners. Having the right relationships allowed some of these powerful colonels to get away with heinous crimes. Some that left them not only with a bad reputation to their names, but left them with power that allowed them to continue to conduct business in ways that benefited themselves, and allowed them to gain more control over the production of cocoa. Throughout the book, it is clear that the Colonels want to gain as much land as possible no matter the consequences that it may bring to other people. Their main goal was to cheat their way through as much as they could and even resorted to killing people that stood in the way of their plan. It’s almost as if the ethical thinking that would normally be within a society did not apply to the lives of the colonels throughout the course of the book. One of several examples of power would be Juca Badaró, who was first introduced in the book as a man who was to be feared. He does this by showing the men that had recently arrived in the forest as someone who should not be crossed. For example, as stated in the book “I did not shoot to kill, but only to show you that I mean to be obeyed” (Amado 40). From here the audience, as well as the men in the book, got a sense of how Juca initially establishes his power and is able to control the behavior of the men who came to the forest in hopes of a different life, but end up slaves to the forest and the men that operate this business. As the book progresses it was also clear to see that Sinhô Badaró had to the power and the resources to hire men that would be willing to kill for so little. One reoccurring theme that presented itself in this book is the value that they put on people’s life. One example in the book being Damião. As stated in the preface of our book “it was worth exactly the price of a swig of rum, sufficient pay for the hired gunman who hid behind a guava or breadfruit tree, waiting for his designated victim to come into sights of his repeating rifle” (Amado xxi). Not only is Sinhô Badaró able to pay so little for his hired gunman to kill someone for him but he does it many times throughout the book. The power that he displays throughout the course of the book shows that he is able to manipulate Damião into believing that there is no better killer out there besides himself. Damião views his "work" as something normal, for example; "For him, an order of Sinhô Badaró was something that admitted no discussion. If Sinhô sent him to kill, he had to kill. Just as, when Sinhô sent him to saddle the black mule for a journey, Damião had to saddle it as quickly as possible” (Amado 66). The ways in which the violent land changed these men sense of humanity is evident throughout the early introduction of Damião. For example; as stated by Amado “They say there is no better killer in the region than Damião, Sinhô Badaró’s boy”. This passage in the book along with several others goes to show that the Badaró’s were able to use a false sense of pride in front of him and use it to their own will. It is here that we are able to see to the full extent the power some men had over other people that had very little education. As the book gets further along it is also clear to see that Damião did not fully understand what it was that he was hired to do. In his mind, Damião viewed himself as some who was courageous, brave and the best there was. It is not until Damião is alone at night with his thoughts that colonel words “Do you enjoy killing people? Do you feel anything at all? Nothing on the inside” (Amado 67). It is here where he realized what he has been doing for so many years was actually a product of the violent normality of this land. Another example of how far a social relationship with the right people could be of value to the men in power during this time period is Colonel Horacio da Silveira. There are several instances where Horacio’s persona is described but the one that stood out to me the most was the way Horacio’s wife Ester describes him. She describes him as someone who is “immortal, a master, [and] the boss” (Amado 56). Not only is he able to establish this kind of reputation amongst other people that work on his plantation, but his wife, his own family sees him as someone that has an enormous amount of power and control amongst people. One prime example of having the right relationships with the right people is Horacio’s relationship with Lawyer Ruy.
Previously in the book, it was stated that there had been rumors circulating about Horacio that he has committed three murders. Where "he cut off the man's ears, nose, and tongue and has castrated him "(Amado 41). Lawyer Ruy was able to publicly speak in Horacio’s defense as not only a successful plantation owner but as someone that has been able to contribute to the town with the building of chapels in two cities (Amado 42). Horacio was able to get the right things to be said in his name that lead him to dismissed of those
chargers. The colonels saw the production of cocoa as something that could be equated to gold. With the cost of exporting the cocoa being high, they viewed the violent land as something beautiful. What they saw was "[the] black earth, the best in the world for planting cocoa. Before him, he saw no longer a forest shot with lightning gleams, and full of weird sounds what he saw was a cultivated field of cocoa trees, trees in regularly planted rows, laden with their golden fruit, the ripe, yellow chocolate nuts" (Amado 39). It seemed to me that what the colonels viewed as normal or beautiful was what the working men viewed as violent and mysterious. Another claim that supports the authors' statement about Latin American being born in blood and fire throughout the book is crosses being set into the ground where the fallen men took their last steps. Men who would wander into the forest for what they believed would only be a couple of months to a year, but would end up as slaves to the forest as well as the colonels. With the colonels providing them with small huts for them to live, a place to work, and tool these men were essentially attempting to paying off a debt that would be never-ending. The book talks about how the thick cocoa slime stuck to all of the workers as well as the other people that lived for the forest. As well as stating that no matter how much you washed it off of your body it was something that could not be removed from you. These men grew so accustomed to the way they were living, that when they returned to their former lives it seemed indifferent. One early example that proves as evidence is at the beginning of the book where Joao is saying goodbye to his significant other. It is here where João promises her to be back within a month, but she knows that he will not be seen again. For example; “the young woman’s voice was full of pain, and João shared her anguish as he heard her say: I know very well that I’m going to die, I will never see you or the children again” (Amado 4). The state of Bahia in Brazil was not only a land that was born in blood and fire but was a treacherous land that was full of deception and one that was built by the revenge of the most powerful colonels of this time.
