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Jonathan swift life history as a satirist
Essay on jonathan swift
Jonathan Swift,1667-1745
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Jonathan Swift: Satirist and Irishman
Jonathan Swift is one of the most cutting satirists in the history of British literature. Born in 1667 in Dublin, Ireland seven months after his father's death, Swift had a difficult life. [5] He remained with his uncle throughout his childhood, attending Kilkenny School, the best education to be had in Ireland at the time. [4] He later, in 1682, went on to attend Trinity College where he earned a Bachelor of Arts degree. [5] Several years later he was forced to leave Ireland due to political unrest and relocated to England, where he rejoined his mother and worked for William Temple for the next ten years. [4] In 1692, Swift earned a Master of Arts at Oxford. In 1694, Swift returned to Ireland and was ordained as a priest. [4]
Upon his return to Ireland, Swift became very involved in politics. He was an active Whig for many years. However, when Whig agenda went against the Church of England, Swift, a profoundly religious man, broke with the party. [4] He joined the Tory cause and employed his intelligence and writing skill in helping to fight for Irish rights. [4] Swift spent the rest of his life serving the church and writing a great deal of literature responding to society, political policy, and social conditions. His most famous works are listed below.
A Tale of a Tub ( 1704 ).
Battle of the Books ( 1704 ).
The Abolishing of Christianity ( 1708 ).
Meditation upon a Broomstick ( 1710 ).
Journal to Stella ( 1710-13 ).
Proposal for Correcting... the English Tongue ( 1712 ).
"Cadenus and Vanessa " ( 1713 ).
The Drapier's Letters ( 1724 ).
Gulliver's Travels ( 1726 ).
A Modest Proposal for Preventing the Children of Poor People from Being a Burthen
( 1729 ).
"The Day Of Judgment " ( 1731 ).
"Verses on the Death of Dr Swift " ( 1731 ).
Correspondence. Five Volumes. Edited by D. Nichol Smith. Oxford, 1963-65. [6]
All of Swift's works criticize the faults of mankind, uplifting virtue and common sense above all else. [4] His works question whether the progress of civilization and the behavior and values of society are truly advancements or just complex barbarianism. [4] He challenges his readers to think for themselves instead of accepting everything at face value.
Swift criticizes by employing the literary device called satire in which the author exposes folly or absurdity in the behavior of an authority or society.
The main rhetorical challenge of this ironic essay is capturing the attention of an audience. Swift makes his point negatively, stringing together an appalling set of morally flawed positions in order to cast blame and criticize
How does Swift want the reader to view his speaker? That is, how would Swift want his reader to describe the persona he adopts? Swift wants the reader to view the speaker as a reasonable, compassionate and rational person who has a genuine interest in solving the problems of the poor Irish. In the beginning of the essay, the speaker appears to be a concerned person who demonstrates a keen insight into the issues he addresses. However, this is contrary to the fact that the speaker predominantly relies on random and absurd statistics and logic to present his solution. By acting as someone compelled to solve the plight of the poor Irish, the unknown speaker makes his words more effective and establishes himself as someone who would never make the outrageous proposal that follows.
In his lengthy literary career, Jonathan Swift wrote many stories that used a broad range of voices that were used to make some compelling personal statements. For example, Swifts, A Modest Proposal, is often heralded as his best use of both sarcasm and irony. Yet taking into account the persona of Swift, as well as the period in which it was written, one can prove that through that same use of sarcasm and irony, this proposal is actually written to entertain the upper-class. Therefore the true irony in this story lies not in the analyzation of minute details in the story, but rather in the context of the story as it is written.
...ture the attention of the audience by means of “political pamphleteering which is very popular during his time” (SparkNotes Editors). The language and style of his argument is probably why it is still popular till this day. By using satire, Swift makes his point by ridiculing the English people, the Irish politicians, and the wealthy. He starts his proposal by using emotional appeal and as it progresses, he uses ethos to demonstrate credibility and competence. To show the logical side of the proposal, he uses facts and figures. By applying these rhetorical appeals, Swift evidently makes his argument more effectual.