In Samba, Alma Guillermoprieto describes the Carnival celebrated every year in Rio de Janeiro, Brazil and explores the black cultural roots from which it takes its traditions as well as its social, economic, and political context in the 1980s. From her firsthand experience and investigation into favela life and the role of samba schools, specifically of Manguiera, Guillermoprieto illustrates a complex image of race relations in Brazil. The hegemonic character of samba culture in Brazil stands as a prevalent theme in numerous facets of favela life, samba schools, and racial interactions like the increasing involvement of white Brazilians in Carnival preparation and the popularity of mulatas with white Brazilians and tourists. Rio de Janeiro’s early development as a city was largely segregated after the practice of slavery ended. The centralization of Afro-Brazilians in favelas in the hills of the city strengthened their ties to black
In both the movie, La Misma Luna, and the newspaper series, Enrique’s Journey, there is a demonstration of abuse of power. Judicial policemen, immigration officers, and bandits all take part in hurting migrants in various ways. If a migrant is lucky enough to make it across the borders, then they will most certainly have physical and emotional scars. They also have their own story of survival to tell. One of the main messages sent relating to this topic is immigration officers, judicial policemen, and bandits abuse their authority by beating, robbing, and raping vulnerable immigrants in fragile situations.
Imagine quitting your job to start something that can help the future of the world in diffrent way. Picture getting arrested for trying to help the make the world better in the future. Rodolfo “Corky” Gonzales is somebody that is extremely hopeful in the future.
BOOM! BOOM! BOOM! Dead falls Romaldo Cortez, Brother of Gregorio Cortez, thanks to Sheriff Morris. The day is June 12th of 1901 and Sheriff Morris shows up to Gregorio Cortez’s home. Sheriff Morris along side with Boone Choate (who was supposed to be an expert in the Mexican language) were both in search of a horse thief, start asking questions immediately when they see Gregorio Cortez and Romaldo Cortez. Choate asked Cortez “, did you trade a house with Andres Villarreal?” Cortez answered solidly “No”. Cortez had traded a mare not a horse. As soon as Sheriff Morris heard his response, he told Choate to tell Cortez and his brother that they were going to be arrested. Gregorio asked why but Sheriff Morris misunderstood and shot Romaldo to death. In defense, Cortez shot Sherriff Morris for his brother. Cortez knew that he was going to get into trouble so he decided to flee. (Garcia) Many question if he’s a hero for defending his brother the way he defended him. Many think he is just a rebel for killing a sheriff for no good reason, but Cortez had a reason. Cortez is a hero for the reason that he was brave enough to confront injustices from defending his brother, never giving up, and persisted as long as he could, demonstrating that he had the courage most individuals do not.
John Sayles' Men With Guns (Hombres Armados). In Men with Guns, John Sayles depicts a feudal economic system in an agricultural South American setting. Using the travels of Dr. Fuentes, a concerned doctor from the city, to reveal numerous aspects of peasant life, Sayles shows the economic whirlwind in which these peasants are caught. Men With Guns demonstrates how the feudal economic system operates by revealing the economic and political power the rich plantation owners possess and lord over their lessers.
One of Danticat’s reasons for writing The Farming of Bones was to tell the story of the 1937 massacre for the world to hear “so that [these things] don’t happen again” (Holmes, p. 12). The Massacre River was, in fact, Danticat’s inspiration to write the book (Wachtel 108). She sees the river as “both sad and comforting” in Hispaniola’s history (Wechtels 107). The river is both a site of grief and a site of hope.... ...
In the written piece “Noble Savages” by John Hemming he give an historic account of different European adventures in the Brazilian mainland. He also tells some of the stories about the Brazilian people that were taken back to Europe about the savages’ way of life.
In Fight in the Fields: Cesar Chavez, by Margo Sorenson, two teenagers were not paying attention in history class, and their teacher assigned them Saturday school, pulling weeds. Kenneth and Aleesa weren’t friends, they were caught passing a note to someone. After, they started to work on Saturday, they both drank from a blue water jug, that sent them back in time. To the year 1965, where Cesar Chavez was helping out the field workers get their own union. By putting on a strike against the Schenley Company, who grow grapes in Delano, California, and sold them around the world. While, the teenagers were in the past, they lived and worked with the Lopez’s, Juan, Rosa, and their son Luis. Luis helped Kenneth and Aleesa understand what was happening during that time with the NFWA- National Farm Workers Association and the strike to get the workers a union of their own, and they all joined the NFWA. Which ended in the year 1970 and they were able to go back to their time. Both Kenneth and Aleesa were able to experience the strike first hand, and when they went back home, they wished that they had paid a little bit more attention in class, and that they were going to from then on.
“Papi pulled me to my feet by my ear. If you throw up— I won 't, I cried, tears in my eyes, more out of reflex than pain” (307). As this scenario presents violence, it displays innocent Yunior’s response towards his abusive father as he pulls Yunior’s ears. In the short story Fiesta 1980, Junot Diaz depicts the life of young Yunior as he struggles with his Dominican family issues. Yunior was picked on the most in the family, especially from his dad. As Poor Yunior was the victim of his dad’s affair with a Puerto Rican woman, it affected him psychologically. Yunior suffers from the fact his beloved mother is being cheated on; therefore, he vomits as he rides his dad’s van, as his first ride in the van is linked to his first meeting with
Has a Story ever made a reader want to hurt the character responsible for trouble that’s being caused? Of course; usually the antagonist is often the nuisance. Richard Connell creates these instigative characters with pleasure and diversity. In his story “The Most Dangerous Game”, He Creates General Zaroff so that he is easy to hold a grudge against. Likewise Edgar Allan Poe Creates a character that is easy to hate. In his short story “The Cask of Amontillado”, Poe creates a mastermind killer. Connells antagonist, General Zaroff, and Poe’s antagonist, Montresor, give the reader an invitation to hate them. These two characters are similar yet different in their evil persona, wealth, and challenge.
We must begin with Brazil’s history in order to understand the problem and how it came to exist. During the year 1500, Brazil was “discovered” by the Portuguese. The Portuguese saw the indigenous people as “savages” because they did not look or dress like Europeans. Hence, the idea that indigenous people are “savages” help influence the Portuguese that indigenous people need to be controlled and become more civilized. During the 16th century the Portuguese used “black” slaves to work in plantations to increase trading in Europe. After the year 1850 slave trade was abolished, but the Portuguese continued to bring slaves from Africa, illegally. Edward Eric Telles states, “Roughly three hundred years later, when the slave trade ended in 1850, 3.6 million African Americans had been brought to Brazil as slaves, ...
The eternal endeavor of obtaining a realistic sense of selfhood is depicted for all struggling women of color in Gloria Anzaldua’s “Borderlands/La Frontera” (1987). Anzaldua illustrates the oppressing realities of her world – one that sets limitations for the minority. Albeit the obvious restraints against the white majority (the physical borderland between the U.S. and Mexico), there is a constant and overwhelming emotional battle against the psychological “borderlands” instilled in Anzaldua as she desperately seeks recognition as an openly queer Mestiza woman. With being a Mestiza comes a lot of cultural stereotypes that more than often try to define ones’ role in the world – especially if you are those whom have privilege above the “others”.
Violence acts without borders or race, but violence does not act on its own. Throughout the creation of New World violence played a vital role among the Europeans, Africans, and Native Americans. The colonial era brought about devastating violence such as murder, rape, kidnapping, slavery, and racism. Columbus justified the enslavement and murder of the Native people by dehumanizing them, making them less than human. The Portuguese seems to expect complete submission from the Cape Verdians upon sight. The argument in this analysis is to historically examine justifications used for violence in the New World.
The Cask of Amontillado” by Edgar Allan Poe describes how Montresor confesses the sequence of his well-designed or nearly flawless murder or revenge against Fortunato due to he is a threat to him. In his confession of a perfect crime, Montresor, who “vowed revenge” because of Fortunato’s “thousand injuries,” first say that his “heart grew sick” and then immediately add, “ it was the dampness of the catacombs that made it so because he believes Fortunato insults him many times that his hatred against him become bigger and bigger. This makes him cannot stand for Fortunato’s behavior anymore as well as the setting completely makes everything prefect as he believes Fortunato deserves the punishment. The nature and family hold a significant role
of the lands(PeaceNet). The report claims that, "in reality, most most indian lands whether demarcated or not are coveted for some form of development." This claim is substantiated by the fact that "mineral concessions have been made on fifty-eight percent of all demarcated indian lands, while thirteen percent are affected by hydroelectric projects," (PeaceNet) The link between global environmental change and the rights of indigenous populations results from the close relationship between indigenous people's cultural and economic situations and their environmental settings. Therefore, if the environment of the native Indians of Brazil continues to be changed and removed, the people born on these lands will be exterminated out of existence. Additionally, many societal views of the indigenous people is killing them. The Amnesty International report, as commented upon by PeaceNet cites one occasion in which a thirty-five year old Macuxi Indian by the name of Damiao Mendes was found lying face down on a muddy riverbank, shot in the neck. Nearby lay his nineteen year-old nephew, murdered by the same means.