Although Jonathan Swift and Oliver Goldsmith have two distinct writing styles, their passion for literature, their desire for a better world, and the underlying topic of their work are all strikingly similar. The lives of these two famous authors also resemble each other’s, starting in poverty, living through life’s hardships, and ending in success. Swift and Goldsmith were two of the most famous authors of the 18th century. I believe if Swift and Goldsmith had met, they would have made great friends. For the reason that, along with their passions, their lives were bursting with challenges. Both were born in poverty and underwent numerous challenges, including the death of loved ones and the loss of purpose in life. In addition, Jonathan Swift
Living in an age of ill-treatment of the Irish citizenry by the British monarchy of led authors to protest circumstances in the only way they knew how, with their words. Jonathan Swift was one such author who attacked the wrongs England committed upon Ireland using his wit and satire. Swift once said, “We have just religion enough to make us hate, but not enough to make us love one another” (Baker). Therefore, the crux of the problem with Ireland and England was the desire for one to keep their religious freedoms while the other wished to replace a religion with their own. It is that fervor for religious control that led England to use every method at its disposal to force the Irish to convert from Catholicism to Anglicanism. To accomplish this goal the English monarchy and parliament passed laws preventing Irish citizens from earning a living and attempted to destroy Ireland’s economy with worthless coins. Had the Irish citizenry passively stood by and allowed this to happen the English plan may have succeeded. However, writers such as Jonathan Swift fought with written words to rally a nation against tyranny.
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Swift was said to “declare at one stage in his life: ‘I am not of this vile country (Ireland), I am an Englishman’” (Hertford website). In his satire “A Modest Proposal,” he illustrates his dislike not only for the Irish, but for the English, organized religions, rich, greedy landlords, and people of power. It is obvious that Swift dislikes these people, but the reader must explore from where his loathing for the groups of people stems. I believe Swift not only wanted to attack these various types of people to defend the defenseless poor beggars, but he also had personal motives for his writings that stemmed from unconscious feelings, located in what Sigmund Freud would call the id, that Swift developed in his earlier years of life.
Jonathan Swift lived during a grave era in Ireland’s history. David Oakleaf’s A Political Biography of Jonathan Swift examines Swift’s pamphleteering and his political leanings. His aim was to relate Swift’s most important writings to the cultural background around when they were produced. According to Oakleaf, Swift’s rhetoric “displayed an extremism that did not always reflect what appears to have been his actual, more conservative political position satire”. Swift called himself an Old Whig. The claim to be an Old Whig, Oakleaf suggests, was a rhetorical device Swift used to present himself as a man of principle, standing above factional politics. In Oakleaf’s account of A Modest Proposal, he believes that Swift’s piece is an expression of “his horror at human oppression” (201).
...tential. With the power of satire, Swift shatters our ego to the point that the text makes us question, if in fact mankind is even worth saving.
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In Gulliver’s Travels, Swift uses multiple examples of political, religious, intellectual, economic, and social satire to exhibit the faults of Europe during the eighteenth century. This story, however, also has contemporary connections. The high and low heels of Lilliput, for example, can represent Democrats and Republicans in the United States. Swift’s use of satire allowed him to criticize what was happening in Europe at the time without being too obvious about it. Whereas many other novels were being burned for criticizing governments, Swift was able to mask his criticisms through satire. He was still able to inform the readers of the faults of Europe without angering any leaders. Ultimately, Swift is able to use satire to comment to serious societal issues of the eighteenth century while still providing an entertaining novel.
His uncle Godwin Swift (1628–1695), a benefactor, took primary responsibility for the young Jonathan, sending him with one of his cousins to Kilkenny College (also attended by the philosopher George Berkeley).[7] In 1682, financed by Godwin's son Willoughby, he attended Dublin University (Trinity College, Dublin), from which he received his B.A. in 1686, and developed his friendship with William Congreve. Swift was studying for his Master's degree when political troubles in Ireland surrounding th...
Jonathan Swift was an Irish satirist, essayist, poet, and cleric who turned political writing into something more riveting and humorous. Although his works were aimed towards the political audience, his writings impacted everyone in Europe in many ways. His combination of genres created a new theme that was admired by many groups of people. Though his work may not be remembered forever, he will remain a distinguished author in all of his reader’s hearts